Photograph ( proof 48) of a group of six men and two women standing in front of a wooden building. The words ' _____'s Royal Mail Hotel' are painted on the façade (possibly Kenny's) and ' H. Kenny' is painted above the doorway. One of the males in the group is holding an infant, there is a ladder leaning against a pole on the right hand side of the photo. In the foreground there is a drinking trough with a sign attached, advertising a race meeting.buildings, hotel, royal mail, myers flat, royal mail hotel, myers flat, h. kenny

Photograph (proof 29) A timber hall with the words 'Mechanics Institute' written on two windows either side of a wide doorway, above the doorway are the words 'Hall Est. 1890'. There are a group of nine adult males and two boys in front of the building. One of the boys is seated on a pony. There is a white picket fence running at an angle from either side of the doorway, there is a bicycle leaning against the right hand side fencebuildings, organisation, mechanics institute, mechanics institute

Photograph of four unknown women in a formal pose having a garden party. Two of the women are seated and one is posed on the ground, the seated lady on the right of the photo has an opened book on her knee The three seated women are dressed in long frilly formal dresses, and the lady standing also wears a hat. They are seated in a fernery, there is a trellis visible in the background and a portion of a weatherboard wall on the left hand side.person, group, garden party, garden party

Early photograph of the Railway Station in Bendigo, there are advertising signs on the backs of the buildings on the right hand side. Three trains are visible, two facing south and one in steam and moving northwards. The engine is partially obscured by steam, there are several open goods wagons and a louvered van toward the rear. Under the photo is Plate 24 ( 3 copies)organization, public utility, railway, railway station bendigo

Photograph of a group of both adults and children in from of what appears to be a church. There are five boys seated cross legged along the front all wearing ties, two are wearing salvation army style caps. There are five adults seated behind the boys, a minister of religion seated between two women, the woman on the right hand side has a girl seated on her knee. Standing behind these are thirteen other women and one man. Some of the ladies are wearing hats ands some are bare headed.person, group, church, church group

A copy of a photograph of a farmhouse with farm building in the background. Surrounding the house is a picket fence, in the foreground are three adults and five children. One of the women is holding a child and the other is holding a child by the hand. There is a man with a beard and wearing a Bowler hat standing between the two women. There are three other children; two boys on tricycles, and a girl standing between them. Written at the base of the photo is First Home, Ellmswood, Serpentine 1890topic, farming, farm house, serpentine , ellmswood

Document. Cohn Bros. Collection. Buff envelope containing three pieces of paper. One is an Income Tax Schedule for 1908. 2 - is a financial statement at 30 Apr 1908. 3 - is a hand written Profit/Loss statement written on large pale green lined paper. Copy Income Tax Schedule for 1908 & rough figures re- same.organization, business, cohn bros, cohn bros. collection, brewers, cordial & aerated water manufacturers, income tax 1908

2 copies. Photo of a very large tree laying on the ground. There is a gentleman sitting on the base of the tree, beside him are four seated young women, between them there is a man standing on the trunk with hands on hips. At the other end of the trunk there are two men leaning on the trunk, one with a walking stick. The men are all wearing Bowler hats, the women are all in dark clothing and also hats. Written at the base of the photo is ' 200 posts Ellmswood, Serpentineplace, land, timber, serpentine, ellmswood

Photograph of a horse drawn cart with one man and five women seated on the cart, the women are all in costume with large bonnets. There is a large model of a tomato sauce bottle on the back of the cart, the sides and front are decorated with crepe paper flowers, with the letters CB worked in on the right hand side (left in photo). Written on the back in blue pen is ' Swan Hill Show Exhibit 1951'organization, business, show exhibit, cohn brothers, swan hill show

Sepia tone photograph of a two storey building, there are water tanks at both ends. On the left hand side of the centre portion of the building there is a flat top verandah consisting of 3 archways along the front and one at each end. There is a sign above the archways reading 'Robinvale hotel'. On the right of the Centre there is a much smaller structure consisting of 1 archway at the front and 1 on the right hand side, above the front archway there is a sign reading 'Bar'. In front of the Hotel on the left hand side there is a 1920's vintage car parkedbuildings, hotel, robinvale, cohn brothers , robinvale hotel

