Showing 561 items
matching wimmera
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Stawell Historical Society Inc
Book, Regional Information Series, The Wimmera Story, 1983
stawell farming -
Stawell Historical Society Inc
Book, H. Barker, Wimmera Football Record, 1929
stawell sport -
Flagstaff Hill Maritime Museum and Village
Clothing - Traveller's Apron, Eliza Towns, Circa 1915
This apron is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes - adding her own handmade embroidered or crocheted decorative trim. In March 1915 Eliza travelled to San Francisco to visit her son, James. She went by train to Melbourne ("a pleasant journey on the up express') and the next day caught the express train to Sydney. She noted in her letters home that a " number of young men were going to Sydney to enlist but they had to stop in the corridors most of the way as there was no room for them to sit down". She spent the night on the train and arrived in Sydney the next morning and on the following day she boarded the R.M.S. "Moana" (a steamer which took about twenty-four days to reach San Francisco). She returned from Vancouver about five months later on board the "Manuka". It is very likely Eliza took this "Travelling Apron" with her on her travels. Eliza was travelling by herself and had no one to help her with her dress or her hair. "Travelling Aprons" (also known as Toilet Aprons or Tourist Aprons) were designed with different sized pockets for holding a lady's toiletries - hairbrush, hair pins, comb and sometimes even soap and a powder puff. This allowed the owner, when travelling and getting dressed in small places such as an overnight train compartment or a ship's cabin, to have all her requirements at hand without needing to search for them or have them roll onto the floor. Some of the pockets are finished with buttoned flaps to keep the items in place and when not in use, the apron could be hung up or rolled up and put away. Articles about the "Traveller's Apron" appeared in numerous Women's columns in Australian newspapers in the early 20th century - often with instructions and sometimes a pattern. In the "Age" on Sat 5th October 1907 in a column titled "Feminine Facts and Fancies" the author wrote "No man can appreciate the difficulties of dressing in a "wobbly" train or trying to do one's hair while a ship is weathering a storm". A year earlier (Saturday 24th March 1906) in the same column, the author wrote "... you have to spend nights in a train... forever struggling to dress yourself in a wretched little lavatory. You know how your hairpins and combs jump all over the place ... a train is always at its liveliest when you're trying to do your hair. My travelling apron saved me many a rage."This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also an excellent (and rare) example of an early 20th century innovation that helped solve the difficulties of privacy and convenience that many women experienced at a time when travel was becoming more accessible to them. A half apron, made of ivory linen with two waist ties and seven pockets. Along the top are two smaller pockets with triangular, buttoned flaps labelled "Hairpins" and "Nailbrush" and one larger unlabelled pocket. Underneath are two larger pockets labelled "Brush & Comb" and "Work" and two unlabelled narrow pockets. The seams are machine stitched and the pockets are outlined with hand embroidered feather stitch. The labels on the pockets are embroidered in stem stitch."Hairpins" / "Nailbrush" / "Brush and Comb" / "Work"flagstaff hill maritime museum and village, nhill, eliza towns, apron, travelling apron, tourist apron, textiles, toilet apron, sewing, embroidery, travel, warrnambool, great ocean road, trains, ships, moana, manuka, feather stitch, stem stitch, fashion, handmade, clothing, charles towns, needlework -
National Wool Museum
Million Dollar Bale Wool Sample, 1995
The wool was shorn from sheep of the Wyndarra and Rockbank bloodlines. A flock of 290 sheep were kept undercover at Kadinia, the property of the Appledore family from Brim in the Wimmera district of Victoria. Their record-breaking wool was produced by giving the sheep a special diet and providing each one with a UV-protective coat. Around 180 fleeces were selected for the million dollar bale. The sale of the first bale of wool measuring below 14 microns was held in the Auction Room here at the National Wool Museum. Bidding began at $600/kg and steadily increased until there were only two bidders left. The bidders represented the Japanese firm Aoki International and Loro Piana of Italy. The hammer fell at $10,300/kg, with Aoki International paying $1,194,800 for the 116kg bale. The fleece was scoured (cleaned) at the Goulburn Wool Scour, New South Wales. The degree of preparation and care taken with the task was extreme. The