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Federation University Historical Collection
Photograph, William Coghill Jnr and Catherine (Holmes) Coghill
William Coghill jnr of Coghill's Creek died in 1884 aged 63 and was buried at Ballarat. His wife Catherine Holmes was the daughter of Henry Holmes. She drowned in the 1866 wreck of the Ly-ee-Moon off Green Cape with the loss of 76 livesBlack and white studio photograph of a standing man and seated woman. They are William Coghill and his wife Catherine Dorothy Holmes, the descendants of Ballarat and District pioneer families. They married in 1860. Written in blue ballpoint pen verso: "Thought to be Wm Coghill Jnr and his wife (Miss Holmes). Wm Coghill buried Ballarat, died 1884, aged 63 years. His wife drowned in the wreck of Ly-ee-moon, a popular passenger ship, off Green Cape (near Eden, NSW) and...[drowned in 1866 with many others including her brother Edmund Holmes]. chatham, chatham family collection, william coghill, catherine holmes, catherine coghill, ly-ee-moon, coghills creek, coghill, holmes -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Bacchus Marsh & District Historical Society
Financial record, Weekly Account Book of William Grant's Bakery Business in Melbourne circa 1840s
William Grant was an early European colonist in the Bacchus Marsh township. Before arriving in Bacchus Marsh he conducted a bakery business in Melbourne in the 1840s. He arrived in Bacchus Marsh around 1850 and became successful in business and was prominent in many community and local government organisations. He died in 1884. Bound ledger book with hand written entries listing products and services provided by a bakery business conducted by William Grant in Melbourne. The entries cover the period 1842-1843.william grant 1813-1884, grant family bacchus marsh -
Glen Eira City Council History and Heritage Collection
Booklet, "AVENUES OF HONOUR The Councils of the Municipalities of the CITY OF CAULFIELD TOWN OF BRIGHTON acting in conjunction PUBLIC DEMONSTRATION SAT 3rd AUG. 1918 AT 3oCLOCK"
Souvenir Programme from the Councils of the Municipalities of the City of Caulfield and the Town of Brighton for a Public Demonstration to be held on Sat 3rd August 1918 at 3 o'clock for the proposed Avenues of Honour to be planted in memory of fallen WWI soldiers. From Honour Roll Display 2019 interpretation panel - Brighton-Caulfield Avenue of Honour It is hard to imagine but a grand arboreal Avenue of Honour once lined parts of North Road, McMillan Street and Point Nepean Road (now Nepean Highway). The Avenue of Honour was a distinctly Australian phenomenon with hundreds being constructed throughout Australia during and following World War One, most of these in Victoria. Consisting of tree lined streets with each tree representing a solider, the Avenue of Honour signalled a more egalitarian approach to commemoration where rank was not a consideration. Arguably the most famous Avenue of Honour in Victoria still exists at Ballarat. Stretching for nearly 22 kilometres, the entrance to the Avenue is marked by the imposing Arch of Victory. Smaller in scale, the Brighton-Caulfield Avenue of Honour was dedicated to the ‘memory of (Brighton and Caulfield’s) kith and kin who came from (the) district and who died in the Great War’. A joint project between the neighbouring Councils, the idea was first reported in The Argus on 1 July 1918. Plans moved along quickly and on 3 August 1918 the Governor of Victoria Arthur Stanley planted the first Australian flowering gum. The next of kin were then invited to plant trees for lost sons, brothers, uncles, nephews and husbands. In all, over 400 trees were planted. Intensely personal, the Avenue also acted as a focus of grief and remembrance for the wider community. For many years, the annual civic Anzac Day service was held at the Avenue on Point Nepean Road, near Glen Huntly Road, Elsternwick. The service was moved to Caulfield Park upon the completion of the Cenotaph in 1930. Due to road widening and disease the last original tree was replaced in the 1980s, however a plaque in Caulfield Park records the Avenue’s plantation. Commemorative booklet, grey cover with text printed on the grey textured paper cover and an image of four trees and a wreath. Image of a kookaburra on the back. Inside, 28 numbered pages with b/w text and photographic images including a transparent paper representation of the proposed Avenues of Honour on Brighton Road and Point Nepean Road. Souvenir programme for a Public Demonstration for the Avenues of Honour as detailed on the front.city of caufield, world war one, first world war, anzac, remembrance, town of brighton, brighton, caulfield, avenue of honour -
City of Ballarat
Artwork, other - Public Artwork, Wallace Anderson, William Morris Hughes (Prime Ministers' Walk) by Wallace Anderson, c1940
