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Churchill Island Heritage Farm
Functional object - Set of Six Coasters by Maurice Hudson
In 1976, artist and illustrator Robert Ingpen painted six watercolours of views of Churchill Island. These were distributed widely and reproduced onto different media.Set of six cork coasters with prints of different scenes from Churchill Island painted by Robert Ingpen. In its original packagingchurchill island, robert ingpen, maurice hudson -
Churchill Island Heritage Farm
Functional object - Set of Six Placemats by Maurice Hudson
In 1976, artist and illustrator Robert Ingpen painted six watercolours of views of Churchill Island. These were distributed widely and reproduced onto different media.Set of six cork placemats with prints of different scenes from Churchill Island painted by Robert Ingpen. In its original packagingchurchill island, robert ingpen, maurice hudson -
Bendigo Historical Society Inc.
Document - INVITATION, 1974
Official invitation to Miss L J Parry from The Matthew Flinders Bicentenary Citizens Council and the Royal Historical Society of Victoria. A large cream coloured card printed with the following words in black script: In the distinguished presence of His Excellency Major-General Sir Rohan Delacombe Governor of Victoria and Lady Delacombe and The Honourable R J Hamer Premier of Victoria and Mrs Hamer, The Chairman Sir John Holland and Members of the Matthew Flinders Bicentenary Citizens Council in association with the Royal Historical Society of Victoria requests the pleasure of the company of Miss L J Parry at "Flinders 200"A multi-media historical entertainment of song, dance, film and narration at the Sidney Myer Music Bowl on Sunday 24th March 1974 at 7:30pm. In the lower left hand corner is printed Admission Free to the lawns. Reserved seats at $2 available at the Victorian Government Tourist Bureau 276 Collins St Melbourne 3000 From 4th March.event, entertainment, anniversary -
Bendigo Historical Society Inc.
Document - INVITATION, 1974
Official invitation to Bendigo Historical Society from The Matthew Flinders Bicentenary Citizens Council and the Royal Historical Society of Victoria. A large cream coloured card printed with the following words in black script: In the distinguished presence of His Excellency Major-General Sir Rohan Delacombe Governor of Victoria and Lady Delacombe and The Honourable R J Hamer Premier of Victoria and Mrs Hamer, The Chairman Sir John Holland and Members of the Matthew Flinders Bicentenary Citizens Council in association with the Royal Historical Society of Victoria requests the pleasure of the company of Bendigo Historical Society at "Flinders 200"A multi-media historical entertainment of song, dance, film and narration at the Sidney Myer Music Bowl on Sunday 24th March 1974 at 7:30pm. In the lower left hand corner is printed Admission Free to the lawns. Reserved seats at $2 available at the Victorian Government Tourist Bureau 276 Collins St Melbourne 3000 From 4th March.event, entertainment, anniversary -
Bendigo Historical Society Inc.
Book - IN THEIR FOOTSTEPS
... , published by Muso's Media pty Ltd printed by Bart n Print.... & white and coloured photographs, published by Muso's Media pty ...In Their Footsteps, soft covered book sharing stories of our Anzacs and their descendants, heartfelt stories a century in the making, 148 pages with black & white and coloured photographs, published by Muso's Media pty Ltd printed by Bart n Print.Chris Earlbooks, military, world war 1 -
NMIT (Northern Melbourne Institute of TAFE)
Corporate Communications - NMIT, Media Releases 1990-1999, 1990-1999
Press releases and the resulting media reports are the public face of NMIT. These records come from the Corporate Communications Department of NMIT and the collection dates from the early 1990s.A comprehensive collection of media and press releases, media contacts and press clippings8 folders. Printed A4 pages. Collected in black or red A4 ring binder. 2 sets of pPrinted A4 pages, loose. Bundled together in years (1998 and 1999). corporate communications, media releases, newspaper clippings, media contacts, northern melbourne institute of tafe, nmit. -
NMIT (Northern Melbourne Institute of TAFE)
Corporate Communications - NMIT, Corporate communications: Media clippings, 1996-1998
Press releases and the resulting media reports are the public face of NMIT. These records come from the Corporate Communications Department of NMIT and the collection dates from the early 1990s.A comprehensive collection of media and press releases, media contacts and press clippings.4 folders. Printed A4 pages. Collected in white A4 ring binder. Set 2: stapled, photocopied set for circulation to staff. Set 2: bundled together and tied with string. corporate communications, media releases, newspaper clippings, media contacts, northern melbourne institute of tafe, nmit. -
NMIT (Northern Melbourne Institute of TAFE)
Corporate Communications - NMIT, Corporate communications: Approved signed press releases, 2001-2003