Scour closed production three days before and was extensively cleaned. On the day of scouring 12 tonnes of 17 micron wool was washed to condition the water, then nine bales of extra super fine wool, worth over $300,000 was washed as a trial run. Toabo Agaki Japan was employed to process the scoured wool into suit cloth. Taobo required the scoured wool to contain 0.5% residual grease, 12% moisture and a yield of 83kg. These requirements were met. The entire staff of the Scour wanted to be part of washing the best wool in the world. Without asking for payment both the night shift and afternoon shift crews assisted the day shift in the task. The bale was fed into the scour in seven minutes and fitted into three bowls, half the scour. It completely disappeared into the dryer and the last wool was fed before the first wool was out. The clean wool was hand-packed into cardboard cartons and freighted to Japan. Aoki International, based in Yokohama Japan, cut three suit lengths from the cloth, then blended the remaining wool into an exclusive line of commercially-available suits. These suits are labeled Kadinia.Wool sample from the Million Dollar Balewool sales, million dollar bale -
Stawell Historical Society Inc
Photograph, View of Stawell from Big Hill 1874 showing mines looking towards South end of Black range -- 4 Photos
Visible Nelsons Criterion Hotel, Wimmera Crushing Mill, Odd Fellows Arms hotel, F.H. Oliver & Co Grain Merchant, Reefs Restaurant.Holtermann Black and White photograph of Stawell from Big Hill with mining in foreground. April 1874. Wimmera Crushing Mill and settling pond at centre of photograph. Stawell water supply centre left of photo. Black Range in Background.mining, panorama -
Ballarat Heritage Services
Photograph, Clare Gervasoni, Commercial Hotel, Sheep Hills, 2017, 08/10/2017
Sheep Hills is located Sheep Hills in the northern Wimmera region, north-west Victoria between Warracknabeal and Minyip. The hotel was built in 1884 and was originally known as Jenkins Hotel. In 1903 it was called the Railway Hotel. The name Commercial Hotel was used from 1915, and Mr Cain bought the hotel in 1950. in 2017 it was a private residence.A brick hotel at Sheep Hills, Victoriasheep hills, commercial hotel, wimmera -
Stawell Historical Society Inc
Archive - Newpaper Supplement, Our Life and Times 2000
Original Cat No: 238Front Page Coloured like a picture frame. Newspaper Supplement 40 PagesThe Wimmera Mail Times -
Federation University Historical Collection
Equipment - Object, Artist's Box, c 1940
Edith (Alice) Watson (1914–2010) studied at the Ballarat Technical Art School, at the School of Mines Ballarat, from 1930 until 1933. Watson was warmly regarded in her home town, Murtoa, easily winning local fundraiser, ‘Most Popular Girl’ in 1936. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths 1972 and 1988. Watson was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio. Alice's comprehensive folio of Ballarat Technical Art School work is held by the University's Geoffrey Blainey Research Centre.A cardboard box containing items used by Alice Watson to produce paintings. The items included are: tubes of oil colour; two paint palettes; paint brushes; imperial measure tape measure; pencils; an erasure; two pencil sharpeners; a roll of brown, gummed tape; small, round container of various pins; a State Savings Bank Victoria ruler; and a collection of scraps of artists paper held together with a metal clip which includes a list of paint colour names and a design tracing of a fuschia. There is a small, plywood, stretching board. alice watson, edith alice watson, ballarat school of mines, artists workbook, ballarat technical art school, paint, oil paint -
Flagstaff Hill Maritime Museum and Village
Textile - Bolster Sham, Eliza Towns, Late 19th century to early 20th century
This bolster sham is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes and household linens - adding her own handmade embroidered or crocheted decorative trim. Most beds during the late 19th and early 20th century had a feather, hair or spring mattress covered by a blanket and topped with an under sheet, an upper sheet, several blankets and a bedspread. A flat bolster could be placed either under the pillows or on top of the pillows with a decorative sham. Washing pillows and quilts by hand would have been a very onerous task (involving heating water and handwashing in a tub or using a copper) and so it became the practise of many housewives to cover the pillows and bolsters with an outer slip (or sham) of washable material which could be easily removed and washed when needed. If the bolster was kept under the pillows it wouldn't need to be very decorative but many shams or slips that were "on show" were often highly decorated with embroidery, pintucks, ribbons or lace. This