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Kew Historical Society IncJournal, Kewriosity : September 1985
Kew Council's new faces [Cr Moira Jeffreys, Cr Allen Martin - Prospect Ward; Cr Maree Williams - North Ward; Cr James McKenzie - Central Ward] / p1&5. Community Notices [Auxiliaries; Clubs and Societies; General; Politics; Religious notices; Support Groups] / p2&8. Update: Notes from Council [Meet our new Mayor - Cr Phyllis Hore] / p3. Traffic management / p3. In Brief: [Recycling Centre to open; Pollarding; Motel permit granted (at) 7-9 Studley Park Road; Kew's 125th; Kewriosity survey; School Holiday Program; Council angry over E6 delay; Disabled person's parking scheme; Secretarial and administrative support to community groups; Toilet blocks get thumbs down/ p4. The end of an era [Cr Kaye Cole, Cr Jim McCue, Cr Max Sartori, Cr Roger Streeton] / p5. Youth Page - Premier Theatre Co. booming; Good response from under-age drinking article / Ian Patching p6. Thank you again Neighbourhood Watch / p6. Kew kids support famine victims [Ethiopia] / p6. Kew full day care needs your help / Margaret Hillier p7. Kew Lions' new president [Herbert Joyce] / p7. Kew Community House / p7. Kew Festival [Committee] / p7. Letters - "Friends" answer back / EJ Flynn p8. Deepdene Primary School opens its doors / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionKew Council's new faces [Cr Moira Jeffreys, Cr Allen Martin - Prospect Ward; Cr Maree Williams - North Ward; Cr James McKenzie - Central Ward] / p1&5. Community Notices [Auxiliaries; Clubs and Societies; General; Politics; Religious notices; Support Groups] / p2&8. Update: Notes from Council [Meet our new Mayor - Cr Phyllis Hore] / p3. Traffic management / p3. In Brief: [Recycling Centre to open; Pollarding; Motel permit granted (at) 7-9 Studley Park Road; Kew's 125th; Kewriosity survey; School Holiday Program; Council angry over E6 delay; Disabled person's parking scheme; Secretarial and administrative support to community groups; Toilet blocks get thumbs down/ p4. The end of an era [Cr Kaye Cole, Cr Jim McCue, Cr Max Sartori, Cr Roger Streeton] / p5. Youth Page - Premier Theatre Co. booming; Good response from under-age drinking article / Ian Patching p6. Thank you again Neighbourhood Watch / p6. Kew kids support famine victims [Ethiopia] / p6. Kew full day care needs your help / Margaret Hillier p7. Kew Lions' new president [Herbert Joyce] / p7. Kew Community House / p7. Kew Festival [Committee] / p7. Letters - "Friends" answer back / EJ Flynn p8. Deepdene Primary School opens its doors / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
![Victorian era cottage, Gladstone Street [Kew]](/media/collectors/550653872162f11fb04854aa/items/658f6b449239cf6fd4368ae2/item-media/658f6b719239cf6fd4368bda/item-fit-380x285.jpg)
Kew Historical Society IncPhotograph - Victorian era cottage, Gladstone Street [Kew], c. 1965
This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Small single fronted cottage in Gladstone Street, Kew. The weatherboard cottage has a block fronted facade, and a Victorian verandah with cast iron lace.Annotation verso: "Mr Williams cottage in Gladstone St, Kew. He was Miss Louisa Henty's coachman. Hailed from West Indies. Built about 1900."dorothy rogers, victorian houses -- kew (vic.), houses -- gladstone street (kew), louisa henty, gardeners -- kew (vic.) -
Kew Historical Society Inc
Journal, Kew Historical Society, Newsletter No.136, September 2021
Photograph Albums / Robert Baker p1. History News: Annual General Meeting; The Collection [new acquisitions]; 2021 Dickinson Lecture; Grants & Sponsors; Obituary - Prudence (Prue) Theresa McColl 1945-2021; Membership renewals / p3. Vernacular design: depression era tool chest / Robert Baker p4. Mid-century modern: 7 Hume Street / David White p6. Sammy the monkey and Lee the 'bulldog' / Suzanne McWha p7. Shooting as a sport / Brad Miles p8. The Four Seasons Window: a 125th anniversary gift / Felicity Renowden p9. An Edwardian dress / Robert Baker p11. Membership & Donations p12.Published quarterly since 1977, the newsletters of the Kew Historical Society contain significant research by members exploring relevant aspects of the Victorian and Australian Framework of Historical Themes. Frequently, articles on people, places and artefacts are the only source of information about an aspect of Kew, and Melbourne’s history.non-fictionPhotograph Albums / Robert Baker p1. History News: Annual General Meeting; The Collection [new acquisitions]; 2021 Dickinson Lecture; Grants & Sponsors; Obituary - Prudence (Prue) Theresa McColl 1945-2021; Membership renewals / p3. Vernacular design: depression era tool chest / Robert Baker p4. Mid-century modern: 7 Hume Street / David White p6. Sammy the monkey and Lee the 'bulldog' / Suzanne McWha p7. Shooting as a sport / Brad Miles p8. The Four Seasons Window: a 125th anniversary gift / Felicity Renowden p9. An Edwardian dress / Robert Baker p11. Membership & Donations p12.kew historical society (vic.) -- periodicals., kew historical society (vic.) -- newsletters, kew historical society (vic.) -- journals -
