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Flagstaff Hill Maritime Museum and Village
Tool - Caulking Tool, A Mathieson and Son, Early 20th century
Caulking is the traditional technique used on wooden vessels built with butted or clinker-built planks to fill the gaps between these planks while still allowing the wood to flex and move. This involved driving the irons, hammered in with the mallet, deep into the seams to open them up. After this, spun yarn, oakum (hemp) or cotton was driven deep into the gaps. The hemp or cotton was soaked in creosote or pine tar to make the joins watertight. Caulking also played a structural role in tightening up the hull or deck by reducing the longitudinal movement of the neighbouring planks. The subject item was made by Alexander Mathieson & Sons but the company was established in 1792 when John Manners had set up a workshop making woodworking planes at 14 Saracens Lane Glasgow. He also employed an apprentice Alexander Mathieson (1773-1851). But in the following year at Saracen's Lane, the 1841 census describes Alexander Mathieson as a master plane-maker now at 38 Saracen Lane with his son Thomas Adam working with him as a journeyman plane-maker. Presumably, Alexander must have taken over the premises and business of John Manners. Now that the business had Thomas Adam Mathieson working with his father it gradually grew and became more diversified, and it is recorded at the time by the Post-Office Glasgow Annual Directory that by 1847-1848 Alexander Mathieson was a “plane, brace, bit, auger & edge tool maker”. In 1849 the firm of James & William Stewart at 65 Nicolson Street, Edinburgh was taken over by Mathieson and Thomas was put in charge of the business, trading under the name Thomas A. Mathieson & Co. as plane and edge-tool makers. Thomas's company went on to acquire the Edinburgh edge-tool makers “Charles & Hugh McPherson” and took over their premises in Gilmore Street. In the Edinburgh directory of 1856/7, the business is recorded as being Alexander Mathieson & Son, plane and edge-tool makers at 48 Nicolson Street and Paul's Work, Gilmore Street Edinburgh. In the 1851 census, Alexander is recorded as working as a tool and plane-maker employing eight men. Later that year Alexander died and his son Thomas took over the business. Under the heading of an edge-tool maker in the 1852/3 Post-Office Glasgow Annual Directory the firm is now listed as Alexander Mathieson & Son, with further entries as "turning-lathe and vice manufacturers". By the early 1850s, the business had moved to 24 Saracen Lane. The directory for 1857/8 records that the firm had moved again only a few years later to East Campbell Street, off the Gallowgate area, and that through further diversification was also manufacturing coopers' and tinmen's tools. The ten-yearly censuses report the firm's growth in 1861 stating that Thomas was a tool manufacturer employing 95 men and 30 boys; in 1871 he had 200 men working for him and in 1881 300 men. By 1899 the firm had been incorporated as Alexander Mathieson & Sons Ltd, even though only Alexander's son Thomas appears ever to have joined the firm so the company was still in his father's name. In September 1868 Thomas Mathieson put a notice in the newspapers of the Sheffield & Rotherham Independent and the Sheffield Daily Telegraph stating that his firm had used the trade-mark of a crescent and star "for some time" and that "using or imitating the Mark would be proceeded against for infringement". The firm had acquired its interest in the crescent-and-star mark from the heirs of Charles Pickslay, the Sheffield cutler who had registered it with the Cutlers' Company in 1833 and had died in 1852. The year 1868 seems also to be the one in which the name Saracen Tool Works was first adopted; not only does it figure at the foot of the notice in the Sheffield press, but it also makes its first appearance in the firm's entry in the Post-Office Glasgow Annual Directory in the 1868/9 edition. As Thomas Mathieson's business grew, so too did his involvement in local public life and philanthropy. One of the representatives of the third ward on the town council of Glasgow, he became a river bailie in 1868, a