An excellent example of Australian First World War recruiting posters aimed at women, rather than potential soldiers. The poster suggests that in helping defeat Germany, women were really defending themselves.During the First World War, governments needed to convince their citizens to contribute to the war effort. In the absence of radio and film, the poster was the most effective method of mass communicationDepicts a woman with arms raised, her clothing torn and right breast exposed. Two children lie dead on the round at her feet, while the town behind her burns. Full poster text: 'Women of Queensland! Remember how women and children of France and Belgium were treated. Do you realise that your treatment would be worse? Send a man today to fight for you'poster, ww1, women of queensland

Allanvale Home Station. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. Allanvale was taken up about 1841 by John Allen, who was the son of George Allan of Allanvale, near Launceston in Van Diemen's Land. He selected 80,000 acres between present day Stawell and Ararat. The property was gradually reduced in size, with the first split occurring in the 1840s with the annexation of Concongella Selection due to a land dispute. J.S. Davidson was the occupier of Allanvale at the time this photograph was taken. The homestead pictured here was destroyed by fire at the end of the First World War and replaced by a new building around 1923. The present owners of Allanvale are the Kilpatrick family A note on the Allan family. On the 15th of March 1845, John Allen's 26 year old wife died at the birth of their third child, a daughter, who also died several weeks later. Elizabeth Allen had been a dear friend of Mrs Horatio Wills of neighbouring Lexington station. Eliza and her daughter were buried side by side in the garden of Lexington homestead. She was said to have been the first white woman to have died in the district. Homestead and stables on left with people on verandah and orchard in foreground.stawell great western

Also a sepia toned postcard of same soldier with two family members a woman and young girl photographed at Bulmer Bairnsdale 05456.1Black and white postcard of unidentified WWi soldier in AIF uniform holding a swagger stick Geelong Victoriaworld war 1914-1918, uniforms aif

"The Progressive Woman" covers all types of topics - from baby news, the world of art and theatre, the love of books, better housekeeping, recipes, knitting patterns etc.the victorian housewives association, world war ii

Knitting socks for soldiers in the trenches in France was a common women's activity during WW1. Often white wool was knitted up and Condy's crystals were used to dye the socks a khaki colour. Jane Cook married William Slessar (land agent / farmer) in 1887. They had a family comprised of at least: Arthur, Frederick Alan, Gladys Isabella, William Cook, William Kenneth, Robert Harold. They lived at 17 Albert Crescent, Surrey Hills. William died in 1921; Jane in 1952 aged 90. They are buried in Box Hill Cemetery B-0086. Their son Arthur is buried with them. Their son William Cook Slessar was Killed in Action on 24 June 1916 in Belgium.Black and white photo of 2 women standing in a garden knitting. One is identified as Mrs Jane Slessor; the other is a younger woman. Between them is a cane table and a small palm. In the background is the side of the adjacent property - a timber Victorian home.knitting, red cross, world war, 1914-1918, albert crescent, box hill cemetery, jane slessar

Dr. Dai Davies presented this Goblet as a gift to the Faculty as the first appointed Burnell-Jose visiting Professor, Postgraduate Committee in Medicine, S.A. May - June 1976. At the time, Dr Davies was the Consultant Anaesthetist St George's Hospital, London and during this event was elected to Honorary Fellowship of the Faculty of Anaesthestists, Royal Australasian College of Surgeons. The Burnell-Jose Visiting Professorship commenced in Adelaide in 1975 in honor of Mary Burnell, the first woman Dean of the Faculty from 1966 to 1967 and the first woman President of the Australian Society of Anaesthetists in 1955. Very few women had assumed major anesthesia roles in the world during this period. The Goblet's provenance is supported by an original booklet, which certifies its origin from Chichester Cathedral (1075), Sussex, England. In 1975, a limited edition of 600 goblets were commissioned by the Dean and Chapter of Chichester Cathedral, Reverend Walter Hussey, to commemorate the ninth century of the Foundation. This Goblet is number 46 of the edition and the booklet is signed by Walter Hussey. The Goblet is historically associated with Chichester Cathedral and Walter Hussey, who was a great patron of the arts during the 1970's.Solid silver, with pure gold overlaying the modeled stem and interior of the cup. Trefoil shaped goblet cup with tapering profile. The stem is supported by a sheaf of wheat and bird design. The goblet came in its own case with a booklet of authenticity. [central base] NUMBER / 46 / OF A LIMITED EDITION / OF 600 MADE BY ORDER OF / THE DEAN AND CHAPTER / TO COMMEMORATE / THE NINTH CENTENARY OF / THE FOUNDATION OF / CHICHESTER CATHEDRAL / IN 1075 / AURUM / DCM [and hallmarks of the Worshipful Company of Goldsmiths] •[around base] D.M. DAVIES / ADELAIDE 1976dr davies, dai, burnell, mary, chichester cathedral, burnell-jose visiting professor, murphy, desmond-clen, hussey, walter, ninth century of the foundation of chichester cathedral

Photographs from a larger article about the retreat from Greece in 1941 specifically relating to Australian Imperial Forces (AIF) nurses under command of Matron Kathleen Best.Newspaper clipping with large photograph of eight women in nurses uniforms and a photograph of another woman inset to the bottom right of the large photograph. Also title of article and caption of large photograph present. Sticky tape attached in a couple of places and no caption to inset photo or text from article.WW2 [in blue ink under the title]wwii, world war 2, world war two, wwll, greece, retreat, violet baron bignold, mary bridgid leane, margaret alice leake, hazel cowell matthews, fances brenda aveling, eva ethel jones, alice constance greenwood, kathleen annie loiuse best