Press releases and the resulting media reports are the public face of NMIT. These records come from the Corporate Communications Department of NMIT and the collection dates from the early 1990s.A comprehensive collection of media and press releases, media contacts and press clippings.2 folders. Printed A4 pages. Collected in black A4 ring binder. corporate communications, media releases, newspaper clippings, media contacts, northern melbourne institute of tafe, nmit. -
NMIT (Northern Melbourne Institute of TAFE)
Corporate Communications - NMIT, Corporate communications: Press releases, 2004-2005
Press releases and the resulting media reports are the public face of NMIT. These records come from the Corporate Communications Department of NMIT and the collection dates from the early 1990s. A comprehensive collection of media and press releases, media contacts and press clippings.2 folders. Printed A4 pages. Collected in white A4 ring binder. 1 set of printed A4 pages, loose. Bundled together in years.corporate communications, media releases, newspaper clippings, media contacts, northern melbourne institute of tafe, nmit. -
NMIT (Northern Melbourne Institute of TAFE)
Corporate Communications - NMIT, Corporate communications: Media clippings, 2001-2004
Press releases and the resulting media reports are the public face of NMIT. These records come from the Corporate Communications Department of NMIT and the collection dates from the early 1990s. A comprehensive collection of media and press releases, media contacts and press clippings.2 folders. Printed A4 pages. Collected in black A4 ring binders. 7 folders. Printed A4 pages. Collected in white A4 ring binders. Set 2: stapled, photocopied set for circulation to staff. Dates are written or typed on spine. Set 2: bundled together and tied with string.corporate communications, media releases, newspaper clippings, media contacts, northern melbourne institute of tafe, nmit. -
NMIT (Northern Melbourne Institute of TAFE)
Corporate Communications - NMIT, Corporate communications: Media Contacts, 2001-2005
Press releases and the resulting media reports are the public face of NMIT. These records come from the Corporate Communications Department of NMIT and the collection dates from the early 1990s. A comprehensive collection of media and press releases, media contacts and press clippings.9 folders. Printed A4 pages. Collected in white A4 ring binders. 1 folder. Printed A4 pages. Collected in black A4 ring bindercorporate communications, media releases, newspaper clippings, media contacts, nmit. -
NMIT (Northern Melbourne Institute of TAFE)
Corporate Communications - NMIT, Corporate communications: Approved press/media releases, 2000-2001
... and the resulting media reports are the public face of NMIT. These records ...Press releases and the resulting media reports are the public face of NMIT. These records come from the Corporate Communications Department of NMIT and the collection dates from the early 1990s. A comprehensive collection of media and press releases, media contacts and press clippings.Printed A4 pages, loose. Bundled together in years. Set 2: Copy for circulation to staff, bundled together and tied with string. Copy 3: original newspaper clippings.corporate communications, media releases, newspaper clippings, media contacts, nmit. -
NMIT (Northern Melbourne Institute of TAFE)
Corporate Communications - NMIT, Corporate communications: Media Releases and Contact Reports, 2006-2007
... media releases newspaper clippings media contacts NMIT. Printed ...Media releases and Contact reports from Paulyne Pogorelske – Communications Officer NMIT. Press releases and the resulting media reports are the public face of NMIT. These records come from the Corporate Communications Department of NMIT and the collection dates from the early 1990s. A comprehensive collection of media and press releases, media contacts and press clippings.Printed A4 pages, loose. Filed into four A4 ring binders in June 2012.corporate communications, media releases, newspaper clippings, media contacts, nmit. -
NMIT (Northern Melbourne Institute of TAFE)
Corporate Communications - NMCOT, Media releases and Contact reports 1992-1993, 1992-1993
... clippings media contacts NMIT Printed A4 pages, loose. Bundled ...Press releases and the resulting media reports are the public face of NMIT. These records come from the Corporate Communications Department of NMCOT and the collection dates from the early 1990s.A comprehensive collection of media and press releases, media contacts and press clippings.Printed A4 pages, loose. Bundled together in years.nmcot, corporate communications, media releases, newspaper clippings, media contacts, nmit -
NMIT (Northern Melbourne Institute of TAFE)
Corporate Communications - NMIT, Corporate Communications - Press releases 2006-2007, 2006-2007
... and the resulting media reports are the public face of NMIT. These records ...Press releases and the resulting media reports are the public face of NMIT. These records come from the Corporate Communications Department of NMIT and the collection dates from the early 1990s.A comprehensive collection of media and press releases, media contacts and press clippings.Printed A4 pages, loose. Bundled together in years.corporate communications, media releases, newspaper clippings, media contacts, nmit. -
NMIT (Northern Melbourne Institute of TAFE)
