Heavy khaki ammunition and magazine holder with a metal insert in front with black metal fastener. 2 Khaki webbing loops on either side 2 metal clips on back. Webbing loop with dog tag fastener on end. Has canvas top which can be fastened to front metal fastener (possibly belonged to Peter Raymond Young)ammunition, pouch, young, peter raymond

Hundreds of items that have been photocopied and laminated. Includes class lists, form photographs, copies of High Tide covers and excerpts. Collected and assembled by Barbara Muster and used for WHSESSA display, 2018. Item consists of 1 x blue folder, 1 x large yellow folio plastic clip seal plastic pocket.1960s, williamstown high school, display materials

Ticket punch - pressed steel with ticket guide, steel rivet for pivot, circular finger clip, spring steel wire - punch has a shaped hole. Has number 2509 stamped in near rivet and Maun Industries England on the reverse side. The arms of the punch have a pattern stamped into the metal to give a possible non-slip surface.trams, tramways, ticket punch, tickets, fares, conductors

Demonstrates a sales item that the museum has produced over many years.Metal lapel badge - image of Victorian Railways Red Tait Suburban train in orange livery - stamped metal badge with a clip on rear, nickel plated finish, with hand painted red and black paint infilling the detail. Possibly made by R. E. V. Gomm, England to order of the Ballarat Tramway Museum mid 1980's.tramways, trams, badges, lapel badge, btm, railways

Yields information about the SEC tram fleet when tail lights fitted and saloon seat types.Handwritten list, over two sheets, of SEC Tramcars through to No. 40, of the fitting date of tail lights, and notes regarding the lights and a list of the saloon seating types in the single truckers and ceiling colours in the bogie trams. Contained within Reg Item 5507 - Foolscap binder with green covers, black binding edge and metal clips. sec, tramcars, lights, seats, ceilings

Canwen Zhao was awarded the $10,000 We The Makers Acquisitive Prize for '35 Life' in 2023. Artist Statement: "35life" is a sustainable fashion project that transforms second-hand clothing materials into urban street outdoor-style products. Highlighting prominent Chinese classic red and green colours not only conveys eastern aesthetics but also adds a sense of unity to the clothing collection. The high-saturation and high-brightness full-colour palette keeps the clothing consistently "fresh," allowing any trendy colours to seamlessly integrate into the project's designs, thus extending the lifespan of the garments. Additionally, all clothing items can quickly transform into a stylish bag for convenient daily carrying and home storage. These bags are made from leftover fabric generated during the production process and serve as original packaging for sale. This approach not only reduces excessive packaging but also enhances the chances of resale in the second-hand market. The project draws inspiration from the traditional Chinese cultural concept of "huo feng ding," meaning "exchange the old for the new." it's also influenced by the designer's personal experience with health issues, making the designs suitable for individuals who can't be exposed to sunlight for extended periods, adapting to the changing urban lifestyle. 35life aims to provide visually pleasing and comfortable dressing experiences for urban dwellers who are busy with work and experience high levels of stress. Unlike traditional design patterns, this project adopts a unique design approach. It selects 3-5 pieces of raw materials based on their colours, and then disassembles them through structural lines. While retaining most of their functionality, these materials are rearranged and assembled on a flat surface before being shaped on a dress form. Subsequently, various ways of creating storage bags are derived from the initial clothing prototypes. After refining the designs, the final products are developed, and similar materials are used to create samples. Therefore, under this design methodology, even for the same garment, it is impossible to produce two identical pieces of clothing. Each garment is truly one-of-a-kind, which enhances its rarity and contributes to the longevity of the fashion pieces. The project includes various types of clothing, each with unique storage methods. This yellow look, named "elegant beach sunscreen monarch," draws its fashion inspiration from traditional Han Chinese attire and its storage concept from the Chinese cultural concept of "jiu jiu gui yi." the design employs flat pattern cutting, utilizing materials from the second-hand market such as beach towels, children's waterproof clothing, and women's dresses. Similar colours and patterns are reassembled through cutting and combining. For the sleeves, quick-drying, sun-protective sport fabric forms the base, overlaid with discarded silk fabric dyed with turmeric and plant dyes. This not only ensures functionality but also adds a sense of elegance. The length can be adjusted using drawstrings. Artist Bio: Zhao Canwen is a multidisciplinary fashion designer with a strong passion for integrating art, history, culture, and sustainable design. With over 15 years of experience in painting, she draws inspiration from ancient Chinese philosophy and aesthetics, which gives her a unique sense of beauty. After 8 years of fashion and art training, she possesses a keen insight into current trends and tends to combine art with commercial needs. Zhao's design style is diverse, characterized by a multidimensional approach, a focus on colour application, and storytelling through details.Outfit consisting of six pieces: - Orange plastic eye wear with green paint - Pair of red and green metal clip on earrings - Red beaded phone case with attached beads on string - Pair of red and green painted running shoes - Yellow and green hooded garment with red piping and zips - Brown bag with green beaded handlessustainable, fashion, we the makers, art, culture, design, chinese philosophy, prize