William Morris Hughes, Australia’s 7th and longest serving Prime Minister until 1957 when Robert Menzies overtook Hughes’ record term from 1915 to 1923. A long standing parliamentarian of 51 years and 7 months continuous service as a member of Australia’s House of Representatives – from the 1st parliament in 1901 to the 20th in 1952. The Prime Ministers Avenue is a collection of bronze bust portraits of the Prime Ministers of Australia, located at the Ballarat Botanical Gardens in Ballarat, Victoria. The Prime Ministers' portraits are commissioned after the incumbent term of each Prime Minister by the City of Ballarat. The City of Ballarat has taken responsibility for commissioning the busts after funds set aside by politician Richard Armstrong Crouch were exhausted in 2014. Crouch originally donate money to pay for six busts, the first of which was unveiled in 1940. The collection of prime ministers' busts are unique in Australia, representing the only sculptural portrait collection of all past Australian Prime Ministers. The different styles used reflect the unique artistic practices of the selected artists; textures, sizes and features and proportions are used by the artists to interpret the characteristics of each of the subjects.The artwork is of historic and aesthetic significance to the people of Ballarat Bronze bust cast on granite plinthWilliam Morris Hughes Prime Minister 1915-23prime minister, australian pm, william morris hughes, parliament -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, William. F. Scott, Easter 1991
Colour photograph, of Bendigo 25, advertising Kelly Bros and Gillies Pies, turning a corner on the North Bendigo Route, Easter 1991. Photograph by William F Scott.In the bottom right hand corner in ink "Bendigo Trust / Easter 1991 / William F. Scott photo".trams, tramways, bendigo, north bendigo, tram 25 -
Ballarat Heritage Services
Image, Dr William McCrea
Image of Dr William McCrea.dr william mccrea, eureka stockade -
Ballarat Heritage Services
Photograph - Image, William Dampier
Image of explorer William Dampier.william dampier, explorers, exploration -
Ballarat Heritage Services
Image - Black and White, William Henry Archer
Portrait of William Henry Archerwilliam henry archer, statistics -
Ballarat Heritage Services
Image, William R. Guilfoyle, c1887
Portrait of William R. Guilfoylewilliam r. guilfoyle -
Ballarat Heritage Services
Photograph - Photograph - Black and White, William Ellis
Photographic portrait of William Elliswilliam ellis -
Camberwell Historical Society
Photograph - Still images, Arthur William Cook
camberwell -
Federation University Historical Collection
Book - Exercise book, The Metallurgy of Gold and Ore Dressing, 1908
William Baragwanath studied at the Ballarat School of Mines, obtained a Geology certificate in 1911. He was born on 01 august 1878 at Ballarat. He joined the Victorian Department of Mines in 1897 and was Chief Mining Surveyor from 1924 to 1943. Baragwanath died at Prahran on 20 Septemeber 1966.Black covered exercise book containing handwritten notes by William Baragwanath on metallurgy of gold & orr dressing Headings include: Orr dressing Battery practice Physical properties Copper Gold Assaying ballarat school of mines, mining, william baragwanath, gold, copper -
Meredith History Interest Group
Photocopy of a painting, Portrait of William Dunbar Johnston
William Dunbar Johnston was appointed sub-inspector of police in Meredith. He had a major drinking problem. He and another trooper were taking prisoners from Buninyong to Meredith but failed to realise their "loss' until they reached Meredith. He fell from his horse and died aged 37, had a lot of debts, had been widowed in 1853.This item is significant becausePhotocopy of a painting of William Dunbar Johnston. Policeman with large moustache, black hair curled on right side, dark eyebrows, looking slightly to his left and wearing a police uniformmeredith cemetery, meredith trooper died, meredith policeman, trooper, meredith trooper, william dunbar johnston, william dunbar johnstone -
Ringwood and District Historical Society
Photograph, Ringwood Councillor W.R.(William Ronald) Wilkins - c.1986, c.1986
Black and white photograph of Councillor W.R.(William Ronald) Wilkins c.1986 +Additional Keywords: Wilkins, William Ronald, Cr. -
Beechworth RSL Sub-Branch
Certificate, The Returned and Services League of Australia (Queensland Branch) 90 years 1916 -2006 recognises William Kelly, June 2006
A certificate of recognition of membership of the RSL Queensland Branch on the 90th Anniversary of the RSL in Australia. Signed by the State President, Deputy President and State SecretaryRecognises William Kelly -
Highett RSL Sub Branch Inc
Memorial Plaque: [Dead mans penny], 3007 William John McInerney Dead mans penny (in oidginal Cardboard case)
William John McInerney -
Highett RSL Sub Branch Inc
Memorial Plaque: [Dead mans penny]:, William John McInerney
Will McInerney was born in Sydney and moved to Melbourne with his Parents Cyril and Mary McInerney. Will MDead mans penny (in oidginal Cardboard case) William John McInerney -
Bendigo Military Museum
Document - DOCUMENT, FRAMED, Soldiers Memorial Museum, "FRANCIS WILLIAM (Dinky) DEAN BEM", 2021
"FRANCIS WILLIAM (Dinky) DEAN BEM". Refer to Cat no 124.2 For Service History.Document, white paper with blue and black print, biographical information of "FRANCIS WILLIAM (Dinky) DEAN BEM". Documents, service history, awards, medals and commendations. This framed document is used for display purposes along with a framed photographic collection. Frame, black plastic frame, with glass front and MDF board back.framed accessories, documents, biography, francis william (dinky) dean bem -
Whittlesea Historical Society Inc.
