Framed schedule of 1996 Admission Fees for Sir Colin MacKenzie Zoological Park and Melbourne Zoological Gardens. Frame is in dark brown with a gold border close to the glass. Document is printed on a single sheet of A4 paper and was possibly faxed.Typed on lower edge: "6/06/1996 3:21 PM STZOO"admission, entrance-fee, healesville-sanctuary, sir-colin-mackenzie-zoological-park, melbourne-zoological-gardens

Palm avenue at Blessington Street entrance, c. 1950 and 1995colour and black and white postcard (3 post cards - identical)Palm Avenue at Blessington Street entrance. Historic gardens in the City of Port Phillip postcard series celebrating the launch of the Royal Botanic Gardens Melbourne. Flora for Victoria 1996.

The Lyric Summer Picture gardens Theatre started in 1912 and discontinued in the early 20's.copy(?) of black and white photographHand written on back:Melbourne Suburbs St Kilda The Royal Strollers St Kilda by the Sea Annual Season 1915/19 P.126. People are outside the entrance of the Lyric Theatre, which advertises Royal Strollers. Next door, Cremorne Tea Gardens Caf�. StampedNational Library of Australia Canberra

Depicts the entrance to camp 14, part of the Loveday Internment Camp Group. The bamboo and wood arch was built by the Japanese internees. Photograph copied from the AWM (accession number 122983).Black and white copy of photograph. Depicting the entrance to Camp 14. Entrance in foreground, with hut to the left behind the entrance. To the right inside the entrance is a garden bed with a stone on which is mounted a round circle with a V in it. On the ground in front of that is CAMP 14 C D. Photograph is on corfu.camp 14, loveday internment camp group, japanese internees, barmera sa, awm, accession number 122983

The archway is at the entrance to the Japanese compound. The small Japanese building is a Japanese shrine. This was built at Camp 14.Black and white photograph. Two lamps on posts in the front of the photograph. There is an archway to the left and rear of the photograph. Between the 2 lamps there are three stone steps leading up to a small Japanese building.loveday, south australia, opium crops, internment camp loveday, japanese shrines, japanese internees

Ten unique hand painted poles (wooden telegraph poles) reflect the surroundings of Lake Wendouree and tell First Nations' peoples stories. Tom Clark created the Koori Totem Poles prior to the establishment of the North Garden Indigenous Sculpture Park. The work is a set of 10 poles decorated and carved with ‘Koorie’ motifs and references and was commissioned originally for Ballarat’s Begonia Festival. These poles were shifted from the Ballarat Botanical Gardens main area in 2015 to their present site guarding the northern entrance to North Gardens.The artworks are of aesthetic and cultural significance to the people of BallaratTen hand painted wooden telegraph polestotem poles

The memorial fountain was erected at the main entrance to the fernery of the Ballarat Botanical Gardens in 1890 by public subscription. It was a tribute to Frederick Moses Claxton, Councillor and Mayor of Ballarat (1872-1877), who was devoted to beautifying the Lake and Gardens.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble bust atop a decorative fountain with swan and cherub figures on a bluestone base, concrete surrounds the pond base with a low iron rail.claxton, fm claxton fountain

David Ham (1830 - 1908) MLC donated the two marble lions in 1893. These were characteristic of grand entrances in 19th Century landscapes and the lions were also an emblem of the strength of the British nation. The lions are located inside grand entrance gates to the Ballarat Botanical Gardens.The lions are of historic and aesthetic significance to the people of BallaratTwo large marble lions Presented by the Hon David Ham M.L.C 1893.19th century lions

