A ladies hair net made from human hair, colour grey. In original envelopeMade expressly for The Myer Emporium.costume accessories, hair accessories

The Vermont Girl Guides celebrated their 70th anniversary with a dinner in the Coghlan Centre of St Johns Mitcham. Each guest was given a handkerchief as a souvenir.Blue ladies handkerchief with Girl Guide emblems printed on corner. In cellophane bag.Vermont District 1929 - 1999costume accessories, female

Queen Alexandra and Queen Mary were photographed holding these fans.|In 'Feather Fans - Collectors Guide to Fans' by Susan Nayer - 'In1880 feather fans returned to fashion -- remained in use until 1930s at court presentations. Also known as Japanese Fans.`Women's fan. Blue and green peacock feathers in circle. Handle wrapped in blue ribbon. Used indoors beside the fire to protect a ladies complexions against the heat.costume accessories, female

Pink silk ladies' cap with coloured lace insert, white lace at either end. Edged with vari-coloured lace and vari-coloured rosettes.costume, female headwear, female underwear

Richelieu embroidery - White openwork: the pattern outlined in buttonhole stitch and linked by bars (often with picots, like needlepoint lace) with the fabric background cut awayNightdress, ladies - (cotton) french seams Cut out work with Richelieu embroidered. Arm sleeve edges buttonholed with picots.costume, female nightwear

Pair black cloth ladies spats. Leather strap to go under shoe. Seven Buttons on each.costume, female

Dark grey woolen ladies riding breeches. Two back pockets -lacing at bottom of legs . Buttons at waist and sidecostume, female

White cotton ladies riding breeches. Two back pockets and buttoned at waist and side. Lacing holes at bottom of legs.costume, female

'Stitches' wine coloured polyester ladies suit with mock Astrakhan collar and cuffs.5 black buttons down front closing. 2 mock pockets.Straight pencil skirt with kick pleat on back seam. Polyester silk lined skirt.'Stitches'costume, female

Purchased at local op. shop A pair of navy blue ladies tee bar sandals. Open toe,punched cut daisy design front, closed back. Cubin heel.Mervyn Adams. All leather upper. All leather quarter lining. All leather soles.costume, female footwear

Worn by donorBlack leather flat court shoes, square toe, with square buckle decoration on front. All in original shoe box.Annapelle Size 7. Made in Chinacostume, female footwear

Stocking. Belonged to mother-in l-aw of donor.Pair of ladies stockings. Hilton Elation, seamed sheer nylons. Size 10 1/2; in box; colour 'Colorado Tan'Hilton Elationcostume, female

Beige 100% nylon ladies knickers, 42cm wide leg. 6cm deep lace trim on hem line.Maggie Tcostume, female underwear

Fine suede pink/mushroom ladies gloves. Elbow lengthMade in France Washablecostume accessories, glove accessories

White organza cap which ladies wore when working. Front folds back. Two thin ties at back.costume, female working

Pair of gilt painted shoe stretcher - probably ladies . Shaped wood toe pieces and spherical heel wedges. Thin metal stretcher also painted - black one side guilt the other. Circular paper label - handwritten.On label - D201costume accessories, footwear accessories

Jet Cameo. c1890. Jet jewellery originated from the English town of Whitby where it was mined. There were many Jet workrooms and thousands of jet pieces were worn by ladies copying Queen Victoria who made the Jet fashionable bt wearing it during her long years of mourning for her husband Albert.Square medallion with rope like edge and a female head embossed on it.costume accessories, female

Pink card. Gold scalloped edges. Ticket . Old Time Ball will be held in Lockwood South & Dist. Progress Hall Friday, October 13th, 1967 Dancing 8p.m.- 2a.m. McQueen's Old Time Band. Waltzing Competition Best Period Costume Quest. Poultry Supper Ladies $1.00 C.A. Holland, Pres. E.C. Rowan, Secretary. C.A. Holland & Co. Agents for all Amoco Products General Carrying Phones 53261-53262person, individual, peter ellis oam

