Article celebrating the Tower Hill State Game reserve and the new Natural History Centre, designed by Robin Boyd.Double page, p 34-35walsh st library

Railway systems have methods by which trains can proceed in safety from station to station, free from the risk of collision with other trains. These methods are generally known as "Safeworking" and they particularly apply to trains on single lines where trains run in opposite directions. The stations between these two sections are called crossing stations. A "Train Staff", a thick, round metal rod, bearing the name of the two stations is issued and these places are designated as Train Staff stations. No train is permitted to proceed through the section unless the train driver either takes the staff for the section into his possession or personally sights the staff. (Note that every station on the line is not a crossing station. These roles were performed at Barongarook, Gellibrand, Banool, Beech Forest, Wyelangta, Weeaproinah and Crowes.) Except for the period 1927-1939 when Train Section Orders were applied instead, due to declining business Train Staff and Ticket working was used throughout on the line.B/W. Driver Bill Brady holding the Train Staff in the cabin of Garratt locomotive G42, at Weeaproinah 1961 railways, bill brady, train driver, weeaproinah, train staff

kevin taylor, summer, licola, gippsland, victoria, rural, hills, landscape, trees

kevin taylor, red bluff, cliffs, black rock, port phillip bay, half moon bay, bayside, coast, beach, boat

Winner of the Bayside Acquisitive Art Prize, 2015.oil on linen (diptych)snow, landscape, trees, figures, kevin chin, winter, bayside acquisitive art prize, pig

Donated by the artist through the Australian Government Cultural Gifts Program, 2004Pastel on papergippsland, artwork, permanent collection

Donated by the artist through the Australian Government Cultural Gifts Program, 2004Watercolour and charcoal on papergippsland, artwork, permanent collection

Donated by the artist through the Australian Government Cultural Gifts Program, 2004Pastel on papergippsland, artwork, permanent collection

Donated by the artist through the Australian Government Cultural Gifts Program, 2004Charcoal on papergippsland, artwork, permanent collection

Donated by the artist through the Australian Government Cultural Gifts Program, 2004Watercolour and charcoal on papergippsland, artwork, permanent collection

Donated by the artist through the Australian Government Cultural Gifts Program, 2004Watercolour and charcoal on papergippsland, artwork, permanent collection

Donated by the artist through the Australian Government Cultural Gifts Program, 2004Charcoal on papergippsland, artwork, permanent collection

Donated by the artist through the Australian Government Cultural Gifts Program, 2004Watercolour and charcoal on papergippsland, artwork, permanent collection

Donated by the artist through the Australian Government Cultural Gifts Program, 2004Pastel on papergippsland, artwork, permanent collection

Donated by the artist through the Australian Government Cultural Gifts Program, 2004Pastel on papergippsland, artwork, permanent collection

Donated by the artist through the Australian Government Cultural Gifts Program, 2004Watercolour and charcoal on papergippsland, artwork, permanent collection

Donated by the artist through the Australian Government Cultural Gifts Program, 2004Watercolour and charcoal on papergippsland, artwork, permanent collection

Donated by the artist through the Australian Government Cultural Gifts Program, 2004Watercolour and charcoal on papergippsland, artwork, permanent collection