Boy with a Thorn Though the classical bronze that the figure was modeled has become known as Lo Spinario, both Stuart Rattle and Kevin O’Neill referred to it as The Boy with a Thorn. Information from the late Stuart Rattle and John Graham, the late Kevin O’Neill’s partner. The statue was bought by Kevin O’Neill from a South Yarra antique dealer in the 1980s. She had bought it in Europe. Stuart believed that it was cast in Berlin by Moritz Geiss who had pioneered the popular process of zinc casting of classical statues. Schinkel, the architect of early 19th Century Prussian public buildings used the process extensively. I assume that the decorations that can be seen in Berlin currently are copies of those copies, given the comprehensive destruction of the city in 1945. Unless there is a date stamped on the statue, and there might well be, there is no firm indication of its age, although Stuart and Kevin believed it was “turn of the century”. It was given to Stuart by John Graham after the death of Kevin O’Neill. Prior to its installation at Musk Farm, it was “by the dam” at Marnarnie, O’Neill’s property at Mt Macedon. It became a much photographed focal point in the sunken garden at Musk Farm. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who intend to give it, in turn, to Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. The CMP notes that statuary has been a feature of most botanic gardens (and a notable feature of the Ballarat Botanical Gardens) and James Lowe, the head of Parks for the Shire has also commented that it is an area that could well be developed in the Gardens. This comes from his attendance at meetings of the BGANZ, the “peak professional body” for the development and maintenance of registered botanic gardens in Aus and NZ. Given the lack of funds that the Shire has been able to allocate to the Gardens, a donation of this calibre is a welcome addition to the cultural asset that the Gardens represent. A very large number of residents of the Shire are members of the Friends, have visited Musk Farm and are appreciative of the Gardens. There is a current feeling that the Gardens are undergoing a dynamic revival as a result of the success of the Café and also because of the extraordinary improvement and enhancement of the amenity that has been undertaken over the past two years by the Friends. The installation of the Boy with the Thorn is another move forward for the Gardens. The statue is cast zinc. It is sometimes referred to a white bronze. As can be seen in the photographs, it is in very good condition with no damage or apparent degeneration of the metal. The Smithsonian Institution has a lengthy document relating to the deterioration and repair of similar casts in the US where urban pollution has taken its toll but for the most part it deals with inappropriate repair rather than maintenance protocols. One of the properties of zinc that is appreciated in Australia is its ability to withstand the elements and given that the artwork has been either on Mt Macedon or at Musk for the last 30 years or more, its relocation to Wombat Hill seems to be an appropriate one. The Friends are prepared to organise and pay for the relocation of the statue. The issue of security from the point of view of theft, malicious damage and environmental impact will need to be addressed. The Ballarat Botanical Gardens have recently reinstalled statuary which has been damaged and which had been removed from the Gardens on account of this. They have used Rockworks Ballarat and Wilson’s Memorials to make plinths, secure artworks with steel pins and to provide especially robust fixings to ensure the safety of the various sculptures. The CMP (2007) makes a number of recommendations regarding security in the Gardens ranging from the installation of lighting to the locking of the gates overnight and the repair/reinstatement of appropriate fencing – not done as yet to my knowledge. Paul Bangay has also agreed to act as a consultant in the process of installing the Boy. John Graham estimates its value at $20,000 The preferred location for the work would be at the entrance to the Fernery from the lawn. The paths form an intersection at that point that could be modified to fit the statue. But this is currently a suggested location only. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who have gifted it to the Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends of the Wombat Hill Botanical Gardens Daylesford see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. Lo Spinario (Boy with a thorn) c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome. c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome (Palazzo dei Conservatori, Musei Capitolini, Rome) Manufacturer M. Geiss, Berlin Nonedaylesford, wombat hill botanical gardens, stuart rattle, kevin o'neill, john graham, boy with a thorn, lo spinario, classical sculpture, zinc, classical nude, hepburn shire, public art, sculpture, art

Built between 1882 and 1884 for the banker William Greenlaw and with interior decoration by the Paterson Brothers, a number of elements of the the interior design scheme reference Greenlaw’s Scottish origins. Following his death in 1895, from 1897 the house was leased and owned by a succession of owners including the Fripp family, the Royal Women’s Hospital and the Mount Royal Hospital before being sold to the Society of Jesus for Xavier College. In 2004 the title was transferred to Villa Alba Museum Inc., and the western section of the garden leased to Xavier College for 99 years. The photograph is one of a series of views of the interior commissioned from the photographer Russell Winnell by the Board of Management of Villa Alba Museum in 2011.villa alba museum, interior design - 19th century, paterson brothers - decorators - melbourne, russell winnell photography, dining rooms - 19th century

Built between 1882 and 1884 for the banker William Greenlaw and with interior decoration by the Paterson Brothers, a number of elements of the the interior design scheme reference Greenlaw’s Scottish origins. Following his death in 1895, from 1897 the house was leased and owned by a succession of owners including the Fripp family, the Royal Women’s Hospital and the Mount Royal Hospital before being sold to the Society of Jesus for Xavier College. In 2004 the title was transferred to Villa Alba Museum Inc., and the western section of the garden leased to Xavier College for 99 years. The photograph is one of a series of views of the interior commissioned from the photographer Russell Winnell by the Board of Management of Villa Alba Museum in 2011.villa alba museum, interior design - 19th century, paterson brothers - decorators - melbourne, russell winnell photography, entrance halls - 19th century

