Showing 4247 items matching " female"
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Bendigo Historical Society Inc.
Ephemera - Commemorative Programme, 2015
Built on the original site of the Government Camp, the Sandhurst prison was built in 1863 when it housed both male and female prisoners. In 1972 its name was changed to Bendigo Prison and it then ceased operation in 2004. It was then turned into an arts and performance centre named "Ulumbarra" (meeting place) in 2015.Commemorative Programme for the Gala Opening of Ulumbarra Theatre, Bendigo on 17/04/2015. Includes a loose sheet with the lyrics for "Ulumbarra" written for and performed at the Gala Opening. Fourteen pages. Black and gold cover, coloured photographs.ulumbarra theatre, old bendigo gaol, opening -
Vision Australia
Image
Three people stand in a kitchen. The gentleman on the left wears a white coat, the younger male in the middle wears a chefs jacket and checked pants, and holds a platter, whilst the older female at the right holds a certificate. A Cooking Apprentice award was given to a person employed at the Association for the Blind.1 x B/W photographassociation for the blind -
Flagstaff Hill Maritime Museum and Village
Print - Portrait of Queen Victoria, Hoy Art Picture Framing, Original probably painted in 1887 or 1897 to commemorate 50 or 60 years on the throne
Queen Victoria was born at Kensington Palace, London, on 24 May 1819. She was the only daughter of Edward, Duke of Kent, the fourth son of George III. Her father died shortly after her birth and she became heir to the throne because the three uncles who were ahead of her in the succession - George IV, Frederick Duke of York, and William IV - had no legitimate children who survived. Warmhearted and lively, Victoria had a gift for drawing and painting; educated by a governess at home, she was a natural diarist and kept a regular journal throughout her life. On William IV's death in 1837, she became Queen at the age of 18. Queen Victoria is associated with Britain's great age of industrial expansion, economic progress and, especially, empire. At her death, it was said, Britain had a worldwide empire on which the sun never set. In the early part of her reign, she was influenced by two men: her first Prime Minister, Lord Melbourne, and then her husband, Prince Albert, whom she married in 1840. Both men taught her much about how to be a ruler in a 'constitutional monarchy, in which the monarch had very few powers but could use much influence. Albert took an active interest in the arts, science, trade and industry; the project for which he is best remembered was the Great Exhibition of 1851, the profits from which helped to establish the South Kensington museums complex in London. Her marriage to Prince Albert produced nine children between 1840 and 1857. Most of her children married into other Royal families in Europe. Edward VII (born 1841), married Alexandra, daughter of Christian IX of Denmark. Alfred, Duke of Edinburgh and of Saxe-Coburg and Gotha (born 1844) married Marie of Russia. Arthur, Duke of Connaught (born 1850) married Louise Margaret of Prussia. Leopold, Duke of Albany (born 1853) married Helen of Waldeck-Pyrmont. Victoria, Princess Royal (born 1840) married Friedrich III, German Emperor. Alice (born 1843) married Ludwig IV, Grand Duke of Hesse and by Rhine. Helena (born 1846) married Christian of Schleswig-Holstein. Louise (born 1848) married John Campbell, 9th Duke of Argyll. Beatrice (born 1857) married Henry of Battenberg. Victoria bought Osborne House (later presented to the nation by Edward VII) on the Isle of Wight as a family home in 1845, and Albert bought Balmoral in 1852. Victoria was deeply attached to her husband and she sank into depression after he died, aged 42, in 1861. She had lost a devoted husband and her principal trusted adviser in affairs of state. For the rest of her reign she wore black. Until the late 1860s she rarely appeared in public; although she never neglected her official Correspondence, and continued to give audiences to her ministers and official visitors, she was reluctant to resume a full public life. She was persuaded to open Parliament in person in 1866 and 1867, but she was widely criticised for living in seclusion and quite a strong republican movement developed. Seven attempts were made on Victoria's life, between 1840 and 1882 - her courageous attitude towards these attacks greatly strengthened her popularity. With time, the private urgings of her family and the flattering attention of Benjamin Disraeli, Prime Minister in 1868 and from 1874 to 1880, the Queen gradually resumed her public duties. In foreign policy, the Queen's influence during the middle years of her reign was generally used to support peace and reconciliation. In 1864, Victoria pressed her ministers not to intervene in the Prussia-Denmark war, and her letter to the German Emperor (whose son had married her daughter) in 1875 helped to avert a second Franco-German war. On the Eastern Question in the 1870s - the issue of Britain's policy towards the declining Turkish Empire in Europe - Victoria (unlike Gladstone) believed that Britain, while pressing for necessary reforms, ought to uphold Turkish hegemony as a bulwark of stability against Russia, and maintain bi-partisanship at a time when Britain could be involved in war. Victoria's popularity grew with the increasing imperial sentiment from the 1870s onwards. After the Indian Mutiny of 1857, the government of India was transferred from the East India Company to the Crown, with the position of Governor-General upgraded to Viceroy, and in 1877 Victoria became Empress of India under the Royal Titles Act passed by Disraeli's government. During Victoria's long reign, direct