Marong was first incorporated as a road district on 27 August 1861, and became a shire on 23 December 1864. On 1 October 1915, the Borough of Raywood, which was gazetted on 17 January 1865 on 23.31 square kilometres (9.00 sq mi) of land 28 kilometres (17 mi) north of Bendigo,[2] was united with Marong. On 1 October 1990, the Shire of Marong became a rural city, under the Local Government Act 1989. On 7 April 1994, the Rural City of Marong was abolished, and along with the City of Bendigo, the Borough of Eaglehawk and the Shires of Huntly and Strathfieldsaye, was merged into the newly created City of Greater BendigoTwelve slides taken for the Back to Marong celebration about 1960-63 possibly at the Marong Recreation (Football) ground. Slides include a float with members of the marong tennis club, a family group, a float depicting old school days, horse and carts, ladies and men dressed in period costumes and Miss 'Golden North'.history, bendigo, back to marong, city of greater bendigo, rural city of marong, marong tennis club, carl tracey collection

Page with copies of three black and white photos. One is a group - The Peanut Set 'Knuts' 1914. The ladies are in fancy dress. Their dresses are knee length with bobbles on the hem s and diagonally around the skirts. They are also wearing various head dress. The other two are head and shoulder photos. They are dressed in clown costumes. Both are wearing high peaked hats. The one on the left is wearing a dark collar with long triangular edges. The one on the right is wearing a collar and tie and a jacket with beads along the edge of the collar. The one on the right is Daisy Kline, Geelong and the one on the left is not named. Written on the bottom of the page is Feldheim & Gotthelf.photo, group, female, peter ellis collection, fancy dress sets, the peanut set 'knuts' 1914, daisy kline, feldheim & gotthelf

Watermelon pink hat made from faux fur fabric. The band is a wide lighter pink ribbon tied at the back and hand stitched to the crown. Synthetic fabric lining inside. Hand stitching presents as the hat being hand made from a purchased hat base.hat, millinery

Lady's hat made from light pink straw like synthetic fabric with a matching pink ribbon around the crown. The band is tied in a bow with a decorative silver clasp stitched onto the band. Hand stitching presents as the hat being hand made. Black chin elasticattached.hat, millinery

Lady's hat made from cream coloured straw like synthetic fabric with a matching cream ribbon around the crown. The band is tied in a bow with a decorative faux pearl clasp stitched onto the band. Hand stitching presents as the hat being hand made. Black chin elastic attached.hat, millinery

Yellow summer straw hat with a cream ribbon around the crown. The band is tied in a bow. White cord has been machine stitched around the edge of the brim. Unlined.hat, millinery, straw hat

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia-toned photograph of (L. to R.) Marion Smith, Maureen Lynch, Denise Lynch, and Marion Tilley in a performance of A Country Girl by Lionel Monckton. The performance was produced and directed by Graeme Cust with musical direction by John Trotter. The sets for the production in the Kew Recreation Hall were sourced from Melbourne Little Theatre, will the costumes came from the Princess Theatre. During this production, Marion Tilley acted as wardrobe mistress as well as being a member of the 'Chorus Ladies'. Inscribed underneath the photo in the scrapbook by Marion Tilley: "Marion Smith, Maureen Lynch, Denise Lynch. Me, Marion Tilley".marion tilley, kew light opera company, kew recreation hall -- wellington street -- kew (vic.), performing arts -- kew (vic.), theatre memorabilia

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of members of the cast of the "Q" Theatre Guild in their 1959 production of Michael Balfe's The Bohemian Girl. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following names underneath the photograph: "Fred C., Esme M., Val Breen, Jeanette R., Alan Wilson, B. Meagher, Irene T., Gwen Bolden".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Val Breen and members of the cast of the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Val Breen in my wedding dress".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Val Breen and Alan Wilson in the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Val Breen in my wedding dress".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

Pair of ladies' gloves, cream semi-transparent material with beveled edge and elasticised wrists.costume, female, gloves, textile

Produced and acted by members of the City of Heidelberg Repertory Group (now Heidelberg Theatre Company) . All supporting areas including set design, set building, lighting and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the City of Heidelberg Repertory Group (now Heidelberg Theatre Company).All in good condition, some printing faint1954, 19, htc, director naomi davidson