Small black and white photograph of two children wearing fancy dress.valma preston, garry jennings

Booklet and card used by Allan Yeomans, a tramway employee. Folder dated 1/6/1952 and the card for 1982-1983. Both stamped "Tramways Benefit Society"Demonstrates the method the Tramway Benefit Society assisted members with discounted pharmacy products.Green card folder with cotton thread, folded and stapled containing a membership card for 1982-1983benefit society, tbs, sickness, mutual funds, mmtb, tramways, employees, ufs, chemist

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.

Preston Market, Saturday late is part of a series of paintings and sketches that were included in Mary Hammond’s solo exhibition, Coming and Going, held at Bundoora Homestead Art Centre in 2010. The exhibition, a major retrospective of Hammond’s work from the mid-1970s-2009, focussed on her everyday depiction of people in Northcote and Preston, particularly along High Street, Northcote where she had a studio for a few years, and the Preston Market, primarily during the 1980s and 1990s.

Half horse, half human bronze sculpture, the work has a circular formation of rocks as a base and incorporates a water feature. Water slowly cascades from a bowl held by the human and offered to the horse. The work has a circular formation of rocks as a base.Half horse, half human bronze sculpture. The work incorporates a water feature, and water slowly cascades from a bowl held by the human and offered to the horse. The work has a circular formation of rocks as a base. The “bowl” part of the base for this work was relined with concrete pavers in 2004 in an attempt to minimise maintenance.

preston town hall

Heidi Schoenheimer is a painter that captures everyday scenes from her day-to-day. Preston Market Flowers depicts a flower stand at the Preston Markets in 2023, capturing the market at a time that its future was uncertain. The market is an important community resource and gathering place with a rich history. Opened in 1970, the space was designed to be adaptable over time, and featured large open walkways and natural light. The flower stand features flowers typically sold in Melbourne, and reflects the brightness and diversity of Preston Market.

‘Post Preston, After the Bushfires, Our Country, Plants and Animals Need Healing’, is Deanne Gilson’s response to Margaret Preston’s culturally appropriative works. With this painting, Deanne interrogates a complex field of inquiry regarding the objectified colonialist gaze, inappropriate commodification of cultural material and a reclaiming of lost knowledge. This work also speaks to the complicated history of the Bundoora Homestead site and challenges historical truth narratives from the settler perspective and works as an excellent companion to her mother Marlene Gilson’s ‘The Life and Times of Bundoora Homestead’ artwork, commissioned for the Darebin Art Collection in 2018. ‘Post Preston, After the Bushfires, Our Country, Plants and Animals Need Healing’ was a winning work in the 2021 Koorie Art Show. Artist Bio Dr Deanne Gilson is a proud Wadawurrung woman and an award-winning visual artist living and creating from her ancestral home of Ballarat in Victoria. Her multidisciplinary art practice interrogates the colonial disruption of her family and explores ways in which contemporary art can create a platform towards healing, acceptance and reclaiming cultural identity, often drawing upon traditional knowledges of her ancestors. The Victorian bush where Gilson grew up features predominantly in all of her paintings, alongside many Indigenous plants, trees and birds from her Creation Story. Gilson draws upon layers of tangible and intangible knowledge, she talks about the presence of the intangible as spiritual connections to Country and her ancestors, while the tangible knowledge reflects artefacts and other objects of daily Wadawurrung life. Her works portray a rich cultural history that continues to thrive and grow today despite the restrictions placed on her family by settlement. Gilson’s practice defines Aboriginal women’s business past and present through contemporary art. Traditional marks alongside contemporary marks, link her to the practices of Indigenous mark-making, especially that on her body when in ceremony. Stating that “all of my artworks are an extension of my women’s business and draw on ochre sourced from Wadawurrung Dja (Country)”. The white is used in traditional ceremonies, while the charcoal is a direct link to Gilson’s matriarchal line of her mother’s business. Gilson’s mother, Marlene Gilson, also an artist, gathers charcoal from her daily fire, passing this onto her daughter, extending upon the old and the new ways of sharing knowledge and connection to Country.

