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Tatura Irrigation & Wartime Camps Museum
Photograph - copy, William Day's House, 1987 copy
Copy of photograph of William Day's home, built adjoining the flour mill in 1858. The iron lacework on the balconies was added later. Classified for preservation by the National Trust. Photographs courtesy of Mr R. Day.Black and white copy of photograph of exterior of William Day's House, near Murchison. Built 1858.on back: Description taped to backwilliam day -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, William Day's Flour Mill, 1987 copy
Copy of photograph of flour mill l built by William Day in 1858. The earliest flour mill in the Goulburn Valley. Overlooking the Goulburn River, where a punt carried people, livestock and mill products to and from the mill. Classified by National Trust. Photographs courtesy of R. Day.Black and white copy of photograph of exterior of William Day's Flour Mill, near Murchison. Built 1858.on back: Description taped to back -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, D. Clark, Tatura Buildings, 1989 copy
Photograph of buildings in Tatura. Later Wilson's garage and residence, flour mill and possibly Brady's store in Casey Street. Lake in background. Was originally a post card.Black and white copy photograph of early scene of Tatura businesses.on back: south view Tatura. Lake in backgroundtatura victoria -
Tatura Irrigation & Wartime Camps Museum
Folder, Reilly Family and Flour Mill History, 2012
Compiled for the Museum. History of family of George REILLY and later Samuel, Robert and James. History of Tatura Flour Mill and rehabilitation of VIctorian Flour Milling Industry.Blue cover with metal rings. Plastic sleeves containing printed sheetsreilly family, tatura flour mill -
Tatura Irrigation & Wartime Camps Museum
Photograph, Reilly's Flour Mill
Reilly's Flour Mill, corner Kerferd and Albert Streets.tatura, buildings, historic -
Tatura Irrigation & Wartime Camps Museum
Photograph, 2001
Photograph of Tatura Scouts c.1931 - Back: J.Steen; Reg.Maskell; Kevin Phair; Les Maskell; R.Glover.|Standing: Roly Canobie; Wm.Geals; Ross Forsyth; N.Stewart; R.Dunlop; Ken Mills; L.Seabourne.S.M.|Kneeling: Max Sorleigh; James Crawford; Joe Magee; Clive Plant; Ron Jordan: Ted Price.|Front: R.Attwood; M.Montgomery; J.McIntyre; K.Phair: Atholphotograph, people -
Tatura Irrigation & Wartime Camps Museum
Photographic plates, : AUSTRAL DRY PLATE, T. Baker & Co., Austral Laboratory, Glass photographic plates, c.1900
Glass photographic plates discovered by Mr. Jack Smith in the ceiling of the weatherboard cottage attached to Williams Bros. Store, cnr. Hogan & Thomson Streets, in 1973. Mr Smith had purchased the Cleckheaton Woolen Mills factory which had been built around the original Williams Store, c. 1960. Gifted to Tatura Museum in 1992 by Jack Smith, 55 Service Street Tatura, 3616. Frank Williams family & house, Tatura.|Baptist hymns.|Goulburn River.|Victorian coastal scenery. Glass photographic plates and prints consisting of:|Members of Francis Williams family.|Williams home, Hogan Street, Tatura.|Hymns from Glass photographic plates. (28 plates and 5 prints) - Photographic prints (3) Possibly members of Francis Williams family,| c. 1900 . Two of the same two men standing in the base of an aged, giant gum tree; one of gig and tied up horse.|PLATES :|Small girl in best frock on cane stool.|* Parents and small girl standing.|* Mr and Mrs Williams sen. standing in front of their home in Hogan Street near Presbyterian Church. Note: the picket fence.