Displayed at History House.Black and white photograph of Compton House, 3 cornered front, Compton House - T. Hudson - Compton House, written near top of building. Lamp post centre front with two men (one sitting, one leaning) to left, two women (standing) to the right. Stationer Bookseller Shop to one side of Compton House, Brick, timber fence on the other.Front: Compton House, South West Corner, Percy and Henty Streets (typed label). Back: Stamp - State Lib. of S.A. Photographic Section. Reproduction prohibited except withthe permission of the copyright holder. Order No. A/6493

Record of local historyA series of three black and white photographs of the Citizens Plot at Alexandra Gardens. 501 shows the bluestone building J Ward standing behind a wooden picket fence with bare earth in front. 502 shows men in suits standing with three horses attached to two wagons with large trees in the background. 503 shows plants that have grown in the Citizens Plot garden.501: Citizens Plot 1908 502: Citizens Plot 1909. 503: Citizens Plot showing growth 1921.

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of an early 1930's bus parked on the grass in the foreground, with a man standing on the hidden steps of the bus and another man walking in front. In the middle distance rail lines can be seen on an embankment rising behind a post and wire fence and in the background a tower rises on the closest hill. The bus is the St Hilda's Band bus and the place is Llanelly in Wales.Written in pencil on back - Llanelly, Wales, 29/5/34frank wright, 1930's bus, welsh tower, st hilda's band, sthilda's band bus

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a casually dressed man, standing on the River Redgum planks of a wharf and holding onto the chain edging fence. On the right side of the background can be seen wharf buildings which are listed on the Australian Heritage Database. On the left can be seen the far bank covered in trees. The man is Frank Wright and the place is the Echuca Wharf at Echuca/ Moama on the Murray River.frank wright, echuca wharf, murray river

Premises of A. Connell, Long Gully, Bendigo (Baker) - (photocopy of Plate 185, Robinson Photo - no date). Photo shows shop and attached residence of A. (Alex) Connell, Bread and Biscuit Baker. Signage on verandah and wall above - house is set back from the fence with entrance immediately adjacent to shop wall. (appears to have flagpole attached to Left Hand side of shop frontage?)Robinson, Photobusiness, retail, baker, alex connell, long gully.

Black and white photograph of single bogie tram, advertising 'The Argus', above side windows. Old 'bus-like' vehicle to right nest to white post and rail fence. Man with a white flag standing between both vehicles. Reverse: The word 'Basil' printed in black biro. Stamped in grey/black ink 'Dennis O'Hoy 13 Hill Street Bendigo 3550.person, individual, basil miller

Black and white photocopy of fountain and ferns in Lower Camp Reserve Sandhurst. It shows a garden with ferns, trees, fences an urn at right and a fountain at left. Copy of photograph held by state library. On front at top ' State Library of Victoria - pictoria image. Database '/759353/ ' Fountain and ferns in Lower Camp Reserve, Sandhurst. 'Handwritten ' LTA 38/H39358/76' Rudd Photograph.Ruddplace, landscape view, lower camp reserve sandhurst, photographs, sandhurst, garden, reserve, bendigo, photography, fountains, ferns

coloured photo: family group ? 3 adult females in cloche hats and overcoats, two small females on scenic walk. Path through bush and trees with white post and rail fence. On front board, handwritten ' Lovers Walk, Cowes' Won by Mr. L. Batchelder ( Bendigo Photographer's family ? ) ' Gents Rope Quoits/Bay