Arthur William Preston was born in 1912. Following his ordination into the Methodist Church he was stationed in Mareeba and Townsville in North Queensland. From 1944 to 1948 he was Field Secretary for the Queensland Methodist Centenary Celebrations, conducting evangelistic missions throughout Queensland and assisting in raising the sum of 100,000 pounds for development work within the Queensland Methodist Church. From 1948 to 1963 he was superintendent of the West End Methodist Mission in Brisbane. In 1963 he was awarded the O.B.E. From 1963 - 1966 he was Associated Minister at the Adelaide Central Mission. During his ministry in Adelaide he established and directed the Life Line Telephone Counselling Service. During 1966 and 1968 he was Associate Minister in the Glen Iris Circuit, Victoria. From 1968 until his retirement at the end of 1981, Arthur Preston was the Superintendent of what is now Wesley Central Parish Mission (Central Methodist Mission prior to Church Union in 1977. In 1982 he was awarded the Order of Australia. Arthur Preston died on 19 March 1985.B & W gloss head and shoulders photograph of Mrs Claire Preston, wife of the Rev. Arthur Preston.arthur preston, methodist, minister, wesley church, life line, order of australia, claire preston, adele preston

The Dead Man’s Penny is a commemorative medallion which was presented to the next-of-kin of the men and women from England and the Empire who died during World War One. The Dead Man’s Penny was accompanied by a letter from King George V, stating ‘I join with my grateful people in sending you this memorial of a brave life given for others in the Great War’.[http://nma.gov.au/blogs/education/2010/11/14/dead-mans-penny/] Popularly known as the "Dead Man’s Penny", because of the similarity in appearance to the somewhat smaller penny coin. 1,355,000 plaques were issued, which used a total of 450 tonnes of bronze, and continued to be issued into the 1930s to commemorate people who died as a consequence of the war. [http://en.wikipedia.org/wiki/Memorial_Plaque_(medallion)] It was decided that the design of the plaque was to be picked from submissions made in a public competition. Over 800 designs were submitted and the competition was won by the sculptor and medallist Edward Carter Preston with his design called Pyramus, receiving a first place prize of £250.[http://en.wikipedia.org/wiki/Memorial_Plaque_(medallion)] They were initially made at the Memorial Plaque Factory, 54/56 Church Road, Acton, W3, London from 1919. Early plaques did not have a number stamped on them but later ones have a number stamped behind the lion's back leg. [http://en.wikipedia.org/wiki/Memorial_Plaque_(medallion)] Ted Cannon's plaquette does not have a stamped number. Ted Cannon was a gifted artist and cartoonist who studied at the Ballarat School of Mines Technical Art School. During the Battle of Pozieres on the Western Front Ted Cannon worked with the Scout Platoon sketching the enemy's gun emplacements. Ted proved invaluable to the Brigade and brought he came under the attention of the Australian High Command. On 13 September 1916 Ted was given a special assignment for General C.B.B. White. Ted was sent out forward of the Old Mill at Verbrandenmolen (in the Ypres Salient) to draw a panorama of the German lines in the area from Hill 60 to The Bluff. It was a hazardous task and Ted was warned to be careful. Tragically he was sniped by an enemy machine-gunner and sustained severe abdominal wounds. Stretcher-bearers rushed him to the 17th Casualty Clearing Station where he was operated on by the doctors at 8.30 that night. With little chance of success, but ever resilient, Ted remained conscious almost to the end. He died early in the morning of the 14 September 1916. His body was buried in the large Military Cemetery at Lijssenthoek. The effects of the late Ted Cannon were returned to his parents. These were an autograph book, three brushes, prayer book, housewife, whistle, book, hymn book, curios. Another listing gives his effects as "identity disc, letters, photos, wallet, 2 books, Mexican Dollar, 1 cent (Ceylon), 3 German Straps, Fountain Pen, Cigarette-holder, Franc Note, 50 centimes Note, devotional book, mirror, rosary, scapula, metal ring, two combs, book of views, nail clippers, badges, tie clip, Egyptian stamp.[http://recordsearch.naa.gov.au/scripts/Imagine.asp?B=3202589] Ted Cannon was an only child. It is not known how the 'Dead Man's Penny' came into the ownership of the donor, but it is thought that it may have been left in a house owned by the donor's mother. Further information on Ted Cannon can be found at http://bih.ballarat.edu.au/index.php/Edwin_J._Cannon and http://www.ballarat.edu.au/about-ub/history/art-and-historical-collection/ub-honour-roll/c/edwin-joseph-ted-cannon-1895-1916Large bronze medallion or plaquette featuring an image of Lady Britannia surrounded by two dolphins (representing Britain’s sea power) and a lion (representing Britain) standing over a defeated eagle (symbolising Germany). Around the outer edge of the medallion are the words ‘He died for freedom and honour’. Next to Lady Britannia is the deceased solider’s name, with no rank provided to show equality in their sacrifice. (http://nma.gov.au/blogs/education/2010/11/14/dead-mans-penny) The plaque was distributed throughout the British Empire, and the first plaques were distributed in Australia in 1922 "Returned home" by W. & O. Mayne, 2013. ted cannon, edwin joseph cannon, cannon, world war 1, world war

