Showing 1561 items matching "staines"
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Mission to Seafarers Victoria
Artwork, other - Stained glass window, George H. Dancey, Nativity - In memory of Linda Reid Kerferd, 1958
Linda Reid Kerferd (born 1875) was a long time member of the Harbour Lights Guild. She died 23 July 1957. Daughter of George B. Kerferd and Ann Martindale. The window was taken from an old cartoon drawn up by George H. Dancey and adapted for the opening with a new background.Arch stained glass window depicting the birth of Jesus with a text in memory of Linda KerferdIn memory of Linda Reid Kerferd A much loved member of the H.L.G. for many years Died 23.7.52 This window is the gift of members of her family 1958 st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, linda reid kerferd, hlg, harbour lights guild, nativity -
Canterbury History Group
Photograph - Architectural detail of ceiling and stained glass at No. 111 Maling Road, Jan Pigot, 27/03/1993 12:00:00 AM
Coloured photograph of the architectural detail of wunderlite ceiling and stained glass at No. 111 Maling Roadcanterbury, maling road, shops, architectural details, wunderlite patterns -
Mission to Seafarers Victoria
Article, New Light on the Light of the World
Abstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.non-fictionAbstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.jesus, stained glass windows, bronwyn hughes, pre-raphaelite, william holman hunt (1827-1910) -
Walhalla Museum
Book, REV. HENRY WOODCOCK, "Fact Stranger Than Fiction", 1870
brown dust cover, some water stains. gold edge pages. 41 on top of spine -
Frankston RSL Sub Branch
Webbing, Belt, Not known
1937 British Pattern web equipment was commonly on issue to Commonwealth forces including Australia up to the 1970's. Australian military forces changed colour from green blanco to black paint in the early 1960's.1937 pattern webbing belt with natural brass buckles and keepers. Outer surface stained black.Single engraved arrow on each inside surface of the belt fastening buckles. Printed owner's name "G. Boland" Printed identifier of former owner -3/773536(?) and initials "KFH" (?) -
Frankston RSL Sub Branch
Pouch, Ammunition
Pattern 37 webbing ammunition pouch attached to host webbing belt set. Stained black, -
Flagstaff Hill Maritime Museum and Village
Book, A Dictionary of Musical Terms
This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853 a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fund raising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former court house in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historic books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historic Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed art works and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. A Dictionary of Musical Terms Edited by J Stainer and W.A.Barrett Publisher: Novello, Ewer & Co Date:Label on spine cover with typed text PAT F 780 STA Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, a dictionary of musical terms, j stainer, w.a.barrett -
Hamilton Pastoral Museum
Hymn Number Board, 1861 approx
Part of Church fittings and furniture.Used by the congregation of St. Lukes from 1862- 1966.Hardwood board Painted / stained Black Six sections to hold painted numbers (72) in total. Numbers 0 - 9lutheran church -
Port Melbourne Historical & Preservation Society
Ceremonial object - Wooden cross, Missions to Seamen, 1930s
Large wooden cross, stained brown, varnished, from Missions to Seamen building Port Melbournemissions to seamen, maritime -
Bendigo Historical Society Inc.
Container - GOLD CRUCIBLE
Pottery gold crucible. Printed on outside of crucible ' H Bendigo'. Inside of crucible is stained black.H Bendigobendigo, gold mining, gold crucible -
Bendigo Historical Society Inc.
Memorabilia - WOODEN CARVING OF RISING SUN MILITARY EMBLEM
Wooden carving of Australian Commonwealth Military Forces emblem the rising sun with crown, stained brown.handcrafts, woodcarving, military -
Bendigo Historical Society Inc.
