One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This leaflet was produced by Lincoln Mills and contains a pattern for a womans knitted cardigan.Lincoln Trio Knits / 1'6 / LEAFLET No. 414 / THIS PATTERN KNITS 5, 8 & 12 PLY / IN 4 SIZES / LINCOLN KNITTING WOOLS - THE BEST BUY IN ANY PLYhandicrafts - history knitting, lincoln mills (australia) limited, handicrafts - history, knitting

T.A. Fautleys & Sons (Brunswick, Victoria) manufactured and sold needlework supplies, particularly stamped embroidery patterns from the late 1920's until 1950's. During World War 2 due to austerity measures, some Fautleys patterns were printed on coarser unbleached calico instead of finer fabrics (Australian War Memorial)Apron kit with stamped floral pattern on unbleached calico.Label - Fautley'sflowers

Pattern no 581/61486 Wilton made by Blackwood Morten Kilmarnoch Scotland. Part of the ten piece collection originally presented to the Queensland Museum by Mr Doug Glanville.Pattern no 581/61486 Wilton made by Blackwood Morten Kilmarnoch Scotland. Pattern no 581/61486 Wilton made by Blackwood Morten Kilmarnoch Scotland. Pattern no 581/61486 Wilton made by Blackwood Morten Kilmarnoch Scotland.581/6/1486 5weaving, blackwood norton, carpet

Paper patterns for making dresses 1953 Vogue paper pattern No. 4378 - S. $1.00 5/- 32Bust 35 Hip Dress pattern in cream envelope paper sleeve with pictures of red dress with black coat Vogue Special Design In pencil Cecilion Kelly No. on back 814553As abovedressmaking, vogue, women's fashion

Twenty four page knitting pattern book featuring black and white text and colour images. The colour cover features a woman wearing a black and red knitted top and a black hat with a large red feather.front: [printed] Patons / Leading / Lady / 689 / PRICE / CODE / D / EASY / TO FOLLOW / PATTERNS / 1fashion, design, knitwear, home made, wool, pattern book, patons

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Paragon and contains knitting patterns for baby bootees.Knitting pattern book, 16pp. Cover printed in black and white with photos of baby bootees. Contains photos and knitting patterns for baby bootees.PARAGON / Bootee Book / 21 PAIRS OF BABY BOOTEES / 1'6knitting handicrafts - history, paragon art needlecraft, knitting, handicrafts - history, fashion, style, wool

Before electricity, candles were a primary source of light. They were used to light dinner tables, grand dining halls, and other formal settings. Tapers were essentially wax-coated wicks used to light gas or kerosene appliances or candles. Price's developed its 'Ship Brand' trademark in the 1870s, featuring the image of a clipper ship under sail. Price's candle tapers were made between 1880 and 1910. Price's Candles was founded in 1830 by William Wilson. A long thin vintage rectangular cardboard box of three pieces of used thin Price's Dropless White Tapers Medium, for lighting candles, gas etc. The lid is heavily patterned with blue and white product name and information. The base and the sides have no writing. Manufactured in Great Britain. Inside a patterned circle on the right is 'Price's Patent Candle Company. Limited London & Liverpool.'candles, lighting equipment, tapers, gas lighters

This is a ship model of the SS Orotava, a British Screw Steamship built at Barrow-in-Furness, county of Lancashire, by the Naval Construction and Armaments Company (NC & A Co.) in 1889. The gross tonnage was 5552.10 tons, length 430 feet, breadth 49.3 feet and depth 34.2 feet. It was built for the Pacific Steam Navigation Company (of 31, James Street, Liverpool) and used as a passenger liner. The vessel was launched in 1889 and made two voyages for the Pacific Steam Navigation Company during 1889. Then, under the new management of the Orient Line, its first sailing was 6th June 1890 from Liverpool to Australia via Suez. During the Boer War (1889 – 1903), Orotava served as a troop ship, but apart from this, it remained in the Orient Line’s Australia service until 1906. On 14th December 1896, the Orotava sank at Tilbury Docks after being serviced on her return from Australia, becoming unstable and taking in water. Five men lost their lives. The ship was then raised to dry dock and repaired for service again, and an investigation was launched into the cause of the sinking. Between 1901 – 1906, the name Orient-Pacific Steam Line was used due to the close ties between the Pacific and the Orient lines. In 1906, the Pacific Steam Line Australian service was taken over by the Royal Mail Steam Packet Co., and the alliance between them and the Orient Line was dissolved in 1909. Orotava then served the West Indies service of the Royal Mail Line. In World War 1 (Dec 1914 – June 1916), the vessel served as HMS OROTAVA, an armed merchant cruiser. It was broken up in 1919.The model shows a visual description of the SS Orotava, which was used for commercial and government purposes from 1889 to 1919. The model is also an example of ship model-making, a skilled craft enjoyed for hundreds of years, demonstrating the evolution of ocean vessels. Ship model: SS Orotava. The model, without a case, has four masts and two funnels, and is mounted on a small timber base. The SS Orotave was a British passenger liner, launched in 1889. Inscriptions are painted on the hull. "OROTAVA" painted in white on each side of the bow. 'OROTAVA / LONDON" painted in white on the stern.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ship model, ss orotava, naval construction and armaments co., n c & a co., pacific steam navigaiton company, passenger liner, orient line, orient-pacific steam line, royal mail line, hms orotava