Built between 1882 and 1884 for the banker William Greenlaw and with interior decoration by the Paterson Brothers, a number of elements of the the interior design scheme reference Greenlaw’s Scottish origins. Following his death in 1895, from 1897 the house was leased and owned by a succession of owners including the Fripp family, the Royal Women’s Hospital and the Mount Royal Hospital before being sold to the Society of Jesus for Xavier College. In 2004 the title was transferred to Villa Alba Museum Inc., and the western section of the garden leased to Xavier College for 99 years. The photograph is one of a series of views of the interior commissioned from the photographer Russell Winnell by the Board of Management of Villa Alba Museum in 2011.villa alba museum, interior design - 19th century, paterson brothers - decorators - melbourne, russell winnell photography, entrance halls - 19th century

Built between 1882 and 1884 for the banker William Greenlaw and with interior decoration by the Paterson Brothers, a number of elements of the the interior design scheme reference Greenlaw’s Scottish origins. Following his death in 1895, from 1897 the house was leased and owned by a succession of owners including the Fripp family, the Royal Women’s Hospital and the Mount Royal Hospital before being sold to the Society of Jesus for Xavier College. In 2004 the title was transferred to Villa Alba Museum Inc., and the western section of the garden leased to Xavier College for 99 years. The photograph is one of a series of views of the interior commissioned from the photographer Russell Winnell by the Board of Management of Villa Alba Museum in 2011.villa alba museum, interior design - 19th century, paterson brothers - decorators - melbourne, russell winnell photography, entrance halls - 19th century

Built between 1882 and 1884 for the banker William Greenlaw and with interior decoration by the Paterson Brothers, a number of elements of the the interior design scheme reference Greenlaw’s Scottish origins. Following his death in 1895, from 1897 the house was leased and owned by a succession of owners including the Fripp family, the Royal Women’s Hospital and the Mount Royal Hospital before being sold to the Society of Jesus for Xavier College. In 2004 the title was transferred to Villa Alba Museum Inc., and the western section of the garden leased to Xavier College for 99 years. The photograph is one of a series of views of the interior commissioned from the photographer Russell Winnell by the Board of Management of Villa Alba Museum in 2011.villa alba museum, interior design - 19th century, paterson brothers - decorators - melbourne, russell winnell photography, entrance halls - 19th century

A series of photographs were taken when heavy snow fell in Sunbury in August 1986. The snow began falling overnight and remained on the ground for 24 hours. Snow fell across the metropolitan area during that 24 hour period in a very unusual event for the area.A coloured photograph of the new main entrance to the former Shire of Bulla Council Offices and the garden immediately outside the portico area. The trees are bare and the lawn is covered with snow.snow falls, weather patterns, shire of bulla council offices, george evans collection

Photocopy of black and white photograph. Photocopy of photograph of entrance doors to Pavilion. Doors closed. Two sides of building showing.pavilion, landscape design, gardens

Photograph taken by A.P. Winzenried for consideration as an illustration in, "Green Grows Our Garden." The caption reads, "Wattle is in full bloom at the Burnley Horticultural College. These girl students had a pleasant task gathering the golden glory."Black and white photograph. Copy of a newspaper article taken by A.P. Winzenried. 4 students collecting branches of wattle at the entrance to the Gardens. 2 standing on wooden ladders and 2 holding toolss next to a wooden wheelbarrow.Handwritten underneath, "W. Thompson, M. Younger, H. Dance, E. Pearce, The Argus 13-8-35."a.p. winzenried, green grows our garden, wattle, female student, w. thompson, m. younger, h. dance, e. pearce, students working outside, wooden ladders, wooden wheelbarrow, tools, entrance gate