bolster sham is machine made and quite plain with the exception of some pintucking and eyelet lace on each end which suggests that it would mostly be hidden under the top pillows with just the decorative edges on display.This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also significant as an example of an early 20th century innovation that helped make the working lives of housewives a little bit easier.A long white cotton rectangular bolster sham, machine sewn, with seven ties and two buttons (plus one missing button) to enable it to be folded over lengthwise and closed. It has two pull string ties near each end to enclose a bolster and is finished with a decorative edge of pintucks and handmade eyelet lace and embroidery.flagstaff hill maritime museum and village, eliza towns, sham, bedding, great ocean road, shipwreck coast, warrnambool, household textiles, sewing, bolster sham, housework, pillow sham, charles towns, nhill, haberdashery, needlework, manchester, handmade, household linen -
Flagstaff Hill Maritime Museum and Village
Clothing - Combination Undergarment, Eliza Towns, Late 19th century
This item of underclothing, called a "combination" is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. Combination undergarments combined the chemise and drawers into one garment. The combination is divided, or bifurcated, from the waist to the crutch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. Their primary use was to protect clothing from perspiration and because they were made with cotton or linen, were easy to wash. Although they were worn under the corset, next to the skin (and therefore not meant to be seen), they were often decorated with lace and embroidery. Although these combinations are made with a plain cotton fabric, Eliza Towns has incorporated pin tucks, hand embroidery and crocheted lace to embellish her garment. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear.Women’s white cotton and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has three buttons in the front and a handmade drawstring cord around the square neckline. It is trimmed with crocheted lace (with a floral design) on the neckline, sleeves and pants. It had pintucks and feather stitching on the bodice and the left and right sides are divided from the waist to the crutch. The back of the garment is plain with a gathered section at the lower back.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, victorian era, combination undergarment, all-in-one underwear, combination, ‘combinations’, one-piece underwear, one-piece undergarment, chemise and bloomers, combination chemise and bloomers, divided, bifurcated, split, chemise and drawers, women’s underwear, ladies’ underwear, undergarment, women’s clothing, women’s fashion, lingerie, 19th-century undergarment, handmade clothing, handmade lace, crocheted lace, towns family, nhill, eliza towns -
Federation University Historical Collection
Photograph - Black and White, Smith/Yung family, c1915
These photographs are from a collection owned by Edith Emma Watson and passed down to the donor, her granddaughter. The Yung family were from Happy Valley near Linton. Edith's mother was Clara Emma Yung b Smith, also from Happy Valley. Edward Lancelot (Lance), Alfred Ernest (Alf) and Ernest Herbert (Ern) Yung were the sons of George Edgar Godlip Yung and Clara Emma Yung (b Smith). They were the brothers of Edith Emma Watson and Maude Holmes. Jack Yung was the son of Ernest Herbert Yung and was born in Nhill.Six black and white photographs associated with the Yung/Smith Families .1 Maud Holmes born Yung - daughter of G E & C E Yung; Edith Emma Watson's sister; married Edward Holmes. .2 Three sons of George Edgar Godlip Yung: L to R - Ernest Herbert (Ern); George Alfred (Alf) Edward Lancelot (Lance). .3 William (Will) Smith - Son of George Henry Smith and Emma Keys; Clara Emma Yung's brother .4 Jack Yung at 6 months old. .5 Jack Yung and mother .6 Jack Yung and father .7 Maud Yung.1 Verso: Alison Jobe - my Grandmother's sister Maude Holmes b. Yung .2 Verso: 3 brothers of Edith Emma R-L Lance Alf Ern Yung .3 Verso:W. Smith Will? Grandma Yung's Brother .4 Verso: Jack Yung 6 months old .5 Verso: jack Yung and mother .6 Verso: Jack Yung and father .7 Maud Yung Edie Watson's sistercox, yung, edward lancelot yung, george alfred yung, ernest herbert yung, happy valley, linton, clara emma yung, george edgar godlip yung, maud yung, maud holmes -
Murtoa & District Historical Society and Museum
taxidermy bird, 1890
james hill taxidermy collection moved from kewell to murtoa (house) then to tower.held under scientific licenceyellow bird black eyes - held under scientific licence. murtoa lions club (custodians).murtoa, taxidermy, mutant canary, canary, james hill, natural history, flight, natimuk -
Victorian Interpretive Projects Inc.