8th/13th Victorian Mounted Rifles Regimental CollectionFunctional object - Mug, 1975 circa
The 8/13th Victorian Mounted Rifles enjoyed a long friendship with members of the 13th Australian Light Horse Regiment (AIF) Association, hosting an annual visit. This pewter was presented to the 13th Light Horse President on such a visit and was returned to the 8/13th in 1980 when the 13th ALH Association closed.Rare example of the close affiliation between a regiment of World War 1 (1914-1918) and its descendent regiment in the post World War 2 (1939-1945) era.Silver plated mug with handle and inscribed on both sides.On one side "13th Australian Light Horse Regiment A & C Squadron, 8/13th Victorian Mounted Rifles dated 9th May 1959" and on the other side "This cup is to be held by the current President of 13th Light Horse ( AIF ) Association. It is to be returned by the last surviving President to the 8/13th Victorian Mounted Rifles"13th, light horse, vmr -
Kew Historical Society IncPhotograph - Family group in buggy, 1890s
Henry Christian (c.1809-91) was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children: Henry Beater (1886-1962), Ada Susannah May (1888-1962), Orlando Julius (1891-1917) and Lilian Adelaide ( -1956). Ada married George Herrick Washfold, and had four children: Lilian Mavis, Orlando George Barnard, William Edwin and Henry Clifford (the husband of the donor).An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention. Photographic positive on mounting board. The image depicts a woman and three young children in a buggy drawn by a donkey. The road on which they pause is surrounded by fenced and cleared farmland, stretching away to the distant hills. It is presumed that the subject of the photo is Elizabeth Christian (nee Schoberg) and three of her four children. The photographer may have been her husband, Orlando Henry Beater Christian.christian family, washfold family, kew pioneers, christian-washfold collection -
Kew Historical Society IncPhotograph - Urban landscape, Henry Beater Christian, 1930s
Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Black and white photo of the rear view of a man in a hat standing under a tree on a hill looking across the Yarra River (unseen) towards Melbourne. The exhibition building and the spires of St Patrick’s Cathedral can be seen on the skyline. The man may be Orlando Henry Beater Christian. If all the spires are intact it must postdate 1939 when work begun in the early 1930s on the spires began. He may be standing on the edge of the Yarra Boulevard.melbourne skyline - 1930s, yarra boulevard -- kew (vic.), christian-washfold collection -
Kew Historical Society IncPostcard - Fishing, Yarra River, Henry Beater Christian, 1920s
Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.A photograph by Henry Beater Christian (1886-1962) of Pakington Street, Kew. Henry Beater Christian, was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Sepia 'real photo' postcard of Orlando Henry Beater Christian, fishing in the Yarra River. There appear to be cattle in paddocks on the other side of the river. Fairfield (sic) is on the horizon."Henry Beater's photograph of his father Orlando Henry Beater Christian whilst fishing in the River Yarra, Kew"yarra river -- kew (vic.), orlando beater christian, christian-washfold collection -
Kew Historical Society IncPhotograph - Gates, Kew Lunatic Asylum, Henry Beater Christian, 1920s
Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Sepia photograph of the entrance gates to the Kew Asylum. Located in Princess Street, these gates were relocated to Victoria Park in the 1930s/40s. There is a shelter to the left of the gates. A horse-drawn covered carriage is exiting through the gates. An electric light is hung from a metal bar in the centre of the gates. The two-storey gate house on the right of the gates is outside the view of the photograph.kew lunatic asylum, kew lunatic asylum -- gates, henry beater christian, christian-washfold collection -
Kew Historical Society IncPostcard - Walhalla, 1920-25
Henry Christian (c.1809-91) was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children: Henry Beater (1886-1962), Ada Susannah May (1888-1962), Orlando Julius (1891-1917) and Lilian Adelaide ( -1956).An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Small sepia Kodak postcard of the Township of Walhalla, probably taken by the Kew photographer, Henry Christian. henry christian (1886-1962), landscape photography, walhalla -- victoria, christian-washfold collection -
Kew Historical Society IncAlbum - Photograph Album No.1, Henry Beater Christian, 1924-26
Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the oldest.An album of photographs, compiled by Henry Beater Christian (1886-1962) of Pakington Street, Kew, depicting individuals, natural and settled environments and the interactions between these worlds. Henry Christian, was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Digital copy of a 47-page photograph album containing 255 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The album contains a groups of photographic positives taken by Henry B Christian (a resident of Pakington Street), of places in Kew and throughout regional Victoria during the 1920s. The mainly sepia photographs, while small, are of a high resolution. Photographs are typically lightly glued onto pages. Locations are frequently identified by white or black ink, which in a number of cases is illegible due to wear.henry beater christian (1886-1962), landscape photography, photograph albums, kew (vic.) — yarra river, kew (vic.) — zig-zag bridge, kew (vic.) — macauley’s boathouse, studley park (vic.) — yarra river, wonderland — grampians (vic.), black spur (vic.), marysville (vic.), maroondah dam (vic.) — construction, warburton (vic.), cockatoo (vic.), bruthen (vic.), swan reach road (vic.), glen hills (vic.), lightning creek (vic.), omeo (vic.), glen wills (vic.), mt wills (vic.), sunnyside (vic), granite flat (vic.), toolangi (vic.), yea (vic, )., flowerdale (vic.), mt white law (vic.), baw baw (vic.), christian-washfold collection -
Kew Historical Society IncAlbum - Photograph Album No.2, Henry Beater Christian, 1928-30
Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.An album of photographs, compiled by Henry Beater Christian (1886-1962) of Pakington Street, Kew, depicting individuals, natural and settled environments and the interactions between these worlds. Henry Christian, was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Digital copy of a photograph 24-page album loaned by Diane Washfold with permission given to photograph and hold a copy in our collection. The album contains series of photographic positives taken by Henry Christian (a resident of Pakington Street), of places in Kew and throughout regional Victoria during the late 1920s. The mainly sepia photographs, while small, are of a very high resolution. Photographs are typically lightly glued onto pages. Individual pages may be identified by white ink, which in a number of cases is illegible due to wear. Identifiable locations include: Walhalla, Thomson River, Aberfeldy, Matlock, Jericho, Jordan River, Jamieson, Harrietville, Mt Feathertop, the Alpine Road, Cape Patton, Melbourne, and Kew.henry christian (1886-1962), landscape photography, photograph albums, walhalla (vic.) -- history —— photographs, thomson river (vic.) — history —— photographs, aberfeldy (vic.) -- history —— photographs, matlock (vic.) -- history —— photographs, jericho (vic.) -- history —— photographs, jordan river (vic.) -- history —— photographs, jamieson (vic.) -- history —— photographs, harrietville (vic.) -- history —— photographs, mt feathertop (vic.) -- history —— photographs, alpine road (vic.) -- history —— photographs, kew (vic.) — history—— macauley’s boathouse — photographs, kew (vic.) —— history - kew lunatic asylum — photographs, kew canoe club history — — photographs, cape patton — history— photographs, coronation — george vi — melbourne (vic.), christian-washfold collection -
Kew Historical Society IncPhotograph - Costume Display at Festival of Kew, 1979
From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library.This photograph confirms that the purple ballgown is/was part of the Coombs family donation of Victorian era costumes made to the Society in 1961. Therefore it is important for establishing the item's provenance. Display of costumes from the collection of the Kew Historical Society, exhibited during the Festival of Kew in 1979. Recognisable items include from left the 1890s purple ball gown, the 1860s white satin wedding dress and the blue two-piece 1880s outfit. All items are clearly from the Coombs donation of 1961, there being no other record of costumes occurring before 1979. Inscribed verso: "Taken during Festival of Kew 1979 / Kew Hist contribution / Exhibition of Family Treasures / Donated by Janet McDermott 1979"kew historical society -- exhibitions, festival of kew -- 1979 -
Surrey Hills Historical Society CollectionPhotograph - M F Conlon bakery delivery cart, 1953, Victor Cattoni, 1953
This photo was taken by Victor Cattoni of Ingham in Queensland when he was in Melbourne on his honeymoon in 1953. The donor (his son) knew of no connection between his father and the Conlon family. Victor and his wife, Julia, travelled to Melbourne on the 'Mananda', which had been converted into a hospital ship in 1940. Victor was a motor mechanic and business man in Ingham and later a sugarcane farmer at nearby Abergowrie. Conlon's bread factory was located at 410-412 Canterbury Road on the corner of The Avenue. The site was purchased in 1927 by Michael Conlon and the factory built in 1928/1929. The original Conlon bakery was at 108 Union Road. This became to retail shop until the 1940s with the family involved in both the bakery and the shop. The photo is representative of the era when home deliveries by horse and cart were made by local traders including the baker, green grocer and dairy man. It also documents part of the history of a local business of longstanding.B&W photo of M F Conlon Surrey Bread Factory horse & cart at rest in a street in front of a picket fence.On the rear: "Photo by: / Victor Cattoni / Ingham, North Queensland / 1953" This is the same hand as that on the donation form, so it is presumed to have been added by Ed Cattoni prior to donation to SHHS. there are also photographic processing marks: "Ilford" stamped on the rear of the photographic paper and the number 71.victor cattoni, conlon's bread factory, 1953, canterbury road, factories, horse drawn deliveries, home deliveries -
