Large Legacy torch symbol on a blue background with the words "Legacy Appeal". Exact date is not known could be late 1990s when Legacy stopped using a gold/yellow background. Appears to be made for the street poles in the city for banners. There are two in the archive.A record Legacy flew banners in the city to promote Legacy Week.Blue Legacy double-sided banner for street poles.legacy promotion, logos

Blue stamp on front & back flyleaf: RSL Stamp Book, hard cover, dark green coloured buckram, no print on cover. Dust cover, black print on green background on front & spine. Sepia photograph of uniformed soldier on front, black print on white background on back. 193 cut pages, illustrated black & white photographs & maps. Biography - Frank Holland MBE Commando, Coastwatcher / Wartime rescue operation in New Britain; '2' Special Unit Operation in Portuguese Timor & Borneo.Handwritten in black ink on front flyleaf: To Alan Holmes Resident of Bendigo RSL With compliments 4.9.99 Handwritten in blue ink: Mabel Holland Queen Emma By - Robson Story of Rabaulbooks, military, history, biography

Set of three documents regarding the formation and operation of the Sorrento Tramway Co. (See Reg Item 1991 for a book by A P Winzenried) .1 - Information on the financial formation of the company, shares and Mr George Coppin. Has notes on a battery tram operated by the North Metropolitan Tramway Co. in London. .2 - Series of extract from newspapers and Council reports regarding the tramway - visitor guides, reports, Council purchase, revenue, passenger numbers and council debates. .3 - Documents related to the sale of the company, assets and liabilities, performance. Undated source. Yields information about the Sorrento Tramway and its performance and sale.Set of three documents regarding the Sorrento Tramway Co. - all typed. .1 - two quarto sheets .2 - four blue foolscap sheets .3 - two blue foolscap sheets.3 has on both sheets in blue ink "Printed October 1965"tramways, trams, sorrento, horse tramway, battery trams, morgage sale, george coppin

