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matching shoulder uniform
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Tatura Irrigation & Wartime Camps Museum
Uniform - German Tunic / Shirt, German Uniform
World War 11World War 11German uniform tunic / shirt, kahki cotton / drill fabric, 5 x silver metal embossed shank buttons on front, 4 x front pockets with silver metal embossed shank buttons. A patch with Nazi eagle and Swastika is on Front Right Chest. On each collar corner are grey bars with white and dark grey striipes. Black epaluts on each shoulder with silver embroidery around edges, held on with silver metal embossed shank buttons. Metal belt hooks attached at side seamsgerman army uniform -
Tatura Irrigation & Wartime Camps Museum
Shoulder patch part of army uniform, 1940's
Part of the army uniform for WW2. Worn by Private Leo Kilmartin. Blue diamond inside a red square with a grey border. -
Tatura Irrigation & Wartime Camps Museum
Jacket - military, 1940's
Issued to P.O.W at Camp 13 MurchisonAustralian Military Forces issue jacket. Dyed burgundy and issued to P.O.Ws. Four patch type pockets on the front. Eleven AMF buttons, one brown button. Pleat at the back and band around waist. Two tabs on the shoulders.uniform, murchison, camp 13 -
Brighton Historical Society
Uniform - Jacket, Military jacket, circa 1850
This jacket appears to be part of the uniform of a junior officer of the 11th (North Devonshire) Regiment of Foot, a line infantry regiment of the British Army. Several companies of the regiment were stationed in Sydney and Hobart between 1845 and 1857. The jacket was acquired by Brighton Historical Society around 1971 as part of a collection of clothing belonging to the Ward Cole family of 'St Ninians', 10 Miller Street, Brighton. George Ward Cole was an early member of the Victorian Parliament and his family featured prominently in Melbourne Society in their time; the family lived at St Ninians from around 1841 until the early 1900s. It is not known who the jacket belonged to or how it came into the Ward Coles' possession. While George Ward Cole was a military man, his service was with the British Navy and during an earlier period than is indicated by this jacket (1807-1817).A red and green flocked cotton military jacket believed to be part of the uniform of the 11th (North Devonshire) Regiment of Foot. The jacket features a green high stand collar secured at the throat by three brass hook and eye closures. The red jacket bodice secures down the centre front with fourteen brass buttons and finishes approximately at the navel. The bottom line sits on the waistline at the sides and back, tapering lower to the naval at the centre front. The bottom line features two substantial brass hooks one on either side of the waist to secure the jacket to the pants. The shoulder line of the jacket is a neat tight fit on the true shoulder, with a slim fitting curved sleeve with gathered fullness at the shoulder. On each shoulder is a metallic corded epaulet with North Devon XI button and second button with floral motif. At the base of the sleeve is a green cuff like detail with a curved elongated point towards the elbow. At the base of each sleeve is a further two brass regiment buttons. The cream woolen jacket lining is lightly quilted over the breast.st ninians, george ward cole, brighton, military, british army, devonshire regiment, north devonshire regiment of foot -
Clunes Museum
Photograph, CIRCA 1914/18
FROM 1914 TO 1918 MEMBER OF THE 9TH LIGHT HORSE. THE HAT IS THE SLOUCH TYPE, NOT PLUMED, THE SHOULDER BANDOLIER AND CANE ARE FEATURED.BLACK & WHITE ORIGINAL, OF PTE. E. MATHERSON WEARING 1ST. WORLD WAR UNIFORMMATHERSON PTE. E. MATHERSON 9 LIGHT HORSE.local history, photography, photographs, military -
National Wool Museum
Clothing - 1984 Los Angeles Olympics Men's Opening Ceremony Shirt, c. 1984