Photograph taken inside the factory, on the left side of the picture are 3 very large barrels. In front of the barrels is a large bottle rack holding numerous bottles, all of the bottles are full. There is a worker holding one of the bottles, he is wearing a hat and overalls. On the right hand side of the Photo is a journalist, he is wearing a dark suit , shoes and a tie with a white handkerchief showing at his top coat pocket, he is holding a notepad and pencil. On the back is written ML45/7 and stamped in purple is the mark of the Australian News and Information Bureau requesting that the photo be acknowledged.Australian News and Information Bureau.organization, business, workers, cohn brothers .

Green silk sash, Ancient Order of Foresters. Court King of the Forest 3770. Sash has embroidered all seeing eye, a deer's head, a shield divided into four, the top left corner has shaking hands, the top right has three deer, one above the other, the bottom left has a sheep?, and a horn separated by a red band, and the bottom right has a quiver, an arrow and a horn. In the centre are three arrows in front of a horn. On each side is a man dressed in yellow boots, white trousers,slightly different green jackets, and green hats with white feathers. One man has a bow and arrow and the other has a club and a dog is behind him. Underneath are four women circling the top part of a sphere above the words 'Unity Benevolence and Concord. Underneath is Ancient Order of Foresters, then there is some yellow and brown filigree above Court King fo the Forest. 3770. The sash has a red fringe on each end.organization, club/society, ancient order of foresters, ancient order of foresters sash, carl mueller

Document. Cornish Collection - Thomas Edwards. Two pages from Bendigo and Vicinity's (badly copied with Left Hand side of page not being fully legible in page 247). Biographical details. Reference to his Pyrites Works (in Bendigo and Ballarat) - details of these works. Photo of Thomas Edwards accompanies one page and separate copy of photo shows Edward's Metallurgical Works, West Bendigo (source? / - this photo has typewritten attachment detailing location in Inglewood Road; mention of Spargo's (another Cornish owned operation of this nature).bendigo, gold mining, metallurgical works, thomas edwards. edwards metalurgical works.

Articles for Royal Historical Society (Bendigo Branch) Newsletter December 1972. 1. ''Bells in and around Bendigo - No 3 - The Hand Bells of St Pauls Church, Bendigo'' - mention of Mr Bill Robertson; Dr J B Pounds; Bendigo Bell Ringers Club; Whitechapel Bell Foundry, London; Odd Fellows Hall; St Pauls Bell Band; Dr A M Bush. 2. ''A sight worth seeing'' - description of the rolling down from the top of Mr Alexander of a large boulder (for entertainment!) in 1860 (extract from the Bendigo Advertiser); mention of Mr Plowright, Talbot Hotel, Harcourt; Mr Wheatcroft.3. ''Memories of Old East Bendigo'' - original draft with alterations in handwriting; mention of 71 Strickland Rd; Government Powder Magazine; Purdon family; the ''Irish Castle'' (at one time the Charlston Hotel); Mr Sullivan; Mr Burns; Pritchard and Chamberlain (brewery); Solomons Hill; Day's asphfelt (sic) and bone works; Marist Brothers 'Jounerate ' (sic)??; Hines Flower Nursery; Mr Hamson MP; Carlile Bros skin and hide store; Kitchen's Soap factory; ''Green Gates'' Hotel; Bendigo Fertiliser Works;bendigo, history, city history. the goldfields.

Document with Bendigo Seal - It reads - May it please your Royal Highness. We, The Mayor,Councillors and Citizens of Bendigo desire to express our continued and devoted loyalty to the Throne and Person of His Majesty King George V., your Royal Sire and her Her Majesty Queen Mary. The visit of your Royal Highness to the Southern portions of His Majesty's Dominions is hailed with delight in as much as it evinces the length and continuance of the recognition of Australia's Royalty to the British Throne. In the year 1881 your Royal Father visited our shores as Prince George of Wales and again in 1901 as the Duke of Cornwall and York, two most memorable occasions in Australia's History. We now desire to assure Your Royal Highness that your visit will also remain in our minds as one of the most pleasant of all memories. Given under the Seal of the Corporation of Bendigo. Written on the bottom in own hand writing. 'To my friend Mr. Maher, with compliments From the illuminator.'civic mementoes, royal souvenirs, king and throne., bendigo council. affirmation of allegiance to king and throne.

