The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .5) A tintype portrait of a child, attached to a card. little gem, photography, child, portrait

Diaries of Tim Burstall November 1953 to December 1954. Tim Burstall lived in Eltham. Tim Burstall, the celebrated director of Stork, Alvin Purple and numerous other definitive 'ocker' comedies, is credited with shaking the moribund Australian film industry out of its torpor. But long before that, in the early 1950s, he began keeping a diary to record the world of the group of 'arties' and 'intellectuals' he was living among in Eltham, then a rural area outside Melbourne, where cheap land was available for mudbrick houses and studios, and where suburban rigidities could be mercilessly flouted. Burstall was in his mid-twenties, with two young sons and an open marriage with his wife, Betty. Eager to become a writer, to go against the grain, he kept a record almost daily-of the parties and the talk in pubs and studios, about art and politics and sex, of Communist Party branch meetings and film societies, of political rallies and the first Herald Outdoor Art Show. Somehow, while holding down a public relations job in the Antarctic Division and juggling his love affairs and obsession with the beautiful, brainy Fay, he wrote 500 words almost every day. Betty, according to the diaries, kept the show on the road, feeding friends after the pub, milking goats and working in her pottery making bowls and mugs, which Tim sometimes decorated at weekends. These Memoirs of a Young Bastard, as Burstall dubbed himself and them, are among the most evocative Australian diaries of modern times. Burstall can write. He has an eye for the telling detail, an unerring ear for cant and pomposity and, most endearingly, an ability to mock himself-always from the perspective of a bloke of his generation. Source: Publisherxxiv, 343 p., [18] p. of plates : ill., maps, ports., facsims. ; 27 cm.ISBN 9780522858143diary, motion picture director, film director, author

Augustus (Gus) Victor Balcke (serial no. 3130) was one of the 1st men to enlist in the 1st AIF. He served in France with the 5th Battalion and was wounded at Pozieres. Gus Balcke was Secretary of the Wangaratta Sub Branch from 1934-1945 and again in 1955 and was President in 1946 and 1947. He was Secretary of the 34th District Board a position he held for over 30 years. He was the Sub Branch's chief welfare officer and did outstanding work for many years. Awarded Life membership in 1943.Gus Balcke was Secretary of the Wangaratta Sub Branch from 1934-1945 and again in 1955 and was President in 1946 and 1947. He was Secretary of the 34th District Board a position he held for over 30 years. He was the Sub Branch's chief welfare officer and did outstanding work for many years. Awarded Life membership in 1943. Following more than 30 years of meetings held in Council Chambers, Hotels, rear of a grocery store and even outdoors, the Wangaratta RSL purchased in 1951 a 12 room old mansion in Victoria Parade. It was named BALCKE HOUSE and officially opened on 19 July 1952.Timber framed photograph of male in suit.The Late AUGUSTUS VICTOR BALCKE (GUS) aged 75 yrs. (Life Member of the R.S.L.)gus balcke, wwi, 1st aif, 5th battalion, life member, wangaratta rsl

These four pages from the Australasian newspaper of January 1904 contain three pages of black and white photographs of Warrnambool. These include photographs of golfers, both men and women, the Hopkins River, the Ozone Hotel, Sheldrick’s Brewery and Wilmot in his mia mia. The photographs have been taken by Jordan Studios, Warrnambool. This studio, a prominent one in Warrnambool, was operated by Joseph Jordan and his son Arthur from 1890 to the 1930s.The accompanying text in the ‘Australasian’ appears to come from a booklet published about that time which was produced as an advertising tool for the Ozone Hotel and its proprietor, Thomas Randall. The Ozone Hotel, originallly called the Grand Ozone Coffee Palace, was opened in 1890 as a temperance hotel. Thomas Randall was the proprietor of the Ozone Hotel from 1894 to 1907 and it then had a wine licence. In 1920 the building was known as Hotel Mansions and in 1923 it gained a full liquor licence. The building was destroyed by fire in 1929. These newspaper pages are of importance as some of the photographs have not been found elsewhere and give a good picture of Warrnambool and district at the beginning of the 20th century. These are four pages from the Australasian newspaper of 1904. The pages contain black and white photographs and text. The pages are partly torn across and have ragged edges.ozone hotel, warrnambool, jordan studios, warrnambool, history of warrnambool

