Ballarat tram No. 30 in Wendouree Parade, Gardens, just before Ballarat Tramway Museum's junction. Has Mount Pleasant destination, large triangles on front dashes. Has just past a tram stop, No other vehicles on the roadway, including no parked motor cars.'SEC No. 30 at Gardens, Ballarat, 24-3-1959, W.Jack Photo' in blue ink.tramways, trams, ballarat, gardens, wendouree parade, tram 30

This is a collection ranging in dates from 1917 to the 1980s. It reflects a range of local and national organisations supported by people in the community. These include local schools such as the Wodonga Central School and Wodonga High School and local sporting clubs including the Wodonga Football Club and the Wodonga Bowling Club. National organisations like Red Cross, the Returned Soldiers' League, Legacy and the CWA are also represented.This collection commemorates a range of local and national organisations supported by community members throughout the 20th century.A collection of 50 different badges to commemorate a range of organisations and events. Included are several ANZAC Day and Legacy badges. Also in the collection are badges for Girl Guides, several sports clubs, Red Cross, Red Triangle Day 1917, the CFA and some church groups.commemorative badges, memorabilia, service organisations

Rectangular, cream, plastic, flexible label with black inscription. Sewing holes across top made by sewing needle.top to bottom: M.620144 DKT. F/No. 38077 7057 Size W Cape Nurses Winter Scarlet Army 26 12G 26. In purple: S(triangle)S stamped onarmy, nurses cape, label

Photograph shows SEC Ballarat tram No. 36 at the Sebastopol terminus late 1950s. Tram has the destination of Lydiard St North, and is fitted with large triangles. Photograph and date unknown.Yields information about tram 36 at the Sebastopol terminus.Black and white photograph with plain back - two size prints held.tramcars, sebastopol, tram 36

Selection of metal files used for cutting wool bale stencils with an accompanying box. Not all files belong to this box as some are too long to fit within. Used in Denny’s Lascelles Bow Truss building by Maurice Dalton who was the foreman of the building for 34 years. Files are ‘Cup Brand’ – ‘Best refined steel files’ and were manufactured by the no longer trading Moss & Gamble Brothers LTD at the Franklin works in Sheffield, England.12 steel files of varying length, thickness and shape. The longest and thickets are in a flat half circle with some files being fully flat, others complete cylinders, one is a complete square and others are in the shape of a triangle. Cardboard box is brown with black inscription on lid of box.stencils, denny’s lascelles bow truss building

Donated by Joanne Morris (1973) in June 2014. (1) See Staff/ Geoff Olive.(1) Digitised copy of photograph of Geoff Olive's band, "HotPans." (2) Article: "Triangle Community Steelbands" about a gig for G. Olive's band, HotPans, at an Australian Open Garden function at his home on 20 October 2013. Includes photographs. See B14.0074 and B14.0066.geoff olive, band, hotpans, open garden, joanne morris, staff, students