Sunbury Family History and Heritage Society Inc.Photograph
The post card is an early view of the intersection of Brook and Evans Street looking west and towards Sunbury Station. Mount Holden is in the distance. Chris Christianson's shop is on the LHS of the picture with the post office on the RHS. This image is an early view of Sunbury town centre with the railway station and post office. Like many country towns of this era, The roads have been formed but not surfaced. A sepia photograph in post card format of a view of a town centre showing an intersection and some small buildings with a hill in the distance.TO THE RAILWAY/SUNBURYbrook street, evans street, sunbury railway station, christianson, chris. -
Surrey Hills Historical Society CollectionLaurie Young's autograph book pages, c1957
This is an incomplete record of those people who signed Laurie's autograph book. Most of the pages contain remembrances from members of Laurie's extended family however some relate to Mont Albert Central School where Laurie was a student. Those entries which are dated are from 1957. This is part of a large donation relating to the Young / Mair / Deakin families. In Europe autograph books have a history that can be traced back to 15th century university students. In Australia autograph albums were particularly popular towards the end of the 19th century, although there are known examples as far back as the 1830s. The increase in popularity coincides with printing and book binding becoming more affordable. Autograph books came in many sizes but were typically small with blank pages, usually in pastel colours. The books were often exchanged so the gathering of autographs was a very social pastime. Pages were filled with not only names, signatures and personal details but also poems, limericks, drawings, personal messages, small pieces of verse, and other mementos, such as pressed flowers, locks of hair and even embroidery. Although they could be very personal, unlike a diary they were meant to be viewed as part of the exchange. Autograph books from the 1950s may have a different focus. Although it remained common to collect the autographs of friends it was also highly desirable to collect the signatures of the famous, especially rock and television stars. Autograph books are of social relevance because they reflect the sentiment of the era of creation; they can also be reflective of social change, major political events or new inventions. Nine pages which have been cut from an autograph book. The pages are faded pink, blue and green in colour with a gold edge. All but one have inscriptions on one side only. laurie young, beryl young, ernest lance young, ernest augustus young, arthur john young, m w damiel, e s hall, c c mansell, autograph books, teachers, head master, mont albert central school -
Surrey Hills Historical Society CollectionMemorabilia - Autograph book, Beryl Mair's autograph book, C1928
It belonged to Beryl Mair of 20 Barton Street, Surrey Hills and was given to her by Mr W Sandoe on 12.11.1928. There are entries from family members and class mates from Mont Albert Central School (MACS). The first entry is written by her father, Dave Mair. Entries from: D Mair, Lance Young, Norma Dunn, I Goodes, Lorraine Potts, Mary Griffin, L E Jarman, J Stalker, Jean Fowler, Ailsa Hank (with an ink drawing of a cottage), May Leach, Merle Botten, Beryl Skinner, Enid Marro(w ?), Betty (S ?)oule, Fred A Teague, A Mock, Kath Paul, Melva Dare, Marjorie Smith, J Hargreave, Ethel Lillifant. Three entries are quotation only. One page lists teachers of Mont Albert Central School: E C Cairns, E E Holden, Alfred Harley, R Blackburne, R W Campbell, M (?) Sheahan, ------- (undecipherable), H McConville. Those dated are mostly from 1930.The Mair family were resident in Barton Street for several generations. Beryl's father Dave Mair was a keen sportsman and founder of the Kangaroo Social Club of cricketers. Beryl married Lance Young. This is part of a large collection relating to the Mair, Deakin and Young families.In Europe autograph books have a history that can be traced back to 15th century university students. In Australia autograph albums were particularly popular towards the end of the 19th century, although there are known examples as far back as the 1830s. The increase in popularity coincides with printing and book binding becoming more affordable. Autograph books came in many sizes but were typically small with blank pages, usually in pastel colours. The books were often exchanged so the gathering of autographs was a very social pastime. Pages were filled with not only names, signatures and personal details but also poems, limericks, drawings, personal messages, small pieces of verse, and other mementos, such as pressed flowers, locks of hair and even