Showing 7702 items
matching style
-
Eltham District Historical Society Inc
Photograph, Shalbury Avenue, Eltham, Dec. 1980
Roll of film taken by Eltham Shire Council officers of roads and houses in the Eltham East area in December 1980. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. Typically part of the Beard street group, a private street scheme that developed the road infrastructure commencing in February 1982.35mm colour positive transparency Mount - Kodak Kodachrome Cardeltham, housing estate, infrastructure, roads, shalbury avenue -
Eltham District Historical Society Inc
Photograph, Shalbury Avenue, Eltham, Dec. 1980
Roll of film taken by Eltham Shire Council officers of roads and houses in the Eltham East area in December 1980. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. Typically part of the Beard street group, a private street scheme that developed the road infrastructure commencing in February 1982.Born digital based on two 35mm colour positive transparencies converged into a panormaeltham, housing estate, infrastructure, roads, shalbury avenue -
Eltham District Historical Society Inc
Photograph, Shalbury Avenue, Eltham, Dec. 1980
Roll of film taken by Eltham Shire Council officers of roads and houses in the Eltham East area in December 1980. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. Typically part of the Beard street group, a private street scheme that developed the road infrastructure commencing in February 1982.35mm colour positive transparency Mount - Kodak Kodachrome Cardeltham, housing estate, infrastructure, roads, shalbury avenue -
Eltham District Historical Society Inc
Photograph, Shalbury Avenue, Eltham, Dec. 1980
Roll of film taken by Eltham Shire Council officers of roads and houses in the Eltham East area in December 1980. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. Typically part of the Beard street group, a private street scheme that developed the road infrastructure commencing in February 1982.35mm colour positive transparency Mount - Kodak Kodachrome Cardeltham, housing estate, infrastructure, roads, shalbury avenue -
Eltham District Historical Society Inc
Photograph, Shalbury Avenue, Eltham, Dec. 1980
Roll of film taken by Eltham Shire Council officers of roads and houses in the Eltham East area in December 1980. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. Typically part of the Beard street group, a private street scheme that developed the road infrastructure commencing in February 1982.35mm colour positive transparency Mount - Kodak Kodachrome Cardeltham, housing estate, infrastructure, roads, shalbury avenue -
Eltham District Historical Society Inc
Photograph, Shalbury Avenue, Eltham, Dec. 1980
Roll of film taken by Eltham Shire Council officers of roads and houses in the Eltham East area in December 1980. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. Typically part of the Beard street group, a private street scheme that developed the road infrastructure commencing in February 1982.35mm colour positive transparency Mount - Kodak Kodachrome Cardeltham, housing estate, infrastructure, roads, shalbury avenue -
Kiewa Valley Historical Society
Bowl Covered, circa mid to late 1900's
This covered glass bowl with lid was made in a period when there was a strict discipline in the use a various dishes and accompaniments with respect to the type of crockery used. This was in the English style, especially in well to do rural family estates. This period was part of the early 1900's, when large rural acreage was family owned and the economical return to rural produce was very high. It was a time when the Australian economy "rode on the back of sheep"This item has relative significance to the Kiewa Valley as part of the rural and mining(gold) era when the strong return from local gold mining and grazing was demonstrated by the "landed gentry" and significant household cutlery, crockery, etiquette and old English mores, influenced by "Mother Britain"This green opalescent covered bowl is similar to the French PV cabbage form. When the lid is on the bowl appears as a small cabage with three sets of half peeled leaves. There are five outer leaves, next row are five inner leaves and finally three core leaves. The main bowl has a lip encircling the inside of the bowl for the lid to rest upon with closed. The glass has been pressed to show the leaves with their web like stalks. The inside area of the bowl and lid are smooth. This is to allow the mashed up contents to be easily scraped into a serving ladle.Barely visible "VALLERYSTHAL"glass bowls, kitchen crockery, serving etiquette, meal presentation -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Smith-Hodges style pessary associated with Dr Frank Forster
This is Albert Smith's modification of a Hodges pessary. Uterine and anal pessaries were in use from the early 1900s onwards. The shape and style of pessaries varied with the introduction of new O & G techniques, and the materials they were made from varied with the maker. The Hodges-Smith pessary was usually hand made and was in demand as an intra-uterine device in the 1960s. For the prevention of uterine or abdominal infection, this type of pessary was changed frequently.Small, irregular vulcanite/wire pessary, covered with red rubber. Inscribed "PATENT".pessary, intrauterine device -
Kew Historical Society Inc