political power moved away from the sovereign. A series of Acts broadened the social and economic base of the electorate. These acts included the Second Reform Act of 1867; the introduction of the secret ballot in 1872, which made it impossible to pressurise voters by bribery or intimidation; and the Representation of the Peoples Act of 1884 - all householders and lodgers in accommodation worth at least £10 a year, and occupiers of land worth £10 a year, were entitled to vote. Despite this decline in the Sovereign's power, Victoria showed that a monarch who had a high level of prestige and who was prepared to master the details of political life could exert an important influence. This was demonstrated by her mediation between the Commons and the Lords, during the acrimonious passing of the Irish Church Disestablishment Act of 1869 and the 1884 Reform Act. It was during Victoria's reign that the modern idea of the constitutional monarch, whose role was to remain above political parties, began to evolve. But Victoria herself was not always non-partisan and she took the opportunity to give her opinions, sometimes very forcefully, in private. After the Second Reform Act of 1867, and the growth of the two-party (Liberal and Conservative) system, the Queen's room for manoeuvre decreased. Her freedom to choose which individual should occupy the premiership was increasingly restricted. In 1880, she tried, unsuccessfully, to stop William Gladstone - whom she disliked as much as she admired Disraeli and whose policies she distrusted - from becoming Prime Minister. She much preferred the Marquess of Hartington, another statesman from the Liberal party which had just won the general election. She did not get her way. She was a very strong supporter of the Empire, which brought her closer both to Disraeli and to the Marquess of Salisbury, her last Prime Minister. Although conservative in some respects - like many at the time she opposed giving women the vote - on social issues, she tended to favour measures to improve the lot of the poor, such as the Royal Commission on housing. She also supported many charities involved in education, hospitals and other areas. Victoria and her family travelled and were seen on an unprecedented scale, thanks to transport improvements and other technical changes such as the spread of newspapers and the invention of photography. Victoria was the first reigning monarch to use trains - she made her first train journey in 1842. In her later years, she became the symbol of the British Empire. Both the Golden (1887) and the Diamond (1897) Jubilees, held to celebrate the 50th and 60th anniversaries of the Queen's accession, were marked with great displays and public ceremonies. On both occasions, Colonial Conferences attended by the Prime Ministers of the self-governing colonies were held. Despite her advanced age, Victoria continued her duties to the end - including an official visit to Dublin in 1900. The Boer War in South Africa overshadowed the end of her reign. As in the Crimean War nearly half a century earlier, Victoria reviewed her troops and visited hospitals; she remained undaunted by British reverses during the campaign: 'We are not interested in the possibilities of defeat; they do not exist.' Victoria died at Osborne House on the Isle of Wight, on 22 January 1901 after a reign which lasted almost 64 years, then the longest in British history. Her son, Edward VII succeeded her. She was buried at Windsor beside Prince Albert, in the Frogmore Royal Mausoleum, which she had built for their final resting place. Above the Mausoleum door are inscribed Victoria's words: "Farewell best beloved, here, at last, I shall rest with thee, with thee in Christ I shall rise again." Source: https://www.royal.uk/queen-victoria This picture captures Queen Victoria in her later years. It may well have been painted to commemorate her Golden Anniversary in 1887, or her Diamond Anniversary in 1897.Picture, print, reproduction of a drawing or photograph of Queen Victoria. She is wearing a dark-coloured dress, white headdress and a diamond necklace and earrings. On her left shoulder is the Royal Order of Victoria and Albert, awarded to female members of the British Royal Family and female courtiers. There are four grades or classes of this Royal Order as well as the Sovereign's Badge, which is exclusive to her. Also across her left shoulder, is a blue riband representing the Order of the Garter. The picture is in a medium-coloured timber frame with a white string across the width at the rear. The label says it was framed by Hoy Art, Warrnambool. The signature of the Queen is on the picture but is not obvious since the picture has been re-framed."HOY ART / PICTURE FRAMING / 48 Kepler St, Warrnambool 3280 / Phone (055) 62 8022" Signature (hidden by new framing) "Victoria H.R.S."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, picture of queen victoria, queen victoria, the royal order of victoria and albert, the order of the garter, hoy art -
Bendigo Historical Society Inc.
Photograph - BENNETTS ARCADE: BENDIGO, 1955
Black and white photograph of Bennett's Arcade. Clock face up high at rear with policeman's face on dial., Taubmans paint sign under. Baskets, garbage bins, lawn mowers, enammelled cast iron pots. Various other hardware. Adult male in sports coats, jumper, shirt and tie holding hand of small girl in dark coat with beret, lace up shoes. Female in background with hat, overcoat. Female figure in foreground dressed in long coat with flower on collar, scarf, hat. Small boy in double breasted coat, cap and lace-up shoes. Patterned, tiled floor. C. Bennetts Arcade in ink on rear of photo.A. Doneyplace, arcade, bendigo -
Bendigo Historical Society Inc.