embroidery. Although they could be very personal, unlike a diary they were meant to be viewed as part of the exchange. Autograph books from the 1950s may have a different focus. Although it remained common to collect the autographs of friends it was also highly desirable to collect the signatures of the famous, especially rock and television stars. Autograph books are of social relevance because they reflect the sentiment of the era of creation; they can also be reflective of social change, major political events or new inventions.A small autograph book with a mottled brown cover and faded pastel pages with gold edging. The end pages are detailed in beige and pink. There are multiple entries, those dated are mostly from 1930. Front cover: "Autographs" in gold within a gold oval. Front inside page in black and red ink: "BERYL MAIR / 20 / BARTON / STREET , SURREY HILLS / from / MR W SANDOE / 12/11/28" Embossed in back cover, lower right: "MADE IN ENGLAND" beryl mair, autograph books, dave mair, barton street, ernest lance young, lance young, norma dunn, i goodes, lorraine potts, mary griffin, l e jarman, j stalker, jean fowler, ailsa hank, may leach, merle botten, beryl skinner, enid marro(w ?), betty (s ?)oule, fred a teague, a mock, kath paul, melva dare, marjorie smith, j hargreave, ethel lillifant, teachers, mont albert central school, e c cairns, e e holden, alfred harley, r blackburne, r w campbell, m (?) sheahan, h mcconville -
Surrey Hills Historical Society CollectionPhotograph, Surrey Hills Golf Club water hazard, 1895, 1895
Reproduced by permission of Mr John Arnold from his book: "The Riversdale Golf Club - a history, 1892-1977." Copyright to book: Riversdale Golf Club. Surrey Hills Golf Club operated from 1892-1908 then moved and became Riversdale Golf Club. The game was played across paddocks from Trafalgar Street, Mont Albert to Whitehorse Road and down Victoria Crescent to where Box Hill TAFE is now located in Elgar Road. There were problems with cows eating the tee flags! The clubhouse still exists as 30 Trafalgar Street.Apart from its association in documenting the Surrey Hills Golf Club which has long disappeared, this image documents the landscape in the pre-urban era.Black and white photo of a scene at Surrey Hills Golf Club. There is a water hazard in the foreground with a lady on her knees trying to retrieve a ball from the water's edge. Three lads, one on a horse, are watching, as are 3 males to the right."In water" in the bottom right of the photo. Caption: "Captain Fred Andrew watches his partner's misfortunes during a game at Surrey Hills in 1895."sports grounds, surrey hills golf club, riversdale golf club -
Surrey Hills Historical Society Collection
Programme - Ephemera, Chatham Primary School Fathers' Club 'Trial by Jury' programme, 16/11/1929
The program describes the performance as 'original burlesque' and was written, composed and produced by A E Woffinden and A W Sutton, members of the Chatham Fathers' Club, to raise money for the school. There were 250 programs printed at a cost of one pound fifteen shillings. This performance starred 21 of the fathers with Mr W Crellin as the only female character, Miss Eileen Flapper. The Chatham Fathers' Club became renowned locally for the quality of its performances, repeats being given to other community organisations. In the publication 'Chatham Past & Present: A Patchwork of People' there is also a photo of the cast taken in the quadrangle of the school. The original program and photo were lent to the school at the time of the 70 year reunion in 1997 by Mrs Jean Lacy (nee Walker), whose father took part as a member of the jury. Many of the performers were also in the formal photo of the Father's Club, taken in February 1928 on the front steps of the school. The original hangs in the school entry foyer and is reproduced in 'A Patchwork of People: Chatham Past and Present'. In relation to names, these are better identified and the following identifications have been reached by referencing this and the 1931 electoral roll. The geographic spread of addresses reflects that when Chatham opened in August 1927, surrounding schools were overcrowded and some families chose to relocate their children. Albert Ernest Woffinden (manufacturer) lived at 14 Banool Road, Surrey Hills. Alfred William Sutton (clerk) lived at 528 Whitehorse Road, Surrey Hills. Mr A Davidson - not found in electoral roll. Walter Dallas Kinross (mechanic) lived at 72 Empress Road, Surrey Hills. Gilbert Leslie (Bert) Rae (sales) lived at 63 Empress Road, Surrey Hills. Mr Joseph P Braddick (mechanic) lived at 1 Northcote Avenue, Canterbury; now Balwyn (NB/ Name is miss-spelt Braddock in the program). Norman Patrick Smart (bt opr) lived at 61 Sir Garnet Road, Surrey Hills. Henry Albert Wysham (show card writer) lived at 9 Northcote Avenue, Canterbury. Mr Sidney Bessant (labourer) lived at 191 Mont Albert Road, Canterbury. William Morrison (teacher) lived at 37 Chatham Road, Canterbury. William Charles Crellin (breadcarter) lived at 59 Empress Road, Surrey Hills. Mr F Parsons - taken as Fred Parsons (bricklayer) lived at 2 Kaarumba Grove, Balwyn. Mr MacDougal (incorrectly spelt in program) is Dougall MacDougall (gas collector) lived at 5 Wells Street, Surrey Hills. Mr A V Webb - not found. Mr McKie - not found. Victor Harold Theodore Clow (civil servant) lived at 4 Talbot Avenue, Balwyn; listed as T. Clow. Mr M Walker (donor's father) not found in electoral roll for 1931; thought to have lived in Sir Garnet Road. Mr McLeod - a number listed in the 1931 electoral roll. Richard Frost (carriage builder) lived at 341 Mont Albert Road, Surrey Hills. Mr Allen - a number listed in the 1931 electoral roll. Mr J Tulloch - not found in the 1931 electoral roll. This is an example of 'home-spun' entertainment and creativity of the era when the sense of community was very real. It is an example of the fundraising efforts undertaken by school communities to provide 'extras' that would later be regarded as 'basics'. For many years the sense of community in this part of Surrey Hills revolved around Chatham school, the Benson Street Methodist Church and the football club, located at the Canterbury Recreation Ground.A photocopy of the programme for the Chatham Primary School Fathers' Club "Trial by Jury" performance on 16 November 1929. It includes the words of the song 'Carry me back to dear old Chatham'. It lists the performers by character and some details regarding the Chatham Primary School Fathers' Club.chatham primary school, chatham primary school fathers' club, theatrical productions, entertainment, albert ernest woffinden, fundraising, alfred william sutton, walter dallas kinross, gilbert leslie (bert) rae, joseph p braddick, norman patrick smart, henry albert wysham, sidney bessant, william morrison, william charles crellin, fred parsons, dougall macdougall, mr a v webb, mr mckie, victor harold theodore clow, mr m walker, mr mcleod, richard frost, mr allen, mr j tulloch -
National Wool MuseumTextile - Quilt, Child's Cot Cover Insert, Mrs Bertha Emily Nitschke, 1929
This cot cover insert was made during the 1929 depression an a time of financial hardship. It was made by Jean Hepner's Grandmother from used woollen garments. They were hand stitched on to an old woollen blanket. The quilt was used by at least five of the seven children born in to this family and also by grandchildren in later years. It was used with assorted covers which were replaced when needed.Child's cot cover insert (wagga) made from discarded woollen garments such as socks, stockings and vests and stitched in multiple layers on to a woollen blanket. It is mostly cream in colour with patches of blue and brown.quilting, history, depression era, wagga, geelong, quilting - history -
National Wool MuseumCamera
Kodak Model 1A Junior folding camera that uses size 116 film. Owned by donor's mother. Jess Cameron Shannon (nee Gilbert). This was my mother's camera and took many snaps of her family in Orbost, East Gippsland, moved with her to South Yarra as a young working woman in the 1930s, then on out to Warrandyte in 1951 with her young family.Kodak Model 1A Junior folding camera. Kodak Model 1A Junior folding camera.Kodakdepression era, kodak australia, shannon, ms gael - national wool museum -
National Wool MuseumTextile - Blanket, Albany Woollen Mills, Albany Woollen Mills blanket, c 1950s
Note from collector: I love the generous size and thickness of Albany blankets and know someone who collects from this Mill only. The colour shades and combinations Albany used are still so gorgeous. From Western Australia. Note from collector - "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Checked blanket, blues and creamAlbany Woollen Mill/Blanket/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, albany, albany woollen mills -
Federation University Art CollectionCeramic, [Untitled] by Ino Kiyoshi, c1982
Ino KIYOSHI (b 1946, Kyoto Japan, d. 2008) Worked in Australia from 1973–76 and 1978–2008 Ino Kiyoshi was to a family that has been involved in the production of pottery for some 160 years. Working in the family studio while studying at the Kyoto School of Arts and Crafts, he completed his diploma of Ceramic Art in 1969. He then attended the KyotoTechnical School for a post-graduate course in glazing. then lectured in ceramics at the KyotoTechnical School. Following in the footsteps of the famous Japanese potter, Shoji Hamada who had visited Australia in 1965, Kiyoshi Ino visited Sydney in 1973, where he worked with Japanese potter Shigeo Shiga). Kiyoshi took up an appointment as Visiting Lecturer in Ceramics at the Gippsland Institute of Technical Education, Churchill, Victoria, from 1974 to 1976 and returned there as Assistant to the Senior Lecturer in Ceramics in 1979. He ceased teaching at the Gippsland Institute in 1988. Ino was involved in the establishment of a space for artists in the old butter factory at the nearby township of Yinnar and in 1982 the Yinnar Art Resource Collective, commonly known as Yinnar ARC, was established. Ino has exhibited extensively throughout Australia. Gift of the artist, 1982impressed seal for Kiyoshi Ino on baseceramics, shikuhu ino, jan feder memorial ceramics collection, gippsland campus, yinnar, yinnar art resource collective -