These boots show an early design of ski boots. The design of boots, materials and closures have changed dramatically as technology has evolved. Early ski boots were little more than lace-up work boots. in 1928, the Swiss ski racer Guido Reuge invented a cable binding designed to hold the heel down for alpine skiing. He named the binding after the Kandahar series of alpine ski races. After World War II, custom bootmakers developed the double boot, with a soft and comfy lace-up inner boot protected and stiffened by a thick bull-hide outer casing laced with heavy-duty corset hooks. A solution towards making boots stiffer and more durable arrived in 1954, when Swiss bike racer and stunt pilot Hans Martin patented the ski boot buckle as shown on this pair of boots. The real revolution in boot design occurred in 1966, when the Canadian ski team were equipped with plastic boots for the Alpine World Championships. Since then manufacturers have competed to further refine designs to meet a range of needs from the weekend skier to elite athletes. These boots were donated by Mt. Beauty Rotary Club President Bob Flower.These boots are significant because they demonstrate a stage in the evolving technology of designs for the ski sport industry.Black leather ski boots with five metal clips on each boot and black lining. A carry case is included. Tyrol is a family owned specialty outdoor store selling quality gear. It was started in 1965 by Jerry and Barb Schliep in Rochester, Minnesota, USA. In 2003 the store was purchased by their daughter and son-in-law, Kristin & Robb Welch.TYROL is imprinted on the carry case.ski equipment, ski boot design, vintage ski boots

The flags were used for communicating messages to passing ships. Knowledge of visual signaling was mandatory for all lightkeepers and all stations maintained a set of these flags. Although used for centuries, visual flag signaling formally developed in the nineteenth century and was published internationally as a system in 1857. By the early twentieth century it had developed into an effective means of conveying all kinds of short range visual messages.The Cape Nelson Lightstation is architecturally and scientifically (technologically) important as the most intact complex of lightstation buildings in Victoria. The octagonal signal station is a unique feature which is all the more important for its complete set of signal flags’. Cape Nelson Lightstation’s complete set of 41 alphabetic and numeric visual signaling flags (including substitute and answering pennants) are made of bunting, a coarse fabric of worsted (open yarn wool) in various colour combinations, and some of the fabric is hand sewn and bears inscriptions. Attachments include handmade wooden toggles, brass clips and hemp rope.

Historical information Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. The "Aristocrat" line was first released in Canada in 1969 for several years. It was distributed from the outlet at Sarah Coventry Park, Wodonga.As part of the Sarah Coventry collection, the tie pin has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A small square tie pin of silvertone plated metal with an ice blue rhinestone in the centre. A short chain and clip are attached. A small diamond shape has the "SarCov" brand on the back. The pin is in its original packaging of a cardboard box with clear central oval on the front. The back of the box bears the Sarah Coventry branding as does the internal card.On internal mounting card: "Made in Canada/ Sarah Coventry Pty. Ltd / WODONGA (SC) VICTORIA" On back of box: "Sarah Coventry® PTY. LTD / SARAH COVENTRY PARK/ WODONGA, VICTORIA / PTD IN AUST"sarah coventry wodonga, men's fashion accessories, costume jewellery

The railways lunchbox belonged to Morris Brown, a Wodonga resident, and was used by him from the 1960s to 1992.The railways lunchbox has local significance as it belonged to and was used by a Wodonga resident. It also has historic significance due to its relative rarity and representativeness. Rectangular grey metal railways lunch box with a cream coloured painted metal lid secured with metal clips at both ends and a metal handle on the lid. The surface is very worn but there are traces of blue paint on the grey metal surface, which suggest it may have been blue. There is decorative adhesive contact paper lining the interior.railways lunchboxes, victorian railways, vr, v.r., morris brown

BHS CollectionBendigo Advertiser ''The way we were'' from Saturday, February 14, 2004. Too cool: as the temperatures soar in Bendigo this weekend here's a reminder of what must be the coolest job in Bendigo. Peter Frew retreats to the coolroom at his workplace, Crystal ice and Cool Stores in Garsed Street, on January 14, 1997. The clip is in a folder.newspaper, bendigo advertiser, the way we were

