Two blocks of tickets each - red ink on buff 60 gsm paper, denomination 4d (printed in blue), headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 50 tickets been stapled onto a heavy cardboard back with a heavy metal staple and a small cardboard retaining strip at the top of the ticket. The ticket number is in black ink while the "E" prefix is in red, the ticket number is in black. Ticket used as a Transfer, had day of issue to be punched on the left hand side and the validated destination in number on the right hand side. 2117.1 - H037151 - 99 2117.2 - H037009 - 49 Thought to be used prior to 1950's around the second world war.trams, tramways, secv, tickets, parcels

Block of tickets each - red ink on 60 gsm buff paper, denomination 5d (printed in blue), numbered F029003 - F029049 (six missing) headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 50 tickets been stapled onto a heavy cardboard back with a heavy metal staple and a small cardboard retaining strip at the top of the ticket. The ticket number is in black ink while the "E" prefix is in red, the ticket number is in black. Ticket used as a Transfer, had day of issue to be punched on the left hand side and the validated destination in number on the right hand side. Tickets 012 to 017 have been removed from block. Thought to be used prior to 1950's around the second world war.trams, tramways, secv, tickets, parcels

Has a strong association with Dave Kellett, motorman and inspector in Ballarat; issued to crews in order collect fares, hold tickets and money.Leather bag with outside bag (for ticket wallet) with metal strips on openable section, fitted with push button catch, four coin compartment inside and adjustable shoulder strap. Has been fitted with a coin dispenser (screw and bolted in) for six different coins (50c, 20c, 10c, 5c, 2c, and 1c). Coin holder plastic - blue base, white top with red coin supports or bases and metal springs. Bag sewn with some rivets. On rear of bag, at top, stitching has been redone using copper wire.) Has an inscription inside. Not to be used in traffic.On inside of bag, opposite coin holder in blue biro "44 D.Kellett 7 Head St. Wendouree" On top of left hand side of coin holder, partly faded is "D.Kellett 7 Head St. Wendouree"trams, tramways, cash bag, tickets, fares, conductors bag

Negative No. N382 and black and white print made by a laser printer (stored in folder) of Ballarat No. 35 about to cross Grenville St, about to enter Bridge St. from Sturt St. Photo is at the tram stop with a passenger boarding. Photo taken after tram has past photographer and from the central median strip looking towards Bridge St. with a seat and a monument in the foreground. In the background is the tram stop shelter, Morshead's building with an advertisement for Greys cigarettes, Mobilgas and Dickins Self Service Grocery. Tram has destination of Victoria St. Date of photo on folder - 29/12/1958. Original negative rescanned 24/5/2020 and image file updated.Paper folder that contained the negative had "NR3A" in red ink, "BA10" in pencil, date stamp of "29 Dec 1958" on front, and on rear date stamps "26 Sep 1962" and "26 Sep 1962".trams, tramways, sturt st, grenville st, bridge st, morseheads, tram 35

Yields information about BTPS and BTM personnel and their issued kits.Two Sets of lined sheets, punched on left hand side with a plastic edge protection strip, ruled in red ink and completed in blue or red ink, recording staff numbers for the various volunteers for either the Ballarat Tramway Preservation Society or the Ballarat Tramway Museum. Records staff number, name, outfit issued, punch and key and notes. .1 - 21 Quarto sheets, prepared annually from 1.7.1974 to 30.6.1985 (See image btm2480i1 and i2) .2 - 16 A4 sheets, prepared annually from 17.7.1986 to 30.6.1996 (See image btm2480i3 to i6) See Reg item 4972 for 1/7/1996 to 31/12/2007.trams, tramways, tickets, staff numbers, records, btm

Set of three SEC Parcel Tickets. Two part printed and perforated ticket, using red or orange ink on white paper with a gummed back. 3073.1 - 6d ticket - A46756 - red ink - used 1963 to 1965 3073.2 - 8c ticket - A005643 - orange ink - used 1965 to 1966 3073.3 - 10c ticket - A012401- red ink - used 1966 to 1969 The upper portion has a gummed strip on the rear, with price and ticket number printed onto the lower edge. The lower portion was retained by the sender, was to be initialled by the conductor, organisation name, "Parcel Ticket 13c", conditions of use, ticket number and a space where to be initialled by the conductor. The 1969 Schedule of Fares and Charges gives the conditions of the use of these tickets. See Reg. Item No. 704. See Reg Items 705, 1731 and 1732 for dates of use. trams, tramways, secv, tickets, parcels

