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Victorian Interpretive Projects Inc.
Cartoons, World War One Cartoons by Edwin Cannon
Edwin (Ted) Cannon was born at Ballarat on 30 July 1895, the only son of Edwin and Florence Cannon. He studied art at the Ballarat School of Mines Technical Art School. Ted displayed a talent for industrial design but it was his black and white work that 'drew' most attention. His cartoons and caricatures, heavily influenced by Phil May, were of a particularly high standard. During the Ballarat Exhibition of 1913 Ted's work was singled out for notice and he was awarded First Prize. After completing his art course Ted was employed as an assistant teacher at the Ballarat Technical Art School, before taking a position as cartoonist with the Ballarat Star newspaper at the end of 1914. With the war raging in Europe Ted discovered a darker aspect for his artwork, but, still, he could not resist depicting Turkey as a full-feathered, fez-wearing bird. In 1915 Ted was awarded the prestigious Victorian Education Department Senior Technical School Scholarship. Only months into his scholarship, Ted volunteered for the AIF. A keen member of the local 71st "City of Ballarat" Regiment Ted was already primed for a life in the army. He embarked from Port Melbourne on 23 November 1915 with reinforcements to the 6th Infantry Battalion bound for Egypt. It was during the Battle of Pozieres on the Western Front that Ted Cannon came into his own. His work with the Scout Platoon (under the command of Lieutenant Jack Rogers) sketching the enemy's gun emplacements proved invaluable to the Brigade and brought Ted to the attention of the Australian High Command. On 13 September 1916 Ted was given a special assignment for General C.B.B. White. Ted was sent out forward of the Old Mill at Verbrandenmolen (in the Ypres Salient) to draw a panorama of the German lines in the area from Hill 60 to The Bluff. It was a hazardous task and Ted was warned to be careful. Tragically he was sniped by an enemy machine-gunner and sustained severe abdominal wounds. Stretcher-bearers rushed him to the 17th Casualty Clearing Station where he was operated on by the doctors at 8.30 that night. With little chance of success, but ever resilient, Ted remained conscious almost to the end. He died early in the morning of the 14 September 1916. His body was buried in the large Military Cemetery at Lijssenthoek. See http://www.ballarat.edu.au/about-ub/history/art-and-historical-collection/ub-honour-roll/c/edwin-joseph-ted-cannon-1895-1916 Digital images of a number of cartoons published in the Ballarat School of Mines Students' Magazine, 1916. Ted Cannon sent cartoons home to Ballarat from the World War One front.edwin cannon, ted cannon, cartoons, world war, world war 1 -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Kew Historical Society, Gardens (Kew), 1979
Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)Correspondence and newspaper articles/clippings relating to historic gardens in Kew. The oldest item is a letter from the National Trust Victoria announcing their two-year garden study and seeking information on gardens in Kew. Mavis Rolley, Secretary of the Society, made handwritten notes in response, which are kept in the file. She refers to: the pear trees planted by William Oswin in c. 1845 near what is now the Burke Road Bridge (she notes that a search for the trees at the time of the construction of the Eastern Freeway was unsuccessful), a camellia planted by the Dannocks near the corner of Derby and High Street, a c.1876 pine tree in Field Place, Henty Court, an 1875 Moreton Bay fig at Tarring, Ruyton, a Moreton Bay fig at Roxeth, Trinity Grammar, an 1840s oak tree and a 120-year old olive tree at Fairholme, Barry Street, 1870 pine trees at D’Estaville, Barry Street, trees at Turinville, Barnard Grove, dating to 1846, pine trees dating from 1845-6 on the Willsmere Farm, red gums in Victoria Park, pine trees in the Cemetery dating from the 1860s, trees in the Alexandra Gardens and at Kew Primary School, palm trees at La Verna, Sackville Street dating from the 1890s, the trees and gardens at Ross House (Charleville), and the trees at Merridale, Sackville Street which date from the 1880s, a magnolia at Lalla Rookh. These dates are probably highly contestable. Other handwritten notes from 1979 about significant gardens included: 5 Molesworth Street, Red Bluff - Redmond Street (garden now destroyed), Campion House, Studley Park Road, Raheen, Studley Park Road, Ross House, Cotham Road (Charleville), 7 Adeney Avenue, 20-21 Belmont Avenue, 52 Mary Street, an Edna Walling garden on the corner of Argyle Road and Victor Avenue, Merridale, Sackville Street, Roseneath, and Reno, St John’s Parade.gardens - private - kew (vic), garden design - kew (vic), kew horticultural societygardens - private - kew (vic), garden design - kew (vic), kew horticultural society -
Flagstaff Hill Maritime Museum and Village
Furniture - Screen, Thomas Hope, 1905-1913