Note by T.H. Kneen 1 April 1992, "Sketch of signs - Left: School of Horticulture & Primary Agriculture. Middle: Department of Agriculture Burnley Gardens. Right: Plant Reasearch Laboratory (& other Branches). The sign was removed to allow access for builders of new School of Horticulture building c.1946. (b) This is an almost identical view to (a) except that it has been taken in summer." This photograph appears as an illustration in, "Green Grows Our Garden," A. P. Winzenried p 76.Black and white photographs. (a) Signs at Swan Street entrance to Burnley Gardens. (b) Similar to (a) but taken in Summer. Used by A. P. Winzenried for use in "Green Grows Our Garden."(a) On reverse, "Rec'd from E.B.L. 2/2/65."school of horticulture & primary agriculture., department of agriculture, burnley gardens, plant reasearch laboratory, school of horticulture, a. p. winzenried, green grows our garden, signs

Note the Summer House has not yet been built. E.E. Pescott is probably one of the tall men. Photograph used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 34.2 copies black and white photograph. 3 men standing on the lawn near the Luffmann/Lily ponds.On reverse of 1 copy, "1911."e.e. pescott, green grows our garden, a.p. winzenried, ponds, garden view, luffmann ponds, lily ponds

THE OLD CLUNES HOSPITAL WAS SITUATED ON CRESWICK ROAD. IT BURNED DOWN IN JANUARY 1944 DURING BUSH FIRE. IT WAS BUILD 1873 AD.SEPIA PHOTOGRAPH OF OLD CLUNES HOSPITAL SHOWS FRONT ENTRANCE AND PART OF GARDEN.local history, photography, photographs, hospital [old], clunes hospital

HOSPITAL BUILT IN 1947 AFTER PREVIOUS ONE BURNT IN BUSHFIRE IN 1944. NOW BEING USED AS COMMUNITY HEALTH CENTRE.BLACK AND WHITE ANGLED VIEW OF CLUNES HOSPITAL - SHOWING FRONT ENTRANCE - PORTICO AND DRIVE, GARDEN, NEW PLANTS SMALL - BIG TREE ON RIGHT OF PICTURE - TENNIS COURT AND FENCE IN RIGHT OF PICTURElocal history, photography, photographs, hospital

The site specific sculpture is located at the entry to the office of Nillumbik Shire Council. It was commissioned in 1994 by the Shire of Diamond Valley for their 20 year celebration. Baines was chosen from a short list of three artists. He is an internationally renowned artist, particularly in the field of gold and silver smithing. 'Transaction' takes on the visual and aesthetic vocabulary of its surroundings. It is a statement of the geometry and idiosyncrasy of its immediate site. The series of arcs are reinterpreted into longitudinal curves in the sculpture. It is a transaction between the place and the anticipated entry to the building. The title also suggests the flow of civil and administrative procedures that take place daily within the Shire's offices. A large cascading form in stainless steel. Multiple rows of concave dishes set on long steel stems, which progressively increase in size as they rise in height. The work plays elaborately with perspective, and its repeated shapes are arranged in a orderly mathematical series. It faces a wheelchair ramp lined with polished steel rails, and is integrated with the architectural features of its forecourt setting, for which it was designed. The piece is sited in a small garden area and can be viewed from within the building's foyer. In bright sunlight, its dish-shapes cast elliptical shadows across walkways and lawns. N/Apublic art, transaction, ekphrasis2017, stainless steel, disks, poles, council

St. Matthew’s Church Stawell second Manse built 1923. Single story brick house with small decorative timber verandah entrance with iron roof. A rocking horse is on the entrance verandah near front door. Large pine tree branches overhanging top section of photo with low plants in garden.New Manse built 1923stawell religion

Black & White Photo Central Park Gardens looking towards gates from near No 1 Grandstand. Photo located in Griffin Album Cat. no 1254 page 25. Black & White Photograph of Central Park Gardens. Photo looking towards the entrance gates, Lower Main St.stawell

Laser Print of black and white photo of Site of Barnard's Corner Store (2 copies) Boronia Road and Canterbury Road, Vermont. (Mounted) Barnard's Store was on the south-west corner of Canterbury Road and L.L. Vale Road (Boronia Road) Vermont. The old store was run by Miss Barnard. Mr Barnard had a Farriers Shop at the back of the store. The white gates on back centre of photograph in Canterbury Road is entrance to Uplands, home of Edward Bishop and Dr. Stephens. White fence on right hand side of photograph is entrance to home of Mr. & Mrs. Tilson who was a market gardener and orchardist.barnards corner store, uplands, vermont, stephens, dr., tilson, mr., tilson mrs, bishop, edward