magistrate in 1870 and a preceptor of Hutcheson's Hospital in 1878. He had a passion for books and was an "ardent Ruskinian". He served on the committee handling the bequest for the setting up of the Mitchell Library in Glasgow. When he died at Coulter Maynes near Biggar in 1899, he left an estate worth £142,764. In the Company's later years both Thomas's sons, James Harper and Thomas Ogilvie were involved in the continuing life of the firm. James followed in his father's footsteps in becoming a local public figure. He was appointed Deputy Lieutenant of the County of the City of Glasgow and was made a deacon of the Incorporation of the Hammermen of Glasgow in 1919. His brother Thomas Ogilvie was recorded as a tool manufacturer and employer in the 1911 census. Thomas Ogilvie's son Thomas Alastair Sutherland Ogilvie Mathieson was born in 1908 and took a rather different approach to engineer, however, by becoming a racing driver. In 1947 he wed the French film actress Mila Parély. The firm had won many awards at world fairs for their goods. At the Great Exhibition, London, 1851. Prize medal for joiners' tools in the class of Cutlery & Edge Tools, Great London Exposition, 1862. Prize medal honoris causa. International Exhibition, Melbourne, 1880. Gold medal International Exhibition of Industry, Science and Art, Edinburgh, 1886. Prize medalThe firm Alexander Mathieson & Sons were one of the leading makers of hand tools in Scotland. Its success went hand in hand with the growth of the shipbuilding industries on the Firth of Clyde in the nineteenth century and the emergence of Glasgow as the "second city of the Empire". It also reflected the firm's skill in responding to an unprecedented demand for quality tools by shipyards, cooperages and other industries, both locally and far and wide. The subject item is of further significance as it gives a snapshot of the technological development of sailing ships and their operation before steam-powered vessels took over around the world. Tools such as the subject item demonstrate the traditional craftsmanship and skill of the shipwright and the aesthetic quality of the timber ships designs of the time. Caulking tool Off-set. Stamped on blade "Mathieson & Son Glasgow" also stamped in handle, James S Steele tool box.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, james s steele, caulking iron, caulking tool, offset caulking tool, alexander mathieson & sons, shipwrights tools, ship building, clinker hull caulking, sailing ships -
National Wool Museum
Photo Album, 1930-1934
The Photo Album was created by Hans Beck, who interned with the donor's father (Wilhelm Eckels). The Photo Album depicts wool buying and sheep station related life between 1927-1939. Each photograph has been individually labelled.Straw coloured booklet with gold cursive writing on front cover spelling 'Photo Album'. Inside are 18 pages containing 63 photographs, each individually captioned. Internal pages show signs of age with discolouration, particularly in areas of previous adhesive application.Lettering, Front: Historic Interest Before WME arrived - 1930-1934 Wool & Sheep Photo Album Lettering, Internal by Page: Page 1 - Bottom Left Conner: Table from right:/ O. Hilbert sen. / WW. Richter, W. Ehrig/ Sampler: C. McCarthy/ at desk: E.S. Bottom Right Corner: 1927/ Wool Sample Room/ O. Hilbert/ Terranora Buildings/ Reiby Lane Page 2 - Bottom Middle: 1931/ Opening Sale/ Sydney Page 3 - Bottom Middle: 1934/ Opening Sale/ Sydney Page 4 - Bottom Middle: 1933/ Wool Auctions/ Brisbane Page 5 - Top Left Corner: 1930 Escapade/ Sydney to CAIRNS/ via Bourke, Central/ Queensland, Hinter-/ land & Atherton/ Table Lands Top Right Corner: Dubbo: Main Street/ (1st Night)/ 31.7.1930 Middle Right: 1st Night-"OUT"/ Stranded 11 miles/ from Bourke. (Red/ Dust in Carburettor Bottom Right Corner: Our "ERSKINE'/ hits Culvert &/ breaks both King-/pins. 1 1/2 miles from/ CUNNAMULLA SW-Q. Page 6 - Top Right Corner: "Rosevale Station"/ via Cunnamulla SWQ/ "Gidgi" country/ Gidgi Creak &/ Warrigo R. Middle Left: STAN HILL Page 7 - Middle Top: Blackhall/ Tattersall's Hotel/ Yarning at Cross-/roads. Middle Left: FO Wool Sales/ 22 Horse team Middle Right: Roadsign to:/ ISIS