Corporate Communications - NMIT, Corporate communications: Media releases, 1998-1999
... and the resulting media reports are the public face of NMIT. These records ...Press releases and the resulting media reports are the public face of NMIT. These records come from the Corporate Communications Department of NMIT and the collection dates from the early 1990s.A comprehensive collection of media and press releases, media contacts and press clippings.Printed A4 pages, loose. Tow years bundled together..corporate communications, media releases, newspaper clippings, media contacts, nmit, -
NMIT (Northern Melbourne Institute of TAFE)
Corporate Communications - NMIT, Monthly reports to CEOand Media clippings. December 2005-2007, 2005-2007
... and the resulting media reports are the public face of NMIT. These records ...Press releases and the resulting media reports are the public face of NMIT. These records come from the Corporate Communications Department of NMIT and the collection dates from the early 1990s.A comprehensive collection of media and press releases, media contacts and press clippingsPrinted A4 pages, loose. Bundled together in years. Set2: Copy for circulation to staff, bundled together and tied with string. corporate communications, media releases, newspaper clippings, media contacts, nmit, -
NMIT (Northern Melbourne Institute of TAFE)
Corporate Communications - NMCOT and PCOT, Logos and Brochures. Northern Melbourne College of TAFE and Preston College of TAFE. 1980s, c1980s
These templates and logos date from before the introduction of desk-top publishing and are an example of how media publications were assembled by the 'cut and paste' method.A varied collection of college logos from the 1980s, coverig both NMCOT and PCOT.Two folders (one manilla folder, one plastic) containing templates and master copes of logos for use on corporate publications. On cover of manilla folder: 'Gina / Print Room / T&D / Brochures'corporate communications, pcot, nmcot, preston college of tafe, northern melbourne college of tafe, logos, nmit, -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2009
Darkness and a little light: ?Race? and sport in Australia Colin Tatz (AIATSIS & Australian National University) and Daryl Adair (University of Technology Sydney) Despite ?the wonderful and chaotic universe of clashing colors, temperaments and emotions, of brave deeds against odds seemingly insuperable?, sport is mixed with ?mean and shameful acts of pure skullduggery?, villainy, cowardice, depravity, rapaciousness and malice. Thus wrote celebrated American novelist Paul Gallico on the eve of the Second World War (Gallico 1938 [1988]:9-10). An acute enough observation about society in general, his farewell to sports writing also captures the ?clashing colors? in Australian sport. In this ?land of the fair go?, we look at the malice of racism in the arenas where, as custom might have it, one would least want or expect to find it. The history of the connection between sport, race and society - the long past, the recent past and the social present - is commonly dark and ugly but some light and decency are just becoming visible. Coming to terms: ?Race?, ethnicity, identity and Aboriginality in sport Colin Tatz (AIATSIS & Australian National University) Notions of genetic superiority have led to some of the world?s greatest human calamities. Just as social scientists thought that racial anthropology and biology had ended with the cataclysm of the Second World War, so some influential researchers and sports commentators have rekindled the pre-war debate about the muscular merits of ?races? in a new discipline that Nyborg (1994) calls the ?science of physicology?. The more recent realm of racial ?athletic genes?, especially within socially constructed black athletic communities, may intend no malice but this search for the keys to their success may well revive the old, discredited discourses. This critical commentary shows what can happen when some population geneticists and sports writers ignore history and when medical, biological and sporting doctrines deriving from ?race? are dislocated from any historical, geographic, cultural and social contexts. Understanding discourses about race, racism, ethnicity, otherness, identity and Aboriginality are essential if sense, or nonsense, is to be made of genetic/racial ?explanations? of sporting excellence. Between the two major wars boxing was, disproportionately, a Jewish sport; Kenyans and Ethiopians now ?own? middle- and long-distance running and Jamaicans the shorter events; South Koreans dominate women?s professional golf. This essay explores the various explanations put forward for such ?statistical domination?: genes, biochemistry, biomechanics, history, culture, social dynamics, the search for identity, alienation, need, chance, circumstances, and personal bent or aptitude. Traditional games of a timeless land: Play cultures in Aboriginal and Torres Strait Islander communities Ken Edwards (University of Southern Queensland) Sports history in Australia has focused almost entirely on modern, Eurocentric sports and has therefore largely ignored the multitude of unique pre- European games