S.S. Genista - built 1886, Sydney. Western Port Ferry 1889 to early 1930's.S.S.Genista off from San Remo. View of stern - pier in background.local history, photographs, transport, shipping, maritime technology, boats, phillip island shipping, ferries, black & white photograph, phillip island, western port

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandRe touched coloured Photograph of the wreck of The "Speke" stern end view.local history, photography, photographs, ship relics, wreck of the sailing ship "speke", colour touched photograph, shipping, wrecks, the speke, john jenner, bryant west

Twenty six page knitting pattern book featuring black and white text and colour images. The colour cover features a woman wearing a pink, yellow, red and purple knitted jumper.front: [printed] Patons / belles in bluebell / 667 / PRICE / CODE / D / PURE NEW WOOL / EASY / TO FOLLOW / PATTERNSfashion, design, knitwear, home made, wool, pattern book, patons

Thirty two page knitting pattern book featuring black and white printed graphics and text. The colour cover shows a man, woman and girl wearing knitted clothing.front: [printed] Vol. 4 / Embassy / Knitting Magazine / Patterns for the family in knitting and crochet. / Embassy / Knitting yarn exclusive to COLESknitting, pattern, fashion, knitwear, women

This book was produced by Coats Patons and contains knitting patterns for mens jumpers and cardigans.Knitting pattern book, 20pp. Cover printed in colour with a photo of a man wearing a white, black and tan fair isle jumper and holding a set of skis. Contains photos and patterns for mens knitted jumpers and cardigans.Patons / BOOK / 848 / MEN ONLY: IN PATONS SKOL / 35cknitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. This free pattern was given away by K-Mart, the department store, in 1984 when large knitted jumpers were particularly fashionable.The / Wool Collection / FREE / PATTERN / FROM K-MART / Quality always makes its mark. / PURE NEW WOOLknitting handicrafts - history, k-mart, knitting, handicrafts - history

Notebook kept by Ernest Waddington, c.1930s, with notes re: weaving patterns.Notebook kept by Ernest Waddington, c.1930s, with notes re: weaving patterns.Ernest Waddingtonweaving textile design, weaving looms, waddington, mr ernest, weaving, textile design

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853, a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November 1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half-yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860s the Mechanics' Institute struggled as membership waned but in 1866, after a series of fundraising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however, it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former courthouse in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much - loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historical books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historical Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed artworks and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Tents of Israel Author: G. B. Stern Publisher: Date: Further Information: The label on the spine cover with typed text PAT FIC STE Pastedown frontend paper has a sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Warrnambool Public Library flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, tents of israel, g. b. stern

Lamps (3), green & crushed. Port, Starboard & Stern imprinted & joined with rope.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The pattern book is believed to have been used by a Linton woman, but details are unknown.31-page booklet containing illustrated patterns for doilies published by Semco (manufacturers of crochet cotton). The booklet has a green and black cover, with pictures of two doilies. It is Semco pattern book no. 9, 5th edition. It is undated. 31 pages.crochet, doilies, pattern books

Domestic dressmaking pattern, illustrating children's fashion of the day.C 1950s' - Girls (3-year-old) pleated skirt & bodice paper pattern - Instructions includedVariousclothing, home dressmaking

