Showing 35878 items
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National Vietnam Veterans Museum (NVVM)
Print, Drinks Break
Photo of two soliders (Bill Henderson and Trish Ferguson) in jungle greens having a drinkprint, bill henderson, trish ferguson, nui dat -
Glenelg Shire Council Cultural Collection
Print, 1834-Portland-1984, 1984
Print was part of "A Community View, 150 years in Portland Screenprint Exhibition." Part of CEMA Art Collection. Part of Angela Gee residency workshops, 1983 and 1984.Image of approximately 125 people's faces and two dogs, surrounded by a border of line-drawn flowers, leaves and stems. At top centre are the words "1834 Portland 1984" with a decorative underline in bold alluding to the shape of the Portland Bay and Cape Nelson. Background colours are in vertical swathes: aqua, pale green, apricot, blue, mauve, pink, turquiose.Front: (no inscriptions) Back: Portland C.S.P. (Community Screen Print) Design Studio 1983-1985. Initiated by C.E.M.A., Portland Access Printshop and Anne O'Kane, C.A.O. Purpose - an employment project to train 5 people in print-making, costume and design. A grant of $200,000 was obtained from the Commonwealth Employment Program; the products - costumes, flags, posters, banners - were used for Portlands 150th Anniversary Celebrations. -
Orbost & District Historical Society
souvenir programs, 1950 ; 1970
Orbost Aero Club began in 1969 with Basil Dowie as Chair, David Nixon as Secretary/Treasurer. The group went into recess from 1977-1991 closing in 1997. The mid 1960s were boom years in flying training in Australia and the number of Aero Clubs grew rapidly. The Club played a significant role in the establishment of the small airport at Marlo and in the ongoing operation and development of the airport over the years particularly for patient transfer by aerial ambulance. The Orbost Aero Club Club played a significant role in the establishment of the small airport at Marlo and in the ongoing operation and development of the airport over the years.Two souvenir programs and one advertising flyer. 2406.27 is a souvenir program for the Orbost Captain Cook Bi-Centenary Air Show 1970. It is purple print on a white background. It has seven folded glossy pages and cost 20c. On the cover is a photograph of a small plane. 2406.28 is a flyer for the Captain Cook Bi-Centenary Air Show, Sunday, April 19th 1970. It is black print on a pink background, 2406.29 is a souvenir program for Morwell Aero Pageant, Monday, January 30, 1950. Cost 3/-. No 4216. It is a grey/brown coloured card folder with black print.2406.28 - on back - Bruce Ham......(?) Yarram Tiger Moth orbost-aero-club captain-cook-bicentenary -
Bendigo Military Museum
Administrative record - IDENTITY CARD
Identify card issued by RAAF to Frederick Gardner DAVEY who held the rank of Sargeant at the date of issued. Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Cream, folded, identity card with RAAF watermarks. Black / white photo of owner, Frederick Gardner DAVEY. Instructions for use of the printed on back of card. Printed in black type on cover: No 654 AX ROYAL AUSTRALIAN AIR FIRCE OFFICIAL IDENTITY CARD (For All Ranks) R.A.A.F. Forma 120A Personal details handwritten in black ink on inside of proforma.identification, raaf, all ranks -
Clunes Museum
Print, WILLIAM THOMAS SMEDLEY, MELBOURNE CUP RACECOURSE FROM MEMBERS STAND
PAPER PRINT OF AN ENGRAVING AFFIXED TO CHIPBOARD PAINTED BLACK. VIEWED FROM BEHIND A CROWDED FINISH LINE AT MELBOURNE CUP 1887.W.T. SMEDLEY SIGNED IN LEFT HAND BOTTOM CORNER F.H. WELLINGTON SIGNED IN RIGHT HAND BOTTOM CORNER TITLE PRINTED ACROSS BOTTOM OF PAGElithograph, melbourne cup, 1887 -
Glenelg Shire Council Cultural Collection
Print, Robert Grieve, Grampians Waterfall, 1961
CEMA Art Collection Winner of 1962 Portland Art Society Art Prize for the category Drawing or Print.The print is an abstract depiction of a waterfall in shades of brown, black, blue, green and cream. The brown, blue and cream are used to create the background while the black and green provide the work with texture through the use of line. The work has a simple wooden frame with white mount and glass.Front: Robert Grieve Grampians Waterfall 9/18 61 (bottom of work, lead pencil) Back: 1962 (top left, lead pencil)cema, portland artists society, local history, portland, grampians -
Circa Vintage Archive