that are, or once were, played. The area of traditional games, especially those of Aboriginal and Torres Strait Islander peoples, is an important aspect of the cultural, social and historical experiences of Indigenous communities. These activities include customs of play that are normally not associated with European notions of competitive sport. Overall, this paper surveys research undertaken into traditional games among Indigenous Australians, as well as proposals for much needed further study in this area. Culture, ?race? and discrimination in the 1868 Aboriginal cricket tour of England David Sampson As a consequence of John Mulvaney?s important historical research, the Aboriginal cricket and performance tour of Britain in 1868 has in recent decades become established as perhaps the most famous of all public events in contact history involving Aborigines, white settlers and the British metropolis. Although recognition of its importance is welcome and significant, public commemorations of the tour have enveloped the tour in mythologies of cricket and nation. Such mythologies have obscured fundamental aspects of the tour that were inescapable racial and colonial realities of the Victorian era. This reappraisal of the tour explores the centrality of racial ideology, racial science and racial power imbalances that enabled, created and shaped the tour. By exploring beyond cricketing mythology, it restores the central importance of the spectacular performances of Aboriginal skills without which the tour would have been impossible. Such a reappraisal seeks to fully recognise the often trivialised non-cricketing expertise of all of the Aboriginal performers in 1868 for their achievement of pioneering their unique culture, skills and technologies to a mass international audience. Football, ?race? and resistance: The Darwin Football League, 1926?29 Matthew Stephen (Northern Territory Archive Service) Darwin was a diverse but deeply divided society in the early twentieth century. The Commonwealth Government introduced the Aboriginals Ordinance 1911 in the Northern Territory, instituting state surveillance, control and a racially segregated hierarchy of whites foremost, then Asians, ?Coloureds? (Aborigines and others of mixed descent) and, lastly, the so-called ?full-blood? Aborigines. Sport was important in scaffolding this stratification. Whites believed that sport was their private domain and strictly controlled non-white participation. Australian Rules football, established in Darwin from 1916, was the first sport in which ?Coloured? sportsmen challenged this domination. Football became a battleground for recognition, rights and identity for all groups. The ?Coloured? community embraced its team, Vesteys, which dominated the Northern Territory Football League (NTFL) in the 1920s. In 1926, amidst growing racial tension, the white-administered NTFL changed its constitution to exclude non-white players. In reaction, ?Coloured? and Chinese footballers formed their own competition - the Darwin Football League (DFL). The saga of that colour bar is an important chapter in Australia?s football history, yet it has faded from Darwin?s social memory and is almost unknown among historians. That picture - Nicky Winmar and the history of an image Matthew Klugman (Victoria University) and Gary Osmond (The University of Queensland) In April 1993 Australian Rules footballer Nicky Winmar responded to on-field racist abuse by lifting his jersey and pointing to his chest. The photographic image of that event is now famous as a response to racial abuse and has come to be seen as starting a movement against racism in football. The racial connotations in the image might seem a foregone conclusion: the power, appeal and dominant meaning of the photograph might appear to be self-evident. But neither the fame of the image nor its racial connotation was automatic. Through interviews with the photographers and analysis of the use of the image in the media, we explore how that picture came to be of such symbolic importance, and how it has remained something to be re-shown and emulated. Rather than analyse the image as a photograph or work of art, we uncover some of its early history and explore the debates that continue to swirl around its purpose and meaning. We also draw attention to the way the careful study of photographs might enhance the study of sport, race and racism. ?She?s not one of us?: Cathy Freeman and the place of Aboriginal people in Australian national culture Toni Bruce (University of Waikato) and Emma Wensing (Independent scholar) The Sydney 2000 Olympic Games generated a national media celebration of Aboriginal 400 metre runner Cathy Freeman. The construction of Freeman as the symbol of national reconciliation was evident in print and on television, the Internet and radio. In contrast to this celebration of Freeman, the letters to the editor sections of 11 major newspapers became sites for competing claims over what constitutes Australian identity and the place of Aboriginal people in national culture. We analyse this under-explored medium of opinion and discuss how the deep feelings evident in these letters, and the often vitriolic responses to