This spoon, made by William Page & Co., is electroplated nickel-silver and was recovered during the late 1960s to early 1970s from an unnamed shipwreck along the coast of Victoria. The shipwrecks in the area range from around the 1840s to the early 1930s. The spoon is part of the John Chance Collection. This spoon is likely to have been recovered be from the wreck of the Loch Ard (1873-1878) as other cutlery in the Flagstaff Hill’s Shipwreck Collection made by William Page was also recovered from the Loch Ard. The ship’s Manifest included a large quantity of cutlery. Also, other objects in the John Chance Collection were also recovered from wreck of the Loch Ard. In the mid-1800s electroplated cutlery became a popular substitute for the traditional but more costly sterling silver pieces. The ‘new’ cutlery was made from a more common base metal, such as nickel or a nickel alloy, then electroplated (coated) with a very thin layer of silver. The eating utensils looked like the expensive, pure silver version but eventually, through use and wear, the base metal would show. Some producers warranted their electroplated silver to be ‘white throughout’. WILLIAM PAGE & CO., BIRMINGHAM, ENGLAND - Although the electroplated cutlery of William Page & Co. was made in Birmingham, it does not include the embossed Birmingham Assay’s mark of an ‘anchor’ because the metal used for the spoons is not silver. William Page used various Maker’s Marks on his cutlery. The pattern of five embossed marks on this spoon is a typical example, with the embossed sunken crown containing ‘W P’ being the first in the column of symbols. - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamond William Page established his business in 1834, according to the text around a printed Trademark. The firm William Page & Co. began electroplating in 1855, and from 1880 it operated from Cranemore Street, Cattle’s Grove and also at 55 Albion St, Birmingham. The firm registered a new Trademark [‘W P’ within a diamond boarder within a sunken diamond] in 1897; previously the Mark were the initials WP within a crown, but the British legislation prohibited the use of a ‘crown’ mark on electroplated ware in 1895. In 1936 the firm became William Page & Co. Ltd and became a supplier of spoons to the British Government in 1938, marking its products with the ‘broad arrow’ symbol. The firm also traded with the brand names Armour, Asrista, Bolivian Silver, Roman Silver, Roumanian Silver, Silverite and Trevor Plate. Although this spoon is not linked to a particular shipwreck, it is very likely to have come from the wreck of the Loch Ard; the ship’s Manifest includes a large quantity of cutlery. Regardless, it is recognised as being historically significant as an example of cutlery carried onboard a ship as either personal belongings or cargo and brought into Colonial Victoria in the 19th to early 20th century; through this we have added opportunity to interpret Victoria’s social and historical themes of those times. The spoon also has significance for its connection with many similar William Page pieces of cutlery in our collection that were recovered from the wreck of the sailing ship Loch Ard (1873-1878). William Page & Co. of Birmingham is one of the renowned 19th century manufacturers and electroplaters and was supplier of spoons to the British Government in 1938. The spoon has added significance, as it was recovered by John Chance, a diver of wrecks, including the Loch Ard, in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Spoon; teaspoon, electroplate nickel-silver, discoloured to green and red-brown in places. Fiddle design. Bowl has indents and holes. Five embossed Maker’s Marks on back of handle, arranged in a column from tip towards bowl. Made by William Page and Co., Birmingham. The spoon no longer has its silver plating. The surface has encrustations. Bowl has nicks, indents and holes. Stem is very bent at the shoulder. Discoloured to green and red-brown in places. Embossed Maker Marks - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamondflagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, loch ard, cutlery, flatware, silverware, tableware, eating utensils, dining, spoon, electroplated cutlery, william page & co, william page & co. ltd., birmingham plate, silversmith, antique, vintage, fiddle design, fiddle pattern, teaspoon

This spoon, made by William Page & Co., is electroplated nickel-silver and was recovered during the late 1960s to early 1970s from an unnamed shipwreck along the coast of Victoria. The shipwrecks in the area range from around the 1840s to the early 1930s. The spoon is part of the John Chance Collection. This spoon is likely to have been recovered be from the wreck of the Loch Ard (1873-1878) as other cutlery in the Flagstaff Hill’s Shipwreck Collection made by William Page was also recovered from the Loch Ard. The ship’s Manifest included a large quantity of cutlery. Also, other objects in the John Chance Collection were also recovered from wreck of the Loch Ard. In the mid-1800s electroplated cutlery became a popular substitute for the traditional but more costly sterling silver pieces. The ‘new’ cutlery was made from a more common base metal, such as nickel or a nickel alloy, then electroplated (coated) with a very thin layer of silver. The eating utensils looked like the expensive, pure silver version but eventually, through use and wear, the base metal would show. Some producers warranted their electroplated silver to be ‘white throughout’. WILLIAM PAGE & CO., BIRMINGHAM, ENGLAND - Although the electroplated cutlery of William Page & Co. was made in Birmingham, it does not include the embossed Birmingham Assay’s mark of an ‘anchor’ because the metal used for the spoons is not silver. William Page used various Maker’s Marks on his cutlery. The pattern of five embossed marks on this spoon is a typical example, with the embossed sunken crown containing ‘W P’ being the first in the column of symbols. - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamond William Page established his business in 1834, according to the text around a printed Trademark. The firm William Page & Co. began electroplating in 1855, and from 1880 it operated from Cranemore Street, Cattle’s Grove and also at 55 Albion St, Birmingham. The firm registered a new Trademark [‘W P’ within a diamond boarder within a sunken diamond] in 1897; previously the Mark were the initials WP within a crown, but the British legislation prohibited the use of a ‘crown’ mark on electroplated ware in 1895. In 1936 the firm became William Page & Co. Ltd and became a supplier of spoons to the British Government in 1938, marking its products with the ‘broad arrow’ symbol. The firm also traded with the brand names Armour, Asrista, Bolivian Silver, Roman Silver, Roumanian Silver, Silverite and Trevor Plate. Although this spoon is not linked to a particular shipwreck, it is very likely to have come from the wreck of the Loch Ard; the ship’s Manifest includes a large quantity of cutlery. Regardless, it is recognised as being historically significant as an example of cutlery carried onboard a ship as either personal belongings or cargo and brought into Colonial Victoria in the 19th to early 20th century; through this we have added opportunity to interpret Victoria’s social and historical themes of those times. The spoon also has significance for its connection with many similar William Page pieces of cutlery in our collection that were recovered from the wreck of the sailing ship Loch Ard (1873-1878). William Page & Co. of Birmingham is one of the renowned 19th century manufacturers and electroplaters and was supplier of spoons to the British Government in 1938. The spoon has added significance, as it was recovered by John Chance, a diver of wrecks, including the Loch Ard, in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Spoon; teaspoon, electroplate nickel-silver, silver discoloured to brown. Fiddle design. Five embossed Hallmarks. Five embossed Maker’s Marks on back of handle, arranged in a column from tip towards bowl. Made by William Page and Co., Birmingham. The spoon no longer has its silver plating. Bowl has a cut in the side, and is nicked and dented. Embossed Maker Marks - ‘W P’, within raised diamond outline, within sunken crown - ‘Cross above Triangle’ symbol within sunken oval - ‘Maltese Cross’ symbol within sunken, six-sided shape - ‘crab-like’ symbol within sunken oval - ‘R D’ within sunken diamondflagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, loch ard, cutlery, flatware, silverware, tableware, eating utensils, dining, spoon, electroplated cutlery, william page & co, william page & co. ltd., birmingham plate, silversmith, antique, vintage, fiddle design, fiddle pattern, teaspoon

Although the medal is inscribed 'Warrnambool R C' we believe it to be a Warrnambool Bowling Club medal. The Warrnambool Bowls Club gave this medal to W&DHS in 1968 describing it as a medal won by life member William Kucks, club champion in 1895. Also newspaper reports show that William Kucks was the bowls club champion in 1895. No record has been found of William Kucks belonging to either rowing or rifle clubs. William Kucks was a long-time resident of Warrnambool, operating a boarding house in Timor Street in the 1860s and then a bakery in the same street for many years. He served as a town councilor 1899-1901.This badge is of considerable interest as a memento of a Warrnambool sporting club in the 1890s and of a well-known 19th century Warrnambool resident and town councilor 1899-1901.This brass star shaped medal has a circular centre with text surrounded by a raised narrow annulus and eight near triangular hollow shapes interspersed with small spheres. on the obverse, The reverse has a metal hook and clip. There is a ring attached to the tip of one of the triangles with a second ring through it. WARRNAMBOOL CHAMPION MEDAL R C1805 W Kucks warrnambool volunteer corps, william kucks, warrnambool bowling club

Worn and owned by Mrs Mary McKeown (nee Ford) a resident of the Orbost area.A size 27 corset of apricot coloured cotton fabric with small lines and flowers embroidered onto the fabric. It has a small elastic triangle panel in the middle front and two large panels at the sides. It appears to have stays (possibly whalebone), along suspenders hanging from the bottom.Size 27 Liberty female-costume under-clothes foundation-garments