The fire screen was part of the original furnishings of the Lighthouse Keeper's Quarters in Merri Street, Warrnambool. It was made by Lighthouse Keeper, Thomas Hope. Thomas served two terms as an assistant lighthouse keeper in Warrnambool. His first term was from 1905 to 1907. He later returned from 1910 to 1913, when he was appointed as Keeper five months after the untimely death of his predecessor Peter Quinn. Woodworking was one of Thomas Hope’s hobbies, and the three-panel fire screen he made as a lighthouse keeper is now in the Flagstaff collection and is displayed in the Lighthouse Keeper’s Cottage. Thomas Hope 1857 - 1928 Thomas James Hope was born in Camden, Surrey, England in 1857. His father, also called Thomas, was reputed to be a member of the Royal Family, and Thomas Hope Junior his illegitimate son. Thomas was subsequently brought up on the estate of the Earl of Hopetoun in Somerset and it was thought that Thomas was the Earl’s grandson. Against the wishes of those in charge of Thomas, he joined the navy at an early age, seeing much of the world until he settled in New Zealand at the age of twenty-four. After some years in New Zealand, he came to Australia to live. One of the jobs Thomas Hope had prior to becoming an assistant lighthouse keeper in 1896 was as a cook in the Lunatic Asylum at Sunbury, Victoria. He served as an assistant keeper at Shortlands Bluff, Gabo Island, Split Point and Warrnambool, retiring in 1918. He bought a house in Nicholson St, Warrnambool and died in March 1928. He is buried in the Warrnambool cemetery. Thomas Hope is recorded in family history as being of short stature and, not surprisingly given his alleged aristocratic connections, possessed a beautiful speaking voice. He and his wife Elizabeth nee Waters, whom he married in New Zealand, had six children (Thomas, killed in World War One), Ellen (Nell), Nora (who was married at the Warrnambool lighthouse keepers cottage), William (who died in Warrnambool), Marion and Alan. Joseph Hoover (Dec 29, 1830, to Aug 7, 1913) Joseph Hoover, the printer of the pictures on the screen, was born in Baltimore, of Swiss-German heritage. He was trained as an architectural woodturner. In 1856 Hoover moved to Philadelphia and began producing elaborate wooden frames in his wood-turning and framing business. By 1865 Hoover had started to produce popular prints for publishers and artists, which included noted Philadelphia artist James F. Queen. In the 1880s Hoover set up a complete plant specialising in chromatography, the process of producing colour prints from lithographic plates. The coloured prints he produced were affordable to business and private customers. In 1893 his son Henry L., a trained lithographer, joined the company as overseer and it was called J. Hoover & Son. It became one of the largest in America by the turn of the century. Hoover won a medal for Excellence for his Chromolithographs of James Queen’s works. In 1904 Joseph’s other son, Joseph W, joined the business as a partner and the company was called Jos. Hoover & Sons. Hoover died of a heart attack in 1913. He was survived by his wife and six children: two sons who were also his business partners, and four daughters. The firm continued in production until around 1985. Hoover’s prints included scenes, still life and landscapes of America and other locations. They were sold in America and overseas to countries including Canada, Germany, Mexico and England. The three-panelled screen in the Lighthouse Keeper’s Cottage was made by the Assistant Lighthouse Keeper, Thomas Hope during one of his two terms at the Lighthouse Keepers' Quarters. It is the only object in the collection known to be connected to Hope. The Lighthouse Keeper's Cottage is part of the Lady Bay Lighthouse Complex, which is listed on the Victorian Heritage Register for being of historical, scientific (technological) and architectural significance to the State of Victoria.Fire screen comprising three black wood framed panels hinged together. Each panel contains a glass-encased print depicting a rural landscape. Ornate stencil cut wood edging and quilt-inspired parquetry sits above each panel. The central panel is taller than those either side. Screen is lined in black-painted cardboard.Printed at the base of each of the three prints “COPYRIGHT 1896 BY J. HOOVER & SON, PHILAD’’A.”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, firescreen, thomas hope junior, ellen (nell) hope, nora hope, william hope, marion hope, alan hope, jos. hoover & sons of philadelphia, lighthouse keeper, assistant lighthouse keeper, carved screen, merri street, lighthouse keeper's cottage, lighthouse residence, lighthouse, wood carving, lighthouse complex, lady bay lighthouse, fire screen -
Federation University Historical Collection
Medal - Numismatics, 'Dead Man's Penny' for Edwin Joseph 'Ted' Cannon, c1919
The Dead Man’s Penny is a commemorative medallion which was presented to the next-of-kin of the men and women from England and the Empire who died during World War One. The Dead Man’s Penny was accompanied by a letter from King George V, stating ‘I join with my grateful people in sending you this memorial of a brave life given for others in the Great War’.[http://nma.gov.au/blogs/education/2010/11/14/dead-mans-penny/] Popularly known as the "Dead Man’s Penny", because of the similarity in appearance to the somewhat smaller penny coin. 1,355,000 plaques were issued, which used a total of 450 tonnes of bronze, and continued to be issued into the 1930s to commemorate people who died as a consequence of the war. [http://en.wikipedia.org/wiki/Memorial_Plaque_(medallion)] It was decided that the design of the plaque was to be picked from submissions made in a public competition. Over 800 designs were submitted and the competition was won by the sculptor and medallist Edward Carter Preston with his design called Pyramus, receiving a first place prize of £250.