On the 1984 Los Angeles Olympic Uniforms donator Doug wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. When the forthcoming Los Angeles Olympic Games was announced, the Product Marketing Group seized upon the chance to show the world that we could make top fashion garments and display them on our elite athletes on the world stage. A concept was launched using a contemporary top designer, Adel Weiss, with the most exclusive fabrics and knits available, and all with a lot of hype. This launch failed dismally for the following reasons- - The designer did a wonderful job presenting an excellent fashion range on perfect skinny models. The AOC however wanted a uniform which had an obvious Australian appearance when fitted to elite, and frequently muscular, athletes. - The fabrics chosen did not reflect the performance required by travelling athletes, there was no recognition of the need for ‘easy care.’ - There was no recognition given to the problem of measuring, manufacturing and distribution of a range of articles when the selected athlete could be domiciled anywhere in Australia. - There was no appreciation of such historical facts as Fletcher Jones, who had been unofficial suppliers dating back to the 1954 Olympics in Melbourne, and the Fletcher Jones board member, who was also an AWC board member, and was not in favour of the change. The project passed from Product Marketing to Public Relations, a big spending off-shoot of the AWC Chairman David Asimus, and due to the day to day operations of the project was passed to me and PR took care of the financial matters. The first task was to meet with the AOC and find out exactly their requirements. This lead to the production of a design and manufacturing brief, cointaining exact time lines for each event required to ensure an appropriate uniform on every athlete chosen to represent his/her country on the date given for the Opening Ceremony in Los Angeles. Working backwards the timeline becomes- 1. Noted the exact date of the Opening Ceremony. 2. Estimated the date for distributing completed garments to each athlete. 3. Estimated the time span available for measuring each athlete and commence making each component of the ensemble to the individual measurements of each athlete. 4. Decided the date for making the final choice of uniform design concept. 5. Decided the date for distribution of the design brief to selected designers. These five steps were spread out over a two year period. The Commonwealth Games occur midway between each Olympic Games, work on the Olympic uniform commences the week after the Commonwealth Games closing ceremony and MUST be ready by the prescribed day two years hence. The project also had to remain cognisant of trade politics existing within the span of the task, as well as the temperament of designers in general. It is no overstatement to say that in the past every designer in Australia believed they could, and should, be chosen to design the Australian Uniform. The final choice of designer almost always faced criticism from the fashion press and any designer who had been overlooked. However, with the contenders receiving an exacting brief the numbers of serious contenders greatly reduced. The Los Angeles Olympic Uniforms. A further reason for the AWC bid failure to design the LA uniform was that the AOC had already chosen Prue Acton to design it. This was based on her proven performance during previous games as she had a talent for creating good taste Australiana. Her design concepts also considered the effect when they were viewed on a single athlete as well as the impact when viewed on a 400 strong team coming on to the arena. A blazer trouser/skirt uniform in bright gold was chosen for the formal uniform. It was my task to select a pure wool faille fabric from Foster Valley weaving mill and have sufficient woven and ready within the prescribed timeline. The trouser/skirt fabric selected was a 60/40 wool polyester plain weave fabric from Macquarie Worsted. This fabric had a small effect thread of linen that was most attractive when dyed to match some eucalyptus bark Prue had brought back from central Australia. For the Opening Ceremony uniform, Prue designed a series of native fauna, a kookaburra for the men’s shirt and a pleated skirt with a rural scene of kangaroos, hills and plants. This presented an insurmountable printing challenge to the local printing industry as it had an unacceptably large repeat size and the number required (50) was also commercially unacceptable. The solution was a DIY mock up at RMIT and the employment of four student designers. The fabric selected for this garment was a light weight 19 micron, pure wool with a very high twist yarn in alternating S and Z twist, warp and weft. This fabric proved to be the solution to a very difficult problem, finding a wool product which is universally acceptable when worn next to the sin by young athletes competing in the heat of a Los