Softcoverwalsh st library

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.arists - kew (vic), art exhibitions - kew (vic), alma figuerola

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.alma figuerola album, arists - kew (vic), art exhibitions - kew (vic)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.arists - kew (vic), art exhibitions - kew (vic), alma figuerola

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.On reverse, handwritten "4583 Alma Figuerola" Photographer stamp" Copy Right This photograph may not be reproduced without permission in writing from the Editor of "The Age", *** Collins Street, Melbourne, and Pitt Street, Sydney"alma figuerola album, arists - kew (vic), art exhibitions - kew (vic)

Promotional catalogue created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2011. Foreword by Chrissie Smith and Gavin Nash (lecturers). Student names listed on back cover.Promotional catalogue created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2011. Full colour offset print throughout, black textured card cover with single colour silver print.university of ballarat, federation university, graphic design, multimedia, camp street campus, bachelor, degree, arts academy

Three men associated with performing arts at Ballarat College of Advanced Education stand, two shake hands. They are left to right: Peter Tulloch (Senior Lecturer, Performing Arts), Lawrence Price, Associate Professor Ian Hemmingway (Head of Visual And Performing Arts.)performing arts, peter tulloch, ian hemmingway, ballarat college of advanced education, bapa, ballarat academy of performing arts, lawrence price

Visual Arts students in a Courtyard at the Gippsland Campusarts academy, gippsland centre for art and design, churchill, visual arts, sculpture

Colour photographs of the Gippsland Visual Arts Courtyardgippsland visual arts courtyard, churchill, giae, mosaic

The play was produced by EJ Carroll at the Athenaeum Theatre, the Australian premiere. The play enjoyed a long and successful run with Frank Bradley setting a record by performing as leading man for forty weeks. Frank Talbot had leased the Athenaeum Hall for several years before negotiating with the Melbourne Athenaeum board members to renovate the hall into a modern theatre. The work was completed in 1923. The theatre became a well-known venue for plays but later, as movies became popular a biograph box was constructed to house movie projectors. The theatre manager, Frank Talbot, who leased the theatre from the Melbourne Athenaeum, signed an agreement with British Dominion Films in 1932, to show only British movies. Hoyts Theatres took over the lease in 1955 and later the Melbourne Theatre Company performed in the theatre, bringing live performances back to the theatre for several years. Programs of the early performances of plays are a reminder of the original purpose of the theatre. The theatre management continues to feature live performances.Photocopy of a program held at the Museum of Performing Arts athenaeum theatre, program, the sport of kings, racing comedy, frank talbot pty ltd, e j carroll, ian hay, frank bradley

Coloured photo of Construction of Nunawading Arts Centre.nunawading arts centre

Coloured photo of Construction of Nunawading Arts Centre.nunawading arts centre

This work is a symbol of the fiendship between Konan High School and the School of Education and Arts at the University of Ballarat. Presented in commemoration of the 30th anniversary with Konan High School, July 2012Framd calligraphic depiction of two mandarin ducks."Pair of Mandarin Duck." A symbol of the friendship between Konan High School and the School of Education and Arts at the University of Ballarat. Presented in commemoration of the 30th anniversary with Konan High School. July 2012 Artist: Miyu Watanabe, Konan High School Studentmandarin ducks, calligraphy, konan high school, miyu watanabe