Photograph - 'Mynda', 5 Molesworth Street, 1979
'A suburban villa of 1885 designed by Lloyd Tayler for his daughter and son-in-law on a plan centred upon an octagonal top-lit hall. A square bay window to the drawing room projects from the front corner of the house at 45 degress, showing for the first time the diagonal emphasis which was to be developed in other works of the architect and to become in due course a characteristic of the Federation Style.' (National Trust Victoria Citation)Original colour positive photograph (Kodak print) of the front garden of 'Mynda', 5 Molesworth Street, KewInk on reverse: "Miss Anderson's / No.5 Molesworth St. / Cottage garden / Taken and ***"historic gardens -- kew (vic.), mynda, 5 molesworth street -- kew (vic.) -
Kew Historical Society Inc
Photograph - 'Raheen', 96 Studley Park Road, c.1980
Raheen was constructed as a two-storey house in the Italianate style with a four-storey tower over the entrance and single-storey extension. It was designed in an asymmetric and arcaded form, and is built of red brick with cement render. The property retains its garden layout, including an Italianate garden, outbuildings, fence and gates, and internal features including the original stairwell, library, ballroom and cast iron tower stairs. (source VHD)View of the upper and lower eastern loggias of 'Raheen' at 96 Studley Park Road, Kew from the eastern garden. The colour photo shows the pedestals and urns above the steps and the plantings in the garden c.1980. raheen -- 96 studley park road -- kew (vic.), historic houses -- studley park, mansions -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 4 Bright Street, Kew, 1990
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between 1983 and.2006. Each work is signed and dated by the artist. The series of drawings in the Picken Collection are invaluable assets for identifying architectural features and styles. The year in which the drawing was created is also a valuable record for house historians, as a number of the properties depicted have either been altered since that date or demolished.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film by Margaret Picken.4 bright street -- kew (vic.), californian bungalows, margaret picken, bright street, woodards -- kew (vic), property illustrations -
Vision Australia
Photograph (item) - Image, Children at RVIB playing in an old car
Boys scramble over a 1920's style car, in the front gardens of RVIB St Kilda Road. One sits on the roof and another on the bonnet, both reaching to feel the windscreen wipers. Three boys are at the front, touching the engine, whilst two more touch the front of the tyre and another boy touches the rear of the tyre. The final three boys sit on the running board with various components in their hands.royal victorian institute for the blind, education, children -
Melbourne Tram Museum
Manual, Metropolitan Transit Authority (MTA), "The Met Design Manual", 1988
Document - The Met design or style manual details the Corporate Identity to be used on all publications, and documents including logos, logotypes, symbols, standard lettering, and colour. Has a table of contents and an index. Includes printed publications, signposting, rollingstock road vehicles, uniforms, stationery, and miscellaneous items. Has an index at the rear. The design manual is dated 1988, some five years after the creation of The Met - see reference.Demonstrates a Style Guide or Design Manual used by The Met in Melbourne.Document - 4 ring binder white plastic covers, with approx 100 sheets, double side, full colour, including table of contents and an Index.the met, design, style guide, logos, colour schemes -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Stieg Persson, Duck and quail eggs, Italian herbs, 2015
With a career spanning over 30 years as a painter, Stieg Persson is a well known figure within the Australian and international art world. Persson’s work is celebrated for his distinct (yet eclectic) style, which consists of elements associated with abstraction, figuration and decorative art, as well as the artist’s deeply intellectual interrogation of Australian culture and society. In this work titled, Duck and quail eggs, Italian herbs, Persson reflects on contemporary parallels in changes of taste and the desire for decadence as a political and social drive. Inspired by Brighton’s iconic Church and Bay Streets, the artist addresses the social currency of luxury and high-end cuisine by depicting rococo style blackboards which offer the latest in fine dining, alcohol, exercise classes, skin treatments and lavish linens. Persson is presenting a subtle critique of the contemporary obsession with food; as contemporary society places greater significance on the connoisseurship of eating, it does so in lieu of engagement with culture as it is traditionally conceived (music, theatre, literature and art).oil on linenstieg persson, brighton, signage, graffiti, food, chalkboard, bayside, painting -
Mission to Seafarers Victoria
Decorative object - Finial, c. 1920
