Showing 1526 items
matching geelong no. 2
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National Wool Museum
Book, Flock Book for British Breeds of Sheep in Australia, Volume 50 Section 2 Shortwool Breeds 1958
"Flock Book for British Breeds of Sheep in Australia", Volume 50 Section 2 Shortwool Breeds 1958sheep - british, australian society of breeders of british sheep -
National Wool Museum
Book, Proceedings of the International Wool Textile Research Conference Australia 1955 vol. E
"Proceedings of the International Wool Textile Research Conference Australia 1955; vol. E wool technology part 2" produced by CSIRO.csiro -
National Wool Museum
Book, Review of the Victorian Textiles, Clothing and Footwear Industries
"Review of the Victorian Textile, Clothing and Footwear Industries; information paper no. 2" - Merinda Northrop, Department of Industry, Commerce and Technology, May 1984.textile industry textile production, victoria; department of industry, commerce and technology, textile industry, textile production -
National Wool Museum
Letter
Letter from H. Krantz Sohne, Manufacturers of Finishing Machinery, Aachen, Germany to Arthur Heaton & Co. Ltd, Valley Works, Liversedge, Yorkshire, England, dated 2 Nov. 1931. This letter contains a quotation for obtaining a Kettle Decatizing apparatus and a Cloth Winding Machine. It was sent with two photographs of the machinery in question.textile machinery textile finishing, h. krantz s?? arthur heaton and co. ltd, decatizing, winding machinery, textile machinery, textile finishing -
National Wool Museum
Pamphlet, Worsted Card for Man-Made Fibres Type CS-2
"Worsted Card for Man-Made Fibres, Type CS-2" - Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.textile machinery, metalexport bielsko textile machinery works, carding, yarn - worsted -
National Wool Museum
Book, Quilt Showcase 2000
"Quilt Showcase 2000" - Victorian Quilters Inc., 2000. Catalogue of an exhibition/competition of quilts held at the Melbourne Exhibition Centre, 29 June to 2 July 2000. Includes details of the prize winning quilts.handicrafts quilting patchwork, victorian quilters inc., handicrafts, quilting, patchwork -
National Wool Museum
Sample, Wool
Long wool staple from the property of Mr Clive McAdam of "Drysdale", Mooralla, from a five year old wether, in the bush for 3 1/2 years.wool - biology, drysdale, mooralla -
National Wool Museum
Journal, The Australian Corriedale Journal No 2 1976
The Australian Corriedale Journal 1976. The official journal of the Australian Corriedale Association.corriedale sheep sheep breeding, australian corriedale association, pettitt, mr r. w., corriedale sheep, sheep breeding -
National Wool Museum
Journal, The Australian Corriedale Journal No 2 1976
The Australian Corriedale Journal 1976. The official journal of the Australian Corriedale Association.corriedale sheep sheep breeding, australian corriedale association, pettitt, mr r. w., corriedale sheep, sheep breeding -
National Wool Museum
Journal, The Australian Corriedale Journal No 2 1976
The Australian Corriedale Journal 1976. The official journal of the Australian Corriedale Association.corriedale sheep sheep breeding, australian corriedale association, pettitt, mr r. w., corriedale sheep, sheep breeding -
National Wool Museum
Journal, The Australian Corriedale Journal No 2 1976
The Australian Corriedale Journal 1976. The official journal of the Australian Corriedale Association.corriedale sheep sheep breeding, australian corriedale association, pettitt, mr r. w., corriedale sheep, sheep breeding -
National Wool Museum
Journal, The Australian Corriedale Journal No 2 1976
The Australian Corriedale Journal 1976. The official journal of the Australian Corriedale Association.corriedale sheep sheep breeding, australian corriedale association, pettitt, mr r. w., corriedale sheep, sheep breeding -
Sacred Heart College
Text Book, Messrs Longmans, Green & Co, Ltd, Richard of Bordeaux, 1942
Donated with other items. This book demonstrates how text books were sold again and again. It is interesting to see notes written in the text. In my time at SHC we were not allowed to mark our books (Marita Fitzpatrick 1951). IBut in earlier years 1944 and 1946 this seems not to be so. Note cost of book 2/6. A representative text in use in the mid to late 1940s.Green cloth bound copy of Richard of Bordeaux. Heritage of Literature Series 'War Emergency Binding'. Published by Messrs Longmans, Green & Co, Ltd, March, 1942.Phyllis Dye - Leaving 1944 S.H.C.Marie Brosnan; Marita Fitzpatrick Matriculation II, 1951richard of bordeaux; text book; shc; marita fitzpatrick; 1951; longmans; geelong; literature -
Sacred Heart College
Text Book, Working with Words Book 2, reprinted 1951
Typical of English texts used in Victoria in the late 1940s and early 1950s.Various editions used at Sacred Heart College Geelong in English Expression. Red, paper covered English text book.Marita Fitzpatrick, S.H.C. Leaving, 1949, 7/3.shc; sacred heart; sisters of mercy; fitzpatrick; geelong; text book; english; 1949 -
Maryborough Midlands Historical Society operating the Worsley Cottage Museum
Books, Vision and Realisation, 1973
Information on Maryborough and district schools and their histories.Information invaluable as access to local school historic records is currently unavailable.A set of three hardcover (red) books detailing the history of education in Victoria. Volume 1 (general account of the development of education), Volume 2 (schools in the Wimmera, central Victoria and Geelong), Volume 3 (Melbourne, upper Goulburn, upper Murray, Gippsland regions). Published by the Education Department of Victoria. -
Geelong Gallery
Sculpture - Moonlight becomes you (silver fox), WEAVER, Louise, 2019
) fox: hand crocheted cotton, lamb�s wool synthetic yarns and reflective tape over high density foam, papier mache, wire, mirrored acrylic, cotton fabric and synthetic fabrics, synthetic polymer emulsion and glass beads; 2 5) various fibres; 6) base: enamel gloss paint on fibreglass -
National Wool Museum
Architectural Plan, Wool Warehouse, Moorabool St, Geelong for Messrs C.J. Dennys & Co., Basement Plan No. 2
... , Geelong for Messrs C.J. Dennys & Co., Basement Plan No. 2 Wool ...Original Jacob Pitman architectural plan of the Dennys Lascelles bluestone woolstore dated 1 March 1871 mounted in a wood frame under glass. Titled "Wool Warehouse, Moorabool St, Geelong for Messrs C.J. Dennys & Co., Basement Plan No. 2."Wool Warehouse, Moorabool St, Geelong for Messrs C.J. Dennys & Co., Basement Plan No. 2wool stores, pitman, mr jacob, dennys lascelles wool store -
National Wool Museum
Bale Closer
Bale closer. Was used in Gallery 3 display at the National Wool Museum until 13/7/1998.Treatment form page 1, 23/09/1988 Treatment form page 2, 23/09/1988shearing wool bales, wool bale clips, shearing, wool bales -
National Wool Museum
Quilt, No Sugar
"No Sugar" was the winnning entry in the Expressions 2002; The Wool Quilt Prize. It was on exhibit at the National Wool Museum from 23 September to the 15 December 2002.Large green handstitched quilt with orange cross. (This picture shows the quilt on its side - it is displayed with the cross on the left and the darker area at the lower left.) Statement from Katherine Morrison regarding working technique and Expressions. Statement by Katherine Morrison regarding working methods and Expressions. CV of Katherine Morrison, Winner of Expressions 2002 Entry from 'Expressions 2002: The Wool Quilt Prize 23 September - 15 December 2002 National Wool Museum, Geelong', no.15. Article from New Zealand Quilter issue 28 'Featured Quilter: Katherine Morrison', page 1 (page 4 of issue) Article from New Zealand Quilter issue 28 'Featured Quilter: Katherine Morrison', page 2 (page 5 of issue) Article from New Zealand Quilter issue 28 'Featured Quilter: Katherine Morrison', page 3 (page 6 of issue) Article from New Zealand Quilter issue 37 titled '2 Women's Work', page 27 of issue Article from New Zealand Quilter issue 41 titled 'Rural Composition', page 21 Photo and explaination of Katherine Morrison's quilt 'Something Borrowed', made 1997"No Sugar" by Katherine Morrison 84 Blue Mountains road Silverstream upper Hutt New Zealand ph/fax 04 5288624 "NO SUGAR' 2002 An original quilt by Katherine morrison Hand dyed woollen (old) blankets handquilted QUILT CARE MADE WITH PURE N.Z. WOOL BATTINGquilting, blankets, new zealand -
National Wool Museum
Book, Textile Advisory Panel's report no. 2 - Wool
"Textile Advisory Panel's report no. 2 - wool" - Commonwealth of Australia, 1944. This report was produced by the Textile Advisory Panel under the aegis of the Ministry for Post-War Reconstruction and examines the future of wool in Australia in terms of threats and opportunities and makes recommendations re: future research, expenditure etc. Includes the Prime Minister's statement on Wool Research 1944, and a photograph of what is believed to be, a gown in the NWM Collection [w5385]Photograph from C of A: Ministry of Post War Construction Report c1945 "Wool"post-war reconstruction, wool growing, textile industry, wool research, world war ii, sheep diseases, sheep blowfly strike, textile advisory panel csiro, wool - research, sheep - diseases, sheep - blowfly strike -
National Wool Museum
Journal, Dennys, Lascelles Limited Annual Wool Report August, 1951
"Dennys, Lascelles Limited Annual Wool Report August, 1951"2 copies. Light grey paperback stapled booklet entitled "Dennys, Lascelles Annual Wool Report August, 1951" including advice & information. 15p.wool brokering, wool growing, dennys, lascelles limited -
National Wool Museum
Journal, Dennys, Lascelles Limited Annual Wool Report August, 1953
"Dennys, Lascelles Limited Annual Wool Report August, 1953"2 copies. Cream paperback stapled booklet entitled "Dennys Lascelles Annual Wool Report August, 1953" including advice and information for wool growers.15p.wool brokering, wool growing, dennys, lascelles limited -
National Wool Museum
Journal, Dennys, Lascelles Limited Annual Review August, 1969
"Dennys, Lascelles Limited Annual Review August, 1969"Three copies. Cream paperback stapled booklet entitled "Dennys, Lascelles Limited Annual Review August, 1969" including advice and information for wool growers. Includes 2 calenders, 1 circular. 17 pages.Dennys, Lascelles Limited Annual Review August, 1969wool brokering, wool growing, dennys, lascelles limited -
National Wool Museum
Book, Knitting, Patons and Baldwins, Patons Woolcraft 12th ed, c1950
Guide to knitting and crochet produced by Patons and Baldwins, c.1950s.Patons / WOOLCRAFT / REGISTERED / 12TH EDITION / 2'- / P&B / WOOLS / A PRACTICAL GUIDE TO KNITTING AND CROCHETknitting crochet, patons and baldwins (australia) ltd, knitting, crochet -
Queenscliffe Historical Museum
Metal belt buckles - 2 pieces
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Queenscliffe Historical Museum
Four silver thumbles
Belonged to two grandmothers of donor - Emma Quimby, Maryland, USA and Anna Katherine Smailes Gilbert, Illinois, USA.1. Made in USA, Mt Patd. Thread cutter on side. 2. Handmade Victorian thimble, silver mark, fancy edge. 3. Silver thimble, floral edge. O for name. 4. Silver thimble size 8. -
National Wool Museum
Textile - Fabric Bolt, c.1970
Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. These three bolts of fabric come from the same run of fabric used to tailor Suit Jacket 8045. All fabrics were designed by Nino Corda while he was working at the Foster Valley Mill. The bolts of fabric have an attached swing tag. This swing tag details information such as composition of the fabric, total amount of fabric and the design number.Three bolts of fabric with repeating pattern in 100mm grid. All three bolts have frayed edges, indicative of their need to be sent for finishing. The dominant colour in all three fabrics is grey. 8044.1 has red and green lines running vertically and horizontally and an attached swing tag. 8044.2 has red and orange lines running vertically and horizontally and an attached swing tag. Fabric bolt has yellow label attached to one edge of fabric, depicting the fabric’s number. 