|* Wiiliams' daughters on picnic at Goulburn River. c. "Picnic at Hanging Rock" film era.|* Young lady seated on cane chair (High pleated collar and bib on frock)|* Two small sisters - one with elaborate black lace collar on her frock, the other seated on a cane chair, holding her doll. c.1900|* Gaunt aged gum tree with two men standing in V-shaped hole in base, Goulburn River.|* Horse tied to tree beside Goulburn River.|Note: All above items in box marked "Austral Dry Plates".|* 18 glass plates of hymns from Baptist hymn book.|Note: The Williams family were devout Baptists.|* Plate of rugged coastline ? Great Ocean Way Victoria?|* Plate of rock stacks - ? " London bridge and smaller bridge.|* (3) Prints of the two rock bridges in the ocean off shore.photography, photograph, slides, film -
Tatura Irrigation & Wartime Camps Museum
Photograph, Tatura Scouts 1931, 2001
Photographed by Albert Hampton. Back: J Steen, Reg Maskell, Kevin Phair, Les Maskell, R Glover, L Seaborn SM Standing: Roly Canobi, William Geals, Ross Forsyth, N Stewart, R Dunlop, Len Mills, Lionel Pay Kneeling: Marc Sorleigh, James Crawford, Joe Magee, Clive Plant, Ron Jordon, Ted Price Front: R Attwood, M Montgomery, J McIntyre, K Phair, Athol Stewart.Photograph of Tatura Scouts c 1931.photograph, j steen, reg maskell, kevin phair, les maskell, r glover, l seaborn, roly canobi, william geals, ross forsyth, n stewart, r dunlop, len mills, lionel pay, marc sorleigh, james crawford, joe magee, clive plant, ron jordon, ted price, r attwood, m montgomery, j mcintyre, k phair, athol stewart -
Tatura Irrigation & Wartime Camps Museum
Book, Eric or Little by Little, 1905
Book prize presented to James Reilly, 1906Brown,green and blue cover. Black letters. Sketch of schoolboys playing cricket.James Reilly. Most popular scholar. 1st Prize. University College, Shepparton. 9.12.1906a schoolboy story, tatura, tatura flour mill, j reilly, f w farrar -
Tatura Irrigation & Wartime Camps Museum
Book, Personal Reminiscences, 1902
School prize awarded to James Reilly in 1902Hard back blue cover. Title in blue on gold background. Sketch of man in canoe on water. 238 pages.Presented to J A Reilly 1902personal reminiscences, ballantyne rm, tatura primary school, reilly's flour mill, james reilly, school prizes, tatura state school -
Tatura Irrigation & Wartime Camps Museum
Wages Ledger Shire of Rodney, 1950
Wages ledger for Shire of Rodney from 1950 - 1955. Includes office staff, saleyards, abbatoirs, infant welfare sisters, truck driversHard dark green leather cover with beige suede corners and spine. Title "Shire of Rodney" on red panel with silver lettering on spine. "July 1950 to June 1955" written in pen on spinetatura, shire of rodney, wages, council, martin, neill, lange, french, muir, mellows, hogan, mills, steen, huggard, chalker, maclennan, price, clayton, forbes, burke, pell, hawking, hazelman, stagg, maskell, pyke, taylor, whitehead, willmott, colliver, connor, corrigan, glover, hinneberg, hooper, ibbott, adams, page, nelson, sheales, trevaskis, anderson, knee, barber, young, dick, flintoff, dudley, coonerty, nevett, shead, gilmore, gemmill, mclure, clarke, cantwell, mark, seamons, maclachlan, wain, macmahon, bartlett, brown, whyte, evans, cole, harten, king, preece, clark, gillespie, george, woodman, wheeler, hulley, steddar, thomson, neal, henderson, waites, gannon, mckenzie, gaunt, wright, jones, power, dogherty, birthisel, crawford, de lai, baldwin, pearson, carter, padgham, ponting, hargreaves, mcwhinney, matthews, nicholl, webb, mcphee, bennett, conley, guy, dempsey, o'brien, gundry, holden, graves, thornton, hays, harding, kerrins, knott, smith, williams, thomas, lindsay, mccartney, londrigan, hall, asboth, hearn, mcinnes, collie, rodney shire, accounts -
Tatura Irrigation & Wartime Camps Museum
Book, Flour Mills and Millers of Goulburn Valley, 1980
Personal recollections of Ford family flour mill and other mills of the district, including Reillys' of Tatura. By the same author. - Methodist Church in Goulburn Valley 188873-1977. Golden Jubilee of Zeerust School and District 1928-199978, Scouting -Shepparton 1922-1982.Small book on flour mills and millers of the Goulburn Valley 1858-1980Ford & Son, Dookie Roller Flour Mill, on cover and sketch of millwheat - agriculture, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Leaflet, Local Places of Historical Interest, 1972
Recorded by Nagambie & District Historical Society. History of Kirwan's Bridge, Angustown, Aboriginal Camp Ovens, Day's Mill, Old pumping station site, Goulburn Weir.Gold cover, black writing. Compiled September 1972books, history, local -
Tatura Irrigation & Wartime Camps Museum
Leaflet, Local Places of Historical Interest, 1972
Recorded by Nagambie Historical Society. History of Kirwan's Bridge, Angustown, Aboriginal Camp ovens, Day's Mill, Oold pumping site, Goulburn WeirGold cover, black writing. Compiled September, 1972books, history, local -
Tatura Irrigation & Wartime Camps Museum
Photographs, Burton family
Photographs emailed to researchers. Burton Hall and Burton family photographs:|Photo No.1. Mary Russell nee Burton.|2. Hannah Burton.|3. Abel Burton.|4. Sarah Mitchell nee Burton.|5. Rachel Mills nee Burton.|6. Isaac Burton.|7. Alice Burton.|8. Julia Burton.|9. Elizabeth Burton.|10. Aggie Burton nee Menzies, wife of Abel.|11. Emma Burton, 1824-1906.|12. James Burton, 1818-1905.|13,14. Sarah Burton nee Mitchell (from Mrs. Black)Photos 11 to 12 emailed, 13 & 14 sent by Mrs. Black, no originals held at Museum. -
Tatura Irrigation & Wartime Camps Museum
Photograph, Tatura Firsts Scouts
Tatura Firsts Scouts at Frankston Jamboree, January 1935.|Photo 1.Thelma Holden; Eilleen Buckley; Re. Charles Patmore; Isobel Maskell.|Photo 2. James Crawford, Patrol Leader.|Photo 3. En route; Len Mills seated on suitcase.|Photo 4. Les Seaborn, Scout Master, in long white socks.|Photo 5. Les Seaborn in full uniform.photograph, people -
Tatura Irrigation & Wartime Camps Museum
Document, Twenty fifth Grand Annual Spring Show, 1899
Tatura & Goulburn Valley Agricultural, Horticultural & Pastoral Association Twenty fifth Grand Annual Spring Show, Luke Flanagan, Secretary.. First Prize certificate for "Schoolgirl's writing under 14 years awarded to Maria Mills of Wahring. -
Melbourne Athenaeum Archives
Theatre Program, Medea (play) by Euripides performed at the Athenaeum Theatre 2 commencing 5 June 1987
The Mill Theatre CompanyProgram and Flyermedea, athenaeum theatre two, mill theatre company, jenny kemp, euripides -
Clunes Museum
Tool - KNIFE POLISH
POLISH USED TO CLEAN DOMESTIC KNIVES..1 & .2 TWO TINS OF JOHN OAKEY & SONS KNIFE POLISHKNIFE POLISH MANUFACTURED BY JOHN OAKEY & SONS LIMITED. WELLINGTON EMERY & BLACK LEAD MILLS, LONDON, ENGLANDlocal history, domestic item, cleaning -
Clunes Museum
Book - BANK PASSBOOK
PASSBOOK WAS USED BETWEEN SEPTEMBER 1940 UNTIL JANUARY 1943UNION BANK OF AUSTRALIA LIMITED PASS BOOK FOR INTERKNIT HOSIERY CO. LTD. DIVIDEND ACCOUNTS NUMBERED 1 AND 2local history, commerce, banking, knitting mill, interknit hosiery co. -