DOWNS &/ Homestead (Fart Page 8 - Middle Top: Muster: 3000 sheep/ Semi-circular/ Shearing shed/ ISIS DOWNS Page 9 - Middle Top: Shearer/ Water Tower/ Counting out/ pens Middle Bottom: Shearers Cook/ Hot Water & Soup/ Cake for Shearing/ Shed Charity Ball Page 10 - Middle Left: Isis Downs Home-/ stead with fire// flood Lookout./ Artesian Borewell Bottom Right: Manager: Moore/ & Alfred Loh-/ mann with kills/ Ducks & Emus Page 11 - Top Middle: PORTLAND DOWNS/ Muster: 10,000/ Sheep Bottom Left: Manager:/ Mr. Luck/ with A.L./Moore Page 12 - Middle Top: ROOKWOOD Station/ near/ HUGHENDEN/ Central NWQ Page 13 - Top Middle: 'HINTERLAND"/ Cattle country/ Spear Grass/ Tracks Bottom Middle: Crossings:/ Creeks: Quick/ Sand/ Rivers: rocky Page 14 - Middle Right: Lyndhurst stat/tion/ Head Stockman Middle Left: -Valley of la-/goons/ Station Bottom Right Corner: Master Atkinson/ saves/ Petrol shortage Page 15 - Top Middle: ATHERTON TABLELANDS/ LAKE BERRINE Middle Centre: Tropical Rainforest/ near/ Lake Berrine Page 16 - Top Middle: ATHERTON TABLELANDS/ Timber Country Bottom Middle Edge: CAIRNS/ Imperial Hotel Page 17 - Hans Beck with/ Betty Hilbert/ Lapstone Hill 1931 wool - transportation, wool sales, wool growing, wool growing agriculture farming, wool industry, wool sales - sydney, wool sales - brisbane, dubbo, 1930, bourke, cunnamulla, isis downs, shearing, shearing - lifestyle, portland downs, muster, hughenden, hinterland, lake berrine, cairns -
National Wool Museum
Clothing - 1984 Los Angeles Olympics Men's Opening Ceremony Shirt, c. 1984
On the 1984 Los Angeles Olympic Uniforms donator Doug wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. When the forthcoming Los Angeles Olympic Games was announced, the Product Marketing Group seized upon the chance to show the world that we could make top fashion garments and display them on our elite athletes on the world stage. A concept was launched using a contemporary top designer, Adel Weiss, with the most exclusive fabrics and knits available, and all with a lot of hype. This launch failed dismally for the following reasons- - The designer did a wonderful job presenting an excellent fashion range on perfect skinny models. The AOC however wanted a uniform which had an obvious Australian appearance when fitted to elite, and frequently muscular, athletes. - The fabrics chosen did not reflect the performance required by travelling athletes, there was no recognition of the need for ‘easy care.’ - There was no recognition given to the problem of measuring, manufacturing and distribution of a range of articles when the selected athlete could be domiciled anywhere in Australia. - There was no appreciation of such historical facts as Fletcher Jones, who had been unofficial suppliers dating back to the 1954 Olympics in Melbourne, and the Fletcher Jones board member, who was also an AWC board member, and was not in favour of the change. The project passed from Product Marketing to Public Relations, a big spending off-shoot of the AWC Chairman David Asimus, and due to the day to day operations of the project was passed to me and PR took care of the financial matters. The first task was to meet with the AOC and find out exactly their requirements. This lead to the production of a design and manufacturing brief, cointaining exact time lines for each event required to ensure an appropriate uniform on every athlete chosen to represent his/her country on the date given for the Opening Ceremony in Los Angeles. Working backwards the timeline becomes- 1. Noted the exact date of the Opening Ceremony. 2. Estimated the date for distributing completed garments to each athlete. 3. Estimated the time span available for measuring each athlete and commence making each component of the ensemble to the individual measurements of each athlete. 4. Decided the date for making the final choice of uniform design concept. 