Photograph - black and white. Photograph of a wedding, the bride, groom, best man, bridesmaid and probably flower girl. Wedding dress three quarter length. Groom sitting on chair, wearing one white glove on his left hand. Written on the back of photo: Wedding of Will & May Smith? June, 1926.Lafayette, Perth, W.A.person, family, wedding portrait, cloonan family collection. will & may smith, wedding june 1926.

Document: Napoleon Reef Gold Mining Company Transfer Journal, pre printed pages with hand written entries showing transfer of shares from one shareholder to another 5 June 1940 to 22 January 1941 (only 8 pages used).organization, business, industrial - mining, mccoll rankin & stanistreet, mining, gold mining, napoleon reef

Black and white photograph showing a number of Australian soldiers beside a train at Bacchus Marsh Railway station. Verso: Talking to General Birdwood at Bacchus Marsh (illegible) he had got his hand on my arm,bacchus marsh, world war, world war one, train, railway, birdwood, general birdwood

Index, bib, ill, maps, p.476.On 25 June 1950 the invasion of South Korea by the Communist North launched one of the bloodiest conflicts of the last century. The seemingly limitless power of the Chinese-backed North was thrown against the ferocious firepower of the UN-backed South in a war that can be seen today as the stark prelude to Vietnam. Max Hastings has drawn on first-hand accounts of those who fought on both sides to produce this vivid and incisive reassessment of the Korean War, bringing the military and human dimensions into sharp focus.korean war 1950-1953 - history, korea - history

"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon

Used by the Estoppey family, Swiss emigrants, at Briagolong. Three and four-legged milking stools were standard equipment in early dairies, where cows were milked by hand. Similar stools were used in the home for informal seating. Wooden milking stool with a square top of axe-dressed hardwood and four wooden legs that fit through holes in the seat. One leg is made from a branch of a tree.dairying, furniture

Most likely collected and donated by Dr Frank Forster.Blunt hook and crochet, with central hand grip of mahogany wood inlaid on either side. Maufacturer's stamp "MAW LONDON". MAW stamped at one end near the central wood inlay handle and LONDON at the other end.obstetric delivery, blunt hook, destructive instrument

Provenance unknown, found in a box with five other pelvimeters, marked "PELVIMETERS ( not accessioned)" in the hand of the previous curator, Melissa Campbell pre 2006.Skutsch's's pelvimeter,external and internal, pewter with two flexible arms to attach to the pelvimeter. t, one rigid arm is missing. Refer to Down Bros. catalogue 938/4, page 938. Manufacturer's stamp "HATRICK" on arm.pelvimetry

Cotton bandages were one of two types of bandage in use during this period. The other type was gauze. These bandages appear to have been made professionally. The two narrow bandages, (3 and 3.5cm) would have been used to cover hand and finger dressings. The two larger bandages (4 and 5cm) would have been used for arm and foot dressings and applied in a figure of eight. [Helen Johnson, 1998]Four cotton bandages (.1 - .4) in four different sizes (widths). midwifery

Clothing. Narrow shoulders straps-.8 cm, hold the curved slightly peaked bodice-shaped at both front and back. One dart at each side seam of front. Centre front is lavishly embroidered in a chinese style, with some cut work, some shadow work and silk thread floral embroidery. Neckline is bound with a fine 'rouleau' type binding. Front has a V-shaped panel inserted from the right hemline, and back has an identical panel at left hemline. French side seams, machine stitched. Hemline bound as for neckline. Inside left hand side-on dart below arm hole, a small piece of white tape is stitched, bearing the initials;M.C.costume, female, pink embroidered silk petticoat

