George Williams No 1608, actually Cuthbert Lodington. He enlisted under an assumed name of an Aunt. Enlisted on 4.12.14 in the 3rd reinforcements to the 6th Batt AIF. Embarked 19.2.15 for Eygpt then Gallipoli. Reported missing 8.5.15, confirmed KIA same day. Refer 2070P.Medal set, brass plate mounted, set of (3) re G Williams. 1. 1914-15 Star. 2. War Medal 1914-19. 3. Victory Medal. "1608 Pte G Williams 6 Bn AIF"medals, military, history

This ship model of the Cutty Sark was hand-built in the 1980s from a model kit produced by Billings, Denmark. It was on display in the Olde Maritime Motor Inn in Warrnambool until it was refurbished around 2015. The Cutty Sark was a famous clipper ship, launched in 1869 for the tea trade from China to London. The ship was designed for speed, with the ambition to be the fastest ship. In the late 1800s, it competed in the tea clipper races. It was eventually sold to a Portuguese company, Ferreria, and took on the company's name. It was sold again and renamed Maria do Amparo. Finally, the ship's name was returned to the original 'Cutty Sark' when it was purchased by Captain Dowman for use as a cadet training ship. The ship continued trading and in 1922 it became the last operating clipper ship in the world. The ship is now a museum, preserved in a dry dock at Greenwich, England, as part of the British National Historic Fleet. About Barry Williams: - The maker, Barry Williams, worked for the Australian Shipping Line, Huddart Packard Ltd., until it closed down in 1960. Williams then worked for Shaw Savill & Albion Co. Ltd., a substantial British passenger and liner company. and subsequently Furness Withy Ltd. (SS&A's parent company). In the late 1970s Williams and two friends established their own ship chartering company in Melbourne, the Harwood Shipping Co. During the early 1970s Williams and his wife lived in London, near Greenwich, and often walked along the river where the Cutty Sark Maritime Museum is located. The fascination of the Cutty Sark led Williams to build model ships of the same era. At one stage Williams lost the rigging plan for the Cutty Sark but one of his partners, on a visit to London, photographed the Cutty Sark on the river, and Williams used these to complete the rigging on the model. Williams found the making of the model a very demanding but also pleasurable exercise.The model is significant for showing a visual representation of one of the most famous tea clippers, the vessel Cutty Sark. The three-masted ship was built for speed and traded tea between England and China. In 1922 the Cutty Sark became the last operating tea clipper in the world. The craft of ship model building has been popular for centuries, especially with people associated with the sea, such as this model builder, whose career was based around the shipping industry.Ship model; clipper ship, the 'Cutty Sark', a three-masted clipper ship, bare rigging, netting below the bowspit, and fine chains hanging from the bowspit. Black hull with two parallel horizontal stripes below the rail. Lifeboats on board. The white figurehead is below the bowsprit. The model comes with a cradle stand. The ship's name is not visible on the model.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, cunysark, historic sailing ship, tea clipper, sail training vessel, cadet training ship, commercial trading vessel, cargo sail vessel, ship model cutty sark

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of 2 men standing beside Lake Wendouree 1923. They are dressed in suits with hats on, their names are Frank Wright and Vernon Holt..1) Frank Wright 22 and Vernon Holt 16 Taken beside the shores of Wendouree by Mrs Williams 10.9.23 (au) frank wright vernon holt lake wendouree

Williams' use of the dog and poem was inspired by a print by the late Barbara Hanrahan (an artist friend) in which a women was holding a cat accompanied by a dog and in which words from a William Blake poem were included / After her mother died Williams made a work of her mother with the dog, holding the cat and using the same words in the Hanrahan print / The dog is a family pet; Dolcie, that Williams fell in love with / The dog as a symbol has been used in fifteenth and sixteenth century painting to represent fidelity in marriage / The use of the dog is also a contradiction to the themes in this work by Williams / Williams found that many of her women friends were having emotional and romantic difficulties, suffering from the same malady again and again, feeling rejected, destroyed and having unfulfilled desires / The female figure standing on her hands is not seeing things realistically / The figure is head over heels, vulnerable, with her skirt around her head revealing more than normal / The text enhances the meaning of the work and draws the viewer into experiencing the foolishness of love, demanding the viewer travel around and around to read it / Overall the dog provides structure to the work and a reliable object on which all else balances / Balance has been one of the recurring or repetitive themes within William's work / It references the physicality of clay, the difficulties in creating balance with the clay and balance in the work / Williams' work is about form rather than colour / Sometimes she uses a coloured clay like a pale terracotta / Williams likes the flatness of the surface in relationship to the marks of the text / She describes herself as a Minimalist, paring down the form to the bare essentials. 'In Love' was a finalist in the 1997 Nillumbik Art Award held at the Eltham Community and Reception Centre, Pitt Street, Eltham. A ceramic sculpture made of white stoneware clay (coated with a wash of gesso) of a girl doing a hand stand on the back of a dog (retriever?) / Her face/head is partially covered by her skirt which has come down / Her skirt is inscribed in the round with the poem "The Lady's First Song" (1938) by W.B. Yeats (see inscriptions and markings) / The dog is looking straight ahead and upwards towards the sky and his tail is pointing straight out. The dog is covered with cross-hatch incised lines to give the illusion of fur and texture / Hand written inscription of W.B. Yeats poem "The Lady's First Song" (1938) on girl's skirt / I turn round / Like a dumb beast in a show. / Neither know what I am / Nor where I go, / My language beaten / Into one name; / I am in love / And that is my shame. / What hurts the soul / My soul adores, / No better than a beast / Upon all fours.williams / yeats / love / ceramic / stoneware / dog