[http://en.wikipedia.org/wiki/Memorial_Plaque_(medallion)] They were initially made at the Memorial Plaque Factory, 54/56 Church Road, Acton, W3, London from 1919. Early plaques did not have a number stamped on them but later ones have a number stamped behind the lion's back leg. [http://en.wikipedia.org/wiki/Memorial_Plaque_(medallion)] Ted Cannon's plaquette does not have a stamped number. Ted Cannon was a gifted artist and cartoonist who studied at the Ballarat School of Mines Technical Art School. During the Battle of Pozieres on the Western Front Ted Cannon worked with the Scout Platoon sketching the enemy's gun emplacements. Ted proved invaluable to the Brigade and brought he came under the attention of the Australian High Command. On 13 September 1916 Ted was given a special assignment for General C.B.B. White. Ted was sent out forward of the Old Mill at Verbrandenmolen (in the Ypres Salient) to draw a panorama of the German lines in the area from Hill 60 to The Bluff. It was a hazardous task and Ted was warned to be careful. Tragically he was sniped by an enemy machine-gunner and sustained severe abdominal wounds. Stretcher-bearers rushed him to the 17th Casualty Clearing Station where he was operated on by the doctors at 8.30 that night. With little chance of success, but ever resilient, Ted remained conscious almost to the end. He died early in the morning of the 14 September 1916. His body was buried in the large Military Cemetery at Lijssenthoek. The effects of the late Ted Cannon were returned to his parents. These were an autograph book, three brushes, prayer book, housewife, whistle, book, hymn book, curios. Another listing gives his effects as "identity disc, letters, photos, wallet, 2 books, Mexican Dollar, 1 cent (Ceylon), 3 German Straps, Fountain Pen, Cigarette-holder, Franc Note, 50 centimes Note, devotional book, mirror, rosary, scapula, metal ring, two combs, book of views, nail clippers, badges, tie clip, Egyptian stamp.[http://recordsearch.naa.gov.au/scripts/Imagine.asp?B=3202589] Ted Cannon was an only child. It is not known how the 'Dead Man's Penny' came into the ownership of the donor, but it is thought that it may have been left in a house owned by the donor's mother. Further information on Ted Cannon can be found at http://bih.ballarat.edu.au/index.php/Edwin_J._Cannon and http://www.ballarat.edu.au/about-ub/history/art-and-historical-collection/ub-honour-roll/c/edwin-joseph-ted-cannon-1895-1916Large bronze medallion or plaquette featuring an image of Lady Britannia surrounded by two dolphins (representing Britain’s sea power) and a lion (representing Britain) standing over a defeated eagle (symbolising Germany). Around the outer edge of the medallion are the words ‘He died for freedom and honour’. Next to Lady Britannia is the deceased solider’s name, with no rank provided to show equality in their sacrifice. (http://nma.gov.au/blogs/education/2010/11/14/dead-mans-penny) The plaque was distributed throughout the British Empire, and the first plaques were distributed in Australia in 1922 "Returned home" by W. & O. Mayne, 2013. ted cannon, edwin joseph cannon, cannon, world war 1, world war -
Mission to Seafarers Victoria
Article, A Woman's Melbourne Letter
A detailed description of the Mission and its activities written by a woman: Western Mail (Perth, WA : 1885 - 1954), Friday 13 December 1918, page 34 A WOMAN'S MELBOURNE LETTER. Melbourne, Dec. 4. There is an idea abroad, which as regards Melbourne, at any rate, is quite erroneous, that our sailors are not as well looked after as our soldiers, and that the noble men of the Mercantile Marine are much neglected ! For once, perhaps, my readers will pardon a letter dealing with only one subject, but the steady, unostentatious work done by the Ladies' Harbour Light Guild, in connection with the mission to seamen in Melbourne could not be adequately explained if dismissed in the usual short paragraph. Some of the most prominent names in Melbourne are associated with this guild and with the Mission Chaplain, and Mrs. Gurney Goldsmith, the members have made the Seamen's Institute a real home for those sailors of the Mercantile Marine, who touch our port. What we as a community owe to those men by their heroism in recent hostilities is certainly more understood by this band of enthusiastic workers than by the community generally. By using their unflagging energies, and influence on the sailor's behalf they endeavour to discharge a debt to which in some way or other we could and should all contribute. Even the most casual person can, if he thinks at all, sum up a few of the things our sailors - other than those belonging to our glorious navy - have done for us. On the spur of the moment we remember that those of the Mercantile Marine, are the men who manned our transports, who carried our wheat and wool, to oversea markets; who kept us in touch with our loved ones abroad; who kept the fires going in the furnaces of the great leviathans, bringing our wounded soldiers home again; who never flinched when self-sacrifice was demanded; who cared, with that tenderness, innate in all sailors, for the women and children, when the passenger ships were struck a dastardly blow by the wicked enemy; who, mocking death, gave up