them, illustrate some of the enduring racial tensions in Australian society. Sport, physical activity and urban Indigenous young people Alison Nelson (The University of Queensland) This paper challenges some of the commonly held assumptions and ?knowledges? about Indigenous young people and their engagement in physical activity. These include their ?natural? ability, and the use of sport as a panacea for health, education and behavioural issues. Data is presented from qualitative research undertaken with a group of 14 urban Indigenous young people with a view to ?speaking back? to these commentaries. This research draws on Critical Race Theory in order to make visible the taken-for-granted assumptions about Indigenous Australians made by the dominant white, Western culture. Multiple, shifting and complex identities were expressed in the young people?s articulation of the place and meaning of sport and physical activity in their lives. They both engaged in, and resisted, dominant Western discourses regarding representations of Indigenous people in sport. The paper gives voice to these young people in an attempt to disrupt and subvert hegemonic discourses. An unwanted corroboree: The politics of the New South Wales Aboriginal Rugby League Knockout Heidi Norman (University of Technology Sydney) The annual New South Wales Aboriginal Rugby League Knockout is so much more than a sporting event. Involving a high level of organisation, it is both a social and cultural coming together of diverse communities for a social and cultural experience considered ?bigger than Christmas?. As if the planning and logistics were not difficult enough, the rotating-venue Knockout has been beset, especially since the late 1980s and 1990s, by layers of opposition and open hostility based on ?race?: from country town newspapers, local town and shire councils, local business houses and, inevitably, the local police. A few towns have welcomed the event, seeing economic advantage and community good will for all. Commonly, the Aboriginal ?influx? of visitors and players - people perceived as ?strangers?, ?outsiders?, ?non-taxpayers? - provoked public fear about crime waves, violence and physical safety, requiring heavy policing. Without exception, these racist expectations were shown to be totally unfounded. Research report: Recent advances in digital audio recorder technology provide considerable advantages in terms of cost and portability for language workers.b&w photographs, colour photographs, tablessport and race, racism, cathy freeman, nicky winmar, rugby league, afl, athletics, cricket, digital audio recorders -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Photographic Unit Media Services Branch, Victorian Department of Agriculture, Plant Identification, 1981
... Photograph Black and white print Photographic Unit Media Services ...This photograph was used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p126.Black and white photograph. Geoff Olive, Horticultural Instructor, with students, Kent Stannard, Patrick Shaw and Martin Whysall. 1981. Looking at plants in the Ornamental Garden.On reverse, "Plant Identification - a vital necessity for horticulturalists" and "James J.P. Pleasance Victorian College of Agriculture & Horticulture - Burnley, Burnley Gardens Swan St., Richmond Vic. 3121" and "Photographic Unit Media Services Branch Victorian Department of Agriculture Ref. No. 1981 (914-31)."geoff olive, horticultural instructor, students, kent stannard, patrick shaw, martin whysall, 1981, plant identification, green grows our garden, a.p. winzenried, students outside class, ornamental gardens -
Nillumbik Shire Council
Mixed Media (installation): John R. NEESON (b.1956 AUS), John R Neeson, Riverbend Project, 2015
John R Neeson was a Laughing Waters Artist in Residence in 2015. During his residency Neeson made site specific trompe-l’oeil paintings and time based videos that referenced the changes of light upon the Knox architecture and the environment of Laughing Waters.Wooden easel holding an oil on board painting of the Yarra River and surrounding landscape at Laughing Waters (detailed view). Behind the painting and easel is a digital photograph of the painting and easel in situ in the landscape. The photograph is printed on aluminium. No inscriptions and markingsekphrasis 2016, neeson, easel, oil painting, yarra river, digital photograph, landscape, in situ, site specific, riverbend -
Nillumbik Shire Council
Print (woodcut and etching on chine-colle): John WOLSELEY (b.1938 Somerset, UK; arrived 1976 Melb., AUS), John Wolseley, 'Life world of the Longicorn beetle' from the 'Baldessin & Friends commemorative folio', 2016