Photograph shows Z1 No. 39 (with "00" on the route number box) at Preston Workshops. The tram is in a livery advertising the Occupational Health and Safety Act in Melbourne, on behalf of the Department of Labour. The tram also had trolley poles installed. Photo by Michael McLeod.Shows a now-scrapped tram with obsolete equipment (i.e., trolley poles) and livery that advertised legislation.Colour Photograph - Z1.39 at Preston Workshopstrams, tramways, z1 class, public transport, tram 39, all over advertising

Arthur William Preston was born in 1912. Following his ordination into the Methodist Church he was stationed in Mareeba and Townsville in North Queensland. From 1944 to 1948 he was Field Secretary for the Queensland Methodist Centenary Celebrations, conducting evangelistic missions throughout Queensland and assisting in raising the sum of 100,000 pounds for development work within the Queensland Methodist Church. From 1948 to 1963 he was superintendent of the West End Methodist Mission in Brisbane. In 1963 he was awarded the O.B.E. From 1963 - 1966 he was Associated Minister at the Adelaide Central Mission. During his ministry in Adelaide he established and directed the Life Line Telephone Counselling Service. During 1966 and 1968 he was Associate Minister in the Glen Iris Circuit, Victoria. From 1968 until his retirement at the end of 1981, Arthur Preston was the Superintendent of what is now Wesley Central Parish Mission (Central Methodist Mission prior to Church Union in 1977. In 1982 he was awarded the Order of Australia. Arthur Preston died on 19 March 1985.Informal gloss coloured photograph of the Rev Arthur Preston standing in the grounds of Government House, Melbourne with his wife Mrs Claire Preston and his daughter Miss Adel Preston. He is wearing his Order of Australia Award medallion.arthur preston, methodist, minister, wesley church, life line, order of australia, claire preston, adele preston

Photo shows one of four 4-wheeler K, Q, or R class tramcars & No.16 (ex H 56) used as a locomotive for insitu rail grinding plant. c1940Yields information about original four wheel (single truck) trams.Black and White photograph of derelict tramcars at Preston Workshops.On rear in ink - MMTB Preston WS 4 K, Q, or R class cars & No. 16 (ex H 56) used as locomotion for insitu rail grinding plant – RWO Pearson"tramways, trams, preston workshops, k class, r class, q class

Photos show some of the stored or parked trams at the Preston Workshops yard during a Monash Railway club tour on 30/7/1969. 1 -Tram 15 - sleeper transport car with flat car trailer 20 alongside. 2 - Sleeper transport car 485 with ballast wagon 24 and trailer 20 behind. 3 - trams 485 and 15 stored in the Preston workshops yard. 4 - T 182 on transport bogies or workshop dollies - prior to disposal. 5 - SW6 883, W2 and former T 182 stored at Preston Workshops.Yields information about Preston Workshops and trams stored or being repaired.Set of five Black and white photographs of the storage yard of Preston Workshops during a tour.Has details on rear in red ink and pencil.tramways, trams, preston workshops, tram 15, works cars, tram 182, tram 883, sw6 class, t class, w2 class, tram 20, tram 24, mmtb

Postcard showing the BASP lifeboat under sailRealismOver exposed black & white photograph of the Captain Preston's private lighthouse at Pt Lonsdale, taken from below on the beach.On the reverse - "Capt. Preston's original private lighthouse built 1854" and "on left is wooden lighthouse from Q'cliff 1963"lighthouse, wooden lighthouse, private lighthouse

Black and White Photographs 8 partly hand operated presses and jigs for undertaking a particularly assembly process at Preston Workshops. Has foot controls on the underside of the bench. No details of date - assume c1975. Black and Decker presses.On the rear of the photograph has in pencil "Presses - jigs - Preston - MMTB"trams, tramways, preston workshops, equipment