This photograph and a matching earlier photograph are the images of a painting of the British steamship SS Warrnambool at Dover Strait in the English Channel. The photographs were donated by the painting’s owner, who acquired the 30” x 56” (76 x 142.5 cm) oil on canvas painting in 1998. Both photographs were accompanied by a letter, one written in 2001, and the other in 2003. The letters confirm that the artist of the painting was Charles Keith Miller, signed with the initials “CKM” and dated “1893”. The painting shown in the photographs was a gift to the Town Council of Warrnambool, presented to Warrnambool folks in Melbourne on December 1, 1892, by the Captain of William Lund’s ship SS Warrnambool. The painting was given by Lund in appreciation of the Ladies of Warrnambool who had presented the ship with a ‘house’ flag bearing the Blue Anchor Line’s symbol of a diagonal blue anchor on a white background; the ladies had made the decision to present the flag only a month earlier. A few days later, December 6th, the SS Warrnambool was on its homeward journey to Britain, sailing via Adelaide. It anchored for a short time off the Port of Warrnambool. A boat was launched from Lady Bay to take a group of friends to the ship with a delivery of gifts. After cheers were roused for both the ship and the Captain, the ship continued on its way. The photograph shows the gifted white flag with a diagonal blue anchor flying from the masthead. The same symbol is painted on the ship’s black funnel. The signal flags on the foremast display ‘M’ ‘R’ ‘V’ ‘B’. These letters are most likely the ship’s call number ‘MRVB’. Although the painting was given as a gift in December 1892, it is post-dated “1893”. Perhaps the painting was given earlier than anticipated; or the date added later, but whatever the reason, the provenance of the painting was confirmed at auctions of this painting and other works by the same artist. CHARLES KEITH MILLER 1836-1907:- Captain Charles Miller left his home in Scotland at the age of 15 years for a life at sea. He earned his Master’s Certificate ten years later. After being the captain of sailing ships he moved over to the steamships because they were faster. In 1866 he married and settled in Glasgow. Over the following eleven years he and his wife had five children, then sadly his wife passed away. Captain Miller returned to the sea for a while but in 1888 he gave up his sea life to spend his time as a marine artist. His understanding of seafaring life and vessels, combined with his artistic skills, gave him the ability to produce fine art and several galleries and museums have collections of his sought-after works. S.S. WARRNAMBOOL 1892-1925:- The steamship SS Warrnambool was built in 1892 by the Sunderland Ship Building Company for the Lund Line of London, founded by William Lund in 1869. It efficiently carried both passengers and cargo across the world to Australia, under the command of her master Captain Joshua Edward Iibery, who had many years of experience with the Blue Anchor Line. The company, referred to as the Blue Anchor Line or BAL, owned a fleet of both sail and steamships. The funnels of all of the steamships were painted black, with a white band around the top bearing a diagonal blue anchor and chain. The company’s house flag was also white with a diagonal blue anchor. The SS Warrnambool carried passengers and cargo in a ‘no frills’ service to and from Europe around the Cape of Good Hope, stopping at some ports in between. The ship was involved in bringing home returned solders in 1895. At one time it carried a doctor from Victoria, Australia, to assist at the war front in South Africa. The ship had a very good reputation for its cargo arriving ‘almost always in excellent condition.’ Exported goods from Australia included iron safes, flour, wool, apples, frozen rabbits, butter, cheese, pork, cattle, poultry and sheep. One remarkable delivery contained Ostriches for Queen Victoria and they survived the journey well. The SS Warrnambool was sold in 1900 to the British and South American Steam Navigation Co. Ltd of Liverpool and was renamed ‘Harmodius’. The company was managed by R.P. Houston & Company of London and its Houston Line funnels were red with a black top. The Harmodius was sold in 1919 to K.S.S. Co. Ltd, managed by Kaye Son & Co. Ltd. of Liverpool, and was renamed ‘Kut’. The line had black funnels with a white ‘K’ in a diamond or between white stripes. In 1926 it was purchased by T.W. Ward Ltd. and broken up. NOTE- other vessels named “Warrnambool” Two other vessels carried the name “Warrnambool” (1)- HMAS Warrnambool J202 (1941-1947), a Bathurst Class corvette vessel owned by the Royal Australian Navy, destroyed by a mine. The photograph is significant for its association with the painting "SS Warrnambool" by well-known early 20th century marine artist Charles Keith Miller, whose paintings are well valued. The painting and the photograph of it are namesakes of Warrnambool and are connected through the gifts exchanged between the ship company owner, the City of Warrnambool and the Ladies of Warrnambool; the House Flag and the painting by C K Miller. The image is a good likeness to original photographs of the late-19th to early-20th century steam and sale vessel. Coloured photograph of a painting, the steamship S.S. Warrnambool. The three-masted ship has lowered sails. It is in calm water, land on one side, and other vessels in the water. The ship has four raised signal flags, a house flag and a blue ensign. The funnel also bears the house flags symbol. Smoke emits from the funnel. Figures are visible onboard. There is a signature and a title on the lower edge of the photograph. (Artist of the painting in the photograph was Charles Keith Miller)House flag symbol, [diagonal blue anchor on white background] Text "CKM" and "1893" Text "S. S. WARRNAMBOOL."flagstaff hill, warrnambool, photograph, steam ship warrnambool, flagstaff hill maritime village, shipwreck coast, ss warrnambool, captain, charles keith miller, ckm, 1893, william lund, warrnambool town council, blue anchor line, lund line, ladies of warrnambool, house flag, diagonal blue anchor, captain miller, sunderland ship building company, migrant ship, 1892 ship, home flag, bal, australian export, s.s.warrnambool, dover strait, english chanel, port of warrnambool, lady bay, mrvb, captain charles miller, captain joshua edward iibery, ostriches, queen victoria, british and south american steam navigation co., harmodius, r.p. houston & company, houston line, k.s.s. co. ltd, kaye son & co. ltd, kut, t.w. ward ltd

2 blue canvas Australia Post bags with brass eyelets used mid 20th Century to deliver mail to householders in the City of Moorabbin . Small bag has Australia Post Stamped on it and the large bag has no markings but has white rope threaded through the brass eyeletsAustralia Post Canvas Bags donated by Judy Clark the daughter of George Reed who lived and worked in the City of Moorabbin in 20th century 2 Blue canvas bags with brass eyeletsa) AUSTRALIA POST OFFICE 869 No 5 b) no marking ; white rope australia post, post offices, mail, bentleigh, moorabbin, mckinnon, ormond, cheltenham, highett, early settlers, reed george