Clothing - Atomic style print 1950s dress, Atomic print cotton day dress 1950s by Julius Pollack, Early 1950s
This dress was featured in the book "Love Vintage", published 2009 by Carter's and has appeared in vintage fashion parades at the "Love Vintage" fair and the 2016 Glen Eira Storytelling Festival. This dress is an example of the "atomic" style printed design that was popular in the '50s and also shows adaptive use by its wearer, to facilitate breast-feeding.Sleeveless day dress with flared, mid-calf length skirt and big style front. Extra deep pockets and black piping trim to ornament. Bib style front features two large buttons and has been adapted for breast-feeding: the front is secured with press studs and the centre front seam underneath has been opened up, secured with a hook and eye. Side metal zipper. Printed cotton in multi-coloured "atomic" style design. Labelled Julius Pollack Original -
Snuff Puppets
Print, Andy Freer, Front Cover for Snuff Puppets 1993 Promotional Book, 1993
Between 1992 and 1998 Snuff Puppets was housed on the third floor directly above the Melbourne Museum of Printing at the old Bradmill Cotton Mills building on Moreland St in Footscray. Museum proprietor Michael Isaacsen was keen to share his resources and gave Snuff Puppets carte blanche to use his Museum. Nearly all the promotional posters and materials from this time were printed in limited edition runs at the Museum using scrounged paper, odds and ends of ink, lead type, wooden type, lino cuts and an old press. A4 linocut print in two colours. Black background. Right side of page has a skeleton walking on hill waving his left hand and holding a red flag with letters "SP". The iconic fish skeleton logo in top right corner. art, flag, print, snuff puppets, lino cut, puppetry, andy freer, melbourne museum of printing, puppets, footscray, theatre, performing arts, promotional book, skeleton -
Circa Vintage Archive
1930s cotton feedsack dress, Blue cotton daisy print feedsack dress 1930s, 1930s
Simple day dress constructed from feedsack cotton fabric: Short, puffed sleeves, small opening with slight V neck and pointed collar. Centre front fold with red plastic buttons - the originals were missing but these are period correct replacements that match the red plastic buckle. Two front pockets on the bodice shaped like flower pots. No openings, pops over your head. Self-covered belt has a different material underneath: a smaller blue and white floral print. None -
Uniting Church Archives - Synod of Victoria
Print, J W Pearson & Co
Rev. Daniel J. Draper (1810 - 1866). Arrived in Australia in 1820 where he worked for ten years in NSW and Vic before going to SA where he worked for the next 20 years. He built the Pirie Street Methodist Church. He left SA in 1855 returning to Victoria where, in 1859, he was elected President of the Australian Conference. Rev Draper returned to England in 1865 where he was appointed representative to the British Conference from Australia. He set out to return to Australia with his wife on the SS London in 1866 which almost immediately ran into a storm and all but 19 passengers died. Black and white etched head and shoulders portrait of Rev. Daniel Draper who is looking to his left. It is printed on buff paper and has a signed inscription."Victoria Printed & Published by J. W. Pearsen & Co. 67 Collins St. East Melbourne" "Yours most truly D. J. Draper."rev daniel james draper methodist minister, methodist minister, draper memorial methodist church gilbert st adelaide, representartive to the british conference from australia 1865, president of the australian methodist conference -
Geelong RSL Sub Branch
Print, 'The Camel Corps at Magdhaba, 23 December 1916', Late 20th Century
The Imperial Camel Corps was a camel mounted infantry brigade raised by the British Empire in December 1916 during WW1.This is a print of the painting by H Septimus Power of the Camel Corps at Magdhaba on 23 December 1916An oblong colour print on paper in a wooden frame.The print is of a painting by H Septimus Power, published by the Australian War Memorial, Canberra, ACTcamel corps, ww1, december 1916 -
Geelong RSL Sub Branch
Book, National Servicemen's Association Australia A Salute to Geelong & District Sub- Branch 1998-2008, 2008
