Florence Dellar (Mrs. George), 59 Henty Street, Portland.Blue satin front. Blue cotton backing. Blue cord down edges and across top. Hand painted scene of Whalers Bluff. White satin lettering edged with gold thread. Gold thread lettering. Metal rod with pointed finials with cord hanger. Brown fringe on base.Front: Portland WCTU. Till Death or Victory.

Baby Layette consisting of hand knitted woolen dress, coat, hat and bootees with satin ribbons that was worn in City of Moorabbin c1960. Women were accomplished knitters, craft workers and dressmakers as they cared for their families. Typical hand knitted woollen clothes for a baby c1960 in City of Moorabbin Baby Layette consisting of hand knitted cream woollen dress, coat, hat and bootees for baby 1956clothing, baby layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma,

Object. eight ribbed parasol. Black silk satin, and black cotton lace in a floral design. Eight peaks around the perimeter of the umbrella, attached to the double layer of fabric in the main body of the umbrella-an outer layer of silk, satin, and an inner layer of cotton. This lining is hand stitched. Frame, including handle of lacquered wood. Handle is graciously curved and carved like a feather. Top is finished with lace and a decorative satin ribbon-(5cms wide) bow with five loops, and nine cm tails.costume accessories, female, victorian black silk and lace umbrella

This item has np known provenance but is a beautiful example of a woman's evening cape dating from the second half of the 19th century. The original owner would have been a lady of considerable means who attended social functions requiring an item such as this.This item is retained as a fine example of 19th century woman's clothing.This is woman's cape made of black lace and patterned satin with satin rouches and black beaded rosettes around the shoulders and the front. The beading has long tassels. The cape is knee length. It has grey lining around the inside of the shoulders. At the front there are two hooks and eyes to allow the cape to be fastened.at the neck.woman's vintage clothing, lady's vintage cape

Wedding dress worn by donor in 1963. In Supplementary File, photocopy of house at 3 Buxton Road, Mitcham where bride and groom lived after wedding. Photos, invitation and marriage certificate also in Supplementary File1963 Wedding dress of cream satin; floor length, short sleeves, round neckline, fitted at waist. Cream Giupure lace motifs down down front of skirt, on bodice and sleeves. A detached triangular organdie and satin train held with bow to attach to waist of dress. See Veil NA3473costume, female ceremonial

"Group portrait of the surviving members of D Company/ 7th Battalion after the Battle of Krithia, Ottoman Empire:/ Turkey, Marmara, Chanak, Gallipoli Peninsula/1915"Photograph - black and white photograph on paper, group portrait of 27 soldiers. Board mounted photograph on timber with satin finish.photograph, mounted, 7th battalion, ww1

Sewing baskets are used to contain needles and thread and other sewing requirements.Woven raffia sewing basket with lid attached by a cord. Basket is lined with gold satin and the lid is padded with pearl buttons.domestic items, sewing, sewing baskets

Displayed at History House.Cream crochet baby singlet, full body length. Satin (cream) ribbon threaded through neck of garment. No sleeves.birmingham collection, dolls clothes, toys, domestic, children, childhood

Black satin like sunshade with black lace edging. Wooden ornately shaped and carved handle with leaf detail and spots.costume accessories, clothing accessories, umbrella

This banner is one of the many awarded in the Western District of Victoria for competitive cycling races. The Western District Road Racing competitions were significant in being a regional competition which the Geelong Cycling Club took part in.Grey coloured satin cloth banner. The banner has a yellow fringe attached to the bottom of it and has yellow embossed inscriptions. "Western District Road Road Championships/Horsham 1991/Junior Teams Time Trial/First Geelong/R. Smith/D. Harbison/B. Scarlett"western district road racing; geelong cycling club; horsham; junior teams time trial; r. smith; d. harbison; b. scarlett; banner;

Identical trowel S049 presented to Mrs Job Smith.Black leather box with crimson velvet and satin lining containing an engraved silver trowel with a turned bone patterned handle."Presented to Mrs John Watson by the trustees of the Kew Wesleyan Church on the occasion of her laying a memorial stone of the completion of the Edifice December 11th 1889"wesleyan church kew, smith, job

Oblong black leather box with blue satin and cream sating lining containing a silver trowel with a turned wood handle. "Presented to F. J. Cato Esq by his Fellow Trustees on the occasion of the laying of the Foundation Stone of the South Camberwell Methodist Church 7th June 1930"south camberwell methodist church, cato, f. j.

Identical trowel S027 presented to Mrs John Watson.Black leather box with crimson velvet and satin lining containing an engraved silver trowel with a turned bone patterned handle."Presented to Mrs Job Smith by the trustees of the Kew Wesleyan Church on the occasion of her laying a memorial stone of the completion of the Edifice December 11th 1889"kew wesleyan church

Olive green oblong leather box with blue velvet and white satin lining containing an engraved silver commemorative trowel."Presented to Rev.C. Mervyn Plumb L.TH. on the occasion of laying Foundation stone City Congregational Church Geelong 2nd May 1964 Gordon Williams & Associates. Architects.