Demonstrates pictorial souvenir strips of photographs of Ballarat, both colour and black and white and yields information about Ballarat c 1940.Set of 10 small colour and 5 large black and white views of Ballarat printed on a folded strip, glued within a light brown colour light weight cardboard folder, titled "Pictorial Souvenir of Ballarat - Views in Colour". Booklet printed with an address area with title in red and kookaburras. Produced by Murray View, Gympie Queensland. The rear has a slit surrounded by red dashes on the rear cover that allowed the folder to be secured. Pictures are: Colour: 1. Statutory Pavilion 2. Sturt St looking west - with a tram in the bottom of the photograph 3. Victory Arch 4. Queen Elizabeth Benevolent home 5. Queen Victoria Memorial Gardens 6. Swans on Lake Wendouree 7. The Conservatory 8. Avenue of Fame (Prime Ministers) 9. Eureka Stockade 10. Cnr Sturt and Lydiard St, with a bus in the view Black and White 1. The State Building 2. Panorama from Black Hill 3. Old Curiosity Shop 4. Reflections - Botanical Gardens 5. Sturt St looking east - has a tram in the view, with 1930's SEC colour scheme. trams, tramways, sturt st, town hall, lake wendouree, memorial arch avenue of honour, memorial, gardens, lydiard st, eureka, tram 19

Yields information about the appearance of Sturt St at the time of Ballarat Begonia Festival, 1957 - the flowers in the medium strip, the tram and the shoppers in particular the women.Black and white photograph of Ballarat No. 14 west bound in Sturt St during the 1957 Begonia Festival with the Town Hall (with a Begonia Festival sign on it), and other buildings in the background. Has the Australian Mutual Life Building, the Odeon Theatre buildings. In the centre median strip, there is a large arrangement of flower beds and many women shoppers crossing the road, motor vehicles and a lady on a bicycle. No. 14 has the destination of Haddon St via Drummond Nth. Festoon lighting is strung out along the street.On rear in red ink "Ballarat Car 14 Sturt St B'rat Summer '57" and the stamp of Jim Seletto.tramways, trams, sturt st, begonia festival, town hall, shoppers, tram 14

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with two remaining tickets - red ink on off white paper, denomination 8d, numbered A801798 - 99, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a heavy cardboard back with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in red ink while the ticket number itself is in black ink. On rear in red ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with two remaining tickets - red ink on off white paper, denomination 2d, numbered 043398 - 99W, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a plain cardboard back with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in red ink while the ticket number itself is in black ink. On rear in red ink is a diagonal criss cross or tartan pattern. Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with one remaining ticket - red ink on off white paper, denomination 2d, over stamped in black "Concession" numbered 685999A, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a plain cardboard back with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in red ink while the ticket number itself is in black ink. On rear in red ink is a diagonal criss cross or tartan pattern. See also Reg Item 3999 for another 2d Concession - but note difference check points on side of ticket. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with four remaining tickets - red ink on off white paper, denomination 2d, over stamped in black "City Section" numbered D907396 - 99, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a plain cardboard back with a heavy metal staple and a off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in red ink while the ticket number itself and prefix is in black ink. On rear in red ink is a diagonal criss cross or tartan pattern. See also Reg Item 4002 for another 2d City Section ticket - block of 100 tickets and larger font for the price. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with 110 remaining tickets - red ink on off white paper, denomination 2d, numbered U694490 - 599, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 200 tickets been stapled onto a plain cardboard back with a heavy metal staple and a pink white coloured cardboard retaining strip at the top of the ticket. The ticket price is in red ink while the ticket number itself is in black ink. On rear in red ink is a diagonal criss cross or tartan pattern. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.Block with 1 remaining ticket - red ink on off white paper, denomination 2d, overprinted "Concession" in black, numbered A233399, headed State Electricity Commission of Victoria, Provincial Tramways. Originally a block of 100 tickets been stapled onto an off white, ruled on one side cardboard back with a heavy metal staple and an off white coloured cardboard retaining strip at the top of the ticket. The ticket price is in red ink while the ticket number itself is in black ink. On rear in red ink is a diagonal criss cross or tartan pattern. See also Reg Item 3988 for another 2d Concession - but note difference check points on side of ticket. Note: "L.P.L." in bottom right hand corner of ticket. See Alan Bradley's notes "Fares in Ballarat" trams, tramways, secv, tickets

Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency / Processed by Kodak" top and bottom. Photo taken by Ben Parle 5/4/1958. Has slide No. "4" stamped in red in top corner and date stamped on slide. Photo of No. 32 turning from Drummond St. South into Sturt St, with the Southern Cross Hotel and Rimmington Bros. Butchers buildings in the background. Note the ESCo electrical termination box just in front of the tram on the central median strip. For high resolution scan see btm2834h.tif"Sturt St" "-5 APR 1958"tramways, trams, sturt st, drummond st, southern cross hotel, esco, tram 32

Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency / Processed by Kodak" top and bottom. Photo taken by Ben Parle 8/4/1958, date stamped onto slide. Has slide No. "1" stamped in red in top corner. Photo of Ballarat 35 and another bogie tram at the City terminus, north side of Sturt St, taken from the median strip. Has the ANZ Bank and the Ballarat Post Office in the background. No.35 has the destination of Lydiard St. loop. "Sturt St / Lydiard St" / "8-4-58"tramways, trams, sturt st, city terminus, lydiard st, tram 35

3 A4 pages stapled together. Peter's Eulogy. We have lost a giant from the folklore scene. The huge crowd here today shows how much Peter meant to so many people. He has been my friend and band leader for the past twenty five years. Peter was the glue for our band. He planned the musical program in conjunction with the MCs. He listed all the tunes to be played and where to find them for those who read the dots. Peter was great fun to be around and I'd like to mention just a few things to show that. Peter was always an exuberant player. He would bounce around on his seat. This caused a near disaster at a drought relief benefit we were playing. The band was on a platform but our pianist Olive was at ground level as the piano could not fit. Peter bounced around so much his chair leg slipped and Peter ended up on top of poor Olive. Peter loved to entertain. He would play bones or swanee whistle at the drop of a hat. He would demonstrate the Charleston, can can or bunny hop for groups. For a big man he was very light on his feet. He loved to stand and circle his concertina, a memory I won't forget. I have to confess I have slept with Peter. Twice. The first time was at Port Fairy Folk Festival when the band slept in the nunnery at Koroit. Peter, Dean Swift and I shared a room. Peter's snoring was so bad Dean grabbed a blanket and a pillow and went to sleep in the mini bus. I went into another room but even with two closed doors found it difficult to sleep. As recently as this year's Illawarra Folk Festival Peter was in a tent in the performer's area. I noticed the tents either side quickly became vacant. The next time was in Canberra when Peter and I were at one end of a caravan and Mary Smith was at the other. I don't think poor Mary got much sleep that night. On another occasion in Canberra Peter was Half asleep in his van when another well known female performer (not from the band) came in and stripped off. She realised she was in the wrong van and grabbed her stuff and took off. She returned very red faced the next morning to collect her shoes. Peter maintained he saw nothing. One freezing cold night in Canberra Peter ad I had been at a terrific session in the bar. We had to support each other across the oval towards our caravan. Peter tried to straddle the fence and got stuck. There was a real Canberra frost on the fence and a sensitive part of Peter's anatomy was in grave danger of frost bite. Peter took an eternity to extricate himself. I couldn’t help him as I was laughing so much. We'll never forget making Harry McQueen's bull boar sausages at Nariel. Peter had already organised the meat and intestine casings from the butcher in Corryong. He was such an organiser and the sausages were brilliant. Peter was quirky. He always made a morning cuppa complete with tea cosy. It even left Martin Pearson speechless in the breakfast tent at Illawarra this year. Another example was when he sold his beloved FJ which is parked out the front today. As the new buyer drove off down the road Peter stood there playing 'Now is the hour' and 'wish me luck as you wave me goodbye' on his concertina. Peter loved a joke. He knew Shirley Andrews loathed the tune Danny boy so he played it in her hearing any chance he go. He even gave her a cd with a dozen different performers doing their versions of the song. We once played at the Rifle Brigade Oktoberfest and Peter was just a bit under the weather after being there for two days (the band got free drinks). The late night crowd was getting restless so Peter tried to shut them up by holding his finger up. They got more restless. Peter couldn’t understand it. 'it worked for Grummy Ross,' he wailed. It was the only time we ever over rode him and started playing without him. He wasn’t happy but disaster was averted. The dance club once had a reverse deb ball. Peter shave his beard, got his sister Robyn to make up his face and came to the ball in a lovely gown. It took ages for people to realise who it was.Margaret Hogan said the other night 'Peter let me see and do things I never would have done otherwise.' I think that is true of all of us in the band. We performed in major festivals regularly, travelled widely and had experiences such as playing at the opening of Melbourne Museum or State Parliament. Experience we'd never have had without Peter. I'm glad Peter didn’t suffer. He told me last Monday morning on my last visit he was in no pain. For that I am grateful. He passed away that night. He was taken far too young and has left a huge hole in all our lives. Personally I have lost a great mate, but then we can all say that. We'll miss you Dirty Pierre. John Williams.person, individual, peter ellis oam