The photograph shows Collins Street just to the east of Swanston St. Some 10 cable trams can be seen in the view, along with some horse-drawn vehicles and one open-top motor car. It would appear that a person is boarding the nearest cable tram (Victoria Bridge) from the centre of the road. Trees have been planted between Swanston and Spring St. In the background are signs for Ruskins Studios, W V Dunn Dentist, Kodak Limited incorporating Baker House, Coles Arcade, and Broothorn studios - see reference. The Town Hall is on the right.Yields information about Collins St c1920.Black and White photograph - printed on plain paper.On the rear has pencil number "KM-M-058".cable trams, tramways, collins st

Photocopied photo of Victoria Hill from Rae's Open Cut. In the background are the Poppet legs of the Central Nell Gwynne Mine. On the left background is the Victoria Quartz Mullock. In the foreground are rocks and trees. Photo courtesy of Robert Wallace Studios, 6 Ruth St, Golden Square. Albert Richardson collection.photo, victoria hill, victoria hill from rae's open cut, central nell gwynne, victoria quartz, robert wallace studios

Black and White photo of Magdala cum Moonlight Mine.Mine site with open area and fence in foreground."Magdala" Herbert's Studio. Stawell stawell gold mining

Concrete bridge over North Arm, constructed by Coate Bros. opened September 1917. Also Maranui Guest House history.Black and white photograph of a tourist launch named Maranui 2 beside the North Arm Bridge. People on launch dressed in summer clothing of pre WW1 era. Posts and steel rope rails on bridge. Low tide indicated by height of bridge piers out of the water. Lakes Entrance Victoria boats and boating, bridges, clothing

BHS CollectionBendigo Weekly from Friday, June 28, 2002 - Snippets of Bendigo history, the Pall Mall story, part two - by Edith Lunn. Close to the jeweller's shop, we came to Chancery Lane. Many early legal firms had their offices there. Among them were: Quick&Rymer, Luke Murphy&Don and Macoboy&Taylor. A branch of the Bendigo united Friendly Society's Dispensary opened on the corner. Other small business in the walk included a florist, men's hairdresser and a boot and shoes repairer. Moving on there was Betteridge's Agency for the Singer sewing machine company, Wilkinson's photographic studio, Sutton's music shop and Favaloro's cake shop and café the ''Savoy'' was opened in the 1920's. Whitelock and Carter had their men outfitters business in the building, Cocking's was a very popular drapery store. After Cocking's closed down, Stoneman's supermarket opened in the premises. Alongside there was a passageway that led upstairs to the office of Phillip Secher and Son, Accountants and the Bendigo jockey club. Mrs Allan's baby wear business and Lenten's the tobacconist came after and last but not least the Shamrock Hotel enhances Pall Mall. The clip is in a folder.newspaper, bendigo, bendigo weekly

Two typed copies of notes titled 'The Rich Victoria Hill and its Historical Associations'. Notes include notes on travel to Victoria Hill, picture from Rae's Open Cut, signpost for items of interest at Victoria Hill, picture Looking North from Old Chum Hill to the Victoria Hill, picture of the Victoria Quartz Mine and Rae's 35 Hd. Crushing Battery.document, gold, victoria hill, the rich victoria hill and its historical associations, j n macartney, quartz miners' arms hotel, ironbark methodist church, john brown knitwear factory, little 180 mine, conrad heinz, british and american hotel, victoria reef gold mining company, manchester arms hotel, housing commission homes, bendigo and vicinity 1895, bendigo advertiser, victoria hill from rae's open cut, nell gwynne poppet legs, robert wallace studios, ironbark 9victoria reef gold mines) hercules and energetic, midway, wittscheibe, great central victoria, william rae's home, mr and mrs conroy, william rae junior, moorhead's shop, gill family, gold mines hotel, david chaplin sterry, john brown knitwear factory, mr rae anderson, annals of bendigo, new chum and victoria, old chum, pioneer, burrowes and sterry's, new chum and victoria tribute, rotary club of bendigo south, big 180, victoria quartz mines, north old chum mine, ballerstedt's first open-cut, j n macartney bendigo goldfields registry 1871, b m l records mines department, john wybrandt, j c t christopher ballerstedt, theodore ballerstedt, from old chum to the victoria hill, george lansell, lansell's 'cleopatra needle' type chimney, 222 mine, sandhurst mine, a roberts & sons, australian mining standard special edition 1/6/1899, dickers mining record 23/11/1861, mr e j dunn, h harkness & sons, new chum drainage scheme, eureka extd, new chum railway, pearl, shamrock, shenandoah, new chum railway, floyd's small 5 head crushing battery, midway no 2, midway north, ballerstedt's small 24 yard claim, the humboldt, the adventure, luffsman and sterry's claim, chinese joss house, lansell's fortuna, p m g repeater station, a richardson, the bendigo goldfield 1851 to 1954, the victoria hill 1854 to 1949