BHS CollectionBendigo Advertiser ''The way we were'' from Monday, January 19, 2004. In form: Matthew Turley concentrates on the jack as he prepares to send his bowl down during the Secondary School's Summer Sports Day competition in 1989. Watching closely are team members Nathan Turley, Nathan Thompson and Brett Johnson. The clip is in a folder.newspaper, bendigo advertiser, the way we were

BHS CollectionBendigo Advertiser ''The way we were'' from 2002. Rack 'em up: VRI A grade billiard team, late 50s. Back row: Jim Ryan, Peter Sullivan (custodian), Len Roy, Roy Cook, Alan Cronin and Tom Hindson. Front row: Bob Rechter, Basil Tonkin and John Schenck. The clip is in a folder.newspaper, bendigo advertiser, the way we were

BHS CollectionBendigo Advertiser ''The way we were'' from 2002. Customer service: Crofts store in Hargreaves street (formerly next door to Edgars newsagency which is now Powney's newsagency) in the early 1950s. Left to right: Ken Lewis (manager), ??, Miss Elsie Ship, ??, Kevin Grenfell and Miss Lillian Winzar (behind the counter). The clip is in a folder.newspaper, bendigo advertiser, the way we were

BHS CollectionBendigo Advertiser ''The way we were'' from 2003. Construction: can anyone identify this building? The work was being carried out by John Dunton a contractor for Bendigo, who is pictured standing right of the two children. A native of Islington, England, he arrived in Australia in 1844 and died in his Wills Street residence in 1897. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Badge - Manufactured - brass? with gold plate finish on the rear and sides with a green and gold glazed paint finish with the Public Transport Corporation (PTC) logo and the "The Met" name and large vertical safety retained pin or clip attached to the rear. Has the words "Senior Officer" on the lower half of the badge. Badge contained within a plastic bag.trams, tramways, the met, badges, officers, ptc, public transport corporation

Framed print - of MMTB No. 467, X1 class tram, drawn by Carl Segnit, side on view printed on white card, with MMTB logo, mounted in a black plastic frame, with Perspex front, with a clip on heavy card (wood product) backing. IN the bottom right hand corner in red print is "1/99" with the artists signature underneath.trams, tramways, x1 class, drawings, tram 467

Negative of tram 822 in Swan St Richmond, at Bendigo St. Tram has destination Wattle Park - Elgar Rd and Route No 70. Photo shows driver on road talking to conductor who is leaning out of doorway. Tram stop has a bundy clock. On the side of the bundy clock could be a point bar clipped to the clock case.Paper folder that contained the negative had "NR14A" written in red ink, "M14" written in pencil, "14A" written in blue ink, "P Ormond" written in purple ink and date stamped as 1 Dec 1959.trams, tramways, w5 class, swan st, crews, bundy clock, tram 822

Watch - stainless steel body and band with adjustable band and clip with the word "Access Combino" on the face of the watch. Has the word "Stainless Steel" on the band. No markings on the rear of the watch body. Watch does not appear to be operable, cannot use the knob on the right hand centre side. See Reg Item 1341 for the background of the object and its story.trams, tramways, combino, souvenirs, siemens, new trams

Badge - Manufactured - brass? with stippled gold plate finish on the rear and sides with a green and gold glazed paint finish with the words "Tramways Board Traffic Officer" in gold on the front and the number "70" stamped into the badge. Has a set of two metal clips soldered onto the rear of the item. See Reg Item 1239 for other examples.trams, tramways, mmtb, badges, officers

Metal lapel badge - image of Ballarat Tramway Museum No. 27 in an early SEC green and cream livery - stamped metal badge with a clip on rear, nickel plated finish, with hand painted light green and white/cream paint infilling the detail. Made by R. E. V. Gomm, England to order for Travis Jeffrey c1996.tramways, trams, badges, lapel badge, btm

1. Blue enameled water bottle with a cork sealed top inlet, the bottle is enclosed in a woollen outer cover, the bottle sits in an enclosed bottle harness. 2. The harness is made from leather with a cotton shoulder rest. The leather harness is attached to the bottle harness by brass rings and has adjustable clips to lengthen or shorten the strap.1. On the metal cork top, “D^D QP” 2. On the bottle harness, “D^D 1942 KW H”passchendaele barracks trust, bottle, water, harness, enamel

