Scalebuoy. Invented by Hartley Abbott & patented under the name of the Bendigo Electronic Company, made in various sizes & for different applications, such as to prevent scaling in the boilers at mines. Made up of a sealed glass bulb containing mercury and gasses enclosed within a chromed wire cage & with a chromed handle. The one shown being a hand held shaker model.sciences, instruments - general, scalebuoy

Printed colour postcard from top of the Town Hall, looking northwest with Snows building in the foreground looking west. Has a horse tram travelling up to Lydiard St. on the south side of Sturt St. Has the buildings on north side of Sturt St. in the view, including the central median reserve before the trees had grown. Titled "Shoppee and Alexandra Squares, Ballarat Vic." along the bottom edge. On the bottom of the postcard is a one line hand written message, ink fading, very hard to read. On rear of postcard is the address to a Mr Frank Tucker, Glencairn, Park Avenue, Harrogate, England. Has two Victorian stamps, half penny (green) and one penny (red) stamps. Has been postmarked, "Ballarat East 16.11.04". See images .1 and .2. Two copies held - on the second copy, the address details have been crossed out and the stamp removed. Yields information about central Ballarat in the horse tram days.Postcard - printed colour, divided back, used.trams, tramways, horse trams, sturt st, postcards, snows, tram 3

This book lays out the history of Montmorency from its earliest years as a hunting ground the Wurundjeri willam people, through its uptake by white settlers. Ownership of the land remained in the hands of one family for four generations spanning seventy years, before the land evolved through small farmlets into a suburb once part of the former Shire of Eltham, now part of Banyule City Council.Little has been written on the history of this hidden suburb of Melbourne. This book is significant in that it is the first major local history publication devoted to the suburb gathered particularly from local historical society archives and oral histories. ISBN 9780980807912montmorency

Cohn Brothers Vic Brewery share transfer from James Newman to Horteuse J Bouteau Dated 14th January 1895. Oval blue Fitzgerald & Burgess Collins St Melbourne Stock & Share Brokers hand stamp. Oval pink Clarke & Company 309 Collins St Melbourne hand stamp. One Penny duty stamp.bendigo, industry, cohn bros brewery, james newman. horteuse bouteace ?

Cohn Brothers Victoria Brewery share transfer & acceptance from H G Boulear Melbourne to Sophia Shyer dated 29th June 1895. H J Boulear signature. Herbert Wilson & Co Stock & share broker blue oval stamped. Pink oval Clarke & Company Melbourne hand stamp. One penny duty stamp.bendigo, industry, cohn bros brewery, h g boulear melbourne. sophia shyer. herberty wilson & co. clarke & company melbourne.

Three hair nets in their original packets. Two are in green packets with orange printing and a black silhouette of a womans head on the left hand side. One is Shade 2 Dark Brown; Black one is Shade 3 - Grey and White Hair; the third net is in a cream envelope with photo of woman's head and hair. The 'Ideal' cap net - mid brown.personal effects-toilet requisites, hairdressing

Postcard - titled "Beware of Sudden Stops", featuring a rhino falling off a skateboard, safety message to get passengers to hang on while travelling by tram. Has a rhino on one side with a hand hanging on and on the rear, a postcard format with a place for a stamp, address and safety message. Has Yarra Trams and PTV logos. Made by Avantcard Australia, 2016 with their email address.trams, tramways, yarra trams, safety, rhinos

Completed Unpaid fare form, MMTB No. 29096 for 40c, completed by Carolyn Dean in pencil for P. Smith of Burwood . Dated 27-8-1980. Form printed in three portions with perforations, one for the conductor to hand in, one for the passenger and the third for information. Signed by W. Aird Secretary. See Reg Item 1841 for another form - may not be MMTBtrams, tramways, mmtb, fares, tickets, forms

Lot 2 was bought by Harry Walker in the early 1900s. Harry was married to Eva Hand, one of the six daughters of Thomas and Eliza Hand. Harry cleared the land and planted half with raspberries that remained productive until c1928. Harry's son William took over the property. The land was cut in half when the new CRB road went through in the early 1920s. John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas.Black and white photograph showing a single storey white house in the centre surrounded by crops. Handwritten description on reverse by John Lundy-Clarke.VIEW 1908 OVER LOT 2 SECTION 1 VILLAGE SETTLEMENT. TAKEN FROM RIDGE ROAD THEN MAIN ROAD FROM HALFWAY BETWEEN MOUNTJOY AND FALLS RD. CRB MAIN RD RUNS BEHIND WALKER’S HOUSE. The house seen in the vista among the tall trees beyond the raspberry patch is “Forest Edge” which was George Barber’s home when the picture was taken. The tall trees to the right of the vista were on Price’s LOT 18 and it was while cutting up one of these for firewood that a length of log weighing about ½ a ton got away downhill and leaped in one bounce over Barbers Road and Logan’s house – 1931.harry walker, william walker, eva hand, crb road, raspberries, kalorama