Black and white photograph of Channel O in 1964 . Opened by Reg Ansett and changed to ATV10 in January 1980.Black and white photograph of Channel O in 1964 . Opened by Reg Ansett and changed to ATV10 in January 1980.channel 0 tv studios, hawthorn road east burwood, tv studio

This is a photo Constantine Black (Mavrokefalos) who was from the village of Exoghi arrived in Melbourne 18 years of age in the early 1902. He returned to Greece for the Balkan War and the photo depicts him in the army uniform of the time. It was at this time that on a visit to Ithaca he met Efstathia (Toula) Raftopoulos. They married and in 1914 Constantine returned to Melbourne with Toula. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Two of his children, Nina Black and Olga Black, were very active and well known in the Ithacan and Greek community's cultural life.A studio black and white photograph of a man wearing the traditional Greek soldier's uniform. He is standing beside a wall and holding a gun upright.

The photograph was taken in the 1920s of the brothers, Peter and Dennis Flocas. The brothers ran the Golden Age Café at the top end of Bourke Street near Spring Street which was opened during the the First World War.They like many young Ithacan men migrated to Melbourne in the early decades of the twentieth century. Most settled permanently in Melbourne where they married and raised families.A scanned black and white studio photograph of two smartly dressed men in suits.

Peter Garner Mud Brick Studio Victorian Heritage Database Listed https://vhd.heritagecouncil.vic.gov.au/places/55317 From Shire of Eltham Heritage Study (Bick 1992) Cultural Significance: Constructed by Peter Garner when he was just 16 years old, this studio exemplifies the highly creative structures erected in the Shire of Eltham during the I960s and 1970s and the social movement behind them, both of which Eltham is well known for. The Garner studio is one of the two finest small examples of these structures anywhere in the Municipality and is distinguished by the quality of its fittings, also all designed and made by Peter Garner. Sharing the common use of mud brick and second-hand materials, these structures reflect the physical involvement (and individual creativity) of their owners, often, as in Garner' s case, through building the building and making all of its fittings and artworks. The tree branch framed spiral stair and wrought metalwork are particularly fine. History: Arthur F. Munday who was associated with the Montsalvat Artists' Colony, subdivided a property bounded by Maria Street (now Main Road) and Brougham Street in 1964. The largest portion, three acres of land facing Brougham Street in Lot 2, was sold to Leslie and Lenore Garner. A sketch in Lodge Plan 65141 drawn at the time of the subdivision showed that the southern part of the land was subject to flooding. By 1967 a brick house with an iron roof and outbuildings had been constructed for the Garners and Peter Garner's separate studio followed in 1969. DESCRIPTION: Studio Style Eltham style. Design unique. Plan rectangular; living room occupies northern two thirds, with kitchen in remainder and bedroom on top of the kitchen. A store adjoins the kitchen. Single storey with attic bedroom; living room has a cathedral ceiling. Walls adobe (solid single skin mud brick), bluestone chimney. Roof gabled with eaves, corrugated iron clad. Features are the modest size, living room into which the front door opens directly, exposed mud brick walls internally, fireplace, most unusual spiral stair and small gallery off the bedroom, herringbone brick floor, log faced internal doorway that separates kitchen and living room, timber lined ceiling, exposed truss, the various second-hand windows and their placement and the outbuilding. Also the kitchen doorway, adzed table and benches, fireplace high relief metal panel and other art works are features and all were presumably made by Peter Garner, following the ethic of the time. The present owner has advised (4 May 2025) the spiral staircase was removed prior to their taking possession of the property.david taylor collection, eltham, peter garner, peter garner adobe studio