This money, belt made of soft leather, would have been used in the mid 1900's by horse riding traders or wealthy property owners. It could also have been used by miners or other commercial business men. The main criteria for such a belt is security for valuables during travel on horseback. Commercial traders who plied their wares on horseback or caravans during a period where poor roads and flood prone rivers could dislodge wallets or money "sacks".The Kiewa Valley in the early 1900's was an environment which was frequented by the "canny" travelling salesman using dirt tracks and having to cross swollen rivers and creeks throughout the year. Travelling times within the rural areas in and surrounding the valley called for more frequent stops in bush lands. Camping presented itself with great challenges not to loose small cumbersome coin and notes. Local banks were of short supply and although bartering was a thriving method of transactions within the Valley traders from other regions were not so forth coming. Where ever possible local "trades" were called upon more than in city areas for limited products of a rural incline.This "vintage" handcrafted money belt has been professionally made circa 1950's. It appears as though it might have been made in a saddlery. There are five pockets each fastened by black painted "press studs". The stitching is of a high standard and the pockets are large and well defined. The buckle is circular with one fastening pin.handcrafts, leather work, vintage money belt, personal effects.

A text book designed as an aid to teachers in Victorian Primary Schools in the 1940's. It teachers the value of art and handwork as a necessary part of general education.This text book shows the importance and the growing recognition of various hand crafts as part of general education in Victorian schools in the 1940's and also that handcrafts are an integral part of the curriculum, leading towards an improvement in artistic appreciation by raising handwork from the level of manual exercises to that of creative applied art.A hard covered text book, faded blue cover.Front cover: Handwork for Schools, W.R. Dean and H. Jolly, and at the bottom of cover 'Oxford University Press, Leighton House, Melbourne, London: Humphrey Milford.' On the first page, handwritten in red, is a signature 'N. Rodgers' and the title is repeated. The price is marked as 6/6 ( Six shillings, six pence)hand crafts, schools, curriculum, education

This Item is one of four bedroom items hand made in circa 1900 by Amalihe Pierin. Her Son brought the item when he emigrated to Australia and members of the family still reside in the Kiewa Valley. Historically this item represents the requirement by families to manufacture a whole range of bedroom coverings due to the lack of professionally manufactured goods. Isolation from big towns or cities required local seamstress activities and therefore closer social bonding was a necessity. Although this item was transported from Italy to Australia by the son of Amalihine Pierin the significance still remains the sameLinen (white) cut work and hand embroidered central floral scene with decorative cut work above, leaf shapes 2cm border with triangular hand stitching tatting embroidery, handcrafts, bedroom linen, trimmings, cut work

This Item is one of four bedroom items hand made in circa 1900 by Amalihe Pierin. Her Son brought the item when he emigrated to Australia and members of the family still reside in the Kiewa Valley. Historically this item represents the requirement by families to manufacture a whole range of bedroom coverings due to the lack of professionally manufactured goods. Isolation from big towns or cities required local seamstress activities and therefore closer social bonding was a necessity. Although this item was transported from Italy to Australia by the son of Amalihine Pierin the significance still remains the sameLinen (white) cut work and embroidered central floral scene with decorative cut work above leaf shapes 2cm border with triangular hand stitching attine.embroidery, handcrafts, bedroom linen, trimmings, cut work

This Item is one of four bedroom items hand made in circa 1900 by Amalihe Pierin. Her Son brought the item when he emigrated to Australia and members of the family still reside in the Kiewa Valley. Historically this item represents the requirement by families to manufacture a whole range of bedroom coverings due to the lack of professionally manufactured goods. Isolation from big towns or cities required local seamstress activities and therefore closer social bonding was a necessity. Although this item was transported from Italy to Australia by the son of Amalihine Pierin the significance still remains the samelinen white cut work and embroidered central oval shape with matching floral design at either end with leaf leaf shapes above 2cm border with triangular stitching tattine embroidery, handcrafts, bedroom linen, trimmings, cut work