Photograph, Padre Hayes, Vera Benson and William Carswell, 1927
Padre Hayes Collection. A photograph taken by Padre Hayes of a Bride and Bridegroom leaving the deserted Baptist Church Separation (now Mernda) after being married. Identified as Vera Benson married to William Carswell in 1927.This photo forms part of a collection of photographs taken by Padre Herbert Edward Elton Hayes (1882-1960) who was a significant local figure in Mernda.Black and white/sepia photograph.On rear: Bride and Bridegroom leaving deserted Baptist Church Separation after being married. Vera Benson and William Carswell c. 1929.padre hayes collection, mernda, herbert edward elton hayes, hayes family history, vera benson, william carswell, bride and groom, baptist church separation, baptist church mernda -
Whitehorse Historical Society Inc.
Photograph, William & Mary Jane (Smith) Chalmers & their 3 children
Black and white print of William and Mary Jane (Smith) Chalmers and their 3 children. Left to right - Ellen Isabel Chalmers (Baby), Mary Jane Smith Chalmers,Theresa Chalmers, William Bertie (priest) and William Chalmers.. (Undated)chalmers, william, mary jane, smith -
Stawell Historical Society Inc
Map, William, County of Borung, Shire of Stawell, 1945
William, County of Borung, Shire of Stawellstawell -
Ringwood and District Historical Society
Book, William and Mary Hussey
Hussey family history including William Hussey, Mary Hussey, and William John Hussey, prepared by Bruce Bence of Warrandyte in December 1986 -
Marysville & District Historical Society
Postcard (Item) - Colour postcards, John William Lindt, The Hermitage on the Blacks' Spur, 1900s
A series of historical colour postcards of "The Hermitage" at Narbethong in Victoria taken by John William Lindt.A series of historical colour postcards of "The Hermitage" at Narbethong in Victoria taken by John William Lindt. "The Hermitage" was built by photographer John William Lindt as a home and guesthouse in 1894. John Lindt had previously photographed the mountain scenery of the Black Spur and purchased 71 acres and subseqently built his home and guesthouse from where he continued his career. "The Hermitage had a garden designed by John Lindt's friend, Ferdinand von Mueller, who was at one stage the Director of the Melbourne Botanic Gardens. The garden featured New Guinea tree houses from which John Lindt made frequent panoramas of his property and the surrounding forest of towering mountain ash. Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city.the hermitage, john william lindt, narbethong, victoria, black spur, ferdinand von mueller, melbourne botanic gardens, new guinea, catherine lindt, postcard, souvenir -
Ballarat Clarendon College
Book, The history of the Great European War . Vols I-II
Presented to the school by Mrs W Paterson in 1948. Possibly wife of old collegian William Arbuckle Paterson (PY1925) who served on the Ballarat College Council 1960-1971.Example of ongoing commmunity support of the school. The Weatherly Library was opened in 1936 and its collection significantly established by donation or bequest of old collegians and members of the college community and associates.Red cloth bound books with gold and black lettering and illutsration on spine and coverBook plate on flyleaf: Literature / Crest / Ballarat College / Library / Presented by / Mrs W Paterson 1948...w-a-paterson, weatherly-library, ballarat-college -
Glenelg Shire Council Cultural Collection
Book - Book - Shakespeare's play, WILLIAM SHAKESPEARE, King Henry V, c. 1917
Book of William Shakespeare's play 'King Henry V',, the Junior School Shakespeare. Red cloth limp covers, black print. -
Vision Australia
Painting - Artwork, Portrait of William Quayle, 2002
Framed portrait of William Quayle who was President of the Association for the Blind in 1905. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Quayle sits on a wooden chair, wearing a gray three piece suit, white shirt and black bowtie. A small pink flower sits in his lapel and the chain from a fob watch is tucked into his waistcoat. Mr Quayle was born on the Isle of Mann, and the Manx Society of Victoria made a donation towards this painting, which was unveiled by his granddaughter. Coral Graham lent family portraits for the artist to construct this likeness.1 art original in brown frameThe plaque at the base of the painting reads 'Mr William Quayle / President 1905 / Association for Advancement of the Blind'.association for the blind, william quayle