Cream, hand-embroidered, linen tray cloth with orange, apricot, blue and green floral design and a scalloped, crocheted edging. Three cream, linen doilies, one with a scalloped edging and cream hand embroidery and one with two blue hand-embroidered baskets of pink flowers and with a crocheted edging. The third doily has a floral, hand-embroidered design, with a pink crocheted edging.table linen., table ware.

Worn by the principal of Ballarat Teachers' College over black academic gown at formal assemblies. Ellwood was the Principal of the Ballarat Teachers' College. Ballarat Teachers’ College was opened on 04 May 1926, at S.S. 33 Dana Street, with an enrolment of 61 students. Its original staff consisted of the Principal, Mr W.H. Ellwood, M.A., M.Ed. (Chairman of the Teachers’ Tribunal from its inception in 1946 until 1954), Miss A. Bouchier, B.A., and Mr A.B. Jones, BA., (lecturers). In 1927 Miss P.A. Hamano joined the staff. In 1927 the college moved to the old Ballarat East Town Hall (remodelled for their use) in Barkly Street. During 1927 the numbers in the College were augmented by 26 Manual Arts students, who had formerly received their training at Ballarat High School. Manual Art students continued till 1930 when, on grounds of economy, their training was concentrated at Melbourne Teachers’ College. During the four succeeding years, approximately 60 students annually entered the primary course. Inclusive of Manual Arts students, and private fee-paying students, exactly 400 trainees passed through the College in its brief span of life (1926-1931). Five per cent of each year’s students were granted an extension of their studentship to enable them to proceed to Melbourne Teachers’ College, and to take the first year’s course for a University degree. With the advent of the economic depression of the ‘thirties, Ballarat Teachers' College closed its doors in December, 1931. Fourteen years were to pass before the College opened again on February 2nd, 1946. The college re-commenced at SS Dana Street, under the guidance of Mr W.F. Lord, M.C., M.M., B.A., Dip. Ed., (acting, later Principal 1946-1950) and a staff consisting of Miss E.B. Hughes, B.A., Dip. Ed., Mr C.B. Bryan, B.A., B. Com., Dip. Ed., Miss Monica H. Miller, L.Mus.A., and Miss G. Kentish, Dip. Phys. Ed. The opening ceremony was performed by the Minister of Education at that time, the Hon. F. Field, M.L.A., accompanied by the Hon. T.T. Hollway, M.L.A., and the then Director of Education, Mr J.A. Seitz. It was originally intended to cater for women students only but, at the last moment, men resident in Ballarat were also accepted. A co-educational college was thus set up instead, and it has continued as such. 1951 saw the introduction of the two-year course, successful students being presented with the Trained Primary Teacher’s Certificate at the final College Assembly each year. In December 1955, College held its first Graduation Ceremony, with its own Graduation Hymn, the words of which were written by Miss C.M. (Mavis) Canty of the staff. Lord remained as principal until 1951 when he transferred to establish a teachers' college at Toorak. Tom William Turner was Lord's successor. A highlight of his term was the construction of new college buildings at Gillies Street with the students commencing their lessons there in February 1958. Turner retired in 1970, having overseen a period of substantial growth in the institution. In that year alone more than one hundred and forty students completed their primary teaching qualification to meet a severe shortage of teachers. Doug Watson commenced as principal in 1971. In 1973 Ballarat Teachers' College became the State College of Victoria at Ballarat. Three years later Ballarat College of Advanced Education was formed and the teacher education students moved to the Mount Helen Campus. In 1990 Ballarat College of Advanced Education became Ballarat University College, an affiliated college with the University of Melbourne. The University of Ballarat was formed in January 1994.Light blue grosgrain sash, bound in yellow taffeta, sewn by machine. Two mitred seams, one at each shoulder, hand sewn and two seams machine stitched on straight part of sash. A BTC insignia is placed in the centre back. The insignia is stitched in yellow, royal blue and dark blue cotton. This sash is hand sewn at the end of one side length, in order to shorten it. Extra Muros (Beyond the Wall) on insignia BTC (Ballarat Teachers' college)education, teaching, assembly, btc, ballarat teachers college, university of ballarat, regalia, ceremony, graduation, stoll, balalrat teachers' college