Wedding Dress worn by Liz Forster for her marriage to ? Humphries on 13 January 1965 at St Oswalds Anglican Church conducted by her father the Rev. Joseph Forster.1965 White Guipure lace full length short sleeve wedding dress, piped at waist with full satin lining.costume, female ceremonial

Long cream satin Nightdress with ties at waist. Cream lace at V neckline and edge of short sleeves and hem of gowncostume, female nightwear

Cream Fuji silk nightdress with shoestring straps. Richelieu embroidery on front Hems bound in cream satin. Cut on the bias.costume, female nightwear

Fine white lace camisole tied with white satin ribbons threaded through eyelets at neck and waist. Scalloped edgingcostume, female underwear

Belonged to Jan Prenpaze and donated by her.Winter coat made of grey figured fabric, with black fur collar. Has satin lining and material-covered buttons.Tag says "designed by Wein Fashions of Melbourne" and "Pinguino Italian Fashion fabric".

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Black strapless satin evening dress with a ruched gold neckine. The outfit includes a fitted long sleeved black jacket.Label: SMARAGD EXCLUSIVE OF MELBOURNE. SIZE 12fashion - australia - melbourne, smaragd of melbourne, women's clothing, evening dresses, fashion design, clothing -- 1970s

Gift to Florence E. Feore by her grandfather on her 13th birthday, 14th February 1893.Small orange enamel purse, with silver decoration on outer case. Small inner compartment lined with blue/green satin.Initials "F.E.F." on outer casepurses

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This quilt sampler was made before 1900 by Rosina Ellwood. Crazy quilts were fashionable in the late Victorian era. The rise of the trend is attributed to the display of Japanese art and ceramics at the 1876 Philadelphia Centennial Exposition (U.S.A.) that featured asymmetrical designs. Inspired, quilters began sewing pieces of fabric of different sizes and textures together into abstract, asymmetrical patterns. The craze spread from America around the world. Embroidery, ribbon and silk embellishments, and hand stitched applique birds and flowers were popular additions. One magazine estimated that a detailed crazy quilt could take over 1,500 hours to complete. Crazy quilts remained in fashion in metropolitan cities until about 1910, though the style endured for longer in rural areas. This item is unique, handmade and has a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history and women’s history.A colourful patchwork quilt sampler using mixed fabric types including velvet, cotton, brocade and satin, backed on cardboard.hamilton-smith collection, hamilton-smith, stiching, needlework, sewing, handmade, domestic, quilt, quilts, crazy quilt, crazy quilts, women's history

Cream satin "slipper" shape with a cream 1cm satin ribbon loop, 30 cm long attached cream looped braid, 1 cm wide edges the slipper, and a small cream cotton orange blossom flower is stitched at the point where the ribbon loop is attached to the slipper, with a loop and two "tails".costume accessories, female, wedding slipper charm

This dress and bag belonged to Mrs Edith "Dot" Paroissien (nee Jackson, born 1916), who lived in Brighton with her husband David William Paroissien. The dress was purchased from Croyde, a Melbourne designer who had a small boutique shop in Collins Street near the Block Arcade, and the bag was bought for her in London by David. Dot recalled wearing the dress in the 1950s, in particular to a ball at the Royal Exhibition Buildings for Wesley College. She wore it with suede shoes with a medium heel with straps across the instep and long white kid gloves, and accessorised with a baguette choker and drop earrings.Black silk satin sleeveless full-length evening dress. The attached bodice floats over the top of the under-dress. Asymmetrical opening on bodice which features five large flat self-covered buttons. The black suede bag has chrome fittings and buttery cream coloured satin interior. .1 dress - Label, woven black on white acetate centre back: CROYDE / MELBOURNE .2 - bag - Label, printed, black on cream acetate, interior pocket: Susan / HANDBAGS / LONDON; Label, printed, copper on black metal, interior pocket: MADE IN ITALY / FOR SUSANevening dress, croyde, melbourne fashion, melbourne designers, handbag, royal exhibition building, 1950s, edith violetta paroissien, edith violetta jackson

Clothing. Deep cream silk (?) satin button-up boots/shoes. Immaculate, tiny stitching. Low, Louie shaped heel. Ankle high boots. Buttoning opening on the outside edge-eight scallops each finely bound and stitched. Each fastened by a tiny 8mm domed painted button, and an immaculate, stitched buttonhole. Sadly, the satin has split, on each opening panel. Some colouring has been chipped from the buttons. Inside it would appear that the satin has a linen backing or lining.Inside is a gold stamp F.PINET. PARIS Also is a stamp, J.WATTS 23 BOURKE ST. EAST MELBOURNE. 25 1/2 3. BREVETTE F.PINET 27PARIScostume, female, satin button-up boots

Photograph - black and white photograph on paper of 6 soldiers in a WW1 trench. Board mounted paper photograph on timber with satin finish.photograph, mounted item, ww1

Frederick James Gill operated from the early part of the 20th century, through until around the 1960’s. He died in Warrnambool in 1961. There is still a jeweller operating from the same site today.A common item with a link to a Warrnambool businessDark red and black patterned hard case with rounded corners. Lined with cream satin with black felt insert. Metal hinges.Oval sticker: Gill’s jewellers, watchmakers Warrnambool.warrnambool, f.j. gill, jeweller, frederick james gill