Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Two pairs of polyester and viscose service dress trousers. Each pair has two side pockets, a button down hip pocket and a fob pocket. Each has sewn belt loops and a zipper fly. The waist band is closed with a metal hook. A calico manufacturer's label is sewn onto the hip pocket lining. The washing instruction label is sewn onto the inside of the waist band.army chaplain, uniform, major thomas b. williams

Royal Society of Victoria Government prize essays Brown soft covered book with the following contents: Preface Collection and Storage of Water in Victoria by Frederick Acheson (gold washing, irrigation, motive-power, general water supply, artesian wells) Agriculture of Victoria by William Story (geological and chemical character of s oils, rotation of crops, sources and application of manures.) Origin and Distribution of Gold in Quartz Veins by Henry Rosales Development of Resources in the Colonyroyal sociey of victoria, gervernment prize essays, soils, water, agriculture, gold, quartz, henry rosales, frederick acheson, william story, charles mayes, quartz mining

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets (man asleep in bed) Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros mills, physician, advertisement, australian women's weekly, geelong

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets -(mother and child)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros, physician, geelong, advertisement, australian women's weekly

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets - (woman on telephone in bed under red blanket)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, physician, collins bros, geelong, advertisement, australian women's weekly

The early settler women of Moorabbin Shire managed the household while their market gardener husbands cultivated the produce to be sold at the market Normal daily life involved washing clothes, ironing, cooking meals and baking cakes, scones, bread, and pastries. whilst caring for the children and making and mending the family's clothes The early settler women of Moorabbin Shire had to be self sufficient and were skillful cooks providing meals for their familiesAn a assortment of metal pastry, biscuit and scone cutters and tartlet tins with straight and scalloped edges in original condition with no repairs. kitchen equipment, cooking, baking, early settlers, pioneers, moorabbin shire, bentleigh, cheltenham, market gardeners, farmers,

A collection of nine prints of watercolours by S.T. Gill, depicting life on the goldfields in 1852 - 53. (a) Tin dish washing, (b) Mt. Alexander Gold escort on road to Melbourne, (c) Road from Forest Creek to Bendigo, (d) Diggers Licensing, Castlemaine Camp, (e) Eaglehawk Gully, Bendigo, (f) Cradling, (g) The license inspected, (h) Puddling, (i) Fryers Creek Nr. CastlemaineS. T. Gillpainting, watercolour, gold diggers, s.t. gill, life on the goldfields, diggers, mining

All houses were designed to provide protection from the elements and a home base for family activities - sleeping, eating, washing, recreation and earning a living. What changes is not the purpose, but the way this purpose is achieved. This book is about all these things. It is not just about architecture. Foreword by Hon Frank Wilkes, Minister for HousingAn 80 page soft-cover book with index and numerous photos and sketches.On the front cover in top RH corner and on foreword page in Jocelyn Hall's writing: "Surrey Hills Neighbourhood Centre"architectural styles, housing - victoria, ministry of housing, architecture - domestic - victoria, (mr) nicholas hudson, (mr) peter mcewan

This tub probably dates from the early to mid 20th century and would have been a common item in households in those times. It could have been used for laundry items or for other washing processes in the kitchen. Wash houses in the early to mid 20th century were usually separate buildings or sheds outside of the house.This item is retained for display and discussion purposesThis is an oval- shaped metal tub wider at the top than at the base. It has a ridged top, a strengthening metal band around the base and two metal handles. It is somewhat rusty.vintage household items, warrnambool & district historical society collection

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, CollectiomTwo pairs of khaki polyester trousers each with two side pockets and one hip pocket with button down flap. Each has seven belt loops. A fob pocket is on the RHS just below the waist band. Zipper fly. Waist band is closed with a metal hook. Calico manufacturer's label sewn onto the hip pock lining. Washing instructions label is sewn onto the inside of the waist band..1) Handwritten on name label in black ink: ' 556101, CHAP T.B. WILLIAMS'.army chaplain, uniform, major thomas b. williams