Administrative record - PERON & SHINMAN LEDGER
Two ledgers itemising purchases under an individual's name. Numbers 1-137 beside names are contained in ledger ink written on edge PERON & G SHINMAN. Pages containing 35-136 numbered customers are missing. Dates without the year occur beside most entries. Loose 1910 dated note from Kyabram inside book along with a single 1906 date indicate period of circulation. Majority of names belong to females and goods purchased have a female domestic nature. Endeavours to research a Peron & Shinman store in Bendigo unproductive, however a Bendigo connection based upon customer names appears to have merit.bendigo, industry, storekeeper, peron, shinman -
Warrnambool and District Historical Society Inc.
Personal, The VEEDEE Company, Massage Instrument-VeeDee Vibratory Massager, unknown
During the late 1800s massage was considered effective for combating illnesses and diseases. The VeeDee massager, popular at the end of the 19th and the beginning of the 20th centuries claimed to be beneficial for all kinds of illnesses and complaints, including colds, digestive complaints, rheumatism, headaches, female hysteria, tumours and lung diseases. An instrument made of wood, silver and steel with a handle for turning, an end disc for massaging and a two-pronged attachment, one with a bowl containing a stiff leather ball (partly cut away). VeeDee Pat. B 100010 1 ….. 2 ……. 3 ……. warrnambool, health, medicine, massage instrument, veedee vibratory massager -
Melbourne Tram Museum
Newspaper - Obituary, The Age, "Tough fighter with a one-track mind", 2/9/2006
Obituary - "Tough fighter with a one-track mind" - The Age 2/9/2006 written by Anne McKernan, looking at the life of one of the first female tram drivers in Melbourne. Gives details of her background before becoming a conductor, the Union battles and then becoming a driver for 7 years. Yields information conductor/driver Joyce BarryCutting from The Age, 2/9/2006.tramways, women, drivers, women drivers, joyce barry -
Mission to Seafarers Victoria
Administrative record (Sub-series) - Annual report, Annual Report, Victoria Missions to Seafarers, 2001-9999
Missions to Seafarers, VictoriaChronologicalannual-report, victoria-missions-to-seamen, victorian-seamens-mission, melbourne-missions-to-seamen, mission to seafarers, administrative document-annual reportannual-report, victoria-missions-to-seamen, victorian-seamens-mission, melbourne-missions-to-seamen, mission to seafarers, administrative document-annual report -
Bendigo Historical Society Inc.
Ephemera - Ticket Ulumbarra Theatre Opening 2023, 2015
Built on the site of the original Government Camp site in 1863, the Sandhurst Prison held both male and female prisoners. It was renamed the Bendigo Prison in 1972 as a medium security prison for male inmates. It closed in 2004 and was redeveloped as an arts and performance precinct named "Ulumbarra" (meeting place) 2015.Two tickets to the Gala Opening of Ulumbarra Theatre, Bendigo on 17/04/2023.ulumbarra theatre, old bendigo gaol -
Bendigo Military Museum
Uniform - TROUSERS, RAAF, ADI Clothing Factory, 1991
This is a pair of blue trousers. It has a pocket on each hip. There is a zippered fly - held shut at the top with one black plastic button. There are two pleats either side of the fly.Written on label = W326143 B. Williams.raaf, long pants, uniform, female -
Bendigo Military Museum
Uniform - JACKET AND SKIRT, WAAAF, WWII
Uniform belonging to Catherine Winifred Sewell Born 1915, Regt No 96270 F.O Women’s Australian Auxillary Air Force (W.A.A.A.F) .1) Jacket summer dress, cotton khaki, Epaulettes, lower right sleeve has 2 red chevrons denoting years of service .2) Skirt summer dress, cotton Khakifemale, uniforms, wwii, waaf -
Phillip Island and District Historical Society Inc.
Dress, Black, 1900 approximate
Worn by Grandmother Spaven.Long Dress - brocade and satin, trimmed with lace and velvet. Decollete Evening Dress. 2 pieces - Bodice & Skirt. In storage in Archive Room.local history, costume, female, long evening dress -
Bendigo Historical Society Inc.
Photograph - PHOTO BLACK AND WHITE BENDIGO HOSPITAL AUX
PHOTO BLACK AND WHITE - paper / Bendigo Hospital Aux ?/ xmas stocking between two ladies / childrens giftsphotograph, person, female, bendigo hospital aux ? -
Bendigo Historical Society Inc.