Various Notices from/of Arts Bendigo: a. Regional meeting of the North Central Region of the Vic. Arts Council, Castlemaine Feb 20th 1982 ''Brief Report from Merle Hall''; b. Note to ''Former M.A.S.B. Members and Supporters'' re formation of Arts Bendigo and offer of membership/details; c. 3-paged review of history and formation of ''Arts Bendigo'' (not dated); d. ''To all Arts Bendigo Members'', accompanying notice of the Annual General meeting (dated Sept 19th ??; e. ''Polyphony is coming to Bendigo''- Special advance offer to Arts Bendigo and Friends of the Gallery members'' (inscribed as '1983'); f. Notice to ''All Arts Bendigo Members'' - copy of the Notice of Meeting for the first AGM of Arts Bendigo; g. Notice re membership and forthcoming events for 1983; h.''A Message from 'Arts Bendigo' re inadequacy of venue after an evening of Opera and limitations of the current venue; i. Invitation to become a subscribing member of Arts Bendigo with benefits; j. Invitation to celebrate another year of arts activity (dinner and AGM at Mully's Café 21/10/1999); k. Notice to ''Our Local Theatre Groups'' re planning to have a - potential - show to coincide with 1985 Eaglehawk Dahlia and Arts Festival (date 25/19/1984); l ''A Quick Noe to our Committee Members'' - note re arrangements and attendees of ''Final Party'' of AB in conjunction with BRAC (dated Oct. 31st)

Yellow, black and red abstract printPurchased from Corio Rotary Arts Festival 1974

Arts Bendigo Newsletter March 1998. Mention in this Newsletter about the new venture/initiative of the Bendigo Arts Alliance coming into being.. Information about concerts for the year.

Letters from Arts Bendigo re disbanding: a/ Dated Oct. 2001 from Merle Hall ''To All Arts Bendigo Members on the Historica Occasion'' - decision made by the fewmembers present to wind up Arts Bendigo from November 30 ''of this year''. Thanks to membeers and wish for them to support Bendigo Arts Alliance; b. re the ''One hundred to One'' exhibition which is porbably the last presentation that Arts Bendigo organized as group is preparing to disband. Signed Merle Hall, no printed date.(no adressee)

CD Rom catalogue of third year, University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) graduating student work, 2001. Interactive macintosh CD Rom, although limited PC versions were available on request. Successfully tested on vintage Macintosh G4 with Mac OS 9.2.2 No student names available on pack, accessible via CD Rom. CD Rom catalogue of third year, University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) graduating student work, 2001. CD Rom printed three colours (white underprint, black and red)university of ballarat, federation university, graphic design, multimedia

This musical comedy was performed by the University of Ballarat Arts Academy by arrangement with Cameron Mackintosh Limited. This musical comedy was adapted from the novel by John Updike by John Dempsey and Dana P Rowe. Director: John O'May; Musical Director: Richard Brown; Design: John Bennett. By arrangement with Hal Leonard. Performances were from August 27th - September 3rd 2005 at Helen Macpherson Smith Theatre, Camp Street, Ballarat. Ticket Prices: Adults $20; Concession $14.50; Student $12 available from MajesTix.Original Coloured Posterthe witches of eastwick, musical comedy, performing arts, ballarat academy of performing arts, the university of ballarat arts academy, cameron macintosh limited, john dempsey, dana p rowe, hal leonard, helen macpherson smith theatre, majestix

a. Extensive and detailed correspondence and documentation re site for Performing Arts Centre 1975/76; Letters from City Engineers; Town Clerk; Dr Westbrook (Ministry for the Arts); Drama officer (Ministry for the Arts); includes list in of Arts Council sponsored performances over the period 1971-1975; questionnaire relating to a Cultural & Arts Centre; list of Potential Users of an Art Centre Complex; minutes/correspondence re The Bendigo Urban Renewal Liaison Committee; plans for sites. Would need to be read and examined in its entirety due to complexity of the issue; b. Correspondence between City of Bendigo and Bendigo Arts Council (April 1976); Correspondence between City of Bendigo and Arts Council of Australia (Feb/Mar 1974) with Valuer's Letter and handwritten notes of sub-committee meeting.

Arts Academy at Camp Street Ballarat under construction. arts academy, former ballarat library, camp street, mining exchange, ballarat post office

Visual Arts students in a computer laboratory at the Gippsland Campusarts academy, gippsland centre for art and design, churchill, visual arts, computer, graphic design, student activity, gcad, gippsland campus, gippsland campus collection

Colour photograph of Federation University Arts Academy Campusbuildings, aerial photograph, ballarat club, arts academy, camp street campus, ballarat trades hall, former ballarat state officers, art gallery of ballarat, old colonists' hall, ballarat mining exchange