life with a heroism all the more heroic because it was always taken as a matter of course! Is it any wonder, then, that the members of the Ladies' Harbour Light Guild make it their business to provide a bright, homelike, spot in Melbourne, where the sailors are always certain of a cherry welcome ashore? The members of the guild are admirably drafted! The 360 non-workers each pay £1 1s. per annum. The workers, of whom there are between 700 and 800, donate 2s. 6d. and school members - it is confidently hoped that gradually all the schools will take an active interest in the mission - 1s. a year. The knights of the guild - as the men members are designated - are responsible for any sum they wish to name, from 5s. a year upwards. Everything is paid for out of these revenues, with the exception of a small grant from the Home Mission Fund - and such is the organisation, and management, that the entire concern is quite free from debt. The Seamen's Church and Institute, where the "Harbour Lights" gleam so brightly, is situated right in the midst of all the bustle and turmoil of the wharves, at the end of Flinders-street. The building, comprising chapel, and institute under the one red tiled roof, is grey stuccoed, with a small tower, from which flaunts the flag of 'The Flying Angel" - the badge of the guild. A visit to the institute makes one fully appreciate the boon the place must be to the voyage worn, weary, sailor. The atmosphere is eminently social in its best sense. While the architecture imparts an elegance, and quiet dignity which soothes by the very subtlety of its charm. With its comfortable furniture, its wealth of flowers, and the happy, wholesome, feminine influence which prevails everywhere, the quality which stands for the magic word "home" abounds. The Chaplain in the course of conversation said: -"We try to make this really a free club for sailors." But the habitues would probably tell you it was far more than that to them. The Institute is excellently appointed, and every little corner seems to have its particular history. It was built after the model of one of the old mission churches in California, and retains something of the old world attraction, while yet it combines all the advantages of modern, practical, conveniences. On entering the door the first thing, one notices is a huge compass, inlaid upon the floor, evidently to indicate one's proper bearings for it points due north - to the chapel! Only one other seamen's mission in the world boasts such a compass. As the sailor swings through the entrance he finds the office on his right, and there is, here, always a smiling face to welcome the shy, or timid, new comer. Quite a real post office is staffed by members of the guild, and all the letters received are listed alphabetically. Therefore, the expectant sailor has just to run his eye down the list, and he can immediately see whether there is a letter for him or not. If he is fortunate, he comes up to the member in charge, who unlocks the box, and produces the longed for missive. The boys are always encouraged to answer letters - and to write them. Often a few words about their mother, and their own home, will provoke a sleeping memory into activity. The writing room is well stocked with paper, envelopes, pens, and ink. The tables are so divided to ensure the utmost privacy, and through a calculated chain of circumstances, many an anxious mother receives a letter from her sailor lad, who, perhaps, might not have written but for these kindly inducements. The central hall - where social evenings are held every other night besides two special concerts a week - is inviting in the extreme. A handsome piano affords opportunity for those musically inclined. The tables are strewn with papers. The walls are bright with pictures, and here, and there, is a carved model, of a ship. One, of especial interest, is a model of "The Roon" carved, and presented by a French sailor. This German vessel will always be remembered in Australia. For it was across her bows that the first hostile shot was ever fired in Australian waters. In the corner is the canteen. It was fitted up entirely from the proceeds of a quotation calendar compiled by one of the members. The sailors may at any time, get a teapot of tea, or a tray of eatables, at a nominal cost. Before the canteen was in existence they had to go out for refreshments! - and sometimes they did not come back! Groups of sailors sit chatting at the tables. Half a dozen Swedes laugh and talk among themselves, for the simple reason they know no other language than their own. Several British sailors cluster about a dark-eyed Welsh lad - a perfect Celtic type - who, although only about twenty years of age, has been the victim of the Hun five times. Mines and torpedoes sank the ships he was in, either in the Channel or off the English coast, four times; and it is to his fifth experience, when the Inverness was wrecked, that everyone is eagerly listening. "We were in the boats eight days," he was saying, "I was pretty well mangled when they picked me up. The sufferings we endured were awful. At last we managed to reach Rapa, a Hawaiian island. The natives thought we were Germans, and came at us with spears. When they found we were British, they were awfully good to us. They even cried when we left, and the day before the rescue boat arrived they begged us to go into the hills and