This Item is one of four bedroom items hand made in circa 1900 by Amalihe Pierin. Her Son brought the item when he emigrated to Australia and members of the family still reside in the Kiewa Valley. Historically this item represents the requirement by families to manufacture a whole range of bedroom coverings due to the lack of professionally manufactured goods. Isolation from big towns or cities required local seamstress activities and therefore closer social bonding was a necessity. Although this item was transported from Italy to Australia by the son of Amalihine Pierin the significance still remains the sameLinen (white) cut work and embroidered central design tatting diamond shape with embroidered scrolls either side cut work leaves top and bottom L shaped tatting inner border with triangular tatting 2cm outer bordered hole patternembroidery, handcrafts, bedroom linen, trimmings, cut work

A very thinpaper hand-painted card of religion. It has a picture of Mary inside a free form frame with floral decorations. In a separate frame is "S Elizabeta" hand-written in black ink.religious-card handcraft

This item is an example of the handcrafts which were popular in the education of young girls in the late 19th and early 20th centuries.A hand sewn tapestry on canvas in a wooden frame and glass. The picture is of a bird cage, with birds, in a garden.hobbies needlework handcraft

This is a Victorian mourning sampler.This handwork is an example of the needlework skills of women in early settler families.Sampler of needlework with "sweet rest in heaven" . Simple geometric design and flowers. Gold and green carved ornate frame with nails.handcraft needlework hobbies

Painted about 1896 by Dawson, Miss.This painting has aesthetic significance and shows the skills and craftmanship of women of early settler families.Painting of wildflowers on alabaster with plain wooden frame with nails. Flowers include orchids and grevilleas.Orbost Wildflowers - painted by Miss Dawson about 1896 - donated by Mrs Alice Slatterpainting -handcraft wildflowers

A colourful sampler worked in Scotland about 1820 by Ursula Blair, who was only 12 years old. Donated from the estate of Elsie Cooke. Elsie Cooke lived all her life in Gippsland,. She was born at Brodribb in 1895 and died in 1970, Elsie Cooke lived at Bruthen for a short time and, in 1937, moved to live with her aunt, Miss Jean Munro. Miss Cooke was Librarian at the Mechanics Institute for many years. Kindness and consideration for other were Miss Cooke’s attributes and she endeared herself to all who knew her. She was a loyal member of the Presbyterian Church and a stalwart of the Ladies’ Guild, an energetic worker for the Municipal Auxiliary and a member of the Red Cross. The Blair connection is from the Munro family -maternal side.This item shows the needlework skills which were being taught to young girls in preparation for their duties as wives.A colourful sampler showing numbers and letters, a house and garden in plain gold/brown frame. Sampler is in a wooden frame with glass front.sampler handcrafts needlework

This item has aesthetic significance and reflects the handcraft skills used in creating domestic ornaments in the first half of the 20th century.Black ornate raffia plant holder.holder-ornament handcraft raffia

Over 150 years old in 1970. Donor,Joe Herman was a blacksmith, painter and signwriter in Orbost. Local footballer. Married Elsie Winchester This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers.Cloth of fine hand-woven linen. all white with fine hem.linen manchester-table-linen handcrafts weaving

Handkerchiefs have been used by men and women for centuries. They could be made of any bit of cloth, but eventually they became a symbol of social status and wealth. As they became a status symbol, they also became more than just scraps of cloth, and were decorated with lace and embroidery. This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers.Hand-embroidered silk dress handkerchief. Flowers embroidered on front. Fabric colour is beige.handcraft silk-handkerchief embroidery

Donor, Joe Hermann was a blacksmith, painter, signwriter ,married Elsie Winchester. Hand woven table napkin. White. Damask print. Linen. Print is floral.J Cartledge 18napkin manchester table-linen handcrafts weaving

A boudoir cap was popularly worn in the nineteenth and early twentieth centuries In its original form, the boudoir cap was worn over undressed hair, It was designed to be worn in the privacy of the boudoir with negligees or nightwear.[andwas often made from lightweightfabrics such as muslin or net and trimmed with silk ribbon and lace. In the 1910s and 1920s, it was used to protect short hairstyles whilst sleeping.This item is an example of a piece of clothing no longer in fashion.Hand crocheted boudoir cap. Light blue thread crochet on top. Fine piece of fabric around centre. Blue and pink border. wire inserted into cap at sides.cap costume-female boudoir-cap handcrafts crochet sleepwear

This item is an example of the needlework skills of women in early settler families.Hand tapestry pattern for a pair of slippers. on canvas and ready to be cut out. Floral design on crimson background. Light purple canvas.tapestry canvas handcrafts slipper-pattern

From the trousseau of Lynn, Sam (Mrs). Samuel Lynn (1865-1949) was a farmer and grazier at Jarrahmond. Bred Clydesdales.This item has aesthetic significance as an example of a hand-made item of the early 20th century.Lace worked tea cosy with thick wadding to help preserve heat. White thread on white linen with silk lining.tea-cosy handcrafts lacemaking trousseau lynn-sam

Mrs Eaton was daughter of George and Granny Thomas. Respected Aboriginal couple at Newmerella.This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century when women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes.A canvas runner, unbleached, with two symmetrical designs in thick white thread on front. Fancy borders sewn on edge.cloth handcraft needlework eaton-julia manchester table-linen

The table cloth belonged to Mrs Paul Spidaro and were brought from Italy. They were given to her as a wedding gift in 1920. Paul Spidaro was a bootmaker in Orbost in the 1930's. The donor, Mrs Meevwenoord, was a bowling friend of the Spidaros.This item is aesthetically significant as an example of needlework in the early 20th century.Hand embroidered tablecloth with very large ornate design and scalloped edges.cloth handcraft needlework table-linen manchester

Decorative samplers and needlework were usually made by young women. The completed work was usually framed and hung. Many of them were messages which reflected the values of the family.Hand sewn ornamental sampler on a cardboard canvas and bound in ribbon with small bows at each corner."Lost, somewhere between sunrise & sunset, two golden hours each set with sixty diamond minutes. No reward is offered for they are gone forever.' Ribbon and cotton are crimson. needlework handcraft

This item is hand-made shows the skill and craftmanship of women in the early settler families.Very fine, delicate white point lace supper cloth with very ornate design. Handmade.cloth manchester table-linen handcrafts lacemaking

This item is an example of a handcrafted item and reflects the needlework skills of women in the early to mid 20th century. Embroidery was an affordable way to personalise and add aesthetic value to domestic linen and examples of embroidered and crocheted pieces could be found in most Australian homes, One pair of hand embroidered white linen pillow shams. Crocheted edge. Decorated with embroidered flowers in assorted colours.pillow shams bedding manchester handcrafts needlework embroidery

Julia Thomas was daughter of George and Granny Thomas much respected Aboriginal couple of Newmerella. George was a stockman for Jas Stirling. Julia married Henry Eaton, road construction at Gilbert's Gulch.This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century.Two white knitted pillow shams with pink knitted through front. Lace edging.pillow-shams bedding manchester handcrafts knitting lacemaking

This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers.Handmade pin cushion with flowered tapestry centre. Tulle covers the whole cushion and has been embroidered. Lace sewn around whole cushion. Backing is satin. Has an assortment of hatpins.pin-cushion tapestry handcrafts needlework hatpins

This item is an example of a costume accessory used by women in the early 20th century.Lady's thread and bead black bag with silver beaded fringe at bottom. Drawstrings at top.bag personal-effects money-container beading handcrafts drawstring-bag

This item is an example of a handcrafted bamboo piece of furniture.Small bamboo screen with plain and ribbon embroidery. Handmade.screen-bamboo handcraft furniture

This item was made by Dick Wilkinson as a copy of simuilar article made during the Depression.Handmade ornamental metal pot plant holder made from painted milk tins. Curled metal decorations. Lined with milk tin.FRESH FROZEN PASTEURISED HOMOGENISED MILK. PRODUCT OF AUSTRALIA -inside DAIRY FARMERS CO-OPERATIVE LTD.container milk-tin plant-holder handcrafts

Roughly carved wooden yoke with holes at each end. Rope tied through and metal hooks for carrying.yoke handcrafts carving