Domestic dressmaking pattern for child's wrap dress and pantiesC 1950's Weigel's paper pattern for a 4-year-old child's wrap dress and pantiesVariousdressmaking in the home

sourced from local resident of Kiewa Valley Mr David Barton. As theses shoes are from Turkey and from the period of the early 1900s they may have been bought back from that country as a souvenir after WWI. Members of the Barton family went to WWI . Manufacture of slippers circa 1920s and represents early Turkish style .These slippers are considered rare due to the intricate workmanship in leather. They have historical and good Provence significance due to being donated by a local man who possibly bought them back from WWI . Two brown slippers, left and right foot. Leather soles and gold patterned (circle and fish like) embroidered uppers. A long, 13cm leather strip upward curled, extension fastened at tip of sole. Back of heel extended to a pointPatterned front toe,side arch and heel. Markings may represent water ,four fish and fish traps

Weldon's Magazine of period needlework with the pattern used by Eglantine Gill to stitch the "Tree of Life" (E1843A) in 1936.Magazine with the Jacobean Tree of Life embroidered panel (1843A) on cover and its patterntree of life, crewel, jacobean, embroidery pattern

This porthole and porthole cover was removed from the stern of the Newfield wreck, on the starboard side. The barque Newfield left Liverpool on 1st June 1892 with a cargo of 1850 tons of fine rock salt for Brisbane. About six weeks later the ship ran into very heavy weather approaching the Australian coast. On 28th August at about 9pm her master, Captain George Scott, observed between the heavy squalls the Cape Otway light on the mainland of Victoria, but due apparently to a navigational error (the chronometers were incorrect), he mistook it for Cape Wickham on King Island, some 40 miles south. He altered course to the north expecting to run through the western entrance of Bass Strait, but instead, at about 1:30am, the ship ran aground about about 100 yards from shore, one mile east of Curdies River. The vessel struck heavily three times before grounding on an inner shoal with six feet of water in the holds. The Newfield remained upright on the reef with sails set for a considerable time as the wind slowly ripped the canvas to shreds and the sea battered the hull to pieces. Seventeen men survived the shipwreck but the captain and eight of his crew perished.Flagstaff Hill’s collection of artefacts from the Newfield is significant for its association with the shipwreck Newfield, which is listed on the Victorian Heritage Registry. The collection is significant because of the relationship between the objects. The Newfield collection is archaeologically significant as the remains of an international cargo ship. The Newfield collection is historically significant for representing aspects of Victoria’s shipping history and its association with the shipwreckPorthole frame, including porthole and porthole cover, from the wreck of the Newfield. Porthole secured by nine bolts. It was removed from the stern of the wreck on the starboard side. there is some marine growth on the porthole. The cover still opens. warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, shipwrecked artefact, 1892, 1893, 28 august 1892, 29 august 1892, barque, curdie's river, newfield, nineteenth century, peter ronald, peterborough, port campbell, porthole, porthole cover, shipwrecks, victorian shipwrecks, porthole frame

Artist's watercolour sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4102.Artist's watercolour sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4102. Artist's watercolour sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4102.4/4102 Roll 4 M6weaving, carpet

In 1872 the Derby Silver Company began production in Derby, Connecticut U.S.A. The company made bathroom-related items, clocks, tableware, flatware, candlesticks and more objects made of silver, silver plate and more. In 1898 the company became a division of the International Silver Company with headquarters in Meriden.CT. It closed down in 1933.A small child's silver plated antique Derby Silver Company cup with a large embossed floral pattern on one side. At the top of the rim is a fine dotted pattern all around it. It has an ornate decorative handle. Underneath is the Makers Mark in a circle with an anchor and crown. Above this circle is stamped: Made in U.S. America.A floral pattern is embossed on one side. On the bootom us stamped : ' Made in U.S America' above a circle Makers Mark 'Derby Silver Company with an anchor and a crown. 1 1/2'silverware, silver plate, mugs, christening mugs

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph stern view of the Barque "Artisan" high and dry on the rocks at Cape Paterson. 1901.local history, photography, photographs, wrecks, sailing ship "artisan" wrecked at cape paterson, sepia photograph, shipping, ship wrecks, artisan, cape paterson, john jenner, bryant west

Con Kroker Private CollectionBlack & white photograph of the stern of a fishing boat the "Bounty", owned by 'Soldier' Smith, of PortlandBack: Quiet Anchorage, in pencil