Photograph - digital, LJ Gervasoni, Murtoa Stick Shed 00031, 13/08/2011
From the Victorian Heritage Register statement of significance H0791 The Marmalake/Murtoa Grain Store, originally the No.1 Murtoa Shed, is located within the Murtoa Grain Terminal, adjacent to the grain elevator tower and railway line. The shed is 280m long, 60m wide and 19m high at the ridge with a capacity of 3.4 million bushels. The hipped corrugated iron roof of the shed is supported on approximately 600 unmilled hardwood poles set in a concrete slab floor and braced with iron tie rods. These poles are the reason for use of the term "stick shed". With its vast gabled interior and the long rows of poles the space has been likened to the nave of a cathedral. An elevator at one end took wheat from railway trucks to ridge level where it was distributed by conveyor along the length of the shed, creating a huge single mound of grain. Braced internal timber bulkheads on either side took the lateral thrust of the wheat, and conveyors at ground level outside the bulkheads took wheat back to the elevator for transport elsewhere. Wheat had been handled in jute bags from the start of the Victorian wheat industry in the mid nineteenth century. Bulk storage had been developed in North America from the early 1900s. NSW began building substantial concrete silos from 1920-21. In Western Australia, farmers' co-operatives, who had to supply their own bulk storage from 1934-5, pioneered the use of low-cost horizontal sheds of timber and corrugated iron for bulk storage. Following its establishment in 1935 the Victorian Grain Elevators Board (GEB) planned a network of 160 concrete silos in country locations, connected by rail to the shipping terminal at Geelong. By the outbreak of the Second World War there was a worldwide glut of wheat, and Australia soon had a massive surplus which it was unable to export. Only 48 silos had been established under the Victorian Silo Scheme so far, and wartime material and labour restrictions prevented progress with this scheme. The storage deficit had become an emergency by 1941 as Britain obtained its imports from North America, rather than over the lengthy and difficult shipping route from Australia. In 1941 the GEB, under chairman and general manager Harold Glowrey, proposed large temporary versions of the horizontal bulk storage sheds already in use in Western Australia. The proposal was approved by the Victorian Wheat and Woolgrowers Association, who considered the use of shed storages as a longer term proposition. After initial resistance from the Australian Wheat Board, some of whose members represented wheat bagging interests, the Commonwealth and Victorian governments agreed to split the costs, and Murtoa was chosen as a suitable site for the first emergency storage. The main contractor, Green Bros, commenced work on the No.1 Murtoa Shed in September 1941, deliveries of bulk wheat began in January 1942, and the store was full by June of the same year. In the following years the Council for Scientific and Industrial Research (later CSIRO) conducted valuable research and experiment on the impacts and control of insect pests at the Murtoa No.1 shed. With these discoveries, and the development of more effective pesticides, use of the No.1 shed and the larger No.2 shed, erected in 1942/43, continued for many years. The No.2 shed was demolished in 1975. By the 1990s, pest resistance to pesticides and requirements for both pest free and insecticide free grain rendered open storage of this type unviable. The No. 1 store was also becoming increasingly expensive to maintain, and its use was phased out from 1989.Image of the Marmalake/Murtoa Grain Store which is of historical, architectural, scientific (technical) and social significance to the State of VictoriaDigital colour image of the interior of the Marmaduke . Murtoa grain storage facility better known as the Stick Shed. The shed was constructed in World War Two to store grain. The supporting columns are trees.marmalake, murtoa grain store, wheat store, stick shed, murtoa -
Victorian Interpretive Projects Inc.
Photograph - digital, LJ Gervasoni, catholic church murtoa 00032, August 2011
Digital image of the interior of the Catholic Church at Murtoa. Image is taken from the choir loft and shows the altar, seating and roof detailcatholic church choir loft -
Victorian Interpretive Projects Inc.
Photograph - digital, LJ Gervasoni, Murtoa War Memorial Gates and Arch, 2011, August 2011
Digital photograph showing the World War I and World War II war memorial gates and arch at Murtoa located beside the lake and the football ground. A figure of a solider stands atop the arch.war memorial, murtoa, arch, wwi, wwii, world war -
Victorian Interpretive Projects Inc.