In the early days of the establishing the new secondary campus many of the school signs were handmade, often by staff member Frank Scambler, but also by dedicated parents and friends of the school. This sign is representative of the 'handmade' nature of school signage during the early establishment of the Westbourne Truganina campus.Glass panel with the front painted with blue background and "WESTBOURNE" hand painted in yellow. A thin gold film has been adhered to the top and bottom edges. The reverse is spray painted in yellow and blue and a piece of masking tape containing inscriptions is adhered to the middle.On the masking tape on the reverse, "AZURE/ BLUE/ 2 OFF.

This is an exercise book containing the Minutes of the Boomerang Club from 1936 to 1942. The Boomerang Club was a Warrnambool social club that was formed some time in 1934 and continued until at least 1956. By the late 1930s there were nearly 200 members who took part in activities that included dinners, balls, dances, Christmas parties and picnics. Profits from the Boomerang Club functions were donated to local charitable organizations. This is a significant item as the Boomerang Club was an important social group in Warrnambool in the mid 20th century. This is an exercise book with a black cardboard cover taped at the spine. The pages in the book are lined in blue and the entries are handwritten in blue and green ink. The cover is stained and blotched. There is a white sticker on the front with the contents listed. Front cover (on white sticker in blue biro): ‘Minutes 1936-1942’warrnambool boomerang club, warrnambool

Blue synthetic puppy coat with the words 'SEEING EYE DOG', 'Sponsor a Puppy call 1800 787 797' and '1800 Puppys' in white on both sides of the coat. An L plate, also in white, is located above the words 'Seeing Eye Dog'. Velcro straps secure the coat to the puppy across the stomach and chest. 1 blue and white puppy coat"L" SEEING EYE DOG Sponsor a Puppy call 1800 787 797 1800 Puppysseeing eye dogs australia, fundraising

This crate of bottles may have come from a wholesaler, business, stationer or school. The design of the bottles is sometimes called a ‘cottage’ or ‘boat’ shape. Each of the 70 Caldwell’s handmade glass ink bottles was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This large collection of similar ink bottles is of particular significance as the bottles have come from the same source, most have their original corks and some retain their original labels, which is rare. The method of manufacture of these bottles is also representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottles and their contents are of state significance for being produced by an early Melbourne industry and exported overseas. This case of ink bottles is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Ink bottles in a wooden crate; 70 rectangular, hand-blown clear glass ink bottles. They have side seams, uneven thickness, especially at the bases, and rough, burst-off mouths. The shoulders on the long sides have horizontal grooves used for pen rests. The bottles vary; some have labels, some contain remnants of blue-black ink, and many have their original corks. The glass has bubbles and imperfections. The remnants of printed labels are on white paper with a swirly border and black text. The bottles contained Caldwell’s blend of blue black ‘Flo-Eesi’ ink.Printed on label; “CALDWELL FLO-EESI BLUE BLACK INK” “ - - - - “ Printed script signature “F.R. Caldwell”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture

The brick buildings were painted blue around the 1960s, and were later sandblasted to return them to red brick colour. Buildings of the Ballarat School of Mines from Lydiard Street South. The brick buildings have all been painted pale blue. ballarat school of mines, lydirad street south, administration building, a building, former wesleyan church, ballarat technical art school

THE HOTEL WAS BUILD OF BLUE STONE ROCKS.BLACK AND WHITE PHOTOGRAPH OF GROUP OF PEOPLE CHARLIE BROWN (ELI), MRS GILBERT, DICK HOLMES, MURIEL AND BILL SUTHERLAND,"SUTHIE" OWNER AND EX-LICENCEE, STANDING IN FRONT OF ALL NATION'S HOTEL - LOCALLY KNOWN AS "BLUE ROCK"ALL NATION'S HOTEL CLUNES CNR. TALBOT RD/SUBURBAN ST. DEMOLISHED ? 1975local history, photography, photographs, hotels, all nation's [blue rock[

