Showing 296 items
matching murray black collection
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Rutherglen Historical Society
Image, 1930s to 1950s
Photographs were from the collection of Florence Iggsten, who was Captain from 1932 to 1953.One of four pages of black and white photographs fixed to paper with double-sided tape. Subject of the photographs is the activities of a Girl Guide Troop.Written at top of first sheet of photographs: "Photos 1st Rutherglen Girl Guides 1932+" Some names are identified on the paper, and some of the photographs are captioned.girl guides, rutherglen, florence iggsten -
Rutherglen Historical Society
Image, The Park Rutherglen, c1900
A computer screen-print, from the eBay website, advertising this postcard for sale, was found filed with our photographs. Not recognising it as one already held, Martha Valentine purchased the card from eBay and donated it to the collection.Early black and white photograph of Rutherglen Park, printed on a postcard. A horse and cart and a bicyclist are on a path between large trees, with a very large pine tree at the centre of the photograph.At foot of photo: "The Park Rutherglen." On back of card, in the space for a message, is written: "Springhurst, Monday May 15th", and the card is addressed to "Miss Ivy Blackwood, Castella St, Healesville, Victoria"rutherglen park -
Unions Ballarat
In step with Sturt (Don Woodward Collection), Swan, Keith et al, 1979
The book, targeted at school students, covers the years of Sturt's three expeditions. The authors question Sturt's capability as a surveyor and his leadership.Australian history.Graphic book; 115 pages. Dustjacket: plastic covering; brown and white background; black and white map of Sturt's journey along Murrumbidgee and the Murray River; black, gold and white lettering; authors' names and title. Cover: white and black lettering; authors' names and title.btlc, ballarat trades and labour council, ballarat trades hall, sturt, charles, history - australia, australia - explorers -
Unions Ballarat
The turbulent years: The autobiography of JT Lang (Don Woodward Collection), Lang, JT, 1970
Autobiography of Jack Lang's political career. Lang is a former NSW ALP state treasurer and was elected Premier on two occasions. His government was dismissed in his second term of government by the State Governor due to his defying the Commonwealth Government's financial agreements' legislation. Relevant to the history of the ALP in NSW and the labour movement. Autobiographical interest - Jack Lang.Book; 323 pages. Dustjacket: light blue background; black and white photograph of JT Lang; red and white lettering. Cover: grey background; green lettering; author's name and title.In blue ink: "Pop, Happy Birthday. Mary, Murray, Christopher. 8:10:70" (Copy 1)btlc, ballarat trades hall, ballarat trades and labour council, alp, australian labor party, new south wales, politics, government, premier, autobiography, lang, jt, lang, jack -
Unions Ballarat
Portraits of power (Don Woodward Collection), 1979
Overview of various leaders in the 20th century: Hitler, Churchill, Gandhi, Roosevelt, Stalin, Truman, Hirohito, Franco, Adenauer, Gaulle, Eisenhower, Tito, Nasser, Ben-Gurion, Khrushchev, JF Kennedy, Queen Elizabeth II, Shah of Iran, Mao Tse-Tung.Historical and political relevance.Book; 288 pages. Cover: brown background; two-tone portrait photographs of Hitler, Churchill, Gandhi, Roosevelt, Stalin, Truman, Hirohito, Franco, Adenauer, Gaulle, Eisenhower, Tito, Nasser, Ben-Gurion, Khrushchev, JF Kennedy, Queen Elizabeth II, Shah of Iran, Mao Tse-Tung; black and red lettering; title and compiler's name. btlc, ballarat trades hall, ballarat trades and labour council, hitler, adolf, churchill, winston, gandhi, mohandas karamchand, roosevelt, franklin, stalin, joseph, truman, harry s, hirohito, emperor, franco, francisco, adenauer, konrad hermann joseph, de gaulle, charles, eisenhower, dwight, tito - josip broz, nasser, gamal abdel, ben-gurion, david, khrushcev, nikita, kennedy, jf, queen elizabeth ii, shah of iran - mohammad reza pahlavi, mao tse-tung, politics and government - international, history - world leadership -
Tatura Irrigation & Wartime Camps Museum
Document - Binder, Tatura Museum World War 2 Wartime Camps Collection Significance Assessment
Prepared for the Tatura & District Historical Society in June 2010.A4 size binder of 166 pages plus clear front cover and black back cover. Black multi ring binder. 5 pictures of camp related items on front along with 2 red squares one containing the name of the document in white and black print. The second square has black print "Historical cultural heritage projects. prepared for the Tatura & District Historical Society June 2010.tatura & district historical society, tatura camps, irrigation camps, ww2 camps in victoria -
Tatura Irrigation & Wartime Camps Museum
Book - Booklet, The Leader Spare Corner Book, 1927
Contains household hints, kitchen recipes, crochet patterns. Printed 1927Thin cardboard cover, tan coloured with black printing inside a triple lined rectangle. 32 printed pages. Held together with three staples.Front cover: For Australian Women; The Leader; Spare Corner Book; An unique collection of home and household hints and kitchen recipes; Nos. 1-2-3; Price 6d. Back cover: statue of person standing on one leg and right arm raised.recipes, crochet patterns, kitchen hints, quintin thomas bone, david syme and co, the leader -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