Painter, printmaker and installation artist John Wolseley was born in Somerset, England. He lived and worked throughout Europe before relocating to Australia in 1976. His work explores how people dwell and move within landscape. Wolseley see's himself as a hybrid mix of artist and scientist; one who tries to relate the minutiae of the natural world - leaf, feather and beetle wing - to the abstract dimensions of the earth's dynamic systems. Using techniques of watercolour, collage, frottage, nature printing and other methods of direct physical or kinetic contact Wolseley finds ways of collaborating with the actual plants, birds, trees, rocks and earth of a particular place. George Baldessin was one of the first artists John Wolseley met when he arrived in Australia in 1976. Both immigrated to Australia and connected through this shared experience. They were both at 'Realities Gallery' with Marianne Baillieu in the 1970s and 80s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'Life world of the Longicorn beetle' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Communion and collaboration with nature are central to Wolseley's practice. He assembles different drawing methods to represent a kind of inventory or document about the state of the earth. His interest is to paint the processes and energy field of the living systems of this land. 'Life world of the Longicorn beetle' is his continued exploration of Australia's natural eco-systems. The beetle attacks the eucalypt and in the process of tunnelling into the wood of the tree leaves scribbly patterns. The work celebrates the cycle of life, and the wisdom and delicacy of these creatures. This three dimensional work consisting of three layers of paper is a varied edition, offering just the slightest difference between each print, reflective of variation in nature. The found log used as a woodcut acknowledges the interconnectedness of nature and living beings; the log is not apart from the art and the beetle has become an active artistic collaborator. An intimate and layered print of a tree log with line trails from the Longicorn beetle. Patches of pink, yellow and orange watercolour placed randomly. Woodcut from found log and etching on chine-colle with water colour on Gampi (top layer), Mulberry (middle layer) and Arches (bottom layer) paper. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Life world of the Longicorn beetle' (title); right 'John Wolseley' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)woodcut, etching, chine-colle, landscape, environment, longicorn beetle, print, baldessin, ekphrasis2018, eco, mixed media -
Swan Hill Regional Art Gallery
Print, COLEMAN, Rosemary, Media man II, 1985
... the-murray Media man II Print COLEMAN, Rosemary ... -
Emerging Writers' Festival
2004 Festival Program, The Melbourne Emerging Writers' Festival 2004 Program
The first Emerging Writers’ Festival was held at the Victoria Hotel in Little Collins Street in January, 2004. The inaugural festival developed out of Express Media's Make It Up zine fair. It brought together the offerings of 68 writers from across Australia in a two-day series of panels, readings, performances and workshops. Express Media ‘s Artistic Director Richard Watts was the driving force behind the ground breaking initiative that was to become the Emerging Writers’ Festival. It was clear to him through the success and the demand of the Make It Up zine fair, which had its origins in 2000, that writing and writers were in the process of radical change and needed a new environment to grow. In response, Express Media formed a partnership with the Victorian Writers’ Centre and held the first Emerging Writers’ Festival with the tagline, the best Australian writers you haven’t heard of yet. The beginnings were humble but the foundations strong. In those early years the festival found its feet, its independence and a loyal and passionate audience.An eight page, stapled program for the 2004 Emerging Writers' Festival printed in black, white and three shades of orange."Featuring the best Australian writers / you haven't heard of (yet) including new, young and / emerging poets, zinesters, short story / writers, spoken word performers, novelists, / screenplay writers / and playwrights, and a range of panels, / readings, workshops as well as an / independent publishers' trade fair."2004 emerging writers' festival, richard watts, express media, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne -
Emerging Writers' Festival
Emerging Writers' Festival Flyer, Lego Poetry
The 2011 Emerging Writers' Festival was programmed by Festival Director Lisa Dempster - the Lego Poetry event just one of dozens of events held in Melbourne in May, 2011.Highlights the importance of the inclusion of social media in Emerging Writers' Festival events, programming and ethosA white A4 page with black printed text with details of a Lego Poetry event, held as part of the 2011 Emerging Writers' Festival.2011 emerging writers' festival, lisa dempster, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne, lego, poetry -
National Wool Museum
Sydney 2000 Olympic Games Quilt, c.2000
This quilt was produced by Wooltara (Australia) Pty Ltd for the Sydney Olympic and Paralympic Games in 2000. Over 24,000 similar quilts were distributed throughout the athletes village and given away to athletes, international media and officials.Quilt, wool, single bed size. Quilted cotton cover in various shades of blue, filled with wool. Housed in a white cotton drawstring satchel printed with logos.Wording: SYDNEY 2000 / WOOLMARK; Method: Printed; Location: Frontwoolmark company wooltara (australia) pty ltd, sport, sydney 2000 olympic games, quilt, wooltara, athletes -
Whitehorse Historical Society Inc.