This SEC cook book was produced circa 1950s when the Kiewa Hydro Electricity Scheme and its Commission was in full swing. The Commission had constructed two settlements, Mount Beauty and Bogong Village to house construction workers and their families in a "closed" community. These "closed" communities were for SEC staff and construction workers only. Entry into these villages was restricted to "SEC pass" carrying construction staff and their families. All facilities such as retail, sporting and other community services was provided by the SEC. This created an isolated community in which limited individual choice or administrative family leeway was available. It was a typical company town (live and work for the company). The Company was in the Kiewa Valley constructing power stations for the Kiewa Hydro Electricity Scheme of Victoria. In one way the individual did not need to be concerned with living costs, educational needs for children, and recreational amenities and therefore "normal" community survival /living methods did not apply. This living, although restrictive, was quite simple. When the scheme was completed, in 1961, marking the end of company town, caused some of the employees, who had enjoyed the "controlled" township environment, a fair degree of angst in having the new 'laissez-faire" controls thrust upon them. This was magnified when both Mount Beauty and Bogong Village became meshed into the Bright Shire, vis-a-vis, local government. This cook book is a prime example of " the company is looking after you" and leave the worrying to us. This environment of a "company town", which creates the atmosphere of minimal personal responsibilities, is still present in a few remote mining towns in Australia at the beginning of the 21st Century.This book is a classical example of the psychological control in which the company had its construction workers families living in. The motto of many companies who had employees in isolated regions was "keep them happy". A happy and contented worker is a more productive worker. This was a period in time (1950s to 1970s) when social psychology was gaining recognition in the Australian workforce as well as internationally. At the end of the construction of all the power stations both the Mount Beauty settlement and the Bogong Village became more integrated into the main stream of rural Australia environment. Development of tourism in the region opened up not only interaction with a greater cross section of the ever expanding type of Australian but also the overseas based non rural culture tourist or immigrant. It allowed the intermingling of ideas in a non company controlled environment. The Mount Beauty and Bogong Village has, and even up to the 3000 Millennium, the same housing construction, as was built by the SEC. There has only been a very gradual change to modern domestic architectural home styles. This SEC cookbook has a folded cover with two staples at the spine, securing eight double sided pages. The white pages contain black print and sketches(3), and one black and white photograph (of the author). The front cover is mainly orange in colour with a gradual fading into yellow(at the top). The cover is approximately 210 g/m2 in thickness and each page is approximately 90 g/m2 thick. Front cover: top of page "SEC Cook Book of Family Favourites", in the middle a sketch, black on orange background, of a smiling mother walking from the kitchen to the dining table with a steaming rolled roast and vegetables in one hand and a gravy pot in the other. The furniture and decor relates to the 1950s. Below this sketch is printed"SEC TESTED RECIPES NO. 16" Inside cover: on top of the page is a black and white sketch of a pineapple, apple pear fish with scales, bunch of grapes with leaves a pork roll (head of pig one end and a roll ending on the other, on top of this food arrangement rests a fruit pie. Below this sketch are printed in black print the books contents.The first side of the first page is a black and white photograph Mary Dunne, the SEC Home Service supervisor who provided a signed foreword. The inside back cover has a promotional segment detailing a black and white photograph of a smiling (and happy) couple in the foreground with an electric stove in the distance. The written motto below this photograph is" to Live better -and save money they'll join the Power People. "the new tariff is(1960s) - First 75kWh --6 cents per kWh Next 435 kWh---2.3 cents per kWh Balance --1.7 cents per kWh The rate per killowatt-hour for the final block drops from 2.1 cents to 1.7 cents --a reduction of 19%.cooking recipes circa 1950s, domestic food, sec victoria cook books, recipes circa 1950s

Clothing. Women's cream coloured double thickness silk scarf. Fabric has embossed pattern of diagonal leaf shapes. At each end on one side only are hand painted pictures;. 1. A Chinese girl kneeling below a tree and holding a sword in her right hand. 2. Tree branch with two butterflies and a rectangular Chinese symbol. Both ends have 5 cm fringeing.costume accessories, female, cream coloured silk scarf