Large paperback book with laminated red black and white covers with a montage of people and events on the front and back. The bottom righthand corner on the front cover has a red triangle made to look as if it is foldered back and printed in black is HIGHLIGHTS FROM THE PAGES OF ONE OF THE WORLD'S GREAT NEWSPAPERS.age, newspaper, history, hutton, tanner, blainey, highlights, ranald mcdonald

Used by the St John's Ambulance Association to show how to bandage injuries.Two large cotton triangles one printed images in black showing correct method of bandaging different body parts with Logo with The St John Ambulance Association at top and central man under logo has sling marked 9A and 9B. The second sling is plain calico.st john ambulance, medical

Cypriot White Painted Ware from Cypro-Geometric PeriodThe interior painted with two concentric bands and a set of concentric circles between, the rim and twin loop handles painted (one missing), the exterior with two opposed crosshatched triangles flanked by lines, over a set of two bands with lines between, a Maltese cross is painted on the base of the foot cypriot

Photo of Ballarat No. 20 climbing Victoria St. hill from Bakery Hill, 26-6-1962. Tram fitted with dash canopy lights, small white stripe, small triangles. Western highway narrow seal, one motor car in distance, Darkish photo, grainy.SEC Ballarat No. 20 in Victoria St. 26-6-62' in blue ink.tramways, trams, victoria st., tram 20

Ballarat tram 36 in Sturt St, at Lydiard St, with tram stop in foreground. Town Hall and Myers in background. Tram has large white triangles, and painted with the white strip under the windows, but lights yet to be fitted. Has destination of Sebastopol. Tram looks recently repainted.'SEC Ballarat, No. 36, Sturt St. Ballarat, 16-1-61' in blue ink and 'W.Jack' stamped onto slidetramways, trams, ballarat, sturt st, tram 36

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of - On the edge of the 'Iron Triangle' in War Zone D North West of Bien Hoa, South Vietnam, a 1 RAR digger hit by a VietCong Sniper is treated by Battalion Dr Maj Mike Naughton prior to being Casevaced by an American Dustoff helicopter. (1966)photograph, 1 rar, hue, iron triangle, bien hoa, maj mike naughton, gibbons collection catalogue, viet cong, wounded serviceman, war zone d, viet cong sniper, dustoff helicopter, denis gibbons

The document starts with the 3 T's Triangle: Time, talents, tasks and then has suggestions under the headings of Dept. Child Care; Dept. Adult Care; City Missions; UNICEF Fair; Missions - Home and Overseas.Single sheet of typed paper with black type.methodist girls' comradeship golden jubilee 1968, service projects

Colour print of Bendigo Birney No. 29 leaving the depot in now Tramways Ave on its way to Golden Square . The tram has large reflectorised triangles on its dash panel. Photographer and date not known.Yields information about Bendigo No. 29 and the depot lead.Colour prints - on plain papertramcars, tram 29, bendigo, birney tramcars, bendigo depot

From the collection of Margaret ScarlettTriangle shaped cream crockery ash tray. Fine green line around top edge. An indentation to hold lit cigarettes in each corner. Transfer of a bulldog sitting on Union Jack with warships and planes in the background on bottom of ashtray. 'Britain's Challenge' written on top of illustration and 'Come On..' below.'Britain's Challenge' Come On.. Empire England Ivory 741personal effects, smoking accessories, civic mementoes, souvenirs

Making trench art was a common way of passing time. Soldiers would use what was available to them. In this case a brass shellMade from brass 25Pdr shell. The has raised clovers and 1914 prominent around a systematically pitted surface. Previous attempts to polish the shell have left these pits white/green in colour. The top of the shell has been cut with triangles removed to leave a sharply serrated top. 1914ww1, trench art, wark vc club, regimental property

Documents the minutes from all meetings held by the Ladies Harbour Lights Guild from the 9th of March, 1923 to the 12th of March, 1940. The minutes record the dates, locations and attendance of the meetings. The book also contains a number of documents, such as a resignation letter, newspaper clippings and the Programme of Meeting from the Victoria Mission to Seafarers Annual Meeting for 1934. The minutes also record the organisations reaction to the declaration of the Second World War.This is a record of all the member, meeting and activities of the Ladies Harbour Lights Guild between 1923 to 1940. Of especial interest is the fact that this time overlap[s with the start of WWII.Front cover: LHLG MINUTES / 3/23 - 2/40 handwritten on white sticker.1940, minutes, williamstown, wartime, lhlg, ladies harbour lights guild, ww2, 1923-1940, lhlg minutes

