Standard issue item as used by Australian servicemen during the conflict in Vietnam (1962-1972).Black leather gaiters, fastened by 3 straps with metal buckles, black stitching.ULC/1907/size 31R ULC/1907/size 31L

See Survival knife cat. no. 2024.17.1Brown leather knife scabbard with cotton stitching and a thin leather tie at the top.scabbard, leather, us army kabar knife, ka-bar, knife

Dark brown leather pouch with a metal star on th front flap, surrounded by brown stitching. Has a button clasp with same stitching at the side. On the left side is two small pockets and on the right is one small pocket.Nilleather pouch, pouch, leather, japanese pouch, japanese army, wwii, world war 2

Scissors used for embroidery and removing small stitchesAs used and sold by Holden and Frost Ca1900Small steel embroidery and cutting scissorsscissors, embroidery

Simple night caps had been worn by women in the 1800s for practical purposes such as to keep warm at night. In the early 1900s silk boudoir caps became popular to protect hairstyles while sleeping. It was also thought to maintain or even improve the condition of the hair. This boudoir cap was amongst the belongings of the donor's Great Aunts who were both dressmakers at the original Terang & District Co-Op which was established in 1908.Socially this item is significant as an example of women's headwear from the early 1900s. Historically this item holds significance as a possession of the donor’s Great Aunts who worked as dressmakers at the original Terang & District Co-Op established in 1908.The boudoir cap is constructed of cream silk with a pale floral pattern. A cream crocheted border and top insert are attached using hand stitching. The small ruffle is machine stitched. The silk fabric is fragile and has perished in some places.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, boudoir cap, nightcap, female headwear, sleepwear, vintage women's clothing, terang & district co-op

Cloth shoulder patch to indicate that the conductor of the tram was qualified as a "Conductor Trainer". Made on black cloth backing, red stitching on the edge and the words "Conductor Trainer" stitched in red cotton. Presumed made by the uniform clothing section at Hawthorn.trams, tramways, mmtb, clothing, badges, uniforms, training

C.1950s Khaki Trousers, 2 buckle front ties, 4 button fly. Cloth patch stitched to inside waist of trousers with largely indescernible markings but indicating size 37 with regimental No 18

Clothing. Men's cream coloured cotton formal dress shirt. Stiffened bib front (27 cm X 38 cm) with pleats and pin tucks. Centre front placket (35 cm) with 7 cm button holed tab at lower end. Front opening fastened with three buttons and button holes (two buttons missing). Double button holes on 2 cm stand up collar. Body of shirt gathered into yoke at centre back. Long straight sleeves with 7 cm stiffened cuff with button holes for cuff links.Tag inside back neck. Coat of Arms, ''Fdad' Aluisio Napoli'' Red hand stitched laundry mark.costume, male, men's cream coloured dress shirt

This quilt was made to celebrate the 25th Anniversary of the founding of Donvale Christian College. Mrs Anne Suk was one of the few women who held a place on the Board of the School in its early years. She was a member of one of the founding families. This is one of very few items to survive from the early years of the school. It was specifically created to celebrate the 25th anniversary.Machine pieced pale blue Quilt with navy and olive green borders and navy binding. School logo and swag of flowers have been machine pieced and appliqued on the quilt. The quilt has then been hand quilted with navy thread.On the back there is a label with "J.H.E. Suk" machine stitched on it. On a circle appliqued in the centre of the back are embroidered the numbers "1975" and "2000".school, material, quilt, dutch reform, mrs anne suk, donvale christian college, hand quilt

1 single bed flat white heavy cotton sheet with lace border at the topIdrija lace border, with special stitch (žur) line, initial MG for Marcela Gec, Marcela maiden name

Square art quilt with tones of brown and cream.reverse side: Pamela Fitzsimons 2004 / SILK + WOOL DYED WITH EUCALYPTUS LEAVES / HAND STITCHED WITH SILK THREADhandicrafts quilting textile, national wool museum, fitzsimons, ms pamela, geelong, victoria, handicrafts, quilting, textile

Part of the Running Stitch collection, possibly made in BallaratDomestic wagga, unfilled, consisting of two machine sewn layers of woollen garment pieces both knitted and woven. The front pieces are predominantly red, blue and yellow, the back is mostly brown red and blue.WAGGA/ Maker unknown 154cm long X 90cm wide/ Made of parts of wool garments, knitted and woven.....handicrafts quilting quilting - history, running stitch collection, running stitch group, handicrafts, quilting, quilting - history

Part of the Running Stitch Collection. Possibly made at Ballarat.Patchwork quilt, made with small rectangular pieces of printed cotton dress fabrics in predominant shades of blue. Machine quilted and filled with woollen handknitted garment pieces. Backing is a cream cotton fabric printed with blue and green and brown floral pattern.quilting quilting - history, running stitch group, running stitch collection, quilting, quilting - history

Two photographs stitched together to show a panoramic view.Colour photograph showing view of Lake Bunga, near Lakes Entrance, looking upstream from near the entrance. Tramway bridge almost gone. Some piles remain. Vegetation on sides of lake, background hill cleared, seats along the shoreline, lake full and clean. Lake Bunga Victoriabridges, waterways