This instrument was part of a collection of instruments associated with Dr Michael Kloss and his medical practice. Dr Kloss subsequently donated this collection to the College.Metal perforator. Instrument consists of two straight, pointed blades with screw joint, and a spring loaded insert. Also includes a connecting spring bar at top of handle. Perforator is engraved with the word 'Kloss'. Inner aspect of perforator is engraved with a three digit number , '218'. Fastening clip at top of handle is also engraved with the number '218'.'Kloss'obstetrics

The "nib" pen was the preferred scribe method up until the "fountain" pen was produced (1940's), both could use specific inks that had longer life periods on paper surfaces. Ink wells such as those incorporated in this desk set allowed the user to select the colour and "type of ink" required. The nib pen was the only writing pen that could tolerate "Iron gall" ink. Legal documents were at the start of the mid 1980's required by law(in Australia) to be signed by "well" filled pens. The inks used were either "indian" or "iron/oak gall" because their infusion into paper could not be erased and they had a longer "paper" life and were harder to forge. Bottled ink was superior to that supplied in fountain pens or "biro pens" because the user's choice to a greater range of inks covered a variety of scenarios. Forging a nib signature is extremely hard compared to that of a "biro pen" because a nib settles in to the users particular style of pen movement and arm pressure.This desk writing set was typical of those used by administrators, businesses or quasi legal sectors within the Kiewa Valley, before the lifting of the ban on the use of biros "to sign" legal documents. Fountain pens were used extensively before cheaper biros (throw away) writing implements (1940's) came into the market place.This glass ink well desk set has two circular ink wells connected to their respective nib holders. The nib holders are smaller circular receptacles and feed off the larger ink reservoirs. Between the two larger ink wells is a shallow bottomed elongated "oval" sphere able to contain "slide on" clips, two pronged fasteners (require a hole to be punched in papers) or small "bulldog" clips. At the front edge is an elongated and grooved (two) place for writing nibs. The grooves keep each nib or fountain pen separated.The glass structure is made from clear glass and only the outside "boxed" walls of the desk set make contact with the desk surface. The ink wells can also securely accommodate small bottles of ink. This would have been the case for refillable fountain pens.stationery, fountain pens, nib pens, ink receptors, glass ink wells

Compact Diskette with video (DVD), titled "Tram it Day", celebrating "100 Years of Electric Trams" and "Celebrating 100 years of continuous service", with a printed front, logos contained within a clear plastic bag. Features images and video from the "Tram it day" - 8/10/2006 - interviews with Dennis Cliche, tramways band, held at Docklands on , a celebration and function at Melbourne Zoo as part of the Good Friday appeal. An ABC news story about the launch of centenary art tram, including interviews with Peter Batchelor and Craig Tooke. A production featuring historic images and film clips interwoven with short film clips of various tram crews speaking about the job and how they enjoy it, or groups of employees saying "Happy Birthday" - includes Ron Scholten, Two copies held.trams, tramways, yarra trams, 100 years of electric trams, docklands, tram crews, displays

George Maddison selected land in 1877 between the East and West Kiewa branches of the Kiewa River - known as the "Island". Now Mt Beauty.Pioneer family in the Kiewa ValleyPlastic brown folder with transparent front held by 2 gold metal slide clips. 9 clear plastic sheets holding 4 typed sheets, 3 typed sheets by Ted Maddison 1968, 4 handwritten pages in 1 plastic sleeve and 6 handwritten pages in 1 plastic sleeve (the handwritten sheets are the same as the typed sheets.)maddison family; mount beauty; kiewa valley

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Brown felt Australian Army slouch hat with left hand brim pinned up and secured with a brass clip. A gold coloured plastic Rising Sun badge is attached. The seven fold khaki puggaree has an Army Christian Chaplain's badge attached on the front. The hat has a brown leather chin strap and brown leather sweat band.Stamped on the sweat band in gold lettering: '(upwards arrow), MOUNTCASTLE, 1991, MADE IN AUSTRALIA, 57'. On the Rising Sun badge: 'THE AUSTRALIAN ARMY'.headwear, slouch hat, army chaplain, major thomas b. williams.

This item and it’s associated gas mask (Cat.No. 0096.1) are of a style typical of German WW2 gas mask and connister, but the use of vinyl instead of rubber and the Spanish manufacture of the gas mask suggests post WW2 manufacture. German WW2-style tin gas mask container, with hinged lid with clip. Lid incorporate stowages for anti-fog lenses (2 in grease-proof envelope). Three loops for attaching webbing. Webbing carry straps missing. Olive green paint. Removeable cover from gas mask filter (ref: Cat.No. 0096.1) stowed loose in cannister.