Federation University Art CollectionCeramic, Stoneware by Jan Feder, c1980
Wheel thrown reduction-fired stoneware with feldspar hoc crackle and tenmoku glaze. This collection of work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there. The reduction fired stoneware includes feldspathic crackle and Tenmoui glazes. ceramics, jan feder, jan feder memorial ceramics collection, churchill, gippsland campus, stoneware -
Port Fairy Historical Society Museum and ArchivesDecorative object - Fan
A decorative fan such as this tells of an era of infrequent social events such as balls where ladies dressed in their finery such as long elegant dresses, dainty shoes and carried these fans to keep them cool or just to flirt.Black feather and wood fan with gold decoration. Metal clip at end with black ribbon attached.fan, costume -
Port Fairy Historical Society Museum and Archives
Photograph, A.C. Aberline
Fancy Dress for Hospital BallShows the humour of the era showcasing many different fancy dress costumes.Black and white photograph mounted on grey card, rectangular, featuring people representing the hospital dressed in for a fancy dress ballAberlinefancy dress, hospital ball, hospital -
Port Fairy Historical Society Museum and ArchivesPhotograph, Port Fairy Re-union 1965, 1965
Port Fairy reunion in 1965 at unknown gardens.Historic photograph showing fashions of the era.Black and white photograph mounted on card, rectangular.Some names noted on photograph, Addie Revell, D. Murray, Mary Smith, Mres Searle, Doc Keates, L. King, Dorrie Masterton. George Brown and Beryl Brown. M. Sharkey, Rosebrook. Port Fairy Reunion, 1965. On back of photo, M. Sharkey, Rosebrook, Port Fairy Reunion, 1965.port fairy, reunions, group, 1965 -
Port Fairy Historical Society Museum and ArchivesPhotograph
Iconic Hotel in Port Fairy Built as the first of a proposed chain of hotels by John Walwyn Taylor in 1855 on the corner of Bank and Sackville Streets. 2 stories with a balcony wrapping around 2 sides of the building. The site was formerly occupied by the wooden hotel "The Sally Ann". A snapshot of time showing the hotel the power lines, and the style of cars from that era.Black and white photograph of the Star of the West Hotel on a brown bordered mountWritten in Pen at top and underlined - STAR OF THE WEST HOTEL Lower right - ball point pen museum numbers 62.04B.011D On Back- Pencil - 3-17 - S2-7-57 - j o h 2-7-57john walwyn taylor, the sally ann, bank street, sackville street, hotel, star of the west -
National Communication MuseumVehicle - Van, Volkswagen, 1972
This van was used in Western Australia by linesmen and for mail pickup between 1972 and 1991. When transferred to the collection, it was the very last surviving vehicle of its type owned by the company. Despite its age, the van is in excellent condition having been reconditioned in 1987.This Volkswagen Transporter, 2nd generation, is commonly known as a kombi van; named as such after the German word Kombinationskraftwagen, meaning multi-purpose vehicle. This van is believed to have been used by linesmen and for mail collection from 1972 to 1991 in Western Australia, before being donated to the, then, Telstra Collection. Conflicting accounts from John Moynihan, PMG Engineer and author, suggest the van was used by cable jointers from the 1960s. Owing to this unclear use, the van’s historical significance is low though provenance from the Postmaster General’s Department to Telecom, then Telstra, is established. In 1987, the vehicle was extensively reconditioned and some original parts were presumably replaced. It is not, however, in working order or in good condition; the body carries several areas of rust, rubber seals have suffered plasticiser migration, a mirror is missing and there are marks from use. The hand lettered “P.M.G.” inscription is indicative of a Postmaster General fleet vehicle, as is the red colour of the vehicle paint. Though it is in poor condition, the van’s aesthetic style is of some significance. The van is representative of the type of Volkswagen vehicle used by the Postmaster General’s Department and other private businesses and government branches of the era. The vehicle may, therefore, carry social significance for those that lived in this era, where their communication service provider travelled in a Volkswagen van. Indeed, Volkswagen vans were used into the Telecom era, as evidenced by an image (6681153) in the National Archives of Australia collection. While many of these vehicles may exist today, there are few to no examples which survive in museum collections. In 1966, the Post Office (Postmaster General’s Department) had the largest fleet in Australia, totalling nearly 11,000 vehicles (The Canberra Times, 29 September 1966, p. 34). Though in the late 1960s Volkswagen vehicles accounted for just over 500 of these vehicles, with the remainder represented by Ford, General Motors, Chrysler, and others, the multi-purpose nature of the van is significant as a metaphor for the multi-directional services of the Postmaster General’s Department. Archival images show a variety of models and adaptations including roof racks, bull bar and door configurations. Its conflicted history of use may in fact attest to the vehicles variety of application in the duties of the Postmaster General‘s Department.Red Volkswagen Kombi van with stencilled gold lettering on doors. Scratches on bumpers indicate duck-egg blue undercoat. Single sliding door on left side of vehicle body with secondary opening at rear with horizontally divided doors. Mirror missing on right front. Western Australia registration sticker in front windscreen..1: "PMG" .2: "ROYAL" .3-.4 "PMG" .5-.6: "MAIL" .7,.8: "ER" .9: "C OF A / ZEH 622"transport, kombi van, linesman van, postal van, postmaster general’s department -