Slide - BENDIGO STREET VIEWS & FORTUNA, Apr 1970
Slide. Bendigo Street Views & Fortuna. A large nine stained glass panelled window in the Villa.slide, bendigo, bendigo street views & fortuna., bendigo street views & fortuna. -
National Vietnam Veterans Museum (NVVM)
Plaque
Red Stained wooden plaque with map of Vietnam, Crossed rifles, RAAMC Badge and presentation detailsPresented to 1 Aust FD Hosp Assoc by Dorothy Mellowship in memory of her late husband WO1 'Blue' Mellowship Vietnam 1970-71wo1 'blue' mellowship, 1st australian field hospital -
Numurkah & District Historical Society
Photograph - Photo of couple - Hatty
Early Settlers in Numurkah Shire - Mr & Mrs Robert HattyBlack & White photo in stained wooden frame with glass, showing Mr & Mrs Robert Hattyhatty, early settlers, portrait, photo -
Uniting Church Archives - Synod of Victoria
Shield
From Otira Methodist training college.Stained wood shield with painted, raised symbol of a red cross with blue stripe and red bible.In Greek.otira methodist home training college -
Ballarat Heritage Services
Photograph - Colour, Stained Glass at the St John of God Hospital Chapel [detail], 2017, 2017
Colour photograph of a detail from the stained glass window at St John of God Hospital, Ballarat.stained glass, st john of god hospital, ballarat, bishop, pectoral cross -
Ballarat Heritage Services
Photograph - Photograph - Colour, Stained Glass at the St John of God Hospital Chapel [detail], 2017, 2017
St John of God Hospital is in Drummond Street Ballarat.Stained Glass at the St John of God Hospital Chapel. This building was known locally as 'The Dog Bone'.stained glass, st john of god hospital, ballarat, dog bone -
Wangaratta High School
Victorian Mounted Rifles Shield, 1901
Formed in 1885, Victorian Mounted Rifles companies were recruited in rural centres, including Wangaratta. Members of country rifle clubs formed a significant component. They were semi-professional: only a small allowance was paid to members. Mounted Riflemen were required to provide their own mount. Not to be confused with similarly named contingents to the Boer War. Part of the Victorian Colonial Military Forces - the umbrella term for organized Victorian (non-British) pre-colonial military activity. Red stained and lacquered wood shield with a silver metal Victoria mounted rifles symbol in the centre.VICTORIA MOUNTED RIFLES -
Melbourne Legacy
Audio - Recording, vinyl record, Legacy Talks. Miss Saidie Parker, Possibly 2 Oct 1952
A vinyl record that hasn't been played. From the label it appears to be an interview with Miss Saide Parker. She may be a junior legatee and the recording is to promote Legacy's work with the children of the deceased ex-servicemen. The record has two tracks. One is 6 mins 16 secs and the other is 9 minutes.An audio recording about Legacy.A vinyl record in a brown paper cover which is torn, dog eared, brown coloured stains.Paper cover, Orhoacoustic, 5 points on the value of an orthacoustic recording. Instructions for protection of disc when not playing. Name and address of manufacturer. Disc, side 1 AW 19703A. Side 2 19703B Engraved on disc side1 AW 12/19703A, Legacy Talks. Engraved on disc side 2 AW12/19703B Legacy Talk. Chinagraph penciling, T_3 2/8/52, 3Piil Side 1 AW 19703 A. Legacy Talks Miss Saide Parker. Talk 1 6m. 16s. Talk 2 9m. 00s Legacy Talks Col. E.O. Milne D.S.O., O.B.E.,V.D. Talk 3. 5 m. 06s, Talk4. 9m. 07s. Label, Radiola.legacy promotion, junior legatee -
Kew Historical Society Inc
Award, City of Kew, Kew Garden Club Organisation Achievement Award, 1979
The Kew Garden Club is a community organisation in Kew, Victoria.Brass plaque and wreath on rectangular stained wood mount awarded to the Kew Garden Club in 1979.Inscription: "City of Kew / Recreational Achievement / 1979 / Standard Newspapers Ltd Award / For Organisation Achievement / Won by / Kew Garden Club."kew garden club, standard newspapers -
8th/13th Victorian Mounted Rifles Regimental Collection
Plaque
The 8th Light Horse (Indi) Regiment superseded the 16th Light Horse in 1919. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941,the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded. The regimental association visited the 8/13th VMR Museum at Buna Barracks Albury on occasions. Well made plaque in fine condition commemorating a WWII Regiment.Stained wooden shield - shaped plaque with 8th Cavalry Regiment insignia and two engraved panels.Top panel " Presented to 8/13th Victorian Mounted Rifles Museum Albury.". Lower Panel " From 8th Cavalry Regiment Victoria 1986."cavalry, 8th, world war two, wwii -
Whitehorse Historical Society Inc.