The program relates to the dedication ceremony of a monument in front of the Soldiers Memorial Institute 39 Pall Mall Bendigo on 15 November 1992. The memorial is dedicated to the Ex Servicemen and Women who served in WW2, Korea, Korea, Malaya, Borneo, Vietnam and Kuwait. Introduction by Major A.J. Balsillie MBE. Address given by H.M. O'Halloran MBE President Bendigo RSL. Unveiling by E.A. Jackman RSL Memorial Committee. Wreaths were laid by The Mayor A.J. Douglas JP and President of the RSL. Refer Cat No 8245.2Program, folded in half, front is a sepia style red tone with blue surround and text, inside and rear page is all blue print.Front page in blue print, "Dedication ceremony Pall Mall Bendigo 15 November 1992"brsl, smirsl, moument, dedication,

Certificates won by J G Scott at Rutherglen Show. 32.14 First Prize - Dish of Strawberries, blue.Prize certificate for 1910, Rutherglen & Murray Valley Agricultural & Horticultural Society, awarded to J G Scott. First Prize - Dish of Strawberries, blue."Rutherglen and Murray Valley / Agricultural & Horticultural Society / Thirty First Annual Exhibition / Wednesday, 19th October, 1910" / "Harry O'Brien, Secretary"rutherglen show, rutherglen & murray valley agricultural & horticultural society, rutherglen agricultural society, j g scott

Certificates won by J G Scott at Rutherglen Show. 32.16 First Prize - Collection of Vegetables, blue.Prize certificate for 1910, Rutherglen & Murray Valley Agricultural & Horticultural Society, awarded to J G Scott. First Prize - Collection of Vegetables, blue."Rutherglen and Murray Valley / Agricultural & Horticultural Society / Thirty First Annual Exhibition / Wednesday, 19th October, 1910" / "Harry O'Brien, Secretary"rutherglen agricultural society, rutherglen show, j g scott, rutherglen & murray valley agricultural & horticultural society

Certificate won by J G Scott at Rutherglen Show. 32.19 First Prize - Dish of Strawberries, bluePrize certificate for 1911, Rutherglen & Murray Valley Agricultural & Horticultural Society, awarded to J G Scott. First Prize - Dish of Strawberries, blue"Rutherglen and Murray Valley / Agricultural & Horticultural Society / Thirty Second Annual Exhibition / Wednesday, 18th October, 1911" / "Harry O'Brien, Secretary"rutherglen agricultural society, rutherglen show, j g scott, rutherglen & murray valley agricultural & horticultural society

Rectangular paper stamp with a dark blue background and white graphics and print. Graphic consists of a lantern. with beams of light extending outwards. Marked: On front: "PRICE THREEPENCE / ASSOCIATION FOR THE ADVANCEMENT OF THE BLIND / Homes & Help.Rectangular postage stamp with white lantern streaming light against blue backgroundAssociation for the Advancement of the Blind Homes & Help Send donations to 10 Queen St Melbourne C1association for the advancement of the blind, fundraising

This book is a bank account book issued by The State Savings Bank of Victoria, guaranteed by the Government of Victoria for The School Bank Department. it belonged to Marilyn Morgan who attended State School No. 2744 at Orbost from 1956 -1958.The State Bank of Victoria was a bank that existed from 1842 until 1990 when it was taken over by the Commonwealth Bank. It was owned by the State of Victoria. the bank operated school savings accounts from 1912.A book with a blue cardboard cover and green/blue cloth binding. Print is black. It has si leaves inside. Inside are hand-written records of deposits and dates.Stamped diagonally across front cover in blue ink : CANCELLED At top right: 1597banking orbost-primary-school state-savings-bank-victoria morgan-marilyn

Shield from the Blue Triangle Association presented to the Collins Bros 'A' team, premiers 1932.Blue Triangle B.B. AssnCollins A Premiers 1932 M. Chapman M. Whelan M. Palmer M. Nehill I. Fairbrother K. Nehill O. Doddssporting teams textile mills textile mills, collins bros mill pty ltd, sport, sporting teams, textile mills