5. Decided the date for distribution of the design brief to selected designers. These five steps were spread out over a two year period. The Commonwealth Games occur midway between each Olympic Games, work on the Olympic uniform commences the week after the Commonwealth Games closing ceremony and MUST be ready by the prescribed day two years hence. The project also had to remain cognisant of trade politics existing within the span of the task, as well as the temperament of designers in general. It is no overstatement to say that in the past every designer in Australia believed they could, and should, be chosen to design the Australian Uniform. The final choice of designer almost always faced criticism from the fashion press and any designer who had been overlooked. However, with the contenders receiving an exacting brief the numbers of serious contenders greatly reduced. The Los Angeles Olympic Uniforms. A further reason for the AWC bid failure to design the LA uniform was that the AOC had already chosen Prue Acton to design it. This was based on her proven performance during previous games as she had a talent for creating good taste Australiana. Her design concepts also considered the effect when they were viewed on a single athlete as well as the impact when viewed on a 400 strong team coming on to the arena. A blazer trouser/skirt uniform in bright gold was chosen for the formal uniform. It was my task to select a pure wool faille fabric from Foster Valley weaving mill and have sufficient woven and ready within the prescribed timeline. The trouser/skirt fabric selected was a 60/40 wool polyester plain weave fabric from Macquarie Worsted. This fabric had a small effect thread of linen that was most attractive when dyed to match some eucalyptus bark Prue had brought back from central Australia. For the Opening Ceremony uniform, Prue designed a series of native fauna, a kookaburra for the men’s shirt and a pleated skirt with a rural scene of kangaroos, hills and plants. This presented an insurmountable printing challenge to the local printing industry as it had an unacceptably large repeat size and the number required (50) was also commercially unacceptable. The solution was a DIY mock up at RMIT and the employment of four student designers. The fabric selected for this garment was a light weight 19 micron, pure wool with a very high twist yarn in alternating S and Z twist, warp and weft. This fabric proved to be the solution to a very difficult problem, finding a wool product which is universally acceptable when worn next to the sin by young athletes competing in the heat of a Los Angeles summer. Modifications to this fabric were developed to exploit its success when facing the same problem in future games. Garment Making- The most exacting garment in the ensemble is the tailored blazer, plus the related trouser/skirt. Unfortunately tailoring athletes that come in various shapes and sizes such as; - Weight lifters develop an enormous chest, arms and neck size. A shirt made to a neck size of 52 would produce a shirt with cuffs extending well beyond the wearer’s hands. - Basketball players are up to 7 feet tall and garments relying ona chest measurement grading would produce a shirt with cuffs extending only to elbow length. - Swimmers develop enormous shoulders and slim hips, cyclists by contrast develop thighs I liken to tree trunks and a uniform featuring tight trousers must be avoided at all cost. Suffice to say many ensembles require specialist ‘one off’ treatment for many athletes. Meanwhile there is a comfortable in between group who can accept regular sizes so you can cater for these by having back up stock with plenty of built in contingencies. Athletes may be domiciled anywhere in Australia, this creates a fundamental problem of taking their measurements. The Fletcher Jones organisation was key to answering this problem due to their presence in every capital city, as well as many provincial towns around Australia. Each athlete on being selected for the Olympic Team was simultaneously requested to visit their nearest Fletcher Jones shop. The standardised measurement data collected was shared with the other manufacturers, e.g. Pelaco Shirts, Holeproof Socks and Knitwear, Maddison Belts, and even Hush Puppy Shoes. As the time for the Games approached the AOC made arrangements for combining meeting of all. Selected available athletes at the Australian Institute of Sport, Canberra, where, among other things, they were fitted and supplied with their uniform. The method evolved as follows.Men’s cream coloured button up, collared shirt. Images of a kookaburra have been printed onto the shirt, a single kookaburra on the left breast and a pair of kookaburras on the reverse of the shirt. The kookaburras are printed in a brown tone to complement the cream colour of the fabric.On tag - FMaustralian wool corporation, 1984 los angeles olympics, olympic uniforms, men's uniforms, sport, athletes -