From Neurological Society of Australia. Wooden case with key. Contents (12 parts) include trephines, various sizes; perforator; key; ebony trephine handle; Hey skull saw; elevator; steel forceps; brush; lenticular; five pointed rugine. 18th or early 19th century.TREPHINE & SKULL SAW IN CASE OF SURGICAL INSTRUMENTS: EIGHTEENTH OR EARLY NINETEENTH CENTURY. This set of surgical instruments contains, in a wooden case covered with shagreen: two trephines and a perforator , with a key to remove the trephine centring pins a detachable ebony handle a Hey skull saw with the name BLACKWELL an elevator a pair of steel forceps a bone or ivory brush to clean the trephines a lenticular a 5-pointed rugine. The trephines are conical, with slight tapering to prevent over- penetration; they are approximately 17 and 20 mm in diameter. Each has a sharp centring point, which 5 can be removed. Hand trephines are operated with one hand, being rotated like a gimlet, by alternating pronation and supination of the forearm, which also exe1ts downward pressure. The skull saw was used where trephining was difficult, as in some depressed fractures; it was popularised by William Hey (1736-1819) of Leeds, though described by earlier writers. Hey, a Yorkshireman, studied in St George's Hospital, London, but worked with great distinction in the Leeds General Infirmary. The lenticular, a curious instrument seen in many eighteenth century illustrations, was used to smooth the margins of bone defects. The rugine could be used to scrape granulations. The design of the trephines and of most of the other instruments strongly suggests an English origin, probably in the eighteenth century. A very similar trephine is figured by the London surgeon Percivall Pott2 in 1779. Bennion l [ists three instrument makers named Blackwell, none earlier than 1817. Most of the instruments have been plated, presumably with nickel, at a date that must be much later. The nickel plating shows little sign of wear.

The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. There were clearly a huge range of toys produced for the Australian and International children’s market in the Nineteenth and Twentieth centuries. The examples of toys in the collection include examples of alphabet toys, arcade toys, baby toys, construction toys, dolls, doll accessories, educational toys, soft toys, tin toys, toy animals, toy blocks, toy machines, toy typewriters, etc. Box of two dimensional animals cut from wood including deer, camels, horses etc. The box includes one intact paper hand coloured template of a horse and duck. On this item there is the number LXXVIII. All of the items are housed in a cardboard box produced by Walker Stores Pty Ltd, 471-5 Sydney Road Coburg. The box also states that there was a retail outlet at Glenferrie Station. Inscribed on the box is the name Mr Edward Smith, 16 Macartney Avenue, Kew. The box is not related to the contents apart from probably being used for long term storage.puzzles, toys

The Skaregrøm was a swedish windjammer. On his log during his time on the Skaregrøm Captain Archie Horka often mentions "Chile John" or "Chileno/Chilano John". He also mentions his real name John Oyarzo, probably Juan Oyarzo (see Sea History Magazine)The picture shows one of the work on board a sailing ship. It also demonstrates how international ship crew were at the time. The photograph was published in the annual report for 1926.Sailor with grey shirt and cap sitting on the deck of the ship, repairing sails. Around his right hand is one of the sailmaker tool: the sailmaker sewing palm is a leather strap with metal piece on the palm called the eye. This piece has indentations to accept the head of the needle as you push it through the cloth. The number 14 at the back indicates the photograph was previously on one of the grey album pages with the legend: "Chilean sailmaker on the Skaregrom".in pencil: "cut off"is written twice on the top and bottom of the photograph. Number 14 was added later in black inkskaregrom, sailing ship, sailmaker, skaregrøm, chilean, sailor, reverend john reginald weller (1880-1969), weller album, windjammer

Hand shears - also called blade shears - were used to shear sheep prior to the introduction of machine shears and are still used today where no power machinery is available. Hand shears consist of two blades with a hinge at the end furthest from the point. The cutting edges pass each other as the shearer squeezes them together and shears the wool close to the animal's skin. In 1892 Jack Howe an Australian shearer sheared 321 sheep in one day using hand shears. This record has never been broken. This pair was made by Burgon and Ball in Sheffield under patent number 294. Filed in 1865, this brand of shears has been in constant production since then, although this pair was probably made in the 1930s.Spring double handled hand shears for shearing sheep."HIND'S PATENT DOUBLE HOLLOW GROUND BURGON AND BALL PATENT NO. 294 (inside a shield with a crown on top) MADE IN ENGLAND"churchill island, hand shear, burgon and ball, shearing