hide." At another table a Canadian lad - once a sailor - then a soldier, who trained at the Broadmeadows camp - was telling his experiences : - "The voyage which will always stick in my memory," he said, "was to a place which must be nameless. We left the United States not knowing whether we were bound, or what we were going to do. After some weeks we sighted a group of wonderfully beautiful islands, and we headed for the most remote and most lovely of them all. Then, and only then, we learned our mission from the skipper. We were taking their year's supply to a leprosy station! Oh no! I don't blame the skipper for not telling us ! Someone has to do these things, you know. A naval guard saw they didn't come near - and we all got sixty dollars extra. When the job was over we were quarantined on another island for two months, and one little chap - the baby of the crew, not eighteen - developed leprosy, and died before we left. Yes! I'll never forget that voyage, mates! Sometimes, I seem to see Leper's Island yet, with its lavish tropical vegetation and the gorgeous sunsets which stained all the water with blood. Then, too" - here the voice deepened - "there was an English girl - a leper - there. We heard she used to be an actress, and she contracted the disease somehow or other. She was always alone, and always watching us. In the distance we could see her come to the water's edge, and from there she would watch. Just watch . .. . watch . . .watch. ..." "Here come a couple of North Sea chaps," broke in an elderly man after pause. "One of them wounded, too, poor lad." It is not strange that all the sailors flock to the Institute. It is so comfortable, and essentially inviting, besides being full of human interest. The men's quarters comprise reading, writing and dressing rooms - hot and cold baths are always available - billiard room, and a special baggage room, where any sailor may leave his kit for as long as he likes. The payment of 3d. covers its complete insurance. Upstairs are the officers' quarters. These also have their own billiard room, writing and reading rooms, bath and dressing rooms. Just close are the apprentices' quarters - "The Half Deck," as popular parlance has it! The lads also have a billiard room of their own, and indulge in an easy armchair - amongst others - which was a donation from the Milverton School branch of the Guild. It is hoped by the committee to some day utilise the huge empty rooms, which run the length of the whole building. Their ultimate intention is to fit them up as cubicles, or "cabins," as they are to be called. They trust these "cabins" will be donated, either in memory, or in honour, of someone dear to the donor. Another forward movement soon to be put in hand, now that materials are available, is the establishment of "Norla Gymnasium." In a sailors' club such facility for exercise is absolutely essential. The men both need, and miss, exertion. As one boy, who had been backsliding, once said pathetically : -"If only there was something to do to get me into a good sweat, I would be all right." Soon such an one will be helped to swing from the trapese of the Norla Gymnasium into the right track! Sunday is always a fete day at the Institute, for 40 or 50 sailors generally come into tea. The up-to-date kitchen, which is fitted with every labour-saving appliance - all paid for out of working members' half crowns - is then a hive of animation, and methodical order. A formidable row of teapots await filling. Mrs. Goldsmith -, the chaplain's wife - rightly thinks it is far more homely to pour out the tea from a pot, than to serve it straight from the urns. So tea is poured out by a member, who sits at the head of a table gay with flowers, and chats to the guests. These latter are of all nationalities. But the French, the Spanish, Scandinavian, Norwegian - or any other sailor is equally welcome with the British. Two enthusiasts belonging to the Guild actually learnt Norwegian, so that men of this nation would have someone to talk to, and so be less lonely when they reached this, to them, foreign port ! The members of the Guild have their own private suite where they arrange the flow-err and do other necessary odds and ends undisturbed. No one appreciates flowers like a sailor, and the earliest and most beautiful may always be seen adorning the tables and rooms. Teas are served and lectures are held in the "Celia Little Hall," one of the most beautiful portions of the institute. It was erected by the chaplain in memory of his aunt from whom the hall takes its name. The Gothic windows open upon the cloisters, where, in the hot weather, the sailors enjoy their meals out of doors. The cloisters, indeed, form an exquisite spot. They are between a series of sweeping arches which lead to the chapel, and are sheltered by the open balcony of the chaplain's quarters. Grace of contour marks the architecture on every turn. Just around the corner is the chaplain's garden - a patch of green and colour, transformed from a desert waste, by a well-known woman horticulturist. The book room is a department especially valued by the sailors. There are two secretaries, one for home and the other for foreign literature. Books in French, English, Spanish, Scandinavian, Norwegian, and German may be found on the shelves. Each week about 36 convenient parcels of reading stuff are made up. These contain illustrated