Mixed media - Picture
Ornate gold frame depicting girl in blue dress with dogsillustrations, prints -
Ballarat Heritage Services
Work on paper, Bede TANGUTALUM, Yam, 1991
Bede TANGUTALUM (1952- ) Wurrumiyanga (Nguiu), Bathurst Island Tiwi People Bede Tungutalum works across a range of media, including carved and painted wooden sculpture,printmaking and painting. Tungutalum learned carving from his father, the well-known sculptor Gabriel Tungutalum, and was taught how to cut woodblocks for printing while attending Xavier Boys School at Nguiu. He refined and developed these techniques in the late 1960s and early 1970s. His earliest prints date from the late 1960s. In 1969, with fellow Tiwi artist Giovanni Tipungwuti, Bede Tungutalum established Tiwi Design, an art centre dedicated to the production of hand-printed fabrics featuring traditional Indigenous designs.Framed lithograph depicting yams, printed in colour inks, from multiple stonesbede tangutalum, tiwi, wurrumiyanga, bathurst island, tiwi design, yam, aboriginal -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Memorabilia - Print Title Print Other Identifiers No identifiers Media No Attached Media Description Physical Description Framed print from 'The Australian' giving information around the Kokoda Trail, Kokoda Track Information Print
Historic articlePrinted copy of an article from the Print Title Print Other Identifiers No identifiers Media No Attached Media Description Physical Description Framed print fromaustralian kokoda campaign in wwll -
Melbourne Legacy
Film, Legacy
... Label of 'Colour Film Pty Ltd, client Trans Media Colour... Ltd, client Trans Media Colour print' handwritten 'Copy No 3 ...30 min colour and sound 16mm film, severely faded, beginning with an interview with a Vietnam widow and going on to explain the help Sydney Legacy gave to bereaved families including outings, health, etc. Lionel Long, who was a Legacy ward, is interviewed and sings one of the ballads he was famous for in the 1960s. A Widow's Club meeting is shown and a party of the Northern Suburbs Progressive Twenties who raised money for Legacy. They were smoking, drinking, and eating what looks like cheerios and slices of bread in a large room hung with streamers and balloons and dancing to pop music. Junior Legatee Karen Miller was interviewed about her experience travelling to Switzerland to represent Australia at the Swiss Bank Centenary, Switzerland, with a boy from NSW, going on to stay with a Legacy family in London for a week. The functions of Legatees are explained as a Legatee is shown with one of his families. Also interviewed is a practising solicitor who attributes his qualification to the help he got from Legacy. Girls are shown rehearsing for their debutante presentation and the film segues to the actual presentation with the Governor Sir Roden Cutler, Governor of NSW, and his wife. Legatees are shown cutting, trucking and delivering firewood to widows. Photography by Frederick Richardson; sound by Peter Willesee; Executive Producer Michael Willesee; produced and edited by Bob Lawson. A Trans Media Production. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.A visual record of Sydney Legacy in the 1960s giving an overview of the work they did.A film in a blue plastic canister produced about the activities of Sydney Legacy in the 1960s.Label of 'Colour Film Pty Ltd, client Trans Media Colour print' handwritten 'Copy No 3'activities, widows club, junior legatee, operation firewood, sydney legacy