Scythes were used to manually mow wheat or grass. Scythes were used with a long sweeping movement which made them much less tiring for labourers to use than reaping hooks or sickles though they still involved great physical labour and considerable skill to perfect. Both hands were in use and the operator did not have to bend his back to reach down to the crop. On farms scythes were sharpened on a sandstone wheel mounted on an axle with a crank handle on one side. This was hand powered and used with water. Scythes were not used as often on farms after the mechanisation of harvesting. They were still used for cutting awkward shaped small plots and for opening a path for the tractors. This item is an example of a tool used by the early settlers of the Orbost district. An iron scythe blade, curved and tapered. There is no handle and the blade is rusted and pitted."ROSE"scythe tool agriculture rural

Signs used during wool sales, used to direct buyers to dining rooms. Particular companies would ‘host’ meals in different areas. Blue cardboard signs with printed black numbers. 8518.1 – seven blue cardboard signs with the number 1 printed in black text. One sign has the capital letter M and one sign has the capital letter P written in hand written black texta. 8518.2 – seven blue cardboards signs wit the number 0 printed in black text. One sign has the capital letter M and one sign has the capital letter P written in hand written black texta. 8518.3 - seven blue cardboards signs wit the number 2 printed in black text. 8518.4 - seven blue cardboard signs with the number 3 printed in black text. One sign has the capital letter M and one sign has the capital letter P written in hand written black texta. One sign has hand written text in black pen ink on the back. 8518.5 - eight blue cardboard signs with the number 4 printed in black text. One card has a six pointed star drawn in black ink on the top right corner on the back. 8518.6 - seven blue cardboard signs with the number 5 printed in black text. 8518.7 - eight blue cardboard signs with the number 9 printed in black text. One sign has hand written text in black pen ink on the back.0 / 1 / 2 / 3 / 4 / 5 / 9wool sales, signs, dining, buyers, wool industry, business

Cabinet Portrait of Three Girls. The girls are wearing the same type of dress/uniform. Two girls are seated and one is standing behind them. Of the two girls seated, one is wearing above ankle height lace up boots, and the other is wearing the same length button up boots. All the girls have something in their hands, the one at the back has some flowers, the one on the left has a skipping rope, and the one on the right has a basket of flowers.F. Stubbs, St. Arnaudphotograph, portrait, female group, portrait of three girls, f stubbs st arnaud

Black and white photograph. One male with right hand on wheel of control valve in the compressed air pipe outlet of a two stage or compound air compressor with con rod and crank shaft to a large flywheel. Two belts to a vertical governor. Outgoing air pipe vertical to ceiling of enclosing building. Inscriptions: Nameplate or bed plate 'A Roberts and sons, Engineers, Bendigo' Lower left corner handwritten 'with A Rob. Compliments' On back - 'Compound Air Compressor'.machinery, compressors, compound air compressor, worker, male

Photo shows Geelong No. 38 at the Belmont terminus, High Street with the return destination of North. Note the compulsory tram stop on the left-hand pole. One of a set of photos was taken between 15/2/1956 and 3/3/1956 when services operated only between Belmont and North before the final closure of the Belmont route on 25/31956 and that bogie tram 31 is not shown on the board, having gone to Ballarat on 15/2/1956 - see item 5554. See item 8213 for an article on the Geelong system by Keith Kings. Yields information about the Belmont tram terminus prior to closure.Black and white Negative - 120 sizetram stops, tramways, high st, geelong, tram 38, belmont

Yields information about trams used, services and buildings in Sturt St near Grenville St in the ESCo era c1914.Black and White photograph mounted on heavy cardboard backing. Photo of Ballarat ESCo trams near the Grenville City terminus - two trams, left hand one has a advertisement for Viceroy tea on the front dash panel. Companies in image are: Mechanics Institute Library, C. Marks, A. E. White, Indian Depot, Peakes and Gas Co. Has the Mechanics Institute building, Town Hall building on both sides of Sturt St. Some early motor vehicles - c1914? From a Railway Photograph? Has marks from old support tape on rear. Note image scanned in two runs through a scanner, resulting in the shading in the image file.trams, tramways, sturt st, town hall, grenville st, esco

Framed logo - PMTT monogram or emblem - Saloon door glass (see donation document) that has been framed in a walnut finished frame with gold edge and further glazing. Was a broken part in one corner - bottom right hand. At the base three photographs have been provided - one of the original Malvern Tram depot building, PMTT No. 44 bogie car and the interior of a saloon of a PMTT tram. Has paper back with a hanging strip on the rear. Very heavy.trams, tramways, pmtt, windows, interiors, tramcars, tramcar component