papers, books in various languages, and magazines. These parcels are eagerly accepted by the sailor with a long monotonous voyage before him. But complete as is every corner of the institute, no part is so well equipped as the memorial chapel erected by the Ladies' Harbour Light Guild, in memory of the officers and men, who have lost their lives during the war. St Peter's - for it is called after the sailor's patron saint - with its hallowed gentle dignity is a veritable sanctuary of peace, perhaps all the more so because it sprang out of war. The fittings are entirely of Australian wood. The pews, given in memory of some loved one by one of the members, are of Tasmanian hardwood. The reredos and altar chairs of carved blackwood. The rich carpet was provided by the members' magical half-crowns. Already this chapel holds memorials of peculiar historical interest. The altar lectern was given in memory of Commander Elwell, who, it will be remembered, was killed at Rabaul, in the early part of the war. The font commemorates two heroes - Nigel Hockley and Fred Hyde, who lost their lives at the hands of the Germans, although they survived the actual torpedoing of their ships, the Galgorn Castle off the coast of Ireland. The mother of one of them wrote out that her son had died as an Englishman should - fighting for the right. This noble sentiment is suitably paraphrased upon the inscription engraved upon the font. Practically every-hing enshrined in the chapel has its own sentimental value. The alms salver of beaten copper, studded with agate, is fragrant with the memory of a saintly woman.The eye of the sailor is caught and held by the pulpit, which is fashioned like a ship's hull and only a twist of rope guides the chaplain up the steps. For the last 13 years the Rev. A. Gurney Goldsmith, M.A., has acted as chaplain to the Seamen's Mission in Melbourne. Before that he and his wife worked in China. Mr Goldsmith visits all the boats and gets in touch personally with the sailor, over whom he has great influence. He is not only their chaplain and friend, but, amongst a wide range of other things, their banker besides. An exchange system exists between the various Missions, and the sailor who has "banked" his money with the chaplain, upon going away, receives a cheque which is cashed - minus exchange - by the chaplain of the next port. Mr. Goldsmith will tell you he has a soft spot in his heart for on old sailor he calls "Paddy." This ancient mariner has been wrecked ten times. It was a long time before the chaplain prevailed upon "Paddy" to partake of the spiritual and secular advantages afforded by the institute. He would not come, he said, until he could do so "with a good heart." Finally he frankly admitted that he had no "friends like those of 'the Flying Angel,' " and that he eventually proved his own "good heart" will be shown in this story. One day he came in to the chaplain and said bluffly, "Well, sir, I've been payin' off some old scores up Carlton way, an' I tells yer, plain, sir, not one of 'em would have seen a penny of their money but for the Mission." The Ladies' Harbour Light Guild has over thirty working suburban branches, and the excellent results achieved at the Institute now will no doubt be considerably augmented in the future. The practical actions of the members do more than anything else to convey the subtle meaning of the name of the Guild. To the visiting sailors the word "ladies" signifies the bread givers; "harbour" safety ; "lights" welcome; "guild" the welding of fraternity, and they one and all tell you the ideals thus embodied are unselfishly carried out by all the ladies who have banded together to care for the sailors' welfare.The article describes the Mission and the use of several spaces a year after its opening and gives details about the daily activities.Digital copy of an article published in the Western Mail on the 13th of December 1918. 717 flinders street, seamen's mission, norla dome, lhlg, reverend alfred gurney goldsmith, celia little room, garden, frederica godfrey -
Glen Eira Historical Society
Document - Bakewell Family
There are 3 items about this family of early European settlers in Victoria: 1/A photocopy of an extract “Early Pioneer Families of Victoria and Riverina” – Henderson Page 441-442 The Bakewell Family of Burnewang and Tooradin”. It includes a photo of John Bakewell (1807-1888). It contains two pages and describes Bakewell’s property expansion. 2/An original copy of handwritten, unsigned undated research notes on John Bakewell property holdings taken from St Kilda Rate Book (1859-1873). It describes the land allotment. 3/A typed, unsigned, undated extract from 'The Howitts in Australia by Mary Howitt' - Mary Howitt, Vic Hist Mag 1913 Vol 3 No. 1. Reference – Memoirs of a Stockman, Harry Peck, 1853 Map, Foot Plot CCXLVI at Kooyong & Glen Eira Road. It provides a brief outline of the lives of brothers Robert and John Bakewell.the bakewell family, early pioneer families, henderson, bakewell john, port phillip, burnewang, bakewell robert, howitt godfrey dr, lord goderich, tooradin, phoebe, friends' school ackworth, yorkshire, nottingham, shaw john wyberg, plenty river, businesses, goldsbrough richard, goldsbrough mort and company ltd., glaziers, squatters, burnewang, mantons, tooradin, red bluff, torbinurruck, great swamp, brenanah, westernport, numerella, snowy river, orbost, green hills b, caramut, lyall william, mickle john, buckland john, notts, england, balderton, weddings, jane emily, howitt emanuel, farnsfield, lever mary, howitt thomas, heanor, derbyshire, howitt godfrey, scales john, exeter college oxford, downing college cambridge, guerard von, wayne john, south warnborough manor, harrison robert, lord john, jamaica, mary alice, dr. miller, miller john francis compton, emmie joan, mary emily, clifton hotel welbeck street, phoebe alice, anne edith, british museum, land values, settlements, st. kilda, elsternwick, inkerman street, st. kilda east, kew, memoirs of a stockman, harry peck -