(a) Donated by Carine Williams Wettenhall for the 1991 Centenary Year. (b) Donated by P. McVickar for the 1991 Centenary Year.4 female students standing under the willow beside the lily ponds. (a) Sepia. (b) B/w. Three of the students are dressed in the uniform of jodhpurs, shirt and tie(a) On reverse, "Clowning in a spare moment 1929."female students, willow, lily ponds, carine williams (née wettenhall), 1991, centenary, 1929, pat mcvickar, luffmann ponds, recreation

(a) Donated by Carine Williams (nee Wettenhall) in 1991 for the Centenary Year. (b) Donated by P. McVickar in 1991 for the Centenary Year.Sepia photographs. a. 4 students working in the Orchard, and a member of staff. Bird-proof cage in the background. (b) Same photograph shifted 1mm to the right. Names suggested by P. McVickar are: Ritchie?, Greer, Owen Thomas.(a) On reverse, "Pruning in the Orchard. Pretty awful on those cold wintry days! 1929."students, orchard, bird-proof cage, carine williams (née wettenhall), 1991, centenary, pruning, 1929, pat mcvickar, owen thomas, strudents working outside

(a) Donated by Carine Williams (nee Wettenhall) in 1991 for the Centenary Year. (b) Donated by Pat McVickar in 1991 for the Centenary Year.2 copies sepia photographs. 2 female students cutting sapling trees with secateurs. (a) On reverse, "Pat McVickar and-Mathews hard at it 1929." (b) On reverse, "Pat McV & Mathews, Pat McVickar O. Mathews graduated 1930."female students, sapling trees, secateurs, carine williams (née wettenhall), 1991, centenary, pat mcvickar, 1929, o matthews, students working outside

WALTER WILLIAMS No 1442 enlisted in 2nd reinforcements 2nd Batt AIF on 27.11.1914 aged 23 years 9 months. Embarked for Egypt 11.2.1915, embarked for Gallipoli 5.4.1915. Transferred to Stretcher Bearers 8.4.1915 & hospitalised 9.6.1915 with a twisted instep. Returned to unit 13.7.1915, KIA 29.8.1915. Refer Cat No 1860 & 4342P Original photo of W WILLIAMS with Identity disc and medals mounted beneath. Mid brown colour timber frame with dark green mount & glass.Above photo on white label with black print: W WILLIAMS No 1442 - 1st AIF 2nd Bn Below photo handwritten with grey lead pencil: PT WALTER WILLIAMS nobly FFL THAT WE MIGHT LIVE Attached white printed label: WALTER WILLIAMS Killed in Action 29.8.1915 Refer book 4. photography-photographs, frame accessories, military history

C1914 - 1915 infantry Private 1st AIFA b/w postcard portrait of Walter Williams - oval shaped showing head and shouldersHandwritten on back: WALTER WILLIAMS Typewritten on front: WALTER WILLIAMSwilliams, walter, soldiers, uniforms, armed forces, clothing and dress, portraits, george evans collection

Drawing of a female nude on brown paper. Inscribed (L.r) 'Drawn by Fred Williams. During a drawing session at Dunmoochin with John Olsen and myself in 1970, Clifton Pugh'. On reverse inscribed ' The model by Judith Laycock'.fred williams, drawing, female nude, dunmoochin

