Students identified by T.H. Kneen 17.6.1992, L-R Darkie? Stewart, Roy Cottrell, Ted Hawkesworth, Casilda Webster, others unclear.Laminated copy of black and white photograph. CRTS (Commonwealth Reconstruction Scheme students working with apple trees.On reverse, "C.R.T.S. Students budding apples Mornington Peninsular (sic) 1947."crts, 1947, jim newell, darkie stewart, roy cottrell, ted hawkesworth, casilda webster, commonwealth reconstruction training scheme, excursion, student outside class, budding, apples

Donald Clark Collection. A colour photograph depicting the Presbyterian Church, Tarnagulla. Wooden schoolhouse obscured by pine tree. Original photograph.

This photograph is of historic interest because it shown some of the exotic plants favoured by nineteenth century gardeners.The photograph provides a different aspect of the Ballarat Botanical Gardens and provides further information about the plantings in the nineteenth century. Photocopy of a black and white photograph of palm trees, succulents and lawn. The original photo has age marks. In pencil written bottom lefthand corner, "Scene in Botanical Gardens, Ballarat and in the lefthand corner, January 3, 1883.ballarat botanical gardens, friends of ballarat botanical gardens, john garner, doctor, history, scene, plantings victorian era, john garner collection, gardens, ballarat

From 1870 onwards discussions took place in Wodonga concerning the best location for a building to house and reorganise the holdings of the Wodonga Literary Institute and Free Library. The Literary Institute, originally the Belvoir Literary Group, had been formed prior to 1861 and changed its name with the renaming of the town in 1869. In 1873 a meeting was held to consider the re-organising of the Wodonga Literary Institute and Free Library as “there were a goodly number of valuable books and other property belonging to the Institution but they were not used, and it was a pity to see such valuable works and sketches shut up in a back store getting spoiled”. In October 1885 the Wodonga and Towong Sentinel reported that the Wodonga Athenaeum and Free Library committee were seeking a grant of £200 to add to the £200 already paid to purchase Hellerman’s buildings. In October 1886 the Wodonga Athenaeum in Hume Street was officially opened. It was designed by Gordon and Gordon, architects, and built by Stewart Bros. This building continued to house the Atheneum and its collection until 1915 when the new library in High Street was built. In 1916 the Athenaeum building was moved on drays drawn by Clydesdale horses, to 153 Lawrence Street and used as a private home since. The building is heritage listed. This image is one of a collection of glass negatives taken by Robert Prentice. The negatives are clearly identified as he inscribed in the glass a back-to-front capital R (Я) on to which was joined a capital P creating his mark ЯР. On the glass he would also scratch the name Prentice where he could, in this case along the bottom of the picket fence.This image is significant because it housed the Wodonga Literary Group and Free Library, the first library building in Wodonga.Black and white image of old wooden house with tin roof. Trees and a picket fence are at the front of the house.Written below picket fence: Atheneum Wodonga, Prenticewodonga literary institute and free library, atheneum wodonga, belvoir literary group, robert prentice

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour painting of a bush track with two trees (Jimmy Smith Track, Mt Buangor State Park)"signed: KEN BURKE (lower right) MT COLE (lower left)"

Painted by Cesare Vagarini at Camp 3.Painted on 3 ply. Framed in light wood. 2 huts. garden, tree above and between hutsLuise Imberger, 12 Phyllis Ave. Boronia, Tatura Camp 3. C Compound Vodere Baracke - Ernest Swatzky USW Hintere Baracke - Wilfred Imberger USW on the back Vagarini 1944. Bottom right cornerillustrations, oil

Hardcover book, 224 pages. Cover has a colour image of a man and a woman standing near a tree.fictionRomance novel.rethea creese, romance, fiction

Shire of Stawell Conservation Strategy (DraftCream card cover with green print and drawing of a man, koala, silo, tactor and two roads and trees.Shire of - Shire of Stawell coat of arms - Stawell Conservation Local Conservation Strategy (Draft) June 1990stawell

Note by T.H. Kneen 18 December 1991," This photograph was taken about the same time as the Governor of Victoria, Sir Rohan Delacombe, visited the College."Black and white photograph. 3 students in protective gear spraying fruit trees in the Orchard, 1 on a tractor.students, protective gear, spraying, tractor, governor of victoria, sir rohan delacombe, orchard

Botanical Reserve Stawell West with a gentleman and boat. The first committee of management was gazette in 1863. In April 1870 the reserve was placed under the control of the Borough Council. The Botanical Reserve Stawell West is now called The Grampian Gate Caravan Park.Black and white photograph of a scene of trees lining a lake. A person is fishing on the bank with a small boat nearby.A glimpse of the lake, Stawell. W.J. Chapman photo. The post card is dated Sept. 8th 1915 to Dear Les and from Jane & Frank, Les's brother and sister.stawell

Depiction of a bridge over a creek edged with trees. On left are the branches of a tree with grey-green leaves. The creek fills the lower centre area of the image, painted in pale blue, grey, highlights of white and darker areas of dark blue. The wooden rail bridge curves in an even arch in centre of image. On right is a bank rising from the creek, with large tree with pale grey-green foliage and a tree with darker olive foliage. The background shows what could be hills and the sky is very pale blue. Mounted in a double matt (white on orange), framed under glass in wooden frame with gold details.Front: Phillip Petrie 90 (lower left) (grey paint). Back: "Langley's Bridge" watercolour. 570 x 420 mm $150.00

Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Untitled Oil painting depicting an old miner's cottage. The cottage has two wooden doors the one on the left is open and a window can be seen at the other end. The second door is closed. On the right hand side there is another building. A large tree and a tree stump on the foreground.The signature of the artist at the bottom right hand side landscape, miner's cottage

Hand tinted photograph of a beach scene. There is a row of cypress type trees curving around to the right in the background, there are numerous people on the sand and under the trees, there are also several canvas bathing tents on the sand. Near the bottom of the photo is written The Beach , Manly, No. 14 (part of a series)place, water, beach, manly beach

These Bannerettes are exchanged with other Lions ClubsMitcham Lions Club Bannerette - lemon silky material with picture of tree, lion and lioness resting beneath. Emblem of Lions Club on the tree. A gold looking wooden stick for hanging. Green cord with tassels attached to gold stick. The base of bannerette has green fringing.Mitcham Lions Club - Australia - 201 - VItrophies & awards, public events

Sepia photograph of a tall tree on James Rowes property at Kalimna West. This tree was a landmark for shipping at sea off Lakes Entrance during late 19th and early 20th Centuries. It was later struck by lightning, cut down and hewn into sleepers and beams. Kalimna West Victoriahistoric sites, navigation

Colour photograph of the old lookout tree on Jemmys Point, showing a standing dead grey box tree, remains of three branches at top which once held a platform and signal structure. Two timber seats on lawn at base, roadway in foreground. Lakes Entrance, Victoria,historic sites, navigation

Colour photograph of the old lookout tree on Jemmys Point, showing a standing dead grey box tree, remains of three branches at top which once held a platform and signal structure. Two timber seats on lawn at base, roadway in foreground. Lakes Entrance, Victoria,2008historic sites, navigation

Colour photograph of the old lookout tree on Jemmys Point, showing a standing dead grey box tree, remains of three branches at top which once held a platform and signal structure. Two timber seats on lawn at base, roadway in foreground. Lakes Entrance, Victoria,historic sites, navigation

Colour photograph of the old lookout tree on Jemmys Point, showing a standing dead grey box tree, remains of three branches at top which once held a platform and signal structure. Two timber seats on lawn at base, roadway in foreground. Lakes Entrance, Victoria,historic sites, navigation

Colour photograph of a farm in the Cotswold Valley, Menzies Creek, possibly Bob Endersby's land. Photo shows a field in morning mist. A tractor is ploughing the fields. There are trees and tanks on the right side, and many trees in the misty background. Sourced from Facebook, 2019. Photographer unknown.

De Soza park was developed as a public amenity from the early 1980s. The poppet head and Chilean wheel sculpture are representative of the gold mining origins of the town.The park, located centrally in Buninyong is of social and historic significance.Original B/W photograph of streetscape of De Soza park frontage to Warrenheip St., Buninyong, with poppet head, rotunda and Chilean Wheel sculpture, former post office in background. Large eucalypt tree present behind rotunda, large cypress tree to north of park.buninyong, de soza, park, rotunda, poppet head, sculpture, chilean wheel, post office, warrenheip st, streetscape

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The fountain is located on the southern side of the ornamental lake and was erected to celebrate the jubilee of the municipality (17 March 1906). Controversy surrounded the commission for the design and construction of the fountain, as it was originally assigned to a contractor in Carlton. Williamstown residents insisted the fountain be designed and constructed locally, and on December 1906 the fountain was tendered by local firm Bliss and Sons and opened for public use in 1906. The fountain features a symmetrical plan, consisting of fur granite columns supporting a granite canopy and is fully operational following restoration work in 2013. The idea for the fountain came from an elderly resident of Williamstown who suggested the council follow the example of Ballarat’s gardens with its many statues and monuments. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The significance of the fountain is its reflection of how Williamstown people felt for their Gardens and the importance placed on investing in locally operated business. It was noted in the Brief Jottings column of the Williamstown Chronicle, February 24 1906, the fountain is a “We favor the erection of the jubilee fountain in the Giffard-street (Williamstown Botanic) Gardens. Ornaments of that kind there will make that beauty spot even more attractive.” Sepia scene of a fountain situated on paths bordered with rocks. The fountain in on a plinth with a plaque. The fountain features a symmetrical plan, consisting of four granite columns supporting a granite canopy. High stumps of trees are just behind the fountain with larger trees in the background to the right and left of the image.Postcard, Gardens, Post-Card, Williamstown-Botanic-Gardens, Hobsons-Bay-City-Council, Jubilee-fountain, fountain drinking-fountain, granite, Bliss-and-Sons, Madeleypostcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, jubilee-fountain, fountain drinking-fountain, granite, bliss-and-sons, madeley

These chainsaw sculptures were carved from the stumps of trees originally planted around the park. The carver was Leigh Conkie. The trees had become diseased and were in danger of falling.Memorial to local people who fought in the various wars of the 20th century. 21 pages, colour illustrationsgreensborough war memorial park, sculptures, ester street, leigh conkie, chainsaw sculptures

Tree roots under both buildings as well as branches touching the house roof required the removal of the tree between the Courthouse and Residence (home of Eltham District Historical Society).Colour photographcourt house, eltham district historical society, main road, police residence

Tree roots under both buildings as well as branches touching the house roof required the removal of the tree between the Courthouse and Residence (home of Eltham District Historical Society).Colour photographcourt house, eltham district historical society, main road, police residence