Textiles. White linen pillow case-hand stitched. Fold over flap (7cm) at one end with four button holes. Only one button (1 cm white plastic) remains in place. Written in ink near row of buttons is 'Mary Carter 2 1851'.Written in ink near row of buttons ''Mary Carter 2 1851''textiles, domestic, white linen pillow case

Copy of a newspaper photo titled To Make Bend Safer. Photo shows a tram passing a newsagent shop. On the right is a dilapidated picket fence. Allso hand written paper on one side is: Approx 1966 ? One of the last trams No 18 to run up Main Street of Long Gully (Bond Street) Now known as Eaglehawk Road. On Left - Post Office - now Gents Hairdresser & Rose of No 3 Australia Hotel. On Right - Les & Marie Norris Newsagency & Mixed Business. 2 story building was Commercial Hotel. No 26 Tram was the last to run between Bendigo, Long Gully & Eaglehawk. Still running as a Tourist. Donated by Alan Crossley. tram in Bendigo 1987 1985. On the other side is written: One building has already been demolished and the proprietor of the Newsagency & mixed business Mr. L W Norris, will also demolish and rebuild further back from the road in preparation for eventual re-alignment of the Long Gully bend by the Country Roads Board. The Board declared an alignment some years ago for the corner - a severe traffic hazard - but, the assistant Divisional Engineer, Mr G Marshallsea said yesterday the Board had no immediate plans. These were one of the last Trams to run through Long Gully.bendigo, history, long gully history group, the long gully history group - eaglehawk road - long gully

Clothing.Woman's black silk blouse. Bodice is made up of two layers. Inner layer of black cotton has full length front opening with placket with five buttons and button holes from 5cm below round neckline to 5cm above the waist. There is a breast pocket on the LHS (14cm X 11cm). The outer layer of black silk is attached to the inner layer at the shoulders (pleated) and around the arm holes, and hand stitched at the lower back to form a casing for cotton tape ties. The front forms a full width crossover with one metal hook on top LHS. The outer layer extends 7 cm below the inner layer at the waist with a 7cm peplum across the back. Set in long sleeves are tapered at the wrist with a 5 cm frill at the hem. Sleeves fully lined. Hand and machine stitched. Fold over collar (10cm) with squared corners.Decorative black , gold and pearl button on each wrist on hem.costume, female, woman's black silk blouse.

Clothing. Woman's black ribbed silk bodice, fully ;lined with black cotton fabric. High round neckline with stand up lined lace collar (4cm), fastened left of centre at front with two metal hooks and eyes. Front lining fastened with twelve metal hooks and eyes from throat to waistband. Waistband (5.5cm) of horizontal pleated fabric. Small pocket (8cm X 6cm) attached to inside lining on LHS. Waistband has 7 cm cross over tab section at centre front fastened with three metal hooks and eyes. Centre front opening is edged with black lace and tucked spotted voile, fastened with three metal hooks and eyes.A wide shawl collar across the shoulders extends and gathers into the waistband at front and back. This forms a V shaped opening at the front exposing the lace and voile beneath.The inner and outer edges of the collars have decorative knots. The centre of the collars have 18cm pin tucks from the shoulder seam at the front and 11 cm pin tucks at the back.At centre back. a panel of black lace runs from the collar to the hem of the waistband. Two gathered fabric tails are attached at centre back to hang below the hem of the waistband. Decorative lace as stitched across the shawl collar at the shoulders seams, ending with a decorative knot and cotton tassell (7cm). Set in Leg 'o'Mutton sleeves are gathered around the arm holes and gathered into a band of fabric with decorative lace and knots. The narrow lower section has a turned over hem edged with decorative knots and black lace. Each sleeve has a 5cm slit at the wrist. The bodice has fifteen bone casings spaced across the garment, from the waistband. These are stitched in place with yellow cotton. Some internal seams finished with yellow cotton. Hand stitched. Word ''GLEN" is written on one bone casing. Temporary darts have been stitched on both side seams with red cotton to reduce the size.costume, female, woman's black ribbed silk bodice.