Camp 2 waterclour. Donated Lieut Frederick Ferdinando Hardy b 1881. Served in Boer War, migrated to australia in 1909, enlisted WW!, with number VX7. Re-enlisted in 1940 for WW2 and served as Paymaster in camp 2Framed watercolour of Camp 2. Four huts, two in foreground and two behind. Two large gum trees and the end of the row infron t of a barbed wire fence. Corragated iron ssurrounds a small garden. Other gardens have frame work constructed from tree branches for climbing vines. Some washing hangs from another branch. Two gentlemen sit on a bench at a table appear to be studying. Tatura 1941, Theodore Engelcamp 2 tatura, theodore engel, watercolour painting, camp huts, 1941, hardy

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.White cotton apron dress with blue trim, with a label on the inside collar "Sanfor". Sanfor refers to Sanforization which was a process used to treat cotton fabrics, patented by Sanford Lockwood Cluett (1874–1968) in 1930. It is a method of stretching, shrinking and fixing the woven cloth in both length and width before cutting and producing, to reduce the shrinkage which would otherwise occur after washing. The items was donated by Teresa Mayer. sanfor, women's clothing, uniforms, teresa mayer, protective wear

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 3 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The photograph is of a stretch of the Yarra River at Kew near Macauley's Boat Sheds. Of interest is the debris in the river which reminds us that the river periodically flooded, washing down trees and branches from further upriver. "Yarra Rvr / Kew / 1925"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums

Refer Cat No. 1280, Grinton collection.Story Board - framed. Story board - black print on white and pale blue background on synthetic paper adhered to backing board. Illustrated - three black and white photographs. Frame - metal with wood backing board."A CAMERA ON THE SOMME" "Quota 45: The Journey Home". Photographs - Top - "Troops on deck of HMAT Karmala, at sea 1919". Middle "Workers on board HMAT Karmala, at sea 1919". Bottom "Washing drying, soldiers wrestling and relaxing on HMAT Karmala, at sea 1919."framed accessories, camera on the somme, ww1, 38th bn, grinton, hmat karmala

John Ferrier was employed on the farm of the Sundermans. In July 1900 he shot Alice Aubrey, sister of Mrs Sunderman, at Dawson near Heyfield. She was shot in the back whilst hanging out the washing. Defence was temporary insanity which was hereditary in his family. He was found guilty and sentenced to death which was commuted to life imprisonmentPrison record for John Ferrier, prisoner registered number 39234, giving details of the prisoner, his crimes and the dates and places of his trials.english speaking prisoner, john ferrier, murder, alice aubrey

A washboard is a tool designed for hand washing clothing. The traditional washboard was usually constructed with a rectangular wooden frame in which are mounted a series of ridges or corrugations for the clothing to be rubbed upon. In the 19th-century, the ridges were often of wood; by the 20th-century, ridges of metal were more common. Later examples substituted corrugated glass of plastic for the metal.A domestic glass and wood wash board designed for use with a wash tub. Annotation: "Donated by Mrs Grove (daughter of Dorothy ( Allan) Edwards-Flint".wash boards, laundry equipment

A washboard is a tool designed for hand washing clothing. The traditional washboard was usually constructed with a rectangular wooden frame in which are mounted a series of ridges or corrugations for the clothing to be rubbed upon. In the 19th-century, the ridges were often of wood; by the 20th-century, ridges of metal were more common. Later examples substituted corrugated glass of plastic for the metal.A domestic glass and wood wash board designed for use with a wash tub. laundry equipment, wash boards

A washboard is a tool designed for hand washing clothing. The traditional washboard was usually constructed with a rectangular wooden frame in which are mounted a series of ridges or corrugations for the clothing to be rubbed upon. In the 19th-century, the ridges were often of wood; by the 20th-century, ridges of metal were more common. Later examples substituted corrugated glass of plastic for the metal.A domestic glass and wood wash board designed for use with a wash tub. laundry equipment, wash boards

