To be used for shaping butter into a cube. Mould is constructed of four pieces of wood joined together to form a rectangular central hollow. Small pieces of timber have been nailed in to reinforce the joins. The hollow would be filled with butter, then either the mould would be tapped sharply on a hard surface to remove the square of butter, or a plunger or other device used to push the butter from the mould. Note: Mould is fairly roughly made, suggesting it is home-made, and the absence of grease etc on inside of mould suggests it may never have been used.butter mould

Rectangular with chamfered corners, concave base with ribbing, rounded inside.ornaments, glass, moulded, container

4 object set. Object 1 a pink glass dish with leaved, V-shaped rim. Clear glass decorative flange underneath overhanging rim. Object 2 pink glass jug, tapered, with clear handle and decorative flange, clear glass decorative feet. Object 3 pink glass bowl, globular, with clear glass decorative peaked trimming around top. Slightly patterned exterior. Object 4 similar to object 3 but with more obvious pattern on main bowl exterior.ornaments, glass, moulded, ornament

Round plaster mould of an octagonal design depicting two lovers. This mould corresponds to the left earring of a pair held in the Powerhouse Museum: object registration 2005/258/1-3Nonematcham skipper, mould, jewellery, nude, lovers

This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth has cork seal. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Pushed up base has pontil mark. White discolouration in a narrow line down the body. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle

Australia was not self sufficient in glass making until the turn of the 20th century and many bottles were made overseas and shipped to Australia with their contents and when emptied were re-filled with other company’s products. This bottle has an aesthetic element in that the shapesis visually appealing. It reflects the type of glassware that was in circulation in the first half of the 20th century. A narrow clear glass bottle with a short neck and a moulded rim.5 3bottle container

Donor, Rupert Bird, was son of John Bird early auctioneer and estate agent. Founder of Men's Club.Very large white meat platter with moulded design in bottom.Unreadable marking on bottom.platter domestic crockery ceramic

Glass ware for domestic use as crockery was popular in Australia in the 1960s. In our local area, the Warrnambool district, glass cups such as this one were provided at supper time at local dances for the dancers to have a cup of tea. The over heating of the handle was a draw back to the use of glass cups and so they went out of fashion. This item has social significance.This is a moulded glass cup with vertical ridges on the body and a curved handle.glass cups, vintage domestic item, supper items at 1960s local dances.

Brylcreem was a men's hair cream first made in the UK in 1928, and still available. Ridges on sides of jar were to prevent slippage.Clear glass moulded jar with black screw top lidBrylcreem Regdhair cream, jars, brylcreem

MacRobertson's Steam Confectionary Factory was established in 1880 by Macpherson Robertson in Fitzroy, and operated until 1967 when it was acquired by Cadbury. This jar was used to hold lollies sold separately in shops.Clear glass jar (slight green tint), moulded inscriptionMac Robertson Fitzroyglass jars, macrobertsons confectionary, confectionery jars

Displayed in History HouseGlass bottle (half imperial pint), with moulded logo on side.Front: Superior Milk/Reg'd Brand/Portland Back: Half Imperial Pint

Moulding plane, concave mould, 94mm long, 46mm wideflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Rectangular plaster mould of circular relief depicting Dianna and the Hounds.Inscribed in pencil on face 'Screwdriver' and 'SEB'. matcham skipper, mould, jewellery, dianna and the hounds

Oval latex mould depicting an angel with stylised decorative wings. Nonematcham skipper, mould, jewellery, angel, decorative design

Oval plaster mould depicting a male nude with spiral tree. Nonematcham skipper, mould, jewellery, nude, spiral tree

Plaster mould of an oval design depicting kneeling lovers embracing. nonematcham skipper, mould, jewellery, nude, lovers

Plaster mould of a fan or mirror shaped design depicting a bull.Nonematcham skipper, mould, jewellery, bull

Round silicon mould depicting a pair of hands with tree and shield. Nonematcham skipper, mould, jewellery, shield, hands, tree

Oval silicon mould depicting a female amongst hanging vines.Nonematcham skipper, mould, jewellery, female

Rectangular plaster mould depicting a male nude riding a stallion.Nonematcham skipper, mould, jewellery, male, nude, stallion, horse

Oval rubber mould depicting a rearing centaur with bow and arrow.Nonematcham skipper, mould, jewellery, centaur

Square silicon mould depicting a pair of hands with tree and shield.Nonematcham skipper, mould, jewellery, hands, shield, tree

Oval rubber mould depicting a female nude with oblong shape.Nonematcham skipper, mould, jewellery, nude, female

Oval silicon mould depicting a rearing stallion with male nude.Nonematcham skipper, mould, jewellery, stallion, horse, nude

Round plaster mould depicting a male and female seated nude.Nonematcham skipper, mould, jewellery, nude, male, female