Glen Eira Historical Society
Newspaper - Falconbridge, Mrs
Two items. 1) Photocopy of cutting from The Age, dated 20/06/1931, memories by A Vincent, recalling events in c 1860’s around Ormond and Glen Huntly area. Includes photo of James Bevan and photo of Mrs Falconbridge in the first house in Caulfield. 2) Two enlarged photocopies from The Age cutting, dated 20/06/1931point ormond, red bluff, huntly, glen huntly, shipwreck, elsternwick, st kilda, falconbridge mr, sailors, caulfield, huntly road, glen huntly road, bevan mr, east caulfield, bambra road, grosemont, native plants, house names, cobb and co, coach transport, falconbridge mrs -
Marysville & District Historical Society
Book, Marion Miller Knowles, Corinne of Corrall's Bluff, 1912
A sea-shore tale.Cover is olive green. Front cover has a drawing of a young girl standing under some trees looking out over the sea to a boat. Title and author are in black lettering on the spine.fictionA sea-shore tale.sea, sea shore, australia, marion miller knowles -
Federation University Historical Collection
Book, Marooned in the Antarctic: The Imperial Transantarctic Expedition 1914-1917 Ross Sea Party, 1961
Hard Covered book of a typed carbon copy of Richard W. (Dick) Richards experiences as a member of the Ross Sea Party. Dick Richards became Principal of the Ballarat School of Mines. Includes notes and corrections by Dick Richards.dick richards, richard w. richards, r.w. richards, ross sea party, imperial transantarctic expedition, ernest shackleton, loongana, aurora, mcmurdo sound, lionel hooke, mt erebus, sledging, ross barrier, scott's safety hut, bluff depot, rations, scurvy -
Federation University Historical Collection
Photograph - Photograph - black and white; Photograph - colour, VIOSH Graduate Diploma OHM, Summer 1987, 1987
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge. Summer courses/classes were held each year.Two sheets with eight black and white photos; one sheet with five black and white photos and one colour photo; one sheet with three colour photos. Two lined sheets - names and photo orders.Each photo has a number (1 - 25)viosh, viosh australia, occupational hazard management, graduate diploma, asia-pacific, ballarat university, federation university, darrhyl alexander, brenton bellchambers, eldred bishop, elizabeth bluff, annthea boardman, christopher booth, henry clementine, francis frazer, alan gilrane, kenneth greene, peter irwin, alexander iwanow, wayne johnson, leonard lean, allan matheson, stanley mccartney, ivan miller, david nelson, brenton perry, michael peterson, david whiteman, derek williams, gwendalynn wilson, murray johnes, elise moore, chris boom, lahui itana, trevor turnet, barbara stack, john jensen, ted renton, ian swann, geoff brabroac, bill denton, tony van maanenberl, sue forsyth, roly parvenovics, gwen wilson, mary-anne camp, ivanka sucher, jacqueline wells, derek vines, trevor mann, j hondros, tom mitchell, john o'nell, neil dine -
Federation University Historical Collection
Photograph, VIOSH: Graduation of Occupational Hazard Management Group, Intake 9, 1986, 1986
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Colour photograph of a group of studentsviosh, victorian institute of occupational safety and health, ballarat college of advanced education, graduate diploma of occupational hazard management, darrhyl alexander, brenton bellchambers, will bishop, liz bluff, anthea boardman, alex iwanow, wayne jhohnson, allan matheson, mick peterson, david whiteman -
Federation University Historical Collection
Photograph - Photographs - colour, VIOSH: BCAE: Graduate Diploma in Occupational Hazard Management, Intakes 9 & 10,1986
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Shows two intake groups combined for activity. See items 26737 and 26738Colour photographs showing students in snow at Mount Helen Campus.viosh, victorian institute of occupational safety and health, ballarat college of advanced education, intake group 9, intake group 10, 1986, darrhyl alexander, brenton bellchambers, will bishop, liz bluff, annthea broadman, alex iwanow, wayne johnson, allan matheson, mick peterson, david whiteman, chris booth, jackie cook, frank frazer, tony gilrane, ken greene, jennifer hine, peter irwin, len lean, stan mccartney, david nelson, brenton perry, ian swann, derek williams, gwen wilson, derek viner, utah development company, peak downs mine -
Footscray Community Arts
Banksia Bluff 2, Ann Howie, (exact); 2006
MEDIUM: Oil on canvas DESCRIPTION: Oil painting on canvas. Brown, blue and green. No outer frameTitled, signed and dated on reverse of frame2, oil, banksia, howie, bluff, canvas -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Whaler's Point and Lighthouse, Portland, 1930s