Framed portrait of Tilly Aston who began the Association for the Advancement of the Blind, a forerunner to the Association for the Blind. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Tilly sits with one hand resting against a table, and the other in her lap. She is wearing a black collared dress with a white lace neck ruff held with an opal pin. Two medals (the Jubilee medal and Coronation medal) are pinned to the chest, each consisting of a red and white bowtie with a brass medallion. Tilly Aston was born in Carisbrook, Victoria, in 1873. When she was very young her parents noticed she was having problems with her vision. They took her to a doctor who diagnosed her with no sight in her right eye and the prognosis of loss of vision in the left eye. As a result of this she was totally blind by the age of 7. Despite this her parents endeavoured to give Tilly as many of life’s advantages that their limited means could supply. From an early age she was taught singing, music, poetry, arithmetic, encouraged to read and observe the natural world around her and be independent. At the age of 8 she was sent to the Asylum and School for the Blind (later called the Royal Victorian Institute for the Blind). She excelled in a wide range of subjects and matriculated in 1889. With the help of a public fund was able to attend Melbourne University, being the first blind Australian to do so. Unfortunately the lack of Braille text books made it impossible for Tilly to continue her studies and she left in second year. Tilly was determined that other blind people would not have the same negative experience she had had. In 1894 she organised a meeting to form the Victorian Association of Braille Writers with the aim of producing and supplying Braille to blind Victorians. Braille was produced by trained volunteers with ? recruited in the first six month. Other rights and services for blind people remained very limited. In 1895 Tilly organised a meeting, which formed the Association for the Advancement of the Blind (now Vision Australia). The Association was instrumental in obtaining many benefits for blind people including a blind pension, voting rights and transport concessions. It also established the first nursing homes for blind people, at a time when many blind people were homeless and destitute. Tilly went on to be Australia’s first blind teacher. She was also a very talented musician, author of seven books and was very gifted at arts and crafts. She knew Esperanto and corresponded with people all around the world including Helen Keller. Tilly passed away on November 1st 1947. Her legacy continues through the work Vision Australia which provides services for thousands of blind Australians. A memorial bell dedicated to her is also situated in the King Domain Gardens. 1 art original in gold frameThe plaque at the base of the painting reads 'Miss Matilda (Tilly) A. Aston / President 1904, 1910, 1943 to 1947/ Association for Advancement of the Blind'. association for the advancement of the blind, association for the blind, tilly aston

The house depicted in this image was constructed in 1865 for James Young a prominent local businessman and participant in community affairs. James Young left Bacchus Marsh in 1869. In 1870 Stone Villa was purchased by local solicitor Francis Gell. In 1872 it was bought by William Collyer. For a time before 1883 it was used as a school operated by Mr Thomas Kissock and his wife. From 1883 until 1922 it was used as a parsonage by the Church of England. In 1922 it was sold to Frederick Slack as a private residence. Since Slack's ownership there have been other owners. As of April 2024 it remains as a private residence and is listed as a heritage property in the Moorabool Shire planning scheme. The identity of the two women and young girl in the foreground of the image has not been established. One of the women, and the child are possibly the wife and daughter of the Rev A.C. McCausland who was the Church of England Vicar in Bacchus Marsh from 1872 until 1885 and would have resided in this house in 1883 when this picture was produced.An early visual record of one of the most culturally and architecturally significant nineteenth century stone houses in Bacchus Marsh.Small sepia 'carte de visite' style unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll', the Jeremeas Family Album. The photo is of a stone dwelling with an ornate gable above the inset front door which is flanked by two double windows, one of which is a bay window. The gable roof line bears ornate woodwork. A weatherboard extension with verandah has been added to the rear of the house, running north-south. A picket fence lines the block to the side of the dwelling. Two elegantly dressed women, both holding a furled umbrella, stand at the front, one holding the hand of a little girl.Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. Hand written on the reverse: 'Stone Villa built by James Young 1860 (sic) as his private residence, later as a school (Mr and Mrs Kissock proprietors) bought by CofE for Vicarage 1883-1922. Courtesy of Mrs J Jeremeas, Photo 1883' james young 1816-1871, houses, stone villa bacchus marsh, clergy residences, bacchus marsh vic. history, schools bacchus marsh, stevenson and mcnicoll 1883 photographs of bacchus marsh and district