The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.A Rose Series postcard of Ferny Creek in the Dandenongs to the north of Melbourne. The monochrome postcard is numbered P. 3811.Front: THE ROSE SERIES P. 3811 COPYRIGHT / VIEW AT FERNY CREEK, VIC. Reverse: POST CARD / THE ROSE SERIES DELUXE / A REAL PHOTOGRAPH PRODUCED IN AUSTRALIA / PUBLISHED BY THE ROSE STENOGRAPH CO., ARMADALE, VICTORIA / [Inscription] Many Happy Returns of the day, Mum.ferny creek - victoria, postcards

Stereo-graphs were popular 1850 - 1930 Most stereoscopic methods present two offset images separately to the left and right eye of the viewer. Stereo-graphs feature two photographs or printed images positioned side by side about two and half inches apart, one for the left eye and one for the right. When a viewer uses a stereoscope, a device for viewing stereo-graphs, the two-dimensional images are combined by the brain to give the perception of 3D depth. The London Stereoscopic Company quickly developed technologies for mass - producing stereo-graphs; and between 1854 and 1856 the company sold over half a million stereo-graphs. Small, hand-held metal and timber steroeographic view-finder. The metal goggles are engraved with a free-flowing design. The rim of the goggles are covered in red velvet. A timber handle is attached with a metal hinge to the timber extension that has a wire frame to hold the stereo photographs. The streographic photos comprise 2 identical black and white photos mounted, side by side on brown card.Photocards 'ROSE'stereographs, stereoscopes, photographs, view-finder, wheatstone charles, london, moorabbin, melbourne, bentleigh, early settlers, market gardeners, entertainment, stereograph cards

Black and white photograph showing view from Milton St, Heathmont"Written on back of photograph" Looking toward Bayswater and the Dandenongs from Milton St Heathmont 1952-3

Black and white photograph showing view from Milton St, Heathmont"Written on back of photograph" Looking down Milton St from the drive of 7 Milton St, Heathmont 1952-3

Photograph showing and overview of Country Roads Board Camp at Eastern Viewg.o.r.: c, r.b. construction camp at eastern view

Colour photograph of oblique aerial view centred on Eltham Library, 1994eltham, eltham library, eltham shire offices, eltham central park, alistair knox park, main road, aerial photographs

Black and white photograph of railway bridge, Mountain View Road, Montmorencybridges, railways, mountain view road, montmorency

Burra is a town in South Australia's Copper triangle. View of mining remnants at Burra, South Australia from the Burra Lookout.

Colour Slide; aerial View of Mt William through scattered cloudsgrampians, mt william

Colour Slide: Aerial View of Grampians Showing both Ranges and the Valley grampians

Colour Slide: Aerial View of Lake Bellfield Looking Up the Valleygrampians, lake bellfield

Ariel View looking up the Valley athte COnstruction of Lake Bellfieldgrampians, lake bellfield

Ariel View of Lake Bellfied looking down the valley showing the wallgrampians

Black and white photo of Aerial View of Site for Nunawading Civic Centre.nunawading civic centre

Colour photograph of Pine View, the home of Vince Gervasoni, of Yandoit Creek.yandoit creek, yandoit, pine view, vince gervasoni

Artist impression of the new building for Vision Australia's office in Macaulay Road, Kensington in 2009.4 digital files depicting artists view of Macaulay Road officevision australia, macaulay road kensington

Black and white photograph. View adjacent to the Croquet Lawn. Bench on the grass.175 in coloured pencil on reversegarden view, croquet lawn

historic, fire, towerView from Mount Buninyong Tower, with Ann Beggs Sunter and unknown.mount buninyong, fire tower

Colour Slide: Aerial View of Grampians Valley with lake Bellfield in the distancegrampians, lake bellfield

Black and white and sepia photographs. Views across the lake towards Government House. (a) Woman sitting on the lawn on the other side of the lake, labels on the plants visible (sepia). (b) Same view with caption, "6 Botanical Gardens." (c) Slightly different view. Photographs B91.409 to B91.417 appear to have come from the same photograph album.On reverse, "Government House - Melb from Botanical Gardens."lake, government house, royal botanic gardens, excursion, botanic gardens, view

View taken 1908 looking south over 'Kalorama', home of Ellis and Eliza Jeeves, across the valley towards the falls.This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.View taken 1908 of valley looking south over “Kalorama” towards the falls. House right of “Kalorama” was Paynter’s “Iona” on Lot 29. Faintly below line of Barber’s Road above “Kalorama” is Logan’s house on Lot 28. House against orchard was Pimm’s later Prince’s Lot 19. Big trees on right were on Price’s Lot 18 and were between Tosari Rd and Rosemont Cres. It was FROM one of these being cut up in 1931 that the round length log weighing ½ a ton got away from the splitters and raced down the hill in bounces, one of which cleared Barber’s Rd and Logan’s house in leaping from the fence line above the road.kalorama, paynter, iona, barbers road, ellis jeeves

Postcard size coloured photograph"Written on back of photograph" View of Ringwood looking from Laughnans Road,-circa 1960's

Wood family home (1969-2011) pre and post construction by Knox and HellemonsKodachrome 35mm colour transparency in cardboard mount Processing date FEB70M6Inscribed in ink "View south from 184 Progress to Scenic Crescent, Eltham North 1970"alistair knox design, eltham north, hellemon, houses, progress road, scenic crescent

Written on back of photograph, "E648. 8/1/82. View of goods intake section 'Target'".

Typed below photograph, "A Panorama of Ringwood" and written on back of photograph, "Mountain View estate circular".

Printed below photograph, "View of the Dandenongs from Lot 11. This view is observed from almost every lot". Written on back of a photograph, "Photo taken from sub. div. plan land sales. Charm View Estate, Heathmont, 1926?" Another copy reads, "Mullers orchard, Heathmont. Taken from cnr. Canterbury and Dickasons Rds. Looking east - 1926".

Illustration - set of two photos that have been glued to a sheet of lined paper. .1 - Top illustration - of L 105, letter M&MTB, route Number 2 - titled "New Central Entrance bogie car Exterior View" .2 - Lower illustration of the interior of the tram - showing bellcords, doors, 3 + 2 seating, seat panels, strap hangers, light fittings, wood panelling, windows, MMTB logos and window lifters - titled "New Bogie car - interior view". Source of the images unknown. See Reg Item 3558 for another print within an album and 7415 for a photo of one of the saloons. trams, tramways, mmtb, new trams, l class, interiors, fittings, tram l 105

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘View of the Township of Ballan’.; Views of Victoria (General Series) No.35; Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Township of Ballan is situated near the Bullarook Forest, and is distant about twenty miles from Ballarat. It is chiefly a small agricultural town, but it has become notable of late owing to its Mineral Springs, of which there are several in the neighbourhood. The most important one is owned by Messrs. Joske & Co., who supply the public with this delightful beverage.’ nicholas caire (1837-1918), ballan, bullarook forest, mineral water, ballan mineral springs, post and rail fence