The 20th Light Horse (Victorian Mounted Rifles) was raised in 1920 as part of the 3rd Cavalry Brigade, 2nd Cavalry Division, Citizen Military Forces, with Headquarters at Seymour and depots along the Goulburn Valley from Mansfield to Tocumwal in southern NSW. In December 1941, 20th Light Horse (Victorian Mounted Rifles) converted from horse to mechanised, initially as 20th Motor Regiment. In 1943 the Regiment was deployed to Merauke, Dutch New Guinea. Upon its return in April 1945, the Regiment was redesignated 20th Pioneer Battalion. It was disbanded following the end of the war. 20th Light Horse was the only light horse regiment to serve overseas in WWII. This is one of a collection of photographs featuring a Light Horse regiment drawn from rural and regional Victoria in the period immediately prior to mobilisation for World War 2 (1939-1945).Black and white photograph mounted on card of six men in shirt sleeves sitting outside a ridge tent. Civilian car in right background. Photograph is part of 20th Light Horse collectionAcross edge of card mount.W. Stillard, W. Quick, C. Bourchier, Murray Scott. Seymour Military Camp. Arrived Mat 1939 -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - McGeoch, Wilesmith, Attree, Grossman
The 8th Light Horse (Indi) was raised following World War One the Citizen Military Forces, superseding 16th (Indi) Light Horse. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded.Black and white photograph mounted on card of four light horse officers: Lieutenant AH McGeoch 4 Troop A squadron (Wodonga), Lieutenant F. Attree, A Squadron, Lieutenant Wilesmith, 3 Troop A Squadron (Corryong) and seated Captain Grossman 2i/c C Squadron 8th Light Horse, c. 1938.wilesmith, attree, grossman, light horse, mcgeoch, wodonga, corryong, 8th -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Doug Colquhoun, 23/05/1959 12:00:00 AM
Yields information about Ballarat's trams during the late 1950's and the Gardens area.Black and white print of Ballarat 34, inbound in Lydiard St Nth, just before the railway level crossing. Two copies. Photo by Doug Colquhoun, 23/3/1959. Tram has the destination of Sebastopol, and has the Kennedy Murray Pty Ltd General Carriers building in the background. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection.On rear of copy 1 "SEC Ballarat / 34/ /Lydiard St North / 23/3/59 5535 / D.A. Colquhoun" . Copy 2 "DAC" in ink, bottom right hand corner.trams, tramways, lydiard st nth, tram 34 -
Colac RSL Sub Branch
Uniform - Army Dress Jacket belonging to ??, Lt. Colonel Dress Jacket. Item forms part of the Gouge Collection
HistoricHighly significantKhaki Army Dress Jacket with Lt. Colonel pips. WW11 and brass crown on each shoulder. Cloth belt with a brass buckleBrass Rising Sun collar badges x 2. Brass "Australia" shoulder flashes x 2. Brass buttons. Cloth Battalion patches on both sleeves (Red and Black on Grey background. Blue and Red on Grey background). Blue service stripes x 3 on right sleeve2nd world war -
Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: AUCTION CATALOGUE - AT LOCK 15 - RIVER MURRAY
Auction catalogue with a beige cover with red and black printing for a sale on 24th, 25th and 26th May, 1938 of Contractors, Engineers and Mining Machinery, Plant, Stores, Buildings and Equipment at Lock 15, River Murray (Near Euston and Robinvale). J. H. Curnow & Son were the auctioneers. Catalogue has a column down the right side of the page to write in the price of each lot. Contains a description of some of the machinery, tools and buildings. Catalogue has a black and white photo of Lots 1667 to 1672, a 'Perry' Locomotive. Bolton Bros. Pty. Ltd. were the printers of the catalogue.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - at lock 15 - river murray, j h curnow & son, department of works and local government nsw, bolton bros pty ltd -
Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: AUCTION CATALOGUE - MURRAY BARRAGES
Two white covered auction catalogue with red and black printing for a sale at the Murray Barrages (Mouth of Murray) on 1st to 6th April, 1940. Sale was altered to one week later, the 8th to 13th April, 1940. For sale was Contractors, Engineers & Mining Machinery, Floating Plant, Locomotives, Stores, Buildings and Houses for Removal, Extensive Quantity of Oregon & Hardwood Timber, Scrap Iron, & Valuable Collection of Tools, Equipment & Sundries. Sold under instructions from the Supply & Tender Board, Adelaide. Auctioneers were J. H. Curnow & Son in association with R. E. Jackman & Co. Ltd. Some prices have been written in one catalogue. Black & white photos in the catalogue are: the Goolwa Barrage, Derrick Barge, 'Milang' Dipper Dredge, 'Captain Sturt' Steam Boat and Batter Pile Frame (for pile driving). The tattered copy has Mr. Curnow written in the top left corner. Contains description of some of the machinery.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - murray barrages, j h curnow & son, j l jamieson, r e jackman & co ltd, the supply & tender board adelaide, k p phillips -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: PURPLE PEOPLE POLKA BAND
Light purple page with a black printed border advertising a Polka party with the Purple People Polka Band. Guest callers Peter Ellis, Tony Jowett, Graeme Murray, Margaret & Bill Winnett, John Garden, Lance Green and Daryl Powell.entertainment, dance, purple people polka band, peter ellis collection, purple people polka band, peter ellis, tony jowett, graeme murray, margaret & bill winnett, john garden, lance green, daryl powell, trocadero -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - ink and watercolour, Annette Meikle, Shenval, 1977
In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. Built in 1891 for Captain Murray to his own design, ‘Shenval’ originally stood on five acres fronting Bluff Road, Black Rock.Annette Meikle, Shenval 1977, ink and watercolour, 33 x 23.5 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, black rock, architecture, historic house, shenval, captain murray, bluff road, verandah -
Bendigo Historical Society Inc.