Black and white photo, white border. Nuns' Beach, looking towards Whalers' Point, closer view than 8795. 'WHALERS' POINT AND LIGHTHOUSE, PORTLAND', black print lower borderphotography, landscape, whalers bluff, lighthouse, portland -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir Plate - Portland Harbour, n.d
Small plate with black and white image or Portland Harbour. The Harbour, Portlandsouvenir of portland, portland harbour, whalers bluff, domestic item -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir Bowl - Portland Harbour, Royal Stafford, n.d
China bowl with a black and white image of Portland Harbour. The Harbour Portlandsouvenir of portland, portland harbour, whalers bluff, domestic item, bowl -
Glenelg Shire Council Cultural Collection
Souvenir - Stubby Holder - Portland, Victoria, c. 2013
Souvenir stubby holder, black neoprene, composite wrap around image. Lighthouos, couta boat, tram, courthouse, Nuns Beach, Old Post Office, Bentinck St - full colourFront: 'PORTLAND DISCOVERY COAST VICTORIA' Back: INSIDE BASE- MAKER DETAILS, BASE: WHITE STICKER 'SH PORTLAND BARCODE $9.95souvenir of portland, portland harbour, whalers bluff, domestic item, stubby holder, contemporary collecting -
Glenelg Shire Council Cultural Collection
Souvenir - Keyring - Portland, Victoria, c. 2000
Souvenir key ring with locket. Silver with an image of the Portland Lighthouse on the locket.Front: 'Made in China' label Back: Price tag stickersouvenir of portland, portland lighthouse, whalers bluff, contemporary collecting -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Lighthouse, n.d
Black and white photo of Portland lighthouse, including cliffs.Back: '56' in pencilwhalers bluff, portland lighthouse, seafront -
Federation University Historical Collection
Reports, Big Cats Sightings and Stock Kills 2000-2011, 2000-2011
The folder or correspondence is the result of a Freedom of Informaition request made to the Department of Primary Industries in 2011. The folder was collected for research being conducted by David Waldron.Folder of reports of Big Cat by rangers. australian mythical animals collection, david waldron, department of primary industries, rangers, peter walsh, warragul creek, binginwarri, coongulla, straford, licola, blanket hill, darramin, blanket hill, woodside beach, heyfield, puma, panther, cowwarr, glenmaggie, bolands bluff, darrimen, bolands bluff, binginnwarri, dawson, the springs, mt taylor, black range, driffield west, snowy plains airstrip, glenmaggie north, jack smith lake, munro, briagaling, dutson downs, connors plain, giffard west, darriment, joyces road junction, giffard west, wallaby creek, south gippsland highway, avon river, orbost, four mile creek -
National Vietnam Veterans Museum (NVVM)
Book, Essex-Clark, John, Maverick Soldier: an Infantryman's Story, 1991
Maverick Soldier is the forthright, nuts and bolts account of John Essex-Clarks' unmatched experience as a warrior, leader and teacher. Its telling is all of a piece with the man himself - bluff, astute no-nonsense.Maverick Soldier is the forthright, nuts and bolts account of John Essex-Clarks' unmatched experience as a warrior, leader and teacher. Its telling is all of a piece with the man himself - bluff, astute no-nonsense.soldiers - australia - biography, vietnamese conflict, 1961-1971 - personal narratives, australian -
Stawell Historical Society Inc
Photograph, View of Stawell from Big Hill 1874 photo showing mines at North end of Stawell -- Looking towards Briggs Bluff -- 2 Photos
Black and White photograph of Stawell from Big Hill with mining in foreground and Moonlight evaporation dams. Holtermann photograph Taken April 1874mining, panorama -
Inverloch Historical Society
000733 Photograph - 1950's - Retaining Wall, Inverloch, tide out looking towards Townsend Bluff - from Bill Grieve
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Inverloch Historical Society
000734 Photograph - 1950's - Retaining Wall, Inverloch, tide out looking towards Townsend Bluff - from Bill Grieve
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Moorabbin Air Museum
Memorabilia (Item) - Pacific Chieftain Sunderland, Ansett flight Hobart to Bluff NZ
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Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on board, Kevin Taylor, Red Bluff Cliffs, 2003
kevin taylor, red bluff, cliffs, black rock, port phillip bay, half moon bay, bayside, coast, beach, boat -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Photograph - type C photograph, Red Bluff Cliffs
photograph, red bluff, cliffs, bay, port phillip bay, black rock, bayside, coast -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - ink and watercolour, Annette Meikle, Coastline and Red Bluff, 1977
In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003.Annette Meikle, Coastline and Red Bluff 1977, ink and watercolour, 25.9 x 25.5 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, bay, port phillip bay, coastline and red bluff, red bluff cliffs, coast -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Photograph - sepia photograph, Sandringham
sandringham, beach, coast, red bluff, port phillip bay, ti-tree -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - watercolour, William Oliver, Red Bluff at Half Moon Bay, Sandringham, 1929
watercolourcoast, water, landscape, boat, red bluff, half moon bay, sandringham, cliffs, william oliver, bayside, port phillip bay