Surrey Hills Historical Society CollectionDrawing - Architectural drawing, 18 Arundel Crescent, Surrey Hills by Margaret Picken, 1989, 1989
Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. Process: “Sketches were ordered by phone initially as there were no mobile phones or computers then. I would take our 2 year-old son with me to the houses when the other 2 boys were at school. I photographed houses with a Polaroid camera and made a ‘thumbnail’ sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the ‘pen and ink’ was completed. This process was the only one I used the entire time. Polaroid photos gave an instant usable photo. I then delivered the sketches by hand to the offices. There were deadlines each week on a Tuesday.” “… about 2003 coloured photos began to take over the sketches and mainstream companies replaced sole traders like myself providing a one-stop shop for all advertising. I produced my last Real Estate sketches in late 2005.” Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and 2005. Each work is signed and dated. Margaret Picken approached a number of historical societies in July 2020 with a view to donating her work. Sketches for post code 3127 are held by this collection. Others for suburbs including Ashburton, Balwyn, Camberwell, Canterbury, Blackburn, Box Hill, Burwood, Glen Iris, Hawthorn, Kew, Mont Albert North and Nunawading have been donated to the relevant historical group in those suburbs. (See Balwyn Historical Society, Box Hill Historical Society, Camberwell Historical Society, Hawthorn Historical Society, Kew Historical Society, Whitehorse Historical Society). In some cases, this collection also has a copy of the matching newspaper advertisement. Pen and ink architectural drawing on drafting film of 18 Arundel Crescent, Surrey Hills (VIC) by Margaret Picken. The drawing, dated 1989 , was commissioned by the Woodards real estate company.18 ARUNDEL CRES. S. HILLS / MARGARET PICKEN '89 / WOODARDS ~ C'WELLarchitectural drawing, houses, surrey hills / mont albert (vic.), artists, margaret picken 1950-, californian bungalow, arundel crescent -
Surrey Hills Historical Society CollectionDrawing - Architectural drawing, 28 Arundel Crescent, Surrey Hills by Margaret Picken, 1993, 1989
Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. Process: “Sketches were ordered by phone initially as there were no mobile phones or computers then. I would take our 2 year-old son with me to the houses when the other 2 boys were at school. I photographed houses with a Polaroid camera and made a ‘thumbnail’ sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the ‘pen and ink’ was completed. This process was the only one I used the entire time. Polaroid photos gave an instant usable photo. I then delivered the sketches by hand to the offices. There were deadlines each week on a Tuesday.” “… about 2003 coloured photos began to take over the sketches and mainstream companies replaced sole traders like myself providing a one-stop shop for all advertising. I produced my last Real Estate sketches in late 2005.” Margaret Picken (1950-) trained and worked as a cartographic draftsman from 1968-1975 within the mining industry. These skills were readily transferable to work as a property illustrator for the real estate industry. This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and 2005. Each work is signed and dated. Margaret Picken approached a number of historical societies in July 2020 with a view to donating her work. Sketches for post code 3127 are held by this collection. Others for suburbs including Ashburton, Balwyn, Camberwell, Canterbury, Blackburn, Box Hill, Burwood, Glen Iris, Hawthorn, Kew, Mont Albert North and Nunawading have been donated to the relevant historical group in those suburbs. (See Balwyn Historical Society, Box Hill Historical Society, Camberwell Historical Society, Hawthorn Historical Society, Kew Historical Society, Whitehorse Historical Society). In some cases, this collection also has a copy of the matching newspaper advertisement. Pen and ink architectural drawing on drafting film of 28 Arundel Crescent, Surrey Hills (VIC) by Margaret Picken. The drawing, dated 1993, was commissioned by the Woodards real estate company.28 ARUNDEL CRES, S. HILLS / MARGARET PICKEN ~ 93 / WOODARDSarchitectural drawing, houses, surrey hills / mont albert (vic.), artists, margaret picken 1950-, arundel crescent, 1940