8044.3 has orange and blue lines running vertically and horizontally. No swing tag is attached.8044.1. Swing tag. Typed wording. Front. foster / valley / Pty / Ltd. / (Incorporated in Victoria) 8044.1. Swing tag. Typed and handwritten wording. Reverse. JONO TAILORING / CALL NO……………. / DESIGN 6302-49-5 / PIECE NO 9528 / METERS 3.5 STRINGS…………… / NET METERS…………… / COMPOSITION / 70% WOOL 30% POLYESTER 8044.2. Swing tag. Typed wording. Front. foster / valley / Pty / Ltd. / (Incorporated in Victoria) 8044.2. Swing tag. Typed and handwritten wording. Reverse. left over (?unknown handwriting?) / CALL NO…………… / DESIGN 6302-49-2 / PIECE NO…………… / METERS 6.0 STRINGS…………… / NET METERS…………… / COMPOSITION / 70% WOOL 30% POLYESTER.textile design -
National Wool Museum
Photograph, Yarn Spinning Machine, Unknown
Photographs most likely used for promotional purposes. The photographs are of a yarn spinning machine used to place yarn onto bobbins. The machine was made by Hearl Heaton and Sons Ltd, founded in 1809. The company played an important part in Britain’s Industrial Revolution, providing bobbins to the textile mills across the North of England.Four black and white photographs of a yarn spinning machine. The first two photos show the machine in the lower floor of the building and the last two are on the upper floor. The are connected by the two chains working the machine.8053.1 - Front right edge - Hearl Heaton & Sons Ltd Crown Steel Works, Liversedge. 8053.2 - Rear middle - No.1 Hearl Heaton & Sons Ltd Crown Steel Works, Liversedge. 8053.3 - Front top edge - Hearl Heaton & Sons Ltd Crown Steel Works, Liversedge. 8053.4 - No. 2 Hearl Heaton & Sons Ltd Crown Steel Works, Liversedge.textile machinery, wool manufacture, wool, spinning -
National Wool Museum
Textile - Onkaparinga Blanket, Waffle Collection, Unknown
Onkaparinga started in South Australia in 1869. Migrating from Germany, two brothers, Heinrich and Edward Kramm, both weavers, purchased and brought with them some machinery and established themselves in Hahndorf in a mud hut. Their original plant consisted of one carding machine, one spinning mule of 30 spools and 2 hand looms. The spinning mule was horse driven, the others all hand operated. The wool was washed by hand and dried in the sun then teased by hand. Now 145 years later the brand name Onkaparinga, is known all over the world, the products reflect the experience, passion and ingenuity of over a century's tradition in providing luxurious home wares. Donated to the National Wool Museum by Joyce GrayLight orange waffle weave woolen blanket, with nylon trimming. Product tag included with plastic case. On product tag - The better way to sleep. Onkaparinga onkaparinga, blanket, wool, kramm -
National Wool Museum
Clothing - Dress, 1979
This dress was created by Jean Inglis for a competition of garments hosted by the Geelong Handweavers and Spinners Guild at a ski weekend in 1979. It was entered in the ‘evening wear’ category of hand spun and knitted garments. The Warp was commercially brought 2/24 wool. The Weft was hand spun black Corriedale wool. This wool was brought at a sale in Geelong and was hand dyed and spun by Jean. The patter is a ‘Ripple’ variation of a ‘Crackle’ weave completed on Jean’s own Dobby Loom (pictured). Long black dress stretching from the feet, reaching up to a hood at the neckline and down to the hands in the sleeve. The dress is black with a glossy silver pattern in the form of a band around the hood, hands and feet of the garment. In these bands is a wavy pattern of silver and black lines. There are multiple thick and thin lines of both the silver and black colours mirroring each other as the pattern stretches around the garment. wool, weaving, hand spun, corriedale