The Bessiebelle Sheepwashes and Yards complex is located on the former 14,000 acre Ardonachie Run, established in 1848 by pastoralist Samuel Gorrie, then carrying 6,000 sheep. In 1864 this run was subdivided into smaller runs, and the sheep washes were located within Mount Eccles and Lake Gorrie Run. The date of construction of the washes and walls is not known, although they were probably constructed within the period 1848-1864. The Bessiebelle Sheepwashes and Yards are probably the largest and most sophisticated surviving example of a traditional pastoral property sheepwash in Victoria. They clearly demonstrate the large network of races, yards and folds necessary for washing thousands of sheep over a short period of time. The Bessiebelle sheep washes apparently predate later technological changes and the necessity for hot water washing. The Bessiebelle sheepwashes and yards are of landscape significance as a cultural landscape which has been both modified by, and cleverly adapted to, an annual process that was of critical importance within the pastoral calendar. The drystone walls and races appear to evolve from the rocky terrain, and have a strong organic affinity with the prevailing harsh landscape. The drystone walls demonstrate a high level of craftsmanship and skill in their construction, and reflect the extensive scale of pastoral operations across the landscape. The Bessiebelle sheepwashes and yards are of archaeological significance to the State of Victoria. The site has not been fully surveyed but its complexity strongly suggests a potential to reveal more about the washing processes and associated pastoral occupation and activity in the area.(Heritage Victoria)drystone, bessibell, sheep race, sheep wash, agriculture

At Seymour training camp.seymour army camp, training camp, aif, washing, a.i.f, ww1, world war 1

At training camp in Seymour. seymour army camp, seymour, training camp, ww1, aif, a.i.f, washing

Galvanised iron oval tub with handle on each end. Decorative bead near top, reinforced rim at base.No visible markingsdomestic items, laundering, tub, laundry, washing, clothes, iron

This is a camp of survey workers surveying the railway line . They were camped at Mossiface in 1907. It has been sent as a postcard - "Dear Miss Ross, Just a card, hoping you are well etc, trust you have not forgotten our trip. I forgot to get the name of the street in Hobart of Mr Benjamin or Temple?????? Sufficient. Yours sincerely H.R. Gordon". It has been dated September 30th 1907. There had been men surveying in East Gippsland from the late 19th century. Railway surveyors advocated two lines beyond Bairnsdale – one via Bruthen and the Tambo Valley to Omeo, the other via Swan Reach and Colquhoun to Orbost, then on to Bendoc and the border. With all the argument and feuding between the warring factions, by the end of 1891, the Parliamentary Railways Standing Committee gave up in despair of trying to reach any agreement and abandoned the idea altogether. Finally, with all problems solved, the first sod was turned at Mossiface on 9.1.1912, the government sticking to the original route in the 1890 survey .This is a pictorial record of a surveyors' camp in the early 20th century. The Bairnsdale to Orbost Railway was a significant contributor to the economy of Orbost until it closed.A black / white photograph / postcard of a group of men at a campsite. In the background is a row of tents. on the right side is a clothes line with several sheets hung over it. Two men are studying a map or chart; one man is sitting with a cloth around his shoulders while another is standing behind him cutting his hair; one man is washing cloth in a tin tub; another appears to be stirring a pot; others are sitting reading or just observing.on front - handwritten is " R.L.Y.S. SURVEY CAMP MOSSIFACE 27.7.07" on back is a letter - "Dear Miss Ross.............yours sincerely ????? Gordon"surveying-railway east-gippsland-railway mossiface-survey-camp

6 ST Gill prints titled, [1] 'The Foundation of Eaglehawk in 1852. On the reverse of (1) is a pencil drawing named 'The Road To Allandale, Victor Cobb 1932, [2] Road from Forest Creek to Bendigo. [3] Fryers Creek near Castlemaine. [4] Tin Dish Washing. [5] Diggers Licensing Castlemaine Camps. [6] Eaglehawk Gully Bendigo. Reverse stamped Bendigo Branch Royal Historical Society of Victoria, 1959.bendigo, gold mining, s t gill prints

Black and white photograph of a flood in Elizabeth St, with the GPO, Royal Arcade and London Stores in the background. Taken at the intersection with Flinders Lane. Shows a car with water washing over it and a safety zone in the background. Photograph by The Age, has a copy right stamp on the rear. Follows a massive downpour around the Queen Victoria Market. The cataloguer was working nearby in Collins St at the time, but no camera! See TMSV Running Journal April 1972 for details of the event.On the rear in pencil "Thursday 17/2/72 4 to 5pm, 3" Rain"trams, tramways, flooding, elizabeth st, gpo

This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of hand dyed wool produced by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin

This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of hand dyed wool produced by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin

This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of hand dyed wool produced by by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin

This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of home dyed wool produced by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin