Soft cover, red and grey, containing a portrait of the author in army nurses' uniform. Australian Army Nursing Service uniform. Back cover, white with a facsimile of the Instrument of Surrender.non-fictionA record of nursing service in the second world war, from enlistment to peace.world war two, ww2, finschhafen, ambulance trains, wwii

Soft cover, red and grey, containing a portrait of the author in army nurses' uniform. Australian Army Nursing Service uniform. Back cover, white with a facsimile of the Instrument of Surrender.non-fictionA record of nursing service in the second world war, from enlistment to peace.world war two, ww2, finschhafen, ambulance trains, wwii

Situated at the top of the hill in Arthur Street, the former Jelbart residence and barn were part of a major change that transformed Eltham's character in the late 1960s. Built from the mid 1940s through mid 1950s when Eltham was a rural community, the Jelbrat residence and barn are all that remain of a family property of some 250 acres (100 ha). With growing population pressures, in the late 1960s, owners Ron and Yvonne Jelbart decided to subdivide their property creating the Woodridge Estate in the early 1970s, a major factor towards the transformation of Eltham to the suburb it is today. The Jelbarts had moved to Eltham in the early 1940s when they purchased a poultry farm in New Street, now Lavendar Park Road. (The local Black Friday bushire of January 13, 1939 had started at C.A. (Clarrie) Hurst’s Eltham Poultry Farm and Hatchery in New Street.) Jelbart was primarily a businessman importing office machinery but desired farm beef and dairy cattle so the couple purchased the virgin bushland at what was then at the end of a dirt road, Arthur Street. With post war shortages of most building materials, they followed the example of the Eltham Artists' Colony (later called Montsalvat) and built thier home from mud-bricks and recyclked materials. The barn was first to be completed in 1945 which they made their home whilst building the main residence. It took eight years to complete the two buildings. Both the main residence and the barn are now separate homes, and along with the remaining property being sub-divided further in 1998 are now part of the Kinloch Gardens Estate at 93 Arthur Street. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p139 Standing on a hilltop at Arthur Street, Eltham, the Jelbart residence and former barn were part of a major change that transformed Eltham’s character in the late 1960s. Built from the late 1940s to the mid 1950s when Eltham was a rural community, they are all that remain of what was once a family property of around 250 acres (100 ha). As population pressure increased in the late 1960s, owners Ron and Yvonne Jelbart, decided to subdivide their property. The break-up of this property into the Woodridge Estate in the early 1970s, was a major factor towards transforming Eltham into the suburb it is today.1 Although standing only a few minutes from Eltham’s busy hub and hundreds of houses in Woodridge, scarcely any urban sound disturbs the peace. Views from the two buildings are almost exclusively of trees and extend to Mt. Dandenong to the south-east, the Great Divide to the north, and Melbourne city to the south-west. The Jelbarts had lived in Eltham since the early 1940s when they bought a poultry farm in New Street, now Lavender Park Road. Although Jelbart was primarily a businessman importing office machinery, he was keen to farm dairy and beef cattle, so the couple bought rough bushland at what was then the end of Arthur Street. But a shortage of building materials following World War Two hampered their plans to build their new home, so they followed the example of the Eltham Artists’ Colony (later called Montsalvat) and used mud-bricks and recycled materials.2 With great determination the family and friends constructed their house. Massive timber frames and huge quantities of mud-bricks were made on site. The barn was built first in 1945, and two years later, while camping inside, the Jelbarts started building their house. It took eight years to construct the two buildings, even with the help of professional tradesmen. The buildings, with timber frames infilled with mud-brick and plastered, are reminiscent of the English Tudor style. The Jelbarts are of Cornish stock. Much of the timber framework came from demolished bridges or warehouses, and recycled slate was used for roofs and floors. Quality second-hand materials were readily available in the late 1940s and 1950s when there was much demolition in Melbourne and little respect for heritage. A former 19th century Toorak mansion Woorigoleen provided the magnificent stone fireplace, the timber panelling and the parquetry floor in the living room. The large stone gateposts at the entry of the property came from Melbourne University. Almost no mechanical equipment was used to build the 55 square house and the 25 square barn. Massive timber frames were erected using block and tackle pulleys and timbers were shaped, sawn and drilled by hand. Son and architect Ian, with his family, have lived in and extensively renovated both buildings since the early 1970s. Ian transformed the steep ridge of the property into a plateau, where the main house Kinloch stands, surrounded by terraces and lawns. The grounds retain many native plants, including massive yellow boxes – some nudging 80 years. Ian attached 70 metres of pergolas draped with wisteria, roses and grape vines, to three sides of the house. The beautiful garden is featured in the book Through the Rose Arbour by Rosemary Houseman. The two-storey barn – now a house – retains traces of its original use. The cow-shed with milking and feed-rooms, and the machinery-shed remain. The house, separated on the ground floor by a breeze-way, soars two storeys and includes a mezzanine. These are connected by spiral staircases, to timber-beamed and plaster-lined high-pitched ceilings. The house also descends to a wine cellar. Curiously the roof is of corrugated iron on the south and slate on the north, to save costs. Small-paned windows and three French doors open onto the front lawn, which extends to Jelbart Court.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, arthur street, jelbart barn, jelbart home, kinloch gardens

In the aftermath of World War I, calls for disarment rang out. Under the Treaty of Versailles, the 'peace treaty' signed in the Hall of Mirrors at Veresailles, Germany was declared the aggressor in WWI and restrictions were placed on the size of its military, the manufacture of armoured cars, tanks, submarines, planes and poisonous, and a demilitarised zone was put in place between Germany and France. The forced disarmament of Germany, it was hoped, would be accompanied by voluntary disarmament in other nations.It's difficult to know if this photograph was taken at the close of World War I, or later, when 'world disarment' was being investigated and promoted (c. 1920). Either way, a float bearing a banner in support of disarment made its way down Charman Road, Cheltenham to garner support. Black and white image of a wagon, drawn by four horses, with a group of men standing on the wagon.protest, war, disarmament

Reproduction slide of a photograph of the July 1919 decorated cable tram, celebrating the end of World War 1, soon after soon after the signing of the Treaty of Versailles. Has seven uniformed men, gripmen and conductors, and one officer. Photo used in Jack Cranston's book p28, "The Melbourne Cable Trams 1885-1940"". Decorated by the Tramway Board. See Reg Item 4256 for a timetable and 3692 for another photo.Yields information about the decorated and illuminated cable tram set to mark the end of the World War 1, the crews and their uniforms.Kodachrome cardboard duplicate slide - Black and white - reproduction - Black and white - reproduction - Peace tram 7/1919 "MP 6" in penciltrams, tramways, uniforms, cable cars, world war 1, decorated trams, crews

peace procession, world war two, second world war margaret pope, doris smith, dawn clark, dorothy moore, ww2

margaret pope, doris smith, dawn clark, dorothy moore, world war 2

The Daily Telegraph Newspaper, "The War Papers, Part 48". Print is black and white.The War Papers, Part 48. Friday, January 19, 1945. 1945 The year of war and peace.wwii, world war 2, the daily telegraph, 1945

Scroll commemorates Flight Lieutenant J H Wilkinson DFC RAAF who served King and Country in the world war of 1939-1945 and gave his life to save mankind from tyranny. May his sacrifice help to bring the peace and freedom for which he died. From collection of photographs and cuttings dedicated to the memory of WILKINSON JOHN HUDSON : Service Number - 400444 : Date of birth - 18 Feb 1914 : Place of birth - RUTHERGLEN VIC : Place of enlistment - MELBOURNE : Next of Kin - WILKINSON HUDSON. Wilkinson was awarded the distinguished flying cross in March 1944 and tragically killed in action over Germany also in 1944. See also 237 and 240. Commemorative scroll sent by King George VI to the next of kin of those who gave their lives during world war 2. Yellow paper document with printed type and coat of armspilot, kia, killed in action, dfc, distinguished flying cross, wwii, world war two, air force

Wycliffe translates the Bible for people around the world. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p171 The peace and beauty of Australia’s Wycliffe Centre reflects what it aims to bring to thousands of people around the world. Kangaroos calmly feed, accompanied by bird song, near the mud-brick buildings set amongst Kangaroo Ground’s rolling hills. On 11 hectares off Graham Road, the centre aims to transform people’s lives by giving groups around the world, with no written language, help with literacy and Bible translation into their own tongue. Associate Director, Harley Beck, says reading the Bible (probably history’s most influential collection of books), in one’s own language, provides a strong moral basis, helping people withstand exploitation and escape poverty. One of Wycliffe’s field partners, SIL (formerly Summer Institute of Linguistics) Papua New Guinea, has won two UNESCO awards, and SIL branches in many other countries have won international and national awards. The translators are modern heroes. They undertake hardships, forsaking for years, sometimes decades, a salary and the soft western lifestyle, to face loneliness and primitive conditions that most of us would not even contemplate. No staff is paid a salary. An example is the first Australian Director and former International President, David Cummings, who for 50 years has depended on donations from supporters and churches. Students of all ages at the EQUIP Training School on the site come from all walks of life. They train in linguistics and learn how to communicate in a way that is sensitive to other cultures. Spiritual resilience is encouraged, enabling people to persist until the job in the field is done, which takes on average ten to 15 years. Courses range from a few weeks to a year. The Wycliffe concept was born in the 1920s when American missionary, Cameron Townsend, found a Spanish Bible was inadequate to evangelise the Cakchiquel people of Guatemala. When a Cakchiquel man challenged: ‘If your God is so great, why doesn’t he speak my language?’ Townsend decided to translate the Bible into all languages! He founded a linguistics training school in 1934, naming it after 14th century theologian John Wycliffe, the first to translate the Bible into English. The first Wycliffe Bible was completed in 1951 in the Mexican San Miguel Mixtec language. In May 2007 after 30 years of work, Wycliffe Australia, with other organisations, completed the first Bible for indigenous people in the Kriol* language, for about 30,000 people in northern Australia. Wycliffe Australia began in 1954 in the Keswick Bookshop basement, Collins Street, Melbourne. As the organisation grew, its quarters became so cramped that Director Cummings at times interviewed potential recruits in his car! The development of the Kangaroo Ground property is a story of faith and generosity. In 1967 Cummings proposed moving to a larger property despite having no funds. Within a month Wycliffe received a $20,000 donation and a gift of land towards a national centre. An earlier owner of the Kangaroo Ground property, Mrs Elsie Graham, would have been delighted, as she had wanted her land to be used for ‘God’s service’. Mud-brick architect and Christian, Alistair Knox, offered to design the centre at no charge. Despite a drought, straw was donated to make bricks. Many volunteers helped with the building, including church youth groups who made mud-bricks. Volunteers planted thousands of native plants, watered by recycled water from the site’s dam. Building began in 1968 and in 1983 the South Pacific SIL School (now EQUIP Training) followed. Wycliffe, the world’s largest linguistic organisation, and other organisations, have translated the Scriptures into more than 2000 languages. But another 2000 languages still lack any portion of the Bible. However translations are now completed more quickly, because of new computer programs and as education spreads, more speakers of the local language can assist. Despite the growth of secularisation, Beck says support for Wycliffe Australia, which has offices in all states and the ACT, is stronger than ever. * Kriol is a Pidgin language, which has become a speech community’s prime language.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, graham road, kangaroo ground, wycliffe centre

Article about unveiling of memorial for World War II nurses at the Nurses Memorial Centre by Vivian Bullwinkel. Also information on 1980 ANZAC Peace Prize and Victorian ANZAC of the year award recipients.Newspaper clipping, article across four columns including a photographvivian bullwinkel, nurses' memorial centre, world war ii, world war two

The poem was written in 1942 by Jan Remco Theodoor Campert before he and seventeen other Dutch Resistance Fighters were condemed to death. Jan Campert was a Dutch journalist ,theatre critic and writer who lived in Amsterdam. During the German Occupation of the Netherlands in World War ii he was arrested for aiding the Jews. He was held in the Neuengamme concentration camp where he died in 1943.Wooden framed poem.On rear of object - Donated by W.J.L. Verhoef Sen. To honor those resistance fighters who offered their lives during the years 1940 -1945 so we could live in freedom and peace. On the day of the official opening of this centre. September 26th 1987.

Photograph the cable tram set decorated by the Tramway Board for the Armistice or Peace following the second world war. Was illuminated and ran throughout the cable tram system. See Records 4255 and 4256 for further details and a pamphlet. Image used in a MMTB Poster - see record 6368.Yields information the Peace tram used to celebrate the World War 1 Armistice.Black and white photograph on Kodak Velox paper.trams, tramways, tramway board, world war 1, cable trams, celebrations, peace tram

Produced to celebrate the end of the First World War. Folds out to reveal coloured illustration with caption: Decorated dummy and car which, electrically illuminated, traversed the Melbourne cable tramways in celebration of peace, on the evenings of Monday and Tuesday, the 14th and 15th July, 1919. Second copy has a note regarding the trams - dummy 482 and trailer 510. Has the images of the King George V, Field Marshall Foch, Lloyd George, King of Italy, and President Wilson on one side. Has the printer's details in the bottom right hand corner of the last sheet. See reg Item 4256 for the associated timetable sheets.Demonstrates a pamphlet by the Tramway Board as a souvenir of the end of the First World War.Pamphlet or illustration or card - folded titled "Souvenir of peace, 1914-1919",On rear of copy 2 "Mr A E Twentyman recalls that the dummy was No.. 482 and trailer was No. 510"trams, tramways, tramway board, world war 1, cable trams, celebrations, peace tram

Set of two timetables, both printed on duplicated foolscap sheets for the decorated Peace tram, July 1919. .1 - timetable for the 14/7/1919 and 15/7/1919 - gives time and routes arrangements. .2 - ditto for 21/7 and 22/7 - 2 copies held. See reg Item 4255 for the associated illustration of the car.trams, tramways, tramway board, world war 1, cable trams, celebrations, timetables, peace tram

Photo of the dummy or grip car decorated for the Celebration of Peace July 1919. Decorated dummy and car which, electrically illuminated, traversed the Melbourne cable tramways in celebration of peace, on the evenings of Monday and Tuesday, the 14th and 15th July, 1919. Photographed in a car house or depot. Refer to items 4255 and 4256 for further details.Yields information the grip car decorated for the Celebration of Peace.Black and White photograph on plain paper. Second copy has a wider view and plain back.First view has TMSV Sales stamp and note on rear.world war 1, cable trams, celebrations, peace tram, tramway board, grip car

Hand •crochet cloth Doily, probably cotten, Dedication Inscription,Lone Pine Greater Love Lost rest in peace Pine tree, Flags / banners, Shield with cross, Embroided in the momento "LONE/PINE/GREATER/LOVE/REST/IN/PEACE".handcraft, lone pine, doily, hand crochet cloth doily, world war one handcraft, love token, momento anzac cove

Melbourne-based artist Wendy Black works across screenprinting, painting and drawing. The 1980s saw a rise in campaigns for Antarctica to be designated a World Park to ensure the ongoing protection of its natural resources and its continuation as a peace zone. Black’s screenprint, featuring seals and penguins set against an Arctic icecap, captures the looming threat to the precious flora and fauna of the continent. Text in the lower corner describes Black’s collaboration with the Antarctic and Southern Ocean coalition for which this poster was likely made. Donated by the artist

One of group of black and white photos recording the work and contribution by Swallow & Ariell's "Busy Bee" for the First World War in Europe .47 - Peace Wagon in Stokes Streetbuilt environment - industrial, business and traders, war - world war i, social activities, busy bee, swallow & ariell ltd, red cross

Ill, p.239.non-fictionDescriptions and photographs of the remnants of World war II in the South pacific areaworld war two 1939-1945 - battlefields, world war two 1939-1945 - campaigns - south pacific

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. The plaque was presented to Ian Green from Ngoc Hoa Temple in appreciation and acknowledgement for making the Jade Buddha for Universal Peace.jade buddha, memorabilia

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. This plaque is honoring Ian Green, The Great Stupa Chairman, for exemplary leadership, generosity and commitment in promoting the belief of Jade Buddha toward Universal Peace around the world.jade buddha, memorabilia

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. The plaque was presented to Ian Green, chairman of The Great Stupa, commemorating the Jade Buddha viewing at the Phap Hoa Temple.jade buddha, memorabilia

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. The plaque represents a world of thanks and has imagery of the Jade Buddha, world and temple.jade buddha, memorabilia

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. The certificate from the City of Santa Ana is proclaiming Saturday, October 23, 2010, as Jade Buddha for Universal Peace Day.jade buddha, memorabilia

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centrepiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 metres tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace. The Jade Buddha for Universal Peace was carved from a rare boulder of translucent gemstone-quality jade (“Polar Pride”) that was discovered in Canada in the year 2000. This certificate confirms its origin and quality and details its dimensions and weight in support of the claim that it is the largest Buddha carved from gemstone-quality jade in the world. jade buddha, memorabilia

Large Green Leather covered book with Gold Australian Coat of Arms on front.Reproduced from Official and other photographs of the two World Wars. Published under the auspices of the Board of Management of the Australian War Memorial. Contains Dedication - To the men and women of the Empire who in every hour of danger , face the storm … who in their willing sacrifice are bearing the brunt of a struggle for the peace and security of all peoples. Faint stamp "Maurice Parker" inside front cover top left.

The certificate commemorates the official opening of the Shrine of Compassion, which houses the large statue of Kwan Yin, carved from marble in Vietnam. The statue was especially chosen by Ven. Thich Phuoc Tan and sponsored by Quang Minh temple. The Shrine of Compassion is located in the Great Stupa's Peace Park. Kwan Yin (also known as Quan Yin or Guanyin) is revered as the Goddess of Mercy in Chinese Buddhist tradition. Depicted holding a vase containing sacred water, symbolising compassion and healing, she is believed to hear the cries of the world and respond with kindness and guidance.The Great Stupa of Universal Compassion (logo); the text: "The Shrine of Compassion was officially opened by Ven. Thich Phuoc Tan June 4 2006".holy objects, buddhist art, statues

non-fictionA compilation of stories of servicemen and their families with connections to the Lang Lang Cemetery and the Great War. world war 1914-1918, lang lang (vic.), lang lang cemetery