Light pink card with red circle behind a small grey bird which is sitting on a gold branch. In the top left corner is a black triangle bordered by gold. On top of the black and into the pink is a spray of pink roses. Card & insert held together by pale pink ribbon. Inside is a verse by Whittier.Raphael Tuck & Sonsperson, greeting cards, malone collection, malone collection, greeting cards, raphael tuck & sons, whittier

Clothing. Cream coloured triangular ladies silk scarf. Mid blue border on two short sides with pattern of triangles and vine. Cream coloured centre has printed pattern of vines and leaves. Long edge of scarf is a raw edge that has been over locked. Old box 573.costume accessories, female, triangular silk scarf

Gifted to John / jack Yeoman who was a guard at Camp 13Camp 13Ashtray carved from sandstone, ( cream with dark pink stripes ), slightly triangle in shape, undulating surface. Heart shaped ashtray carved with a cigarette holder in one edge. Monkey is cream in colour, carved with holes to hold spare cigarettes. Monkey attaches with a spike on it's bottom to the ashtray corner. Ricordo Pirgionero = record of my imprisonment / memory of a prisoner is carved on the top and the bottom of the ashtray

Photo of Ballarat No. 12 at the intersection of Sturt and Lydiard Sts., 21/3/59. Tram fitted with large reflective triangles and other reflective strips. Has Victoria St. destination. Old Commonwealth Bank building, MLC in background. Tram on opposite of road. Seats for passengers painted various colours'SEC Ballarat No. 12, Sturt St., 21-3-59, W.Jack photo' in blue inktramways, trams, sturt st, lydiard st, tram 12

Ballarat tram No. 11 in City Loop, 30-3-1959. Tram fitted with large triangles on front dash, showing 'City' destination. Exposed for shadow on tram. Taken in same location as slide No.411. In background is the buildings of the south side of Sturt St. by loop, Patersons, Ballarat Gas Co.'Ballarat No. 19, Sturt St. 30-3-59'tramways, trams, ballarat, city loop, tram 11

A thick dark blue hardcover New standard Cookery Book Illustrated edited by Elizabeth Craig. Front cover has an embossed border of triangles in a lined edging with a bowl surrounded by flowers at the top. The spine has the title and a bowl printed in gold lettering. Black and white photographs are throughout. 1015p.non-fictionAn illustrated cookery book for both experienced and inexperienced housewives with modern and favourite old recipes.cookbooks, cookery books

Possibly used in a factory or similar business for mail delivery to different departments. Metal triangle loops indicate it was hung on a wall front grill denotes it was used to display mail for different departments in an office or workshop/factory setting.Significant as it appears to be a one off item probably made specifically for a particular business the design in gold paint to the front is naïve indicating it was made and used possibly late Victorian or early Edwardian period 1890-1920.Basket metal Postal letter basket painted black, Marked "Post Delivery"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Colour patch is probably 2/2nd Heavy Anti Aircraft Regiment.1. Jacket, wool. Colour sort of grey tinted khaki. Has 4 front pockets. Buttons are darkened AMF type - 4 on front. Epaulettes have darkened "AUSTRALIA" name badge on each collar have darkened Rising Sun Badges. Shoulders have a triangular shaped colour patch. Red and Blue triangle on grey felt triangle. Chest has a ribbon bar showing 4 service medals. 2. Trousers - wool - colour Khaki. 3. Hat - Khaki, slouch. WW1 style hat band. Darkened Rising Sun Badge- AMF. Service ribbons are; 39 - 45 star. Pacific Star. British War Medal. Australian Service medal.Trousers - in green texta - “21-95” in waistline.ww2, uniform, army, passchendaele barracks trust