Photograph shows Y1 No. 613 (with "Special" indicated on the route banner) at Preston Workshops. The tram is in a "Melbourne Tour Tram" livery. The tram also had trolley poles installed. This specially painted tram was formally launched during June 1992, but did not operate as such. See items 539, 627 and 669 for other related documents.Shows a now-preserved tram with obsolete equipment (i.e., trolley poles). This specially decorated tram was launched but did not operate as such,Colour Photograph - Y1.613 at Preston Workshopstrams, tramways, y1 class, public transport, tram 613, the melbourne tram, tourist trams

Photograph shows Z1 No. 8 (with "Special" indicated on the route banner and "1" on the route number box) at Preston Workshops. The tram is in an all-over advertising livery advertising libraries in Melbourne, with the slogan "Libraries are for everyone" printed across the length of the tram above the windows. The tram also had trolley poles installed. Photo by Michael McLeod.Shows a now-withdrawn tram with obsolete equipment (i.e., trolley poles) and livery that advertised city services.Colour Photograph - Z1.8 at Preston Workshopstrams, tramways, z1 class, public transport, tram 8, decorated trams

Plan shows the layout of the Preston Workshops facility during The Met era, c1990. Shows tracks, buildings and overall land dimensions. Prepared prior to the duplication of the track over the railway line in Miller St. Yields information about Preston Workshops during The Met era.Photocopy - foolscap sheet of a Plan of Preston Workshops - The Met c1990tramways, preston workshops, drawings, plans

Photo shows Freight tram 17 - Mitchells brushes - Preston Workshops 30-7-1969, during a tour by the Monash University Railway Club.Yields information about the Freight tram 17 - Mitchells brushes - Preston WorkshopsBlack and white photograph of Freight tram 17 - Mitchells brushes - Preston WorkshopsHas details on rear in red ink.tramways, trams, tram 17, preston workshops, freight tram, mitchells brushes

Photograph shows Z1 No. 24 (with "Special" indicated on the route banner) at Preston Workshops. The tram is in the first version of "The Met" livery, with the standard green and gold colors. The car number is in the original MMTB gold with black shadowing. The tram also had trolley poles installed. On later trams, the logo was enlarged and the yellow stripe lowered to near floor height.Shows a now-withdrawn tram with obsolete equipment (i.e., trolley poles) and livery representing a now-superceded transit agency and the first version of The Met livery. Colour Photograph - Z1.24 at Preston Workshopstrams, tramways, z1 class, metropolitan transit authority, the met, public transport, tram 24, preston workshops

Advertisement for Preston branch, jewellery packet for Greensborough branch of Busby JewellersPhotocopy of advertisement for Busby Jewellers, 4 Cramer St Preston, with jewellery packet marked with name of Greensborough branchB & J Busby, Jewellers, Greensborough, gold on maroonbusby jewellers, busby family

Photograph shows Z1 No. 16 (with "Special" indicated on the route banner and "00" on the route number box) at Preston Workshops. The tram is in a livery with a PSA on public transport, with the slogan "Public transport for… a healthy environment" on behalf of the Public Transport Corporation (PTC) printed across the length of the tram above the windows. The tram also had trolley poles installed. Photo by Michael McLeod.Shows a now-withdrawn tram with obsolete equipment (i.e., trolley poles) and livery that contained a PSA in the past.Colour Photograph - Z1.16 at Preston Workshopstrams, tramways, z1 class, public transport, tram 16, all over advertising

Hard cover book with dust cover. Hard cover - cardboard with Navy Blue buckram cover. Gold print on spine. Dust cover - paper, red and black print on front, spine, front and back flaps. Illustrated, front cover photograph in colour of a ship dockside. Back cover - photograph in colour of a portion of a ship in a seascape of water, sand and trees in background. 191 pages, cut, plain, white paper. Illustrated in black and white and colour photographs, maps and technical illustrations. Front end paper - handwritten greeting.Front endpaper - blue pen - handwritten, "TO DAD/ FROM VALERIE & IAN - FATHERS DAY 1981". books, navy cruisers

Fundraiser for Dalton Street School, Eltham (Eltham Primary School). A celebration of the knowledge of grandmothers and great grandmothers needed to carry out their daily tasksdalton street school, eltham primary school, eltham state school no. 209, folklore, fundraiser

Digital copy of newspaper advertisement for the opening of Greensborough Centre 1978. Digital copy of black and white newpaper advertisementmain street greensborough, greensborough plaza, greensborough centre

non-fictiondonation