Angeles summer. Modifications to this fabric were developed to exploit its success when facing the same problem in future games. Garment Making- The most exacting garment in the ensemble is the tailored blazer, plus the related trouser/skirt. Unfortunately tailoring athletes that come in various shapes and sizes such as; - Weight lifters develop an enormous chest, arms and neck size. A shirt made to a neck size of 52 would produce a shirt with cuffs extending well beyond the wearer’s hands. - Basketball players are up to 7 feet tall and garments relying ona chest measurement grading would produce a shirt with cuffs extending only to elbow length. - Swimmers develop enormous shoulders and slim hips, cyclists by contrast develop thighs I liken to tree trunks and a uniform featuring tight trousers must be avoided at all cost. Suffice to say many ensembles require specialist ‘one off’ treatment for many athletes. Meanwhile there is a comfortable in between group who can accept regular sizes so you can cater for these by having back up stock with plenty of built in contingencies. Athletes may be domiciled anywhere in Australia, this creates a fundamental problem of taking their measurements. The Fletcher Jones organisation was key to answering this problem due to their presence in every capital city, as well as many provincial towns around Australia. Each athlete on being selected for the Olympic Team was simultaneously requested to visit their nearest Fletcher Jones shop. The standardised measurement data collected was shared with the other manufacturers, e.g. Pelaco Shirts, Holeproof Socks and Knitwear, Maddison Belts, and even Hush Puppy Shoes. As the time for the Games approached the AOC made arrangements for combining meeting of all. Selected available athletes at the Australian Institute of Sport, Canberra, where, among other things, they were fitted and supplied with their uniform. The method evolved as follows.Men’s cream coloured button up, collared shirt. Images of a kookaburra have been printed onto the shirt, a single kookaburra on the left breast and a pair of kookaburras on the reverse of the shirt. The kookaburras are printed in a brown tone to complement the cream colour of the fabric.On tag - FMaustralian wool corporation, 1984 los angeles olympics, olympic uniforms, men's uniforms, sport, athletes -
Brighton Historical Society
Uniform, Army jacket, circa 1914-19
First World War Army jacket belonging to Lieutenant Sydney Matthew Callaghan (1892-1976), who served in the Australian Engineers, AIF Canteens Section and the Australian Flying Corps during WWI. Sydney and his family lived at 34 Normanby Street from 1932. His parents lived in Bay Road, Sandringham.First World War Army jacket, khaki with four front pockets. Winged Australian Flying Corps patch above left breast pocket. Lieutenant's insignia on epaulets: two diamond-shaped metal 'pips' and a curving band with the word "AUSTRALIA". Flying Corps colour patch on each shoulder: a pale blue triangle with two small red stripes and a large central darker blue stripe. Metal belt hooks on either side of the waist. The garment has been widened, with a strip of khaki fabric inserted in the centre back.sydney matthew callaghan, australian flying corps, military uniform, first world war -
Stawell Historical Society Inc
Photograph, Portrait of Fred Rathgeber
Sepia Photograph in WW1 Army uniform. 1914-1918Photograph has white pen markings on hat , collar and shoulder.uniform, military, ww1 -
Stawell Historical Society Inc
Uniform - Costume and Accessories, c1960
Brass Band Uniform. White Shirt. 4 Ties. Navy Blazer with Gold buttons. Trim on sleeves lapels and shoulders. Navy hat, Gold Buttons and Braid. Navy trousers with gold edged braid down outside of leg. Mr P R (Rex) Overall.stawell clothing material -
Stawell Historical Society Inc
Uniform - Costume and Accessories, c1950
... grampians Costume and Accessories Uniform Red Nurses Shoulder Cape ...Red Nurses Shoulder Cape worn by Cynthia Cashinstawell clothing material -
Monash Health Historical Collections
B & W photo, Sister Mary Thomas, 1950's
On staff 1942, retired 1976. Deceased 1992Has accompanying badges Q 88.93.7, q 88.93.8, Q88.93.9Head and shoulders of Sister Mary Thomas in uniform with veilnurses -
Uniting Church Archives - Synod of Victoria
Uniform - Methodist Girls' Comradeship Rays Section, Harmony Ray Sash