Clunes Museum
Document - LEDGER - COSTINGS & PURCHASES
ACCOUNT BOOK CONTAINS RECORD OF MATERIALS ASSOCIATED IN THE MANUFACTURE OF HOSIERY AT INTERKNIT KNITTING MILL, CLUNES.LOOSE LEAF FOLDER CONTAINING RECORD OF PURCHASES FOR RAW MATERIALS USED AT INTERKNIT CO. LTD.local history, book, accounts, knitting mill, interknit hosiery co. -
Clunes Museum
Book - BANK PASSBOOK
PASSBOOK WAS USED BETWEEN DECEMBER 1942 UNTIL MARCH 1951UNION BANK OF AUSTRALIA LIMITED PASSBOOK FOR INTERKNIT HOSIERY CO. LTD. DIVIDEND ACCOUNTS NUMBERED 3 - 9.local history, commerce, banking, knitting mill, interknit hosiery co. -
Clunes Museum
Newspaper, THE LEADER, 1933
NEWSPAPER CUTTING TO RECORD BACK TO CLUNES 1933SECTION THE LEADER AUGUST 26TH 1933 FEATURES OF CLUNES INCLUDING FOUNTAIN, SHIRE HALL, MAIN STREET, STATE SCHOOL & SCHOLARS, WAR MEMORIAL, GOLD MONUMENT, STATE BANK,ESA BANK AND KNITTING MILL.local history, document, newspaper, events and celebrations, back to clunes 1933 -
Benalla Art Gallery
Watercolour, William TIBBITS, Mr J. Thompson's star sawmills, Staffordshire Reef, Not dated
Born: 1837; Arrived Australia c. 1866; Died: Sydney, New South Wales, Australia 1906ColonialLedger Gift, 1982Rural landscape with farmhouse and outbuildings surrounded by trees, two figures by a horse and wagon. Stained wooden frame.Recto: Signed "Drawn by W.TIBBITS. artist NEIL ST. Ballarat" in blue ink in lower centre of sheet edge; Titled 'Mr J.Thompson’s. / Star Saw Mills Staffordshire Reef.' in blue ink in lower centre of sheet; Not datedwatercolour, colonial, rural, trees, buildings, wheels, horse, animal -
Bendigo Art Gallery
Photograph - Work on paper, Nicholas CAIRE, Sandhurst East with a Portion of the City Reserve, 1875
Inscribed on original mountcard, l.l., gold letterpress, "N.J. CAIRE".sandhurst, shamrock hotel, flour mill, albumen, bendigo, sandhurst, jewish synagogue, city town hall, photograph -
Horsham Regional Art Gallery
Photograph, Norman DECK, Old flour mill, Launceston, 1955
Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Caltex-Victorian Government Art Fund, 1979 -
National Wool Museum
Archive - Advertisement, Laconia Woollen Mills, 1964
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Treat yourself to the luxury of Australia's best blankets (blanket range): three examplesTreat yourself to the luxury of Australia's best blankets/Laconia 100% Pure Lamb's Wool/Make Goodnight a Certainty blanket, blanket fever, wool, laconia, advertisement, australian women's weekly -
National Wool Museum
Functional object - lamp, Laconia Woollen Mills, 1960s
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Laconia Blankets' electrical sign with signature lambsLaconia Blanketsblankets, blanket fever, laconia, advertising -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1953
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Can't you see them on your beds (blanket range)Can't you see them on your beds/Onkaparinga, the ALL WOOL Blankets with the 12 year guarantee/ Onkaparinga Woollen Company Ltd blanket, blanket fever, wool, onkaparinga, advertisement, the australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1953
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Guaranteed to give 12 years of cosiness and comfort (range of blankets in a pile) Guaranteed to give 12 years of cosiness and comfort/Wedding bells soon?/4 Lovely pastels, white and checks/Onkaparinga, the ALL WOOL Blankets with the 12 year guarantee wool, blanket, blanket fever, onkaparinga, advertisement, the australian women's weekly