This book was compiled by Thomas Gartlan with the aim of providing a written history of the National Servicemen's Association of Australia Victorian Branch (Inc) Geelong and District Sub-Branch 1988-2008.This is an original book, there is a Heritage Page and the signatures of past President's, State and Sub Branch Patrons.An oblong book, thick yellow cardboard cover, 90 white pages.The book was printed by Deakin University, Logistics Division Print Services, 2008nsaa, geelong & district sub branch, thomas gartlan -
Melbourne Tram Museum
Newspaper, The Age, "Propping up private operators won't help public transport", "Analysis & Debate - The Fine Print", 25/06/2008 12:00:00 AM
Newspaper clipping from The Age, dated 25-6-2008 1 - Editorial titled "Propping up private operators won't help public transport" - looks at the history of privatisation or franchising, the consolidation of operators, growth in transport demand the lack of oversight, public interest and the lack of penalties on poor performance. 2 - Article by Clay Lucas, Analysis & Debate - The Fine Print" about the issue of new tender documents that had been leaked, issues of over crowding, potential bidders, fines for poor performance, fare evasion. Quotes John Brumby, Lynne Kosky, Terry Mulder and Greg Barber.trams, tramways, franchising, yarra trams, tenders, public transport, railways, privatisation -
Latrobe Regional Gallery
Print, ROBINSON, Brian. Born 1973, Waiben, Queensland, Australia, Ulmai, 2011
Linocut print. Printer's Proof'P/P' in bottom left below printed section, 'ULMAI' in centre, signed along bottom right edge of paper.culture, pattern, linocut -
National Wool Museum
Print
Lithographic print of a "David Sowden & Sons Patent Loom No 75." Among items from Yarra Falls Mill.Lithographic print of a "David Sowden & Sons Patent Loom No 75."textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving -
Glenelg Shire Council Cultural Collection
Souvenir - Membership ticket - Heywood Football Club 1954, c. 1954
Membership ticket for Heywood Football Club, season 1954. Green cardboard, gold horizontal wiggly horizontal lines, gold print. Hole punch through top. Folded, inside pages and back cover office bearers and matches 1954.Front: 'Mrs T. Bell' - handwritten blue biro. Purple stamp 'T. BELL - DRUMBORG' stamp also on inside pages and 'MRS' in blue biro. No '106' black print -
Bendigo Military Museum
Print - PRINT RAN, FRAMED, Post 1978
Painting courtesy of John Bastock.Colour print of HMAS Sydney 1918 at sea. Launching a Sopwith aeroplane from a flying off platform atop her 6 inch gun turret. There is another ship in background visible RHS past bow of the Sydney. Print is No 3 in a series of 25. Mounted with white border with gold metal frame, masonite backing & wire hanging strap. Printed RHS bottom on border under print: “ROYAL AUSTRALIAN NAVY 75TH ANNIVERSARY” Printed RHS bottom corner on print: “John Bastock”print, ran, anniversary, 75th -
Bendigo Military Museum
Book - BOOK, History of the 5th Battalion AIF WWI, Albert William Keown, "Forward with the Fifth"
"Narrative of the service history of the Fifth (Victorian) Infantry Battalion 1st AIF". "A remarkable testimony of their sacrifice in the First World War".Hard cover with dust cover. Hard cover, cardboard with black coloured buckraw, red print on front and spine. Front - illustrated - silhouette drawing of soldier in uniform Back - black and white photograph of 2 soldiers on camel back. Small black over red rectangular colour patch front and back 342 pages, cut, plain, white. Illustrated black and white photographs, portraits, maps and documents.Opposite Title Page - printed donation label - "Donated by 39th Australian Infantry Battalion (1941-1943) Association Inc. www.39battalion.com"books, military, history, wwi -
Latrobe Regional Gallery
Work on paper - Print, TAYLOR, James b. 1941, Negative Yellow, 1973
Paper relief printSigned and dated lower right beneath composition "J. Taylor 1973" Edition and title inscribed in lower left below print, 2/25 "Negative Yellow" -
Glen Eira City Council History and Heritage Collection
Booklet, "AVENUES OF HONOUR The Councils of the Municipalities of the CITY OF CAULFIELD TOWN OF BRIGHTON acting in conjunction PUBLIC DEMONSTRATION SAT 3rd AUG. 1918 AT 3oCLOCK"