Trams 12 and 21 as Myer's Christmas tram in City Loop. Photographed from south side of Sturt St. looking towards Post Office. Trams have both been fitted with lights, and have large white strip on front dash. Tram 21 has been made up as 'Santa's Showboat' and has red ensign flag on roof. Photo taken during the 1968 Christmas season. See Date advised by Alan Bradley, 15/3/03Niltramways, trams, santa tram, myers, decorated trams, city loop, tram 12, tram 21

Negative No. N379 and black and white print made by a laser printer (stored in folder) of Ballarat No. 21 at the City terminus, with Gardens via Sturt St. West destination. Tram has been painted with tiger strips on bumper bar and under destination box, and a white stripe painted over the car under number under the windscreen. Additional lights and cover yet to be fitted. Car is fitted with plain weather blinds. Photo by Travis Jeffrey, 1960. Travis advised that the driver could be Max Green, ex ESCo employee, Brother in Law of Mrs Gwen Kellett. Has the Commonwealth bank and National Mutual building in the background and Berry Anderson printers. On front of tram is an advertisement for Mutual Homes. Date of photo on folder 28/9/1961. This date appears to be incorrect, as Reg Item 417, Wal Jack photo of 2/1/61 shows the tramcar in the same stage of conversion. Probably taken 12/1960 or 1/1961. Large print of this photo made for display 1995c. Item updated when negative added to collection - 11/5/2003. Original negative rescanned 24/5/2020 and image file updated. Paper print of original photo in folder 73.Paper folder that contained the negative had "NR50A" in red ink, "BA6" in pencil, date stamp of "28 Sep 1961" on front, and on rear date stamps "26 Sep 1962" and "6 Oct 1962".trams, tramways, sturt st, city terminus, tram 21

A wooden racquet with a convex throat and tilt top. The handle is framed by red leather end and stem wraps. String whipping feature at both sides towards the base of the head. The outer frame of the racquet head is sealed with a green painted cloth strip, glued and nailed to it. At the base of the throat on the obverse is a nailed silver plaque, with an engraved inscription and monogram: 30, JUNE, 83/AGF/"YOU KNOW WHO". The plaque conceals the manufacturer's details, which, from what is still legible, is definitely George G. Bussey. The model type 'THE DIAMOND' and the number 13 features on the upper throat and stem on the obverse, respectively. To highlight the model name, the gutstringing is arranged in a rare, diamond pattern. Materials: Wood, Gut, String, Cloth, Leather, Metal, Glue, Lacquertennis

A Garcia 'X-15' metal tennis racquet with double shaft, and handle wrapped with black & red perforated leather grip tape. Nylon strings and plastic butt cap with adhesive label featuring manufacturer's logo. Black plastic protective strip covering crown. Materials: Metal, Nylon, Adhesive tape, Adhesive label, Leather, Plastictennis

Tennis racquet with solid, concave throat, red painted shoulders with string whipping, and fine grooved handle. Surname of a former owner written across shaft, and on cloth strip along lower handle, on obverse: HERBRANDT. Materials: Wood, Metal, Glue, Lacquer, Gut, Paint, String, Gut, Clothtennis

A court tennis ball, probably stuffed with densely wound woollen strips, and contained within a cover comprising of two pieces of stitched, red dyed cloth. Materials: Wool, String, Clothtennis

Illuminated address received by James Ross Briggs Esq. on the occassion of his retirement as Town Clerk and Treasurer by the Mayor, Councillors and Citizens of the City of Caulfield. 2 page watercolour and ink address bound in maroon and gold tooled leather folder, The address, presented on cream colour card, is secured inside the folder by a piece of maroon colour rope ribbon and strip of leather running vertically down the centre. The address is hand lettered in red and black ink and watercolour decorations include James Ross Briggs name in a scroll surrounded by sprigs of yellow wattle and a blue, pink and yellow decorative border. A red, paper seal has been placed beside the signatures of the Mayor, Town Clerk and Councillors. Hand lettered signatures at bottom of page include the Mayor, Town Clerk and 10 Councillors Hand written on small yellow "Post-It" note on inside of back cover: "DONATION FROM (details)"james ross briggs, city of caulfield, town clerk, treasurer