+Additional Keywords: Reading from Left to Right: Back row boys: 1. Alan Carter, 2. ??, 3. Maurice Henry, 4. Peter Van Ketwich, 5. Douglas Hume, 6. ??, 7. John Callam, 8. ??, 9. ??, 10. ??, 11. Peter Gluth, 12. ??, 13. Geoff Edwards, 14. Len Armfield, 15. Ray Davidson".(incorrect list)Written on backing sheet, "Ringwood High School. 1956?" No children are identified.Paper list with photographs reads, "High School - Bedford Rd. Ringwood. Photo Pupils Form 1C. Reading from Left to Right. Back row boys: 1. ?, 2. Keith Anderson, 3. Peter Zaff, 4. Jim Ord, 5. ?, 6. ?, 7. ?, 8. Bernard Whitney, 9. ?, 10. ?, 11. ? 12, ?. Boys sitting front: Robert Crutchfield, 2. ?, 3. ?, 4. ?, 5. John Smart, 6. Ronald Crutchfield. Girls standing: 1. ?, 2. Norma Walsh, 3. ?, 4. ?, 5. ?, 6. ?, 7. Sandra Davenport, 8. Margaret Williams, 9. Margaret Norwood, 10. ?. Girls sitting: 1. Kathleen Lower, 2. Valma McLean, 3. Sandra Tindall, 4. Gilliam Morris, 5. Esma Bradley, 6. Jill Pump, 7. Judy Byrne, 8. Shirley Kofeod, 9. Marlene Mangels, 10. ?, 11. Myrna Cooper, 12. Elizabeth Hinchcliffe.

White Paper cover with Black SpineTyped: Thomas Kinsella An Irish Emigrant in Victoria 1854 - 1902 Lower right corner: Jennifer Williams Irish and Scots in Australia (4th Year Honors). in pen: 1954 stawell

Albert E. WILLIAMS (1899-1986) Victoria, Australia Albert Edward Williams was among the first to undertake the five-year, Technical Art Teacher’s Certificate (TATC) at the Ballarat Technical Art School in 1915, with work placement at the Ballarat Lithographic company. Williams taught for several years before he was selected to undertake further teacher training at the Working Men’s College, Melbourne, in 1926. He returned to teach at Ballarat in 1928, facilitating many student activities, while pursuing the arduous Art Teacher’s Certificate. This work was undertaken for the Art Teacher's Certificate, Part I at the Ballarat Technical Art School, School of Mines, Ballarat. From its inception in 1914, it was 30 years before the first candidate achieved the Art Teacher’s Certificate's exhaustive requirements. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Pencil figure drawing of a man in underwear.Verso "Certified as Student Work. H.H. Smith"art, artwork, albert e. williams, life drawing, ballarat technical art school, art teacher's certificate, drawing figure from life

Calling Card Cases were used by the aristocracy in 18th Century Europe as it was requirement in genteel society to leave a calling card when visiting a household. According to the Hallmarks on the case it was made in 1904 by the Williams Birmingham Ltd. in Birmingham, England.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A small rectangular silver calling card case that has an ornate pattern etched into its front.FRONT: WB LD/ Anchor symbol/ Lion symbol/ e (Hallmark)early 20th century

History of the church of christ Stawell covering the first 75 years.White card with black drawing of hills and cross. with b/w photo on bottom of page.CHURCH OF CHRIST STAWELL 75 Years of "Running the Race" The First 75 Years Below Photograph: Church Family 1981. Inside: Stawell Historical Society with compliments. Written in 1981 by Jamie Williamsstawell religion

Charcoal on paper Signed and dated 'Bellany '83' in bottom right corner of drawing.

Charcoal on paper Signed and dated 'Bellany '83' in bottom right corner of drawing.

Charcoal on paperSigned and dated 'Bellany '83' in bottom right corner of drawing.

Charcoal on paperSigned and dated 'Bellany '83' in bottom right corner of drawing.

Charcoal on paperSigned and dated 'Bellany '83' in lower right corner of drawing.

Charcoal on paperSigned and dated 'Bellany '83' in lower right corner of drawing.

Charcoal on paperSigned and dated 'Bellany '83' in bottom right corner of drawing.

Charcoal on paperSigned and dated 'Bellany '83' in lower right corner of drawing.

Pastel on paperSigned and dated 'Bellany '83' in lower right corner of drawing.

Pastel on paperSigned and dated 'Bellany '83' in lower right corner of drawing.

Charcoal on paperSigned and dated 'Bellany '83' in bottom left corner of drawing.

Charcoal on paperSigned and dated 'Bellany '83' in lower right corner of drawing.

Charcoal on paperSigned and dated 'Bellany '83' in lower right corner of drawing.