Mission to Seafarers Victoria
Book, Basil Lubbock, The Colonial Clippers, 1948
From the Preface: "In this book I have attempted to give some account of the beautiful sailing ships which played so great a part in the development of the great British Dominions under the Southern Cross. It is written specially for the officers and seamen of our Mercantile Marine, and I have endeavoured to avoid such a criticism as the following:—“Heaps about other ships, but my old barkey was one of the fastest and best known of them all and he dismisses her with a line or two.” I have made rather a point of giving passage records, as they are an everlasting theme of interest when seamen get together and yarn about old ships. The memory is notoriously unreliable where sailing records are concerned, so I have been most careful to check these from logbooks and Captains’ reports. Even Lloyd’s I have found to be out by a day or two on occasions. A great deal of my material has been gathered bit by bit through the past 25 or 30 years. Alas! many of the old timers, who so kindly lent me abstract logs and wrote me interesting letters, have now passed away. The illustrations, I hope, will be appreciated, for these,viii whether they are old lithographs or more modern photographs, are more and more difficult to unearth, and a time will soon come when they will be unprocurable. Indeed, if there is any value in this book it is because it records and illustrates a period in our sea history, the memory of which is already fast fading into the misty realms of the past. To preserve this memory, before it becomes impossible, is one of the main objects, if not the main object, of my work."430 pp. on art paper. approx 60 illustrations, photos, sketches, all B&W. Extensive appendices according to the trades the ships engaged in. Long index, examples of log entries, mapsnon-fictionFrom the Preface: "In this book I have attempted to give some account of the beautiful sailing ships which played so great a part in the development of the great British Dominions under the Southern Cross. It is written specially for the officers and seamen of our Mercantile Marine, and I have endeavoured to avoid such a criticism as the following:—“Heaps about other ships, but my old barkey was one of the fastest and best known of them all and he dismisses her with a line or two.” I have made rather a point of giving passage records, as they are an everlasting theme of interest when seamen get together and yarn about old ships. The memory is notoriously unreliable where sailing records are concerned, so I have been most careful to check these from logbooks and Captains’ reports. Even Lloyd’s I have found to be out by a day or two on occasions. A great deal of my material has been gathered bit by bit through the past 25 or 30 years. Alas! many of the old timers, who so kindly lent me abstract logs and wrote me interesting letters, have now passed away. The illustrations, I hope, will be appreciated, for these,viii whether they are old lithographs or more modern photographs, are more and more difficult to unearth, and a time will soon come when they will be unprocurable. Indeed, if there is any value in this book it is because it records and illustrates a period in our sea history, the memory of which is already fast fading into the misty realms of the past. To preserve this memory, before it becomes impossible, is one of the main objects, if not the main object, of my work."clippers, basil lubbock, loch vennachar, loch gary, loch ryan, loch sloy ship, hobsons bay, mermerus -
Mission to Seafarers Victoria
Audio - Radio interview, The R and J Yarn, 21 December 2021