Appearances to the contrary, the item is not a weathervane but a finial. It was the gift of Mr John Sanderson (Jottings Easter 1920), from John Sanderson & Co., wool merchants, stock and station agents, commission and shipping agents before he leaves for England to become senior partner in Sanderson Murray & Elder, London, import and export agents. It was designed by Walter & Richard Butler Architects. (sketch published in Building : the magazine for the architect, builder, property owner and merchant vol.33, no 193, 12 Sept. 1923). The finial was already drawn on the sketch of the Central Institute made by Walter Butler. The maker of the finial, was Henry Alfred George Arnold Saw (born June 1881 in Hotham, Victoria was the son of Edward Saw (1854-1926) a tinsmith and Catherine Barton (1863-1907). He worked as a metal artificer for a metal-working business located opposite the Trades Hall in Lygon Street and was given the job of making the copper ship finial. Henry married Florence Charlotte Reeder and they had four children. Also known as Harry Saw according to his grandson Brian, he died on 9th February 1960. Henry and Florence both died within two months of each other in 1960. It is not clear when the ship was actually installed on the roof, the earliest photograph dating from 1927. The windvane fell or moved several times because of gale forces: - In 1995 : After the funds were raised to repair it, it was treated by sculptor David Hope, and reinstalled in the 1998 (Ship to Shore #3 Sept 1998). - In 2017: Carmela Lonetti from the Grimwade Centre for Cultural Materials Conservation (Ship to Shore Autumn 2017) - In 2019: a generous passerby donated the necessary funds for the conservation. It was sent to Grimwade Centre for Cultural Materials Conservation (Ship to Shore 2019), treated by Evan Tindal (City of Melbourne Magainze Oct. 2020). It was reinstalled over the Summer of 2019-2020 (Ship to Shore Summer 2020). The weathervane was stolen during the night of the 6-7 March 2022. Copper price surge sparks rise in theft in Victoria in 2021-22 so it's likely the vane was stolen to be melted This sculpture is closely associated with the 1917 building and described in clippings and annual reports when the building was first newly opened. It can be seen in some of the earliest photographs of the new building and in the artist/architect Butler's impressions. The galleon is often a decorative design of Mission to Seafarers wind vane (London, Adelaide).Bronze and copper sculpture fashioned as a Wind Vane in the form of a Galleon style sailing ship with 2 pennants flying and two sails rigged atop with lower cross piece with wind directions N S E W . There is a decorative ornamental pierced scrollwork ferrule / finial with reinforcing chrome steel piping armature at base of main support which attaches to the roof or a base support. See also comments below weather vane, wind vane, sculpture, galleon, sailing ship, finial, henry alfred saw, david hope, windvane, weathervane, walter richmond butler (1864–1949), richard butler, john sanderson -
Bendigo Military Museum
Badge - BADGES, VARIOUS, Possible WW1 through to Post WW2
Items in collection re John D Gardiner No 2832, refer Cat No 5892.2 for his service details..1) Badge pressed brass, shape is of an old style Artillery piece on large wheels, rear has two lugs on. .2) Badge, metals crown at top, centre has 5 stars in silver, outside is oval shape with lettering, scroll under, rear has two pins. .3) Badge silver colour metal, crown at top, oval shape, raised lettering, scroll under with same, pin on rear..2) "Royal Australian Army Pay Corps, Integrity" .3) Royal Australian Army Nursing Corps, Pro Humanitate"badges, artillery, nursing, pay -
Bendigo Military Museum
Badge - BADGES, VARIOUS, post WWII
Items relate to the HEWSTON Family WWI & WWII. .1), .3) are Association Badges. .2) This is a 13th Australian General Hospital badge. .4) At this point unknown..1) Badge, metal, diamond shape, grey outer with red over white diamond centre. .2) Badge, metal, diamond shape, grey outer, red diamond centre with possible purple rectangular shape centre. .3) Badge, metal, oval shape, grey outer with oval purple over red centre. .4) Badge, metal, Maltese Cross style with centre laurel wreath & RAF centre.numismatics-badges-military, military history - air force - army, association, hospital -
Bendigo Military Museum
Photograph - PHOTOGRAPHS - CARDS WW1, 1) Aust Card Co, 1) C.post 1917, other pre 1917
David James Wallace Hamilton No 329 AIF. Refer Cat No 2351.5P for his service history..1) Card, folds in half, 'In Loving Memory - For His Country'. Inside small insert photo D.J.W. HAMILTON with details & poem re HAMILTON's death at Messines 7.6.17 aged 28 years. .2) Card, business style re Hamiltons Royal Hotel, Williamstown with black & white photo. .3) - .9) Photos, black & white all very similar relating to machine gunners practising out in the fields.photographs, duty done, loving memory -
Bendigo Military Museum
Equipment - BELT, POUCH, BOTTLE, MUG, CARRIER, 566.3 KG Luke, 2) 1953 .3) 1966
Items issued to or brought home from Vietnam by Murray Stanley Metherall. refer 590.2..1) Water bottle carrier, green webbing, US with steel clips. .2) Water bottle, US aluminium, plastic lid and chain, kidney shaped. .3) Steel mug, kidney shaped. Australian, fold out steel handle. .4) Belt, webbing, green Australian. Has brass buckles and adjusters. .5) Pouch pistol style with press stud close, Possibly US. Steel clips on rear..2) "US Mirro 1953" .3) “8465-50-242-7843"equipment, webbing, pouches water -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Styphelia adscendens (Golden Heath), 1971
Part of "Woolcock Gallery Collection". Exhibition CEMA 1989.Studies of leaves and flowers. Three studies of leaves, one cluster on a stem and two in detail. Three studies of flowers a different stages of development: two showing the pink and green petals emerging from the green calyx and and one showing six stamen surrounding the stigma and style of a pistil. At the top right of the image is a study of a seed, green with pink surrounding petals. On the far left centre is a view of a stem with green leaves and flowers.Front: Styphelia adscendus Golden Heath 6/9/71 (lower left) (pencil) CEW/71 (green pencil) (lower centre of image) 40 (pencil, erased) (lower right) Back: 2 (upper left) (pen)cema, botanical, collin woolcock -
Kiewa Valley Historical Society
Photo Album - Senior Citizens' Clubrooms, Official Opening of the Senior Citizens' Clubrooms
The Mount Beauty Senior Citizens' Clubrooms were officially opened on the 8th December 1972.The building was built and owned by the (then) Bright Shire after much lobbying and fund raising by a local steering committee. It has served the community well for over 50 years.This album is a significant reminder of how the community of Mount Beauty was always pro-active in the development of community welfare and assets.Orange Vinyl covered photo album circa 1960s-1970s. Inside the covers are 10 double-sided plastic-covered cardboard pages secured by a metal spirex type page holder. Two gold lines with geometric cornice design border the cover. Four snowflake shapes form a diamond shape embossing in the centre of the cover also in gold. Manfacturer -Advance - Style 101220 inside back cover in gold.mt beauty senior citizens club -
Sir Reginald Ansett Transport Museum
Hat, 1972 - 1977
Donated Ansett Hostess / Stewardess orange bowler hat with turned brim, made & worn 1972 - 1977Ansett Hostess hat, bowler-style with turned brim. Tangerine-orange poly-cotton with 2cm wide black grosgrain ribbon trim on hat body and on edge of brim. 8cm wide bow on both trims at rear of hat. Crown is 12cm high measured from lower edge, 4cm turned brim. Hat size 19&1/2 inch circumference. Hat-elastic secured to sweat-band.White label with black print indicating manufacture by Nivek Headwear Reg.Melb. ansett australia, hostess / stewardess, bowler hat, turned brim, tangerine orange, 1970s -
Orbost & District Historical Society
book, Cassell and Company Limited, From The Australian Front, 1917
This book was produced as a gift for Australian soldiers and their families on the Western Front in 1917. In the introduction General Birdwood, Commander of the ANZACS, explained it was for ‘…those whom we left behind in Australia, and who we know are thinking of us, some idea of our surroundings on the battle fronts…’.This book is a significant contemporary record of life for the Australian soldiers on the Western Front during World War 11.Grey cardboard covered 128 pp book with black and red writing on cover. the title, "FROM THE AUSTRALIAN FRONT" is in black print at the top above a black drawn sketch of two soldiers behind a mound and holding bayonets. at the foot is XMAS. 1917 inside a red rectangle with the insignia of the Australian Army (the rising sun) at the top. It contains cartoons, illustrations and photographs created by the soldiers themselves and put together in the style of an annual. military book-from-the-western-front world-war-11 -
Orbost & District Historical Society
black and white photograph, July 1922
Jean Stirling , born 1901 in Orbost, married Charles Frances Reginald Joyes on 15th July 1922 in Orbost. Jean's father was John Stirling, son of James Stirling and Ann Gray. Her mother was Robina Harvey McNair, Aged 19 James Stirling arrived in Melbourne on January 26, 1842 with his family - parents, three sisters and two brothers. James Stirling moved around a lot to Whittlesea, Ballarat goldfields, Cunninghame, (now Lakes Entrance), then to the Old Station about 36 miles to the east along the coast near the mouth of the Snowy River and for a time settled there with his wife also from Wigton, Scotland, and their family four sons two daughters (James, John, William, George, Margaret and Polly). The first settler to occupy the Marlo township area was James Stirling around the year 1875. He built a bark hut on the bluff that had two rooms, bark walls, earthen floors and a shingle roof. By 1884, this structure had expanded to a 9 roomed accommodation house and in 1886 became the Marlo Hotel when a liquor license was granted. (more information from “Snowy River Mail”, Wednesday, April 13th 1977: MEMORIES OF MARLO by Mrs Elsbeth Conlon (nee Stirling )This photograph is associated with the Stirling family early settlers of Marlo. It is also a pictorial record of styles of wedding dress popular in the 1920s.A black / white studio portrait / photograph of a bridal couple. The bride on the left is wearing a typical 1920s wedding dress. tTe front is short with a hem that is in different length in front than behind. She is wearing a hat in the cloche-style. She is holding a bouquet of flowers and her train is draped to the left. The groom is wearing a three piece morning suit. he has a with a wingtip collar white dress shirt and a cravat tie.on front - hand - written "Jean Stirling's wedding (Marlo) ? Joyce"stirling-jean-wedding melba-&co wedding-clothing-1920s joyes-charles-francis-reginald -
Bendigo Historical Society Inc.