On 18 July 1891, a statue of local MLA Alfred Thomas Clarke was erected in a circular plot at the intersection of the major axial paths. AT Clarke was Williamstown's representative in the Legislative Assembly from 1871 to 1887, and a Commissioner of Trade & Customs in the third Berry Ministry. He did his utmost to defend Williamstown against the Melbourne Harbour Trust and was also the founder of the Advertiser. The statue was sculpted by Enrico Luchinelli in Cararra marble. The likeness was taken from a photograph.The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This postcard shows the main east-west axial path with a typical Victorian/Edwardian mown grass strip which in turn borders formal shrub beds with herbaceous plantings. The Cordylines which line the avenue in this image were replaced by Mexican Fan Palms (Washingtonia robusta) planted in 1915, which in turn were replaced with the same species in 1987 A colour image of main east west axial path looking towards the statue of A C Clarke enclosed with a white fence. The path is lined with grass, shrubs and Cordylines. This image is before the Cordylines were replaced with palm trees, which was 1915.Front: ‘The Botanic Gardens, Williamstown’. Reverse: Top ‘POST CARD’ Left side ‘The Space may be used for Correspondence’; Right side: ‘For Address Only.’ Top right corner is a red Victorian one penny stamp. The card is addressed to Mr R Fraser / Collins St. / Essendon from his niece, whose name is unclear. postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, garden-path, cordylines, clarke, 1891, enrico luchinelli, cararra marble

See History Walks No 5, p 11 and p32 Surrey Hills In Celebration of its Centennial 1883-1983. Tavistock was built c1890. In 1897 it was the home of the Walker family; Joyce Walker later became matron of Mosgiel Hospital. In 1902 it became the first site of Milverton Girls School. From 1930s to 1960s it was home to Miss Marjorie Vahland, a locally well-known nursing sister.Colour photo of the front of Tavistock at 192 Union Road, Surrey Hills before restoration during 1978-1982. The house is Victorian in style, of red brick construction with a patterned slate tile roof and decorative chimneys. This photo of the windows at the front of the house is prior to stripping of the white paint from the decorative tiles.tavistock, milverton girls school, victorian style, houses, joyce walker, marjorie vahland

First World War Army jacket belonging to Lieutenant Sydney Matthew Callaghan (1892-1976), who served in the Australian Engineers, AIF Canteens Section and the Australian Flying Corps during WWI. Sydney and his family lived at 34 Normanby Street from 1932. His parents lived in Bay Road, Sandringham.First World War Army jacket, khaki with four front pockets. Winged Australian Flying Corps patch above left breast pocket. Lieutenant's insignia on epaulets: two diamond-shaped metal 'pips' and a curving band with the word "AUSTRALIA". Flying Corps colour patch on each shoulder: a pale blue triangle with two small red stripes and a large central darker blue stripe. Metal belt hooks on either side of the waist. The garment has been widened, with a strip of khaki fabric inserted in the centre back.sydney matthew callaghan, australian flying corps, military uniform, first world war

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. This notebook contains information on how to calculate and enlarge a small sample pattern into a larger textile. It is a hand-written notebook that was passed from a master to an apprentice. This notebook is written in German and belonged to George Snchabel and was given to Nino Corda, who eventually donated it to the National Wool Museum. Nino only spoke basic German so many of the passages of writing were lost to him, regardless the illustrations and little bits of German he did know made this a useful resource which was often looked upon for inspiration and guidance.The notebook has a black cover on both the front and back with no writing. The spine is in bad condition and is being held together by three strips of tape. Internally, the pages have faded to a pale peach colour with a background blue square pattern. The notebook is completed with black ink used for writing and illustration. Occasional red ink is used for highlighting and illustration.textile calculations, textile design

Four page booklet featuring printed text, with a red banner and logo of a sheep on the front cover. front: [printed] COOPER / RELEASE OF / INFORMATION / THE EXHAUSTION OR STRIPPING OF DIPS / by G. C. Brander, B.Sc., M.R.C.V.S.products, agriculture, animal breeding, animal husbandry, william cooper and nephews (australia) pty limited, vaccination