Photograph - digital, LJ Gervasoni, Murtoa Mechanics Hall 0034, August 2011
This hall is located at 37 Duncan Street, Murtoa, Victoria, 3390Digital colour photograph showing the double storey Murtoa Mechanics Hall in the main street.murtoa mechanics hall, murtoa, mechanics institute -
Horsham Regional Art Gallery
Painting, Ruby CATHCART, Roses on old cedar, n.d
Gift of the artist, 1984watercolour on card -
Horsham Regional Art Gallery
Painting, Ruby CATHCART, Flowers from Nan's garden, n.d
Gift of Nan Kroker, 2003watercolour on paper -
Horsham Regional Art Gallery
Painting, Daisy WOODS, Grampians flowers, n.d
Gift of the Estate of Richard Gilmour-Smith 2019watercolour on paper -
Horsham Regional Art Gallery
Photograph, Melissa POWELL, Thirsty land, 2011
Purchased through the Horsham Art Gallery Trust Fund, 2011inkjet print on cotton rag paperSigned, editioned and titled in pencil, lower edge -
Horsham Regional Art Gallery
Photograph, Samuel George CAHILL, Cranage's Swimming Pool, n.d
Gift of George and Clifford Cahill, 1982silver gelatin photograph -
Horsham Regional Art Gallery
Print, John QUINN, Mt Arapiles + Mitre Rock, 1997
Gift of the artist, 2003etching on Somerset paper -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1960s
A track to the top of Mt William existed many years before, an all weather road was constructed in the early 1960s Not only did engineers and construction workers enjoy some spectacular scenery during "smokos" but so have thousands of tourists Some even experiencing the freezing gale force winds which greeting Major Thomas Mitchell and his party in July 1836sPhoto shows 3 men looking over to Wonderland Range from Mt William. Two men are wearing hard hats The third man a felt hat - he is pointing to a point in the distanceWMT (Wimmera Mail Times}access routes, walking track, roads, mount william -
Stawell Historical Society Inc
Photograph, Slavation Army Residence 4 Wimmer Street, C 1950's
C.9150'sB/W. Copy of Photo of Weatherboard House wire fence and gateEileen Wimmera Street Quartersreligion -
National Wool Museum
Pennant
ARARAT GOLDEN GATEWAY TO THE WIMMERAararat, victoria -
Federation University Art Collection
Artwork, other - Engraving & Mixed Media on Luanne, Ross, Ewan, 'The Green Pick, Barton Spring 5' by Ewen Ross, 2009
Ewan ROSS Ewen Ross grew in the Wimmera and aims to manifest the changing nature of this landscape in his work. This region is affectionately known as the land of the big sky and it is from this viewpoint looking down and across, which inspires his sense of image making. Occasionally he refers to stories that occurred from times past but generally these images reflect the current state of this land. From 1976 to 1978 Ewan Ross undertook a Diploma of Art (Painting) at Ballarat College of Advanced Education (now Federation University. He was awarded a Graduate Diploma of Education in 1982. He was a Curatorial Assistant at the Art Gallery of Ballarat from 1979 to 1981, and taught Art at Horsham Technical School between 1983 and 1985. From 1986-1897 Ewan Ross taught at the Wimmera Institute of TAFE, and was Lecturer in Painting & Printmaking at the University of Ballarat (nor Federation University from 1998-2005. In 2008 Ewan Ross was a finalist in the Fleurieu Biennale Art Prize. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, ewan ross, wimmera -
Marysville & District Historical Society
Book, Education Department of Victoria, Vision and Realisation-A Centenary History of State Education in Victoria-Volume 2, 1973
A centenary history of state education in VictoriaRed cover with the title and volume written on the spine in gold lettering. Both front and back inside covers have a photograph of 'The school at Drummond North' Photo: Geoff Maugernon-fictionA centenary history of state education in Victoriaeducation, state education, victoria, history, glenelg, wimmera, mallee, loddon, central highlands, corangamite, barwon -
Stawell Historical Society Inc
Photograph, Ian McCann, Parades
Marching Girls with black Vests, in Wimmera Streetparades -
Stawell Historical Society Inc
Memorabilia - Realia, Shire of Stawell Weights & Measures. Imperial Steelyard
Wimmera weights and Measures Union Imperial Steelyardstawell, standards -
Stawell Historical Society Inc
Book - Life Assurance I.O.O.F, Holy Bible
Bible belonged to International Order of OddfellowsBlackLoyal Wimmera Lodge No. 91 I.O.O.F