Photograph - Long Gully grade 5&6 1957
Black and white photograph of the Long Gully school pupils' grade 5&6 in 1957. Part of the Barker's family collection.On the back in pencil the name Brenda Tuddenham. Also, the stamp of George Murray photographer 1a Belford St. St. Kilda.long gullly, 1957, school -
Kew Historical Society Inc
Clothing - Black Silk & Lace Bodice, 1880s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Long black silk sleeveless bodice with a wide band of lace on the edging and at sleeves. Silk bow at rear. It has been provisionally dated to the 1880s-90s.women's clothing, bodices, fashion -- melbourne -- 1880s, netta fuller -
Kew Historical Society Inc
Clothing, Black Silk & Lace Bodice, 1880s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Late Victorian highly remodelled black silk bodice with pleated silk to neck. The bodice has distinctive sleeves in two sections, the lower part constructed of black lace. The bodice has an original arm pad with makers name in it.fashion -- melbourne -- 1880s, bodices, women's clothing, netta fuller -
Kew Historical Society Inc
Clothing - Black Silk & Lace Bodice, 1880s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black-coloured fitted jacket made of silk and lace with added satin ribbons.women's clothing, fashion - melbournesne - 1880s, bodices, jackets, netta fuller -
Kew Historical Society Inc
Clothing, Silk Velvet & Lace Bodice, 1880s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black silk velvet, long-sleeved, waisted padded winter bodice with black lace and beading at cuffs and at basque. women's clothing, bodices, fashion - melbourne - 1880s, netta fuller -
Kew Historical Society Inc
Clothing, Black Silk & Lace Bodice, 1890s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black silk and lace bodice.victorian fashion, netta fuller, bodices -
Kew Historical Society Inc
Clothing, Black Silk Bodice, 1880s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Long-waisted black fitted silk and lace bodice with black wooden buttons. The lace at the edge of the bodice may have been added at a later period.day dresses, women's clothing, mourning wear, fashion -- 1880s, netta fuller -
Kew Historical Society Inc
Clothing, Black Silk Bodice, 1890s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black-coloured silk bodice with leg-of-mutton sleeves. Date: ca. 1890s.australian fashion -- 1890s, bodices, dresses, netta fuller -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
The 8th Light Horse (Indi) Regiment superseded the 16th Light Horse in 1919. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded.Part of a series showing aspects of camp life circa 1932Black and white photograph of 13 soldiers of 8th Light Horse Regiment photographed at Maribyrnong 1931Lower edge of mount " Maribyrnong 1931 " -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
The 8th Light Horse (Indi) Regiment superseded the 16th Light Horse in 1919. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded.Black and white portrait of Lieutenant Latter of 8th Light Horse Regiment wearing service ribbons for WW1 -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
The 8th Light Horse (Indi) Regiment superseded the 16th Light Horse in 1919. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded.Part of a series showing aspects of camp life circa 1932Black and white photograph of group of soldiers comprising a sergeant, two cooks, and five fatigue party. They are peeling potat0es into three dixies. -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
The 8th Light Horse (Indi) Regiment superseded the 16th Light Horse in 1919. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded.Part of a series showing aspects of Citizen Soldering in 1930s.Black and white photograph of two soldiers of 8th Light Horse Regiment in work dress sitting on table beside sawyer stove enjoying a beer, -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
The 8th Light Horse (Indi) Regiment superseded the 16th Light Horse in 1919. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded.Part of a series showing aspects of Citizen Soldering circa 1930s.Black and white photograph of three soldiers of ' A ' Squadron, 8th Light Horse Regiment standing outside tent. Identified as Les Lees - Left, Jack Riley - centre, Vin Keidy - right. -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
The 8th Light Horse (Indi) Regiment superseded the 16th Light Horse in 1919. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded.Study showing uniform in late 1930sBlack and white photograph of Officer wearing peak cap, tunic with AIF collar badges, Sam Browne belt. leggings, boots and spurs. Probably 8th Light Horse at outbreak WW2 -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
The 8th Light Horse (Indi) Regiment superseded the 16th Light Horse in 1919. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded.Study showing uniform in late 1930s.Black and white photograph of three Sergeants of the 8th Light Horse Regiment standing in front of a brick building with tiled roof.