Souvenir Programme from the Councils of the Municipalities of the City of Caulfield and the Town of Brighton for a Public Demonstration to be held on Sat 3rd August 1918 at 3 o'clock for the proposed Avenues of Honour to be planted in memory of fallen WWI soldiers. From Honour Roll Display 2019 interpretation panel - Brighton-Caulfield Avenue of Honour It is hard to imagine but a grand arboreal Avenue of Honour once lined parts of North Road, McMillan Street and Point Nepean Road (now Nepean Highway). The Avenue of Honour was a distinctly Australian phenomenon with hundreds being constructed throughout Australia during and following World War One, most of these in Victoria. Consisting of tree lined streets with each tree representing a solider, the Avenue of Honour signalled a more egalitarian approach to commemoration where rank was not a consideration. Arguably the most famous Avenue of Honour in Victoria still exists at Ballarat. Stretching for nearly 22 kilometres, the entrance to the Avenue is marked by the imposing Arch of Victory. Smaller in scale, the Brighton-Caulfield Avenue of Honour was dedicated to the ‘memory of (Brighton and Caulfield’s) kith and kin who came from (the) district and who died in the Great War’. A joint project between the neighbouring Councils, the idea was first reported in The Argus on 1 July 1918. Plans moved along quickly and on 3 August 1918 the Governor of Victoria Arthur Stanley planted the first Australian flowering gum. The next of kin were then invited to plant trees for lost sons, brothers, uncles, nephews and husbands. In all, over 400 trees were planted. Intensely personal, the Avenue also acted as a focus of grief and remembrance for the wider community. For many years, the annual civic Anzac Day service was held at the Avenue on Point Nepean Road, near Glen Huntly Road, Elsternwick. The service was moved to Caulfield Park upon the completion of the Cenotaph in 1930. Due to road widening and disease the last original tree was replaced in the 1980s, however a plaque in Caulfield Park records the Avenue’s plantation. Commemorative booklet, grey cover with text printed on the grey textured paper cover and an image of four trees and a wreath. Image of a kookaburra on the back. Inside, 28 numbered pages with b/w text and photographic images including a transparent paper representation of the proposed Avenues of Honour on Brighton Road and Point Nepean Road. Souvenir programme for a Public Demonstration for the Avenues of Honour as detailed on the front.city of caufield, world war one, first world war, anzac, remembrance, town of brighton, brighton, caulfield, avenue of honour -
Flagstaff Hill Maritime Museum and Village
Print
Coloured Print of Marco Polo. 257 mm X 230 mm Sh 180 Ships M - R.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, marco polo, print -
Geelong RSL Sub Branch
Print, Menin Gate at Midnight, 20th Century
Minin Gate at Midnight is a painting by Australian artist Will Longstaff. Longstaff completed the painting in 1927 and the original is now located at the Australian War Memorial. The painting depicts ghostly soldiers marching across a field in front of the Menin Gate War Memorial.Longstaff painted the work after attending the unveiling of the Menin Gate Memorial, at Ypres, on 24 July 1927. The memorial commemorates the men of the British Empire, including Australia, who died during the 1st World War around the town of Ypres. A print of the Menin Gate at Midnight, oblong in shape, framed in a timber frame, a cardboard matte surrounds the print.Careys Picture Framing Gallery, Professional Framing, Shop 13 Packington Arcade, 129 Packington Street, Geelong West. A brass plaque is also attached to the Print.menin gate, longstaff, ww1, australian war memorial -
National Wool Museum
Print, Flora, a Spanish Sheep at Buckingham Palace,1849
Reproduction print of "Flora, a Spanish Sheep at Buckingham Palace,1849 ", a watercolour by Frederick Keyl (1823-1871), presented to the National Wool Museum by HRH Queen Elizabeth 11, April 28th, 1988.Red leather folder, presented by HRH Elizabeth II on her visit to the National Wool Centre in 1988. Red leather folder, presented by HRH Elizabeth II on her visit to the National Wool Centre in 1988. "Flora, a Spanish Sheep at Buckingham Palace,1849 ", print inside presentation folder from HRH Elzabeth II.ER/PRESENTED/ TO THE/ NATIONAL WOOL CENTRE/ GEELONG/ BY/ HER MAGESTY THE QUEEN/ 28TH APRIL 1988 "ER" -
Eltham District Historical Society Inc