Functional object - Coat hanger, 1930-1940
Plain curved wooden coat hanger with metal hook. Incised and stained name on one side.Tailor and Outfitters Ince Bros|174 Swanston Street Melbourne|Made in U.S.A.trades, tailoring -
Wangaratta RSL Sub Branch
Honour Board, Legacy Widow's Office Bearers, C1964
Honour Board for Wangaratta Legacy Widows Group - Office Bearers 1964 - presentLocal widows of ex servicemen who are supported and cared for by the Victorian Returned Services League.Stained brown timber five sided with Legacy crest and list of names in gold coloured paint.Wangaratta Legacy Widow's Group - Office Bearerslegacy widows group, wangaratta rsl, honour board -
Geoffrey Kaye Museum of Anaesthetic History
Journal, The Medical Record, 1868
"The Medical Record" was a semi-monthly journal of medicine and surgery published on the 1st and 15th of each month.Journal without cover and missing several other pages. Paper has discoloured and some staining. medical journal, semi-monthly -
Kilmore Historical Society
Book, Baron Ferdinand von Mueller et al, EUCALYPTOGRAPHIA. Sixth Decade, 1880
A descriptive atlas of the Eucalypts of Australia and the adjoining islands.Light card cover with some mildew & other staining back & front. Discoloration from light exposure. Blue cloth backstrip on spine with minor wear top & bottom. Mildew & moisture staining throughout, light foxing. Binding intact. Fair condition.non-fictionA descriptive atlas of the Eucalypts of Australia and the adjoining islands.botany, eucalypts, australia -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Textile - Flag, Framed, Japanese Good Luck Flag, 1942-1945
World war 2 Japanese good luck flag carried by Japanese soldier in the Pacific. Good luck flags were commonly carried and bore the names of members of the soldiers home town.It is believed that this flag had previously been on display at the old Footscray depotJapanese flag comprising of red circle centrally located on a stained white background with black conji lettering surrounding the central red circle. The flag is quite badly stained and has rips and moth holes distributed evenly across its face. there is some slight bleeding of the red colour into the lighter fabric above the circle. Framed behind consevation glass in stained wood and gold frame on a black card board backing. ww2, japan -
Tatura Irrigation & Wartime Camps Museum
Photograph - original, Tatura Museum, 1988
Photograph of window in Museum that looks like a stained glass window.Colour photograph of colour transfer window in Tatura Museum. 1988on back: Museum windowtatura museum -
Stawell Historical Society Inc
Photograph, Holy Trinity Anglican Church's Stained Glass Memorial Windows
Holy Trinity Anglican Church Stained glass memorial Windowsstawell religion -
Lakes Entrance Historical Society
Photograph - Lake King, 1950c
Also copy of same view, stained, 9 x 14Black and white photograph of the Narrows and Reeves Channel of Lake King, Gippsland Lakes. It shows Rigby, Fraser, and Flannagan Islands opposite the steep shoreline of the mainland. Taken from Jemmy's Point, it shows a recently built groyne from Rigby Island into the Narrows. Lakes Entrance Victoriaislands, waterways, topography -
Melbourne Legacy
Ceremonial object, Legacy Torch
A cast of the Legacy torch mounted on wood. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. An example of the Legacy torch being cast and mounted for use in events and meetings.Cast metal torch and wreath, mounted on a timber triangular mount. Torch and wreath colour gold. Triangular timber stand, one side stained brown, base and third side painted brown. Wreath and torch attached to stained timber side by a single screw.torch, logos