Passbook for school bank account with the State Savings Bank of Victoria held by Elwood Central School student Paul Watson for the period 1964-1968. The State Savings Bank of Victoria existed from 1842 (created as the Savings Bank of Port Phillip) until 1990, when it was taken over by the Commonwealth Bank of Australia.Blue covered book printed with blue, containing ruled pages on which transactions are recorded in blue and black ink. Stamped in purple ink.Handwritten details in blue ink on cover, including: account no ('8567'), name ('Paul D WATSON'), and 'CANCELLED' Handwritten details inside in blue and back ink, including: account number, name, details of transactions. Stamp inside: School bank 'ELWOOD CENTRAL NO.3942' Branch '157-ELWOOD' Stamp on cover and inside: PAID IN FULLschool banking, state savings bank of victoria, elwood central school

Also a small blue covered album containing photographs of the paintings of ships by Charlie Carpenter A blue folder containing photographs of paintings of trade boats by Charlie Carpenter Lakes Entrance Victoria. Please visit L.E. History Centre to view all photos in the Albumarts, shipping, boats and boating

THE BLUE ROCK HOTEL BUILDING WAS DEMOLISHED AFTER A FIRE. IT WAS USED AS DELI/TAKE AWAY SHOP IN THE NINETEEN-FIFTIES.COLOURED PHOTOGRAPH OF BLUE ROCK HOTEL SITUATED ON CORNER SUBURBAN STREET AND TALBOT ROAD, CLUNES. ADJACENT TO WHAT IS NOW (2025) THE TOP SHOPlocal history, photography, photographs, hotels, all nation's, blue rock

A colour slide of a motor boat on the ocean for Operation Float. The caption says 'Bright sky and calm seas'. Operation Float was an event run by Melbourne Legacy to take Junior legatees on an outing. It could have been to naval boats such as HMAS Cerberus or to a Yacht club. It gave the junior legatees the opportunity to see a naval boat in action, spend time on the water or try sailing. Part of a set of slides that are printed on Ektachrome and discoloured to a pink tinge. The year is possibly 1961 as one slide has the date on it. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of outings being organised for children.Colour slide of cars collecting children in Kodak Ektachrome cardboard mount with yellow and blue print.Printed on front 'Made in USA' in blue ink. Embossed with slide number '20' in one corner. Handwritten in blue pen ' Operation Float 1961. Bright skies and calm seas'. Printed on reverse "Kodak Ektachrome Transparency / Processed by Kodak" in blue ink.operation float, junior legatee outings

Correspondence showing the return of money borrowed to fund the writing of the biography of Legatee Savige. 00782.2 and 00782.3 are letters to H.G. Brain as one of the donors who financed the publication of the biography of Sir Stanley Savige, enclosing receipts for 200 pounds (00782.1). Of particular interest is the 3d (threepenny) Victorian Stamp Duty stamp stuck to the receipts and overwritten in blue ink to denote they are duplicates, which indicative of government regulations at the time (1957). 00782.4 is a copy of a letter sent to W.B. Russell (the author) confirming the arrangements for writing and payment of the book.A record of some of the financial arrangements made by the publishing committee in order to get the biography written and published. Receipt copies x 3, with green 3d. Victoria Stamp Duty stamps affixed White typewritten letters x 3.Receipts signed, dated and marked 'Duplicate' in blue ink. 00782.2 signed in blue ink 'W.W. Cooper' and annotated in pencil (writing illegible) 00782.3 signed in blue ink 'W.W. Cooper'savige book, committee

A banner to identify Legacy and their work.A record of Legacy identifying themselves when fundraising and raising awareness of their work.Large Legacy banner with white background and blue printing.All inscriptions are in blue printing. Legacy in caps and torch on right, centre and left of banner. legacy promotion, marketing

The 1996 Summer Paralympics in Atlanta, USA were the tenth edition of the Summer Paralympics. It was the first Paralympic Games where International Sports Federation for Persons with an Intellectual Disability athletes were given full medal statusRound lapel badge with blue, white and gold design.Official logo of the 1996 Paralympics on a white background, surrounded by a white, blue and gold motif.paralympics, 1996 atlanta paralympics

Items in the collection of R C ALLARDICE No 418577 RAAF. Refer Reg No 3627.5 for his service details & collection.Letter, light blue with printed format re details of 4 people, principally Lady Francis Ryder CBE. The letter is typed in black to Mr ALLARDICE.Signature in blue ink by: Helen Wallishostesses, leave