Sash was worn at all meetings except where the program made it in impractical.MGC008.1 and MGC008.2 - Harmony Ray royal blue cotton sashes with 1cm white border and one white bar worn in the centre and rosette of royal blue, white and gold. It was worn over the right shoulder and joined at the left side below the waist. methodist girls' comradship rays section -
Uniting Church Archives - Synod of Victoria
Uniform - Methodist Girls' Comradeship Rays Section, Ray Sash
Sash was worn at all meetings except where the program made it in impractical.MGC006.1 and MGC006.2 Ray royal blue cotton sashes with 1cm white border rosette of royal blue, white and gold. It was worn over the right shoulder and joined at the left side below the waist. methodist girls' comradship rays section -
Uniting Church Archives - Synod of Victoria
Uniform - Methodist Girls' Comradeship Rays Section, Entrance Ray Sash
Sash was worn at all meetings except where the program made it in impractical.MGC005.1 and MG005.2 Entrance Ray royal blue cotton sashes with 1cm white border, two white bars worn in centre and a rosette of royal blue, white and gold. It was worn over the right shoulder and joined at the left side below the waist. MGC005.3 Entrance Ray royal blue sash with 1 cm white border and two white bars. There is a yellow square with an embroidered "S" [social] above the bars.methodist girls' comradship rays section, wesley rays ballarat -
Uniting Church Archives - Synod of Victoria
Uniform - Methdodist Girls' Comardeship Rays Section, Companion Ray Sash
Sash was worn at all meetings except where the program made it in impractical.MGC007.1 and MGC007.2 Companion Ray royal blue cotton sashes with 1cm white border and three white bars worn in the centre and rosette of royal blue, white and gold. It was worn over the right shoulder and joined at the left side below the waist. methodist girls' comradship rays section -
Uniting Church Archives - Synod of Victoria
Uniform, Methodist Order of Knights Officers
Methodist Order of Knights Officer's Symbol - Bishops, Members of the General and Provincial Courts, Officers of District Courts, Commanders and Deputies. Worn on left shoulder. Navy blue cord lanyardmethodist order of knights -
Uniting Church Archives - Synod of Victoria
photograph, 1927
Sister Martha (Florence Gertrude Edwards) was Kindergarten Superintendent at the Carlton Methodist Mission. She married the Reverend George Fielding Dyson in 1936 after the death of his first wife in 1934. Rev. Dyson's son Fielding George Martin Dyson was killed in a motorcycle accident on 9 April 1936. Two memorial windows for the first Mrs Dyson were installed in the Palmerston Street Methodist Church. Reverend Dyson died in 1956.B & W head and shoulders studio portrait of Sister Martha, wearing the uniform of a Methodist deaconess. Postcard format.To Eva, Wishing you a Happy Christmas & Bright New Year. Yours sincerely Sister Martha. Isa.50 1. 1926 - 1927sister martha, florence gertrude edwards, reverend george fielding dyson, fielding george martin dyson, carlton methodist mission, home missions, palmerston street methodist church -
Uniting Church Archives - Synod of Victoria
Photograph, 1924
Sister Louie was a mission sister at the Carlton Methodist MissionB & W head and shoulders studio portrait of Sister Louie. Postcard format. Sister Louie is dressed in her deaconess' uniform."To Eva with love. Yours sincerely Sister Louie. 18.4.24sister louie, carlton methodist mission, home mission -
Wangaratta RSL Sub Branch
Army Jacket, 1940
This Army jacket made in 1940 issued to VX77837 - William Keith GRAY Born 17-10-1915 at Warragul in Victoria. He enlisted at Caulfield and served during WW2. Service records currently unavailable.The uniforms of the Australian Army have changed significantly over the past century, although the accoutrements worn over this period have remained relatively similar. The forces of the Australian colonies and the early forces of the Commonwealth post-Federation in 1901 closely followed the uniforms of the British Army. Since then it has continued to be influenced by British but also US styles, as well as including some distinctly Australian designs, reflecting local conditions and trends.Khaki woollen jacket with shoulder epaulettes and four pockets with brass buttons attached. Purple square with white border patches attached to top of both sleeves. Two striped ribbons attached above left breast pocket.Marking inside jacket - VX77837army jacket, william gray, ww2 -