The interview of Sue Dight was recorded in the Mission. Episode Description For our final episode pre-Christmas 2021 we visited the Mission to Seafarers, Melbourne. We chatted to Sue Dight the CEO of the Mission to find out about the amazing and varied ways in which they care for visiting seafarers who come into port. We also found out about Sue's own career journey which is an inspiration. It's a nice time of year to be inspired by the story of an organisation that's looks out for a forgotten group. Enjoy, and have a great Christmas.This episod was recorded after the pandemic, and Sue Dight gives a lot of details about the work done during this period and the conditions the seafarers were subjected to. The épisode is also about Sue Dight, her career, her love for the Mission's architecture.Interview of Sue Dight recorded in the Mission to Seafarerssue dight, podcast, radio interview, the r and j yarn, mission to seafarers, pandemic, covid 19, open house, heritage colection -
Eltham District Historical Society Inc
Photograph, Wearables Yarn Wool, Eltham Community Festival Parade, Main Road opposite Wingrove Park, 4 August 1978, 04/08/1978
Eltham Community Festival, 4-13 August 1978 Newsletter No. 3 September 1978 Eltham Community Festival. This year’s Eltham Community Festival was held from August 4th to 13th. The society was involved with the Warrandyte Historical Society in arranging an exhibition at the Community Centre and also provided notes and a map for a self-guided walking tour of historic buildings and locations around Eltham. Copies of notes will continue to be available from the Eltham Shire Offices and the tour may be under-taken at any time. The exhibition was divided into two sections. The Eltham Society displayed early photographs associated with the walking tour, whilst the Warrandyte Society showed their photographs and artefacts of the Warrandyte gold era. An outstanding feature was the large "blow-up" photos of early Warrandyte. Colour photographeltham, main road, eltham festival, alan whitmore estate agents, shell service station, mount pleasant road, parade, parade float, wingrove park -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Book, Howcroft, Wilbur G. (Wilbur Gordon), The Clancy that overflowed, 1971
Book contains a diverse collection of outback yarns, fables anecdotes, bush ballads and observations all with a distinctly Australian predisposition. Much of the material is derived from wheat and sheep farms in the Victorian Mallee.114 p ; illBook contains a diverse collection of outback yarns, fables anecdotes, bush ballads and observations all with a distinctly Australian predisposition. Much of the material is derived from wheat and sheep farms in the Victorian Mallee.australian wit and humor, country life, australia -
National Vietnam Veterans Museum (NVVM)
Book, Mackay, Ian, Phantoms of Bribie: The Jungles of Vietnam to Corporate Life and Everything in Between
The Phamtoms of Bridie is a highly readable blend of an engaging yarn and a fascinating portrayal of operational service in Vietnam as an infantry company commander leading some 100 fine young national service and regular soldiers in cloase quarter jungle fighting.The Phamtoms of Bridie is a highly readable blend of an engaging yarn and a fascinating portrayal of operational service in Vietnam as an infantry company commander leading some 100 fine young national service and regular soldiers in cloase quarter jungle fighting.vietnam, national service, sas, bravo company 6 rar, operation bribie -
National Vietnam Veterans Museum (NVVM)
Book, Mackay, Ian, Phantoms of Bribie: The Jungles of Vietnam to Corporate Life and Everything in Between, 2016
The Phamtoms of Bridie is a highly readable blend of an engaging yarn and a fascinating portrayal of operational service in Vietnam as an infantry company commander leading some 100 fine young national service and regular soldiers in cloase quarter jungle fighting.The Phamtoms of Bridie is a highly readable blend of an engaging yarn and a fascinating portrayal of operational service in Vietnam as an infantry company commander leading some 100 fine young national service and regular soldiers in cloase quarter jungle fighting.operation bribie, 7 rar, 4 rar, 6 rar, special air service regiment (australian army), vietnam war, 1961-1975 - personal narratives - australian -
Victorian Aboriginal Corporation for Languages
Book, Dungala-Kaiela Foundation, 2013 Dungala-Kaiela Express Yourself Writing Awards : story/yarn/article/play, in Yorta Yorta language in any written form, poem/lyric/rap, 2013
Writing competition featuring entries from all ages. Entries take the form of stories, articles, plays, poetry, lyrics and raps. Encourages Indigenous people of the region to write well and develop good standards of literacy.Illustrationsyorta yorta, barmah, storytelling, children, creative writing -
National Wool Museum
Book, Modern Developments in the Australian Wool Industry
"Modern Developments in the Australian Wool Industry", c.1923. Examines the operations of the Yarra Falls Spinning Co. Pty Ltd and the Australian Knitting Mills Limited (makers of Golden Fleece and Kookaburra knitted underwear). Includes photos of processes and of the buildings.F H Murgatroyd/20 Kensington Rd/ Leopold 3224weaving textile industry - history textile production machine knitting textile mills, yarra falls spinning co. pty ltd australian knitting mills limited, yarn - woollen, cloth - worsted, yarn - worsted, wool tops, yarn - cashmere, weaving, textile industry - history, textile production, machine knitting, textile mills -
National Wool Museum
Sample, Yarn
Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long association with the Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.lau, mr alexander - alexander lau pty ltd alexander lau pty ltd, mr alexander - alexander lau pty ltd -
National Wool Museum
Skein
Skein of pure wool black mending thread, produced by Astor in Australia under the 'Empire' brand.Skein of black mending wool, produced by Astor in Australia under the 'Empire' brand, c.1930s.EMPIRE / pure wool mending / MADE IN AUSTRALIA / Astor / PRODUCTyarn production, astor -
National Wool Museum
Book, Instruction Paper No.841B :Drum and pirn winding frames, part 2, 1st Ed
"Instruction Paper No.841B :Drum and pirn winding frames, part 2, 1st Ed. - International Correspondence Schools Ltd."Instruction Paper No.841B :Drum and pirn winding frames, part 2, 1st Ed. - International Correspondence Schools Ltd.weaving textile machinery yarn production textile industry - education, international correspondence schools ltd, winding, winding machinery, weaving, textile machinery, yarn production, textile industry - education -
National Wool Museum
Catalogue, Hartmann Webstuhle
Hartmann catalogue of textile machinery.AUSTRALOVER MACHINERY COY PTY LTD/ 486 BOURKE ST. MELB LOOMStextile machinery textile mills yarn production, hartmann, weaving looms, weaving machinery, spinning machinery, carding, textile machinery, textile mills, yarn production -
National Wool Museum
Photograph, R S & S worsted spinning
Worsted spinning department, R S & S mill.R S & S worsted spinning AUSTRALIAN OFFICIAL PHOTOGRAPH/ DEPT OF INFORMATIONtextile machinery textile mills - history textile mills - staff textile mills, returned soldiers and sailors mill, spinning machinery, yarn - worsted, textile machinery, textile mills - history, textile mills - staff, textile mills -
National Wool Museum
Book, Yarn sample, Children's wear colour card: basic range for knitwear
"Children's wear colour card: basic range for knitwear", British Colour Council, 1960.dyeing knitting yarn production, alexander lau pty ltd british colour council, lau, mr alexander - alexander lau pty ltd, dyeing, knitting, yarn production -
National Wool Museum
Book, Hand books of the textile industry, vol 2: manufacture of narrow woven fabrics
"Hand books of the textile industry, vol 2: manufacture of narrow woven fabrics" - E A PosseltK M Chisholm/ Denholm/ Bowenfelstextile calculations textile industry weaving textile industry - education, weaving, weaving looms, yarn - woollen, yarn - worsted, ribbon, textile calculations, textile industry, textile industry - education -
National Wool Museum
Wool Winder, 1999
Wool winder "perhaps designed to accept a skein prior to ball winding, or for plying 2 from 2 single plies." (ref donation form)Wooden wool winder.handicrafts - history yarn production, spinning, handicrafts - history, yarn production -
National Wool Museum
Bobbin Winder
A small, manual bobbin winder on wooden baseA small, manual bobbin winder on wooden base.yarn production handicrafts, yarn production, handicrafts -
Stawell Historical Society Inc
Book - Laboratory Reference Book, Modern Yarn Production, A Symposium, G.R.Wray
Textbook. Lab Reference - Norwellan & AUNDE North Western Woolen Mills became Norwellan Textiles then AUNDEDark Blue Cover with Beige Dust CoverJohn T Bennett, Lyddon Hall Leeds, 8/10/1969manufacturing -
National Wool Museum
Pamphlet, Worsted Card for Man-Made Fibres Type CS-2
"Worsted Card for Man-Made Fibres, Type CS-2" - Befama Bielska Fabryka Maszyn Wlokienniczych; sole exporters: Metalexport, Warsaw, Poland, c.1950.textile machinery, metalexport bielsko textile machinery works, carding, yarn - worsted -
National Wool Museum
Book, Worsted Carding and Combing
"Worsted Carding and Combing: covering the syllabus of the City and Guilds of London Examination in this subject" - John R. Hind, London, 1932.FOR AND ON BEHALF OF / PORT PHILLIP MILLS PTY. LTD. / W. Stanley / Managing Director. / 16/11/32port phillip mills pty ltd, carding, combing, yarn - worsted, stanley, mr w. - port phillip mills pty ltd -
National Wool Museum
Book, The Worsted Industry
"The Worsted Industry", by J. Dumville and S. Kershaw, c.1930 (part of the Pitman's Common Commodities and Industries series).wool processing, yarn - worsted, cloth - worsted -
National Wool Museum
Book, Modern Developments in the Australian Wool Industry
"Modern Developments in the Australian Wool Industry", c.1923. Examines the operations of the Yarra Falls Spinning Co. Pty Ltd and the Australian Knitting Mills Limited (makers of Golden Fleece and Kookaburra knitted underwear). Includes photos of processes and of the buildings.Book, front cover: "Modern Developments in the Australia Woollen Industry" c.1923; Yarra Falls Spinning Co. Pty Ltd and Australian Knitting Mills Limited.weaving textile industry - history textile production machine knitting textile mills, yarra falls spinning co. pty ltd australian knitting mills limited, yarn - woollen, cloth - worsted, yarn - worsted, wool tops, yarn - cashmere, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), weaving, textile industry - history, textile production, machine knitting, textile mills -
National Wool Museum
Book, Wool in the eastern Europe area, 1980
"Wool in the eastern Europe area, 1980." Simon Newland, International Wool Secretariat.wool growing sheep - european yarn production textile production trade - international, international wool secretariat, carpet, cloth - woollen, wool growing, sheep - european, yarn production, textile production, trade - international -
National Wool Museum
Book, Early stage processing of Australian wool [English and Chinese]
"Early stage processing of Australian wool [English and Chinese]" Australian Wool Corporation and Production Department of the Ministry of Textile Industry of the People's Republic of China, 1984wool processing export - wool yarn production textile production textile machinery, australian wool corporation, wool processing, export - wool, yarn production, textile production, textile machinery -
National Wool Museum
Textile - Wool
Used by Sylvia Maidment.Left over wool used by Sylvia Maidment to knit bed jacket.knitting, maidment, mr ian maidment, ms sylvia, wool, yarn, blue -
National Wool Museum
Book, An account of research studies and mill processing trials on four apparel wools
"An account of research studies and mill processing trials on four apparel wools"- J H Wakelin and W von Bergen 1953 : Wool research project, summary report for the period October 1948 to October 1952.merino sheep wool - characteristics wool - chemistry textile research textile calculations textile fibres, dyeing, spinning, carding, yarn - worsted, merino sheep, wool - characteristics, wool - chemistry, textile research, textile calculations, textile fibres -
National Wool Museum
Book, The woollen and worsted industry: an economic analysis
"The woollen and worsted industry: an economic analysis" - G F Rainnie (ed),1965textile industry textile fibres weaving, yarn - woollen, yarn - worsted, cloth - woollen, cloth - worsted, textile industry, textile fibres, weaving