Photograph - QUEENS' CYCLING CLUB, 1897
Sepia image mounted on board: image shows large group of men, women and children, standing and seated in front of bicycles. Most are wearing boater style hats, some women shirts and ties. Group is in front of weatherboard building on LH side, and shed like structure, made of undressed small logs, on RH side. Small boy reclining on roof of shed. Written on bottom of image: 'Queens' Cycling Club, 1897'bendigo, clubs, queens' cycling club, bendigo, cycling, bicycles, queens' cycling club -
Bendigo Historical Society Inc.
Photograph - HIGH STREET, KANGAROO FLAT, c1961
Black and white photo: Part of residential street, three brick homes (probably cream) and one timber cottage at the far end, large nature strip. Three brick homes of similar style. Physical description: Loose black & white photo. Inscriptions/Markings: Written on reverse of photo 'Sth East side of High St. Same block as Methodist Church between Camp St & Chapple St. Kangaroo Flat.The Herald & Weekly Times Ltd. Melbourne Australiabuildings, residential, brick house, copyright not for unautherised repoduction -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: FEMALE PHOTO
25 cm x 17.5 cm black & white Tin Type portrait. Woman half length in black mourning dress. Parted drawn back hair style with pale pleated cloth head band worn similar to a tiara. Pendulum earrings. Silver Albertina chain and bar suspended from dress front to side pocket. Knotted silk scarf around neck and down to waist. Photographer and subject unknown.unknownphotograph, person, female -
Bendigo Historical Society Inc.
Postcard - CARWARDINE COLLECTION: POST OFFICE AND LAW COURTS BENDIGO, 1800/1900
Sepia colour postcard, portrait style Written on bottom 'Post Office, and Law Courts, Bendigo'. Image shows many people walking down Pall Mall on footpath outside Law Courts and Post Office. Women wearing ankle length dresses, large 'picture' hats. Men suits, straw boaters. Clothing appears to date to 1800's to early 1900's. Receipt number 355/16Printed in Saxony, on back of cardbendigo, business, carwardine soap and candle -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Carved wooden figurine of a neurologist, Germany, Jaschke Pretzl, c. 1950s
This is a German made figurine, attributed to Jaschke Pretzl. Loosely translated, the label text on the figurine says 'Neurologist' and 'Out! They're getting on my nerves!'. Stamp printed on underside of base says that this is a hand-carved figure.Carved wooden figurine. Depicts a man in a white coat, red tie, and glasses, standing with his hands at his side. He has a receding hairline, and a mohawk-like hair style. The figure is atop a small wooden base, one side of which carries handwriting that reads 'Nervenarzt/Raus! Sie gehen mir/auf die Nerven!' The underside of the plinth is printed with a stamp that reads 'Handgeschnitzte/Pretxl/Figur'. 'Nervenarzt/Raus! Sie gehen mir/auf die Nerven!'/'Handgeschnitzte/Pretxl/Figur'obstetrics -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Equipment - Cervical punch biopsy forceps
Used to take a sample from the cervix as part of a cervical biopsy. 'Rostfrei' is a German word meaning 'rust free', which is an equivalent term for stainless steel.Stainless steel cervical punch. Consists of a long, thin metal shaft, extending out in a perpendicular fashion from the handle. There is a small cutting tooth at the end of the shaft. Handle consists of an oval shaped trigger attached to a solid metal handle. A curved metal spur extends from the back of the handle to provide purchase for thumb grip. Overall shape of the instrument resembles a handgun in style. Inscription on handle of instrument reads 'ROSTFREI'. obstetrics