Photograph (Item) - Print, Untitled (Courtyard of Stone House), 1988
Uncredited 1988 Entrant No. Ref: Series 34, Items 116, 117 No negative SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34 -
Eltham District Historical Society Inc
Photograph (Item) - Print, Untitled (Mudbricks under corrugated shelter), 1988
Uncredited 1988 Entrant No. Ref: Series 34, Items 116, 117 No negative SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, mudbricks -
Rutherglen Historical Society
Pamphlet, 1932 (Exact)
15th Annual Carnival of Returned Soldiers Association of Rutherglen A.L. Grantham President / Messrs P.R. Fullerton, J. Briggs VPs / Secretary J. Small, Ass. Sec. W. CollierGrey-blue paper cover, 8 pages, Sun Print. Printed for the R.S.A. of Rutherglen"Rutherglen Returned Soldiers Association / 15th Annual Carnival" RSL Badge.returned soldiers' association, rsa, sporting events -
Bendigo Military Museum
Pamphlet - SYLLABUS OF PARADES 1917, Head Quarters Drill hall Mollison St Bendigo, C.1917
All the Platoons in the Companies are governed by Quotas as to year born 1900 - 1903. Three Officers names are mentioned in black print; Capt J.Laidler Officer Commanding 67 Batt Senior cadets. Lieut R.L.Houston Area Officer 67B Lieut G.J.C. Dyett Area Officer 67B. .1) Parade card, light brown colour, folds in half, all print in black type, covers senior cadet Training for B,C Coy’s plus Junior Technical School for quarter ending 31March 1917. .2) Same as .1) but covers period quarter ending 30 June 1917. .3) Same as .10 & .2) but covers period quarter ending 31 Dec 1917. All three have the Cadets name at the top of page, all three are stamped inside as dates attended parade..1) .2) .3) On front cover in pencil or ink, (Cadet) “K Guiney”. .1) Stamped in purple 13 times, “Present A.O.67 B” .2) Stamped in purple 7 times,, “Present A.O 67B” .3) Stamped in purple 7 times, “Present A.O 67Bsyllabus, parades cadets, training -
Frankston RSL Sub Branch
Print, "GOOD-BYE, OLD MAN."
WW1 artist printSepia parchment sketch by F. Matania dated 1916. A young soldier is bidding farewell to his fatally wounded horse, as the rest of his unit move on.The artist's name and date is located in the bottom left hand corner F. Matania, 1916. Underneath the print is the inscription "GOOD-BYE, OLD MAN." An incident on the road to Southern Flanders. -
Bendigo Military Museum
Book - BOOK, 39TH BATTALION, Carl Johnson, "Mud Revisited Over Blood"
Stories from the 39th Battalion 1941-43, Kokoda to Gona. 70th Anniversary Edition of the Kokoda Track operations, WWII.Hard cover book with dust cover (dust cover same as book). Hard cover - cardboard with dark green glossy coloured background. White and gold print on front, spine and back. Front - illustrated black and green toned photograph of 2 soldiers in uniform in jungle. Back - black and white photograph of 7 soldiers. Brown over red oval colour patch front and back. Front and back flyleaf and end papers illustrated dark green and white maps. 320 pages, cut, plain, white. Illustrated black and white photographs, portraits, documents and maps.Opposite Title Page - printed donation label - "Donated by 39th Australian Infantry Battalion (1941 - 43) Association Inc. www.39battalion.com” books, military, history, wwii -
Bendigo Military Museum
Book - BOOK, 8TH DIVISION AAMC, Carl Johnson, "CARRYING ON UNDER FIRE AND IN CAPTIVITY", 2009
Stories from the 8th Division Australian Army Medical Corps under Malaya Command, WWII. The 39th Australian Infantry Battalion (1941-1943) Association donated four books of Military History: Cat. No. 4474 With the Twenty-Second Cat. No. 4475 Carrying On Under Fire and in Captivity Cat. No. 4476 Mod Revisited Cat. No. 4477 Forward With The FifthHard cover - cardboard with dark blue glossy coloured background. White print on front, spine and back. Front illustrated black and blue toned photograph of 6 Medical Corp Soldiers in uniform. Back, photograph of trestle bridge on Thai-Burma Railway. Front and back figleaf and end papers illustrated with grey/blue and white maps. 559 pages, cut, plain, white. Illustrated black and white photographs, portraits, maps, drawings.Opposite Title Page - printed donation label - "Donated by 39th Australian Infantry Battalion (1941 - 1943) Association Inc, www.39battalion.com” Association Inc. www.39battalion.com"books, military, history, wwii