Owned by William Albert HARRISON (Service Number VX41478; above Link ["WW2 Record"] indicates that Rank on Discharge was Cpl, but other AIF documents, from National Archives Australia [including Proceedings on Discharge - see pdf Media File above], indicate that he was Sergeant).Soldier's name known. Items donated (date unknown) by brother-in-law who was living in Montmorency and was a committee member of MERSL when item donated.Brown vinyl case with silver coloured clasp at front and cotton stitching around edgingTo W.HARRISON From S & L Staff June 1940

The scarf became a real fashion accessory by the early 19th century for both men and women. By the middle of the 20th century, scarves became one of the most versatile clothing accessories for both men and women. Men often wore them as an evening accessory.This item reflects the type of clothing worn by men as evening accessories in the late 19th to early 20th century. It also has aesthetic appeal as a handcrafted item.A hand knitted man's silk scarf. It is knitted in moss stitch and is fringed at both ends.silk handcraft men's-accessory scarf

Handwritten on parchment or vellum and stitched into a book. Six loose pages are held within the pages. band and loch, coglan, mcvitty, ellis, acheson, mtichell, arthur, james coglan, alexander mcvitty, william ellis, william acheson, mathew mitchell, arthur robb, band and loch united company, w.m. acheson, john champion, edward barrett, willliam morris acheson, y.y. mcdonald, t. byrne, rules and regulations, arthur thomas robb, thomas mann

This pair of gloves was made in France and purchased by a Moorabbin residentA pair of cream, chamois leather lady's gloves with stitch detailing on back . Size 7 Made in France Size 7craftwork, sewing, gloves, early settlers, market gardeners, moorabbin, bentleigh, mckinnon, ormond, cheltenham, personal effects, evening wear

This white, cotton child’s pinafore is an example of the dressmaking skills and craftsmanship of the women of the pioneer settlers families in Moorabbin Shire c1900Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the dressmaking skills and craftsmanship of the women of these familiesA white, cotton ,small child's pinafore with pin-tucking, feather stitch, lace and embroiderybrighton, moorabbin, pioneers, market gardeners, early settlers, craftwork, clothing dressmaking

North Western Woollen Mills became Norwellan Textiles then AUNDEGrey Blanket. Pink Blanket Stitch Both Ends. – Woollen Mills (Norwellan) 1943stawell clothing material

Oval white cotton doyley with white embroidery. Scalloped edging in button hole stitch.handcrafts, needlework, manchester, table linen

School binding of brown paper stitched across from cover 323 pages ; 16cm ; N/Aschool text, geography

The Victorian Railways jacket would have been part of a uniform for railways employees.The Victorian Railways jacket has local significance as it was donated by a Wodonga resident. It also has historic significance due to its relative rarity and representativeness as part of the uniform worn by Victorian Railways staff, as it is in relatively good condition.Blue Victorian Railways jacket, with the VR logo stitched on each lapel and silver buttons."VR" logo stiched onto the lapels of the jacket victorian railways, vr, victorian railways uniforms, railway uniforms, victorian railways jackets, v.r.

Given to donor in 1958 as a wedding present.Four red and white Gingham serviettes. White cotton cross stitch in one corner.manchester, table linen

Leather pouch for inclusion on belt issued to soldiersBrown leather pouch with two belt keepers on the back. Has large yellowing stitching.On back has C.H.F. ^ engraved into the leatherleather pouch, pouch, leather, map case, belt pouch

Shell dressings were carried by individual soldiers, intended to be used as a first dressing in event of wounding or injury. Each cloth pack contains dressings comprised of a gauze pad stitched to a bandage and a safety pin. The field dressing was often the first line of treatment and was intended to be applied by the wounded man himself or other soldiersThis dressing is significant as a representative object carried by every soldier in WWII.Bandage covered in light brown cotton casing. Front side has inscription and instructions for use.Printed on cotton package containing the Shell Dressing. Inside a lined box. Commonwealth of Australia/ SHELL DRESSING / To Open /Outer Cover. Tear cover open at top between stitches. / Inner Waterproof Cover. Tear apart at the corner indicated by arrow. / DIRECTION FOR USE -Take the folded ends of/bandage in each hand, and keeping bandage taut, apply the/gauze pad to wound and fix bandages with safety pin./ In the case of head wounds, when respirators have to be worn, care should be taken to adjust the pad so that it / does not interfere with the fit of the face-piece. / DO NOT HANDLE WOUND OR PAD. / under a black line / Johnson & Johnson Pty, Ltd, Sydney/ MARCH 1944 On the reverse an adhesive sticker with the words "Lent by Lance Flynn" dressing, shell dressing, commonwealth of australia, johnson & johnson

This card was presented to the Society by Mrs Irene Meek of Lake Bolac. The card is a Christmas/New year wish from Walter to Annie Hill and the Girlies while overseas in military combate in the First World War. It demonstrates the craftmanship of needlework and paper embossing at this time.White paper card with hand stitched pansies in purple, pink, blue, green and gold. The stitching is placed towards the centre forming an inner frame. The words Best Thoughts printed in gold on paper and placed between a layer of cotton material."With loving wishes to Annie Hill & dear girlies for a Merry Xmas & a Happy & Prosporous New Year with love from Walter. Hynes No 6 - Hynes (George & I still going strong) 30/10/16" Written in pencil across back of card.world war one, needlework, handcraft, embossing, post card, haberdashery, personal letter

Textiles. Cream coloured linen doyley. Embroidered edge with blue triple blanket stitch. Embroidered blue border 4cm inside edge. Clusters of cross stitched flowers and leaves along inside edges of border. Old box 573.textiles, domestic, linen doyley