Hume City Civic Collection
Apron, Nurses
Worn by the staff at Sunbury AsylumBib-front wrap-around apron, coarse white cotton, outer edges formed from selvedge. Back panels each have two darts and two buttonholes. Bin has shoulder ties, each with one buttonhole.Labels on waist band "XOS"costume accessories, nurses, sunbury asylum, uniforms, george evans collection -
Hume City Civic Collection
Apron, Nurse's
Worn by staff at Sunbury AsylumWhite apron, bib with shoulder straps, wrap-around. Waistband has two buttonholes at either end."L. ZUKOWSKI" in black ink (handwritten) on inside front waistband.costume, sunbury asylum, costime accessories, nurses, uniforms, george evans collection -
Hume City Civic Collection
Photograph, 1939 - 1945
This photograph is part of a collection of World War II returned soldiers from Sunbury. The collection was collated by Jeff Cossum, curator of the George Evans Museum from 1989-1995.A black and white head and shoulders image of John Callaghan in summer army uniform. He is wearing an open necked cotton shirt and a turned down slouch hat with a khaki band.world war 2, uniforms, clothing and dress, portraits, armed forces, soldiers, hats, callaghan, john, cossum, jeff, george evans collection -
Hume City Civic Collection
Photograph, 1939 - 1945
A head and shoulders photograph of a soldier, possibly William McGregor, from Bulla. He is not wearing a hat. The 'Australia' badge is on the right shoulder and the AIF badge on the right collar.world war 2, uniforms, clothing and dress, bulla, badges, soldiers, mcgregor, william, george evans collection -
Hume City Civic Collection
Photograph, 1939 - 1945
This photograph is part of a collection of World War II returned soldiers from Sunbury. The collection was collated by Jeff Cossum, curator of the George Evans Museum from 1989-1995.A head and shoulder photograph of Alan Rhodes in his army uniform. He is hatless. The AIF badge is on his right collar.uniforms, portraits, armed forces, clothing and dress, badges, exservicemen, rhodes, alan, george evans collection -
Hume City Civic Collection
Photograph, 1939 - 1945
This photograph is part of a collection of World War II returned soldiers from Sunbury. The collection was collated by Jeff Cossum, curator of the George Evans Museum from 1989-1995.A head and shoulders photograph of William McGregor, who is wearing an army uniform. The badges and colours indicatiing rank are seen on the collars, epaulette and top sleeve.world war 2, armed forces, portraits, uniforms, clothing and dress, badges, mcgregor, william, cossum, jeff, george evans collection -
Hume City Civic Collection
Photograph, 1939 - 1945
This photograph is part of a collection of World War II returned soldiers from Sunbury. The collection was collated by Jeff Cossum, curator of the George Evans Museum from 1989-1995.A head and shoulders photograph of RAAF aircrew trainee Forbes. There is a white band around the top of his hat band.world war 2, raaf, royal australian air force, armed forces, uniforms, clothing and dress, hats, forbes, john, cossum, jeff, george evans collection -
Hume City Civic Collection
Photograph, c 1916
C1914 - 1915 infantry Private 1st AIFA b/w postcard portrait of Walter Williams - oval shaped showing head and shouldersHandwritten on back: WALTER WILLIAMS Typewritten on front: WALTER WILLIAMSwilliams, walter, soldiers, uniforms, armed forces, clothing and dress, portraits, george evans collection -
Uniting Church Archives - Synod of Victoria
Uniform - MOK badge
Three woven Methodist Order of Knights royal blue cotton with gold embroidery shoulder flashes.'ORDER OF KNIGHTS'methodist order of knights -
Ballarat RSL Sub-Branch Inc.
Shoulder Bar (x2)
... goldfields Shoulder Bar (x2) Uniforms Ballarat RSL Ballarat ...uniforms, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
Shoulder Patch
This object relates to Albury NEAL. He was born on 1/01/1893 in Ballarat, VIC. Albury served in the AIF (1885) enlisting on, 26/02/1916 in Ballarat, VIC before being discharged from duties with the 39 BATTN as a Army Non-Commissioned Private (PTE) on 11/03/1919. His next of kin is Albury NEAL. Gladys Neal was awarded the Australia Service Medal 1939-1946 and War Medal 1939-1945. Albury NEAL was not a prisoner of war.Embroidered with "L S" & laurel leavesuniforms, ballarat rsl, ballarat