Photograph - ELMA WINSLADE WELLS COLLECTION: GREAT AUNT SOPHIE
BLACK AND WHITE PHOTOGRAPH OF MISS E.W. WELLS' great aunt Sophie - part of a 'collection of photos of MISS E.W. WELLS' parents (the Rotherhams). Stewart & Co Melbourne shown on bottom.Stewart & Co Melbournephotograph, portrait, female, stewart & co melbourne -
Bendigo Historical Society Inc.
Photograph - ELMA WINSLADE WELLS COLLECTION: GREAT AUNT SOPHIE
BLACK AND WHITE PHOTOGRAPH OF MISS E.W. WELLS' great aunt Sophie - part of a 'collection of photos of MISS E.W. WELLS' parents (the Rotherhams). Stewart & Co Melbourne shown on bottom.Stewart & Co Melbournephotograph, person, female, stewart & co melbourne -
Bendigo Historical Society Inc.
Photograph - BLACK AND WHITE PHOTOGRAPH OF PRINCESS MARY OF CAMBRIDGE
black and white photograph of Princess Mary of Cambridge wearing Victorian outfit.photograph, person, female, black and white photograph of princess mary of cambridge -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small head and shoulder portrait of a lady. She is wearing a high neck dress with a small white collar and a brooch at the neck. The dress has ruffles down each side front of the bodice. She has a dark ribbon round her neck and is wearing a locket.T. M. Cleaves, View Point, Eagle Hawkphotograph, portrait, female, portrait of a lady t m cleaves -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small full length portrait of a lady standing beside a cupboard with a large jug on it. She is wearing a long high neck dress with large sleeves and a full skirt with a large bow on the side front. She is also wearing a locket and a long necklace. Behind her is garden scene.London & Provincial Photographic Company 443 West Strand, London. W. C.photograph, portrait, female, portrait of a lady -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small head and shoulder portrait of a lady mounted on black card with rounded corners with the bottom portion cut off. The lady is wearing a high neck dress with a frilled stand up collar and a brooch at the neckline. The dress has buttons down the front and embroidery on each side of the buttons. She is also wearing a knotted cord around her neck. Photographer's name cut off.photograph, portrait, female, portrait of a lady -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small portrait of a lady seated on a chair with her left arm resting on a table. She is wearing a long, high neck dress with a full skirt and large sleeves. She is also wearing a head dress with a frilled edge and wide bow under her chin. No photographer's name.photograph, portrait, female, portrait of a lady -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small, pale oval head and shoulder portrait of a lady mounted on white card with a blue border. She is wearing a patterned dress with buttons down the front and a frill collar.photograph, portrait, female, portrait of a lady -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF LADY
Small, full length portrait of a lady standing beside a chair with her right hand resting on the back of the chair. She is wearing a long dress with darker bows down the front and a fringe at the sleeve top and across the front.photograph, portrait, female, portrait of a lady -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small full length portrait of a lady standing and holding a hat in her hands. She is wearing a long high neck dress with a three quarter length coat over it. The skirt has two rows of pleats at the hem.C. Nettleton, 20 Madeline Street, North Melbournephotograph, portrait, female, portrait of a lady -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small, full length portrait of a lady wearing a long high neck dress. The dress has a voluminous skirt with different material from the hip up.Batchelders. 41 Collins St. East Melbourne. Dunn. Wilson & Botterill Prop.photograph, portrait, female, portrait of a lady -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small portrait of a lady seated on a chair with her left elbow on the chair back and her hand up to her face. She has frills on her dress and a long feathery tie at her neck.N. White, Photographer Mitchell Street Sandhurstphotograph, portrait, female, portrait of a lady -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small, oval head and shoulder portrait of a lady. She is wearing a dark, high neck dress with a frill collar. She is also wearing a small hat. Card has a blue border. Nothing on the back.photograph, portrait, female, portrait of a lady -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small portrait of a lady standing beside a desk? She is wearing a long dress with a high frilled collar and has beads embroidered onto it. She has a small posy of flowers in her hands which are resting on the desk.Humphreys, Paternoster Buildings, Castle Square. Carnarvon.photograph, portrait, female, portrait of a lady -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A YOUNG WOMAN
Small half portrait of a young woman. She is wearing a high neck dress with a wide belt that has a large clasp.photograph, portrait, female, portrait of a young woman -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small, head and shoulder portrait of a lady. She is wearing a high neck dress with a frilled lace collar with a brooch at the neck. She has a lace cap on her head. Her dress has embroidery on the front.Richard Keene, Repository of Arts Derby.photograph, portrait, female, portrait of a lady -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small, head and shoulder portrait of a lady. She is wearing a dark dress with a white bonnet and a large white tie at her neck which comes down nearly to her waist and across to her arms. Her hands are folded in front of her.Stanley, 31 & 32 Hertford Street Coventryphotograph, portrait, female, portrait of a lady