Photograph of General George Vasey's sister Marjoire Vasey who was a nurse in the Middle East during WWII.Photocopy of the page and part of the next from a book. The main page has a large portrait style photograph of a woman in a circa WWII nurses uniform and whimpole with a caption and other text also on the page.wwii, world war 2, world war two, wwll, marjorie vasey, george vasey, general george vasey

This rug was a gift and gesture of friendship from the local Muslim community to the City of Greater Bendigo. It was presented to Mayor, Cr Rod Fyffe on behalf of the people of Bendigo at a 2016 'Thank You Bendigo' dinner. In 2014 approval for a planning application from the Bendigo Islamic Association to build a community centre and mosque in East Bendigo prompted a series of public protests that captured widespread media attention. During this tumultuous period the Council identified the need for a community-wide plan to promote diversity and help address potentially divisive cultural issues. These events led to the COGB becoming the first local government area (LGA) formally accredited under Australia’s Welcoming Cities Standard. Community leaders emerged who wanted to show that the anti-mosque protesters did not reflect the views of the majority of Bendigo residents. The community lead ‘Believe in Bendigo’ movement gained momentum, and the Council and other local organisations joined forces to present a unified message that Bendigo residents do not tolerate racism. Muslims have made Central Victoria their home since the Goldrush, contributing to the community and the economy for the past 120 years. Traditional Islamic rugs, especially their patterns and motifs are intrinsically linked with the design of the Bendigo Mosque and Bendigo Islamic Community Centre providing important points of reference for the architects of the project. Typically, mosques are linked with specific cultural groups but not in the case of Bendigo where the Muslim community is made up of multi-ethnic groups. This meant the building's design was not fixed to a specific style or cultural iconography but instead needed to encompass many. The small local Muslim community selected a specific Australian architect because of their interest and knowledge of Islamic design and iconography gained through family collection of Islamic textiles. In thinking about the design of the mosque and community centre the architects wanted to acknowledge the role of Afghans in Australian history, especially tribal Afghans who helped build connections across the interior of Australia between First Nations communities, European settlers and Central Asian migrants. The gift of this Turkmen rugto the Bendigo community thus symbolises collaborative partnerships across faith and cultural groups based on friendship and mutual benefit. A Turkman rug was specifically chosen as it is the pinnacle of nomadic arts of the Islamic world. It was also important to the architects and the local Muslim community that the gift was a female artistic product as it was mainly a female Muslim architecture team that designed the mosque in Bendigo and there was a desire to select something that celebrated female artistry. This hand-woven rug is an engsi, made for a woman in preparation for marriage. Design work and weaving is a shared experience, between many generations of women and each rug hold the personal story of the woman it is made for and her family and thus holds deep symbolic meaning. There are often songs and poetry that are recited as the rug is made – helping the makers to memorisze the mathematical structure of the design. An engsi is put on the doorway to a yurt as part of a wedding ceremony. During the ceremony the groom turns the engsii upside down to check the quality of the rug makers weaving skills. The nomadic lifestyle of Yomut Turkman tribes determines the size of the rug as the loom can’t be carried. Its size is also restricted by the dimensions of the doorway of the yurt. This rug is dated as c 1880 because of the types of patterns used, the use of natural dyes (synthetic dyes were introduced to the area in 1890s) and with the smoother weaving on the back indicating the quality of craftsmanship dating to this time period. The Yomut engsi rug was made in Turkmenistan c1880 by Yomut Turkmen Tribes people and is designed to fit over the doorway of a yurt during a wedding ceremony. The main field motif is related to Turkoman jewelery design. The women and girls of the tribe spin the wool and design and weave the rugs. The men shear the sheep, dye the wool and clip the rug after it has been woven. The word “Turkoman” is thought to have been derived from Turk-iman, meaning the first nomadic Turkic tribes that began to follow Islam. Dyes used are natural including orange from madder root. bendigo mosque, bendigo islamic association, city of greater bendigo community partnerships, city of greater bendigo community groups

Medallion issued by the Borough of Wangaratta to local citizens in recognition of their service during World War 2. This medallion was awarded to 127869 LAC RAMAGE W A - Wilfred Allen Born 29/1/1925. Served in the RAAF between 1943- 1946 then transferred to the RAN. Died on 3/1/2004 and buried at Wangaratta.Medallion issued by the Borough of Wangaratta to local citizens in appreciation of their service during WW2Circular silver metal medal- obverse side has coat of arms above image of woman in a field - rear side embossed with laurel wreath.Borough of Wangaratta Incorporated 1863 In Grateful Appreciation 127869 LAC Ramage W A World War 1939-1945medallion, borough of wangaratta, ww2, w a ramage, raaf, ran

Article calls attention to the experience of Wilma Jones [Oram Young] as a Japanese POW on Sumatra Island during WWII in relation to the Council of Ex-Servicewomen's Associations who were trying to gather funds to make a documentary of stories and experiences such as this before they are lost.Newspaper clipping with four columns of text, headed by a large black and white photograph of an elderly woman sitting at a table looking at documents'THE HERALD / 9 AUG 1989' [Blue ink inbetween lines of headline]japan, sumatra island, wilma jones [oram young], council of ex-servicewomen's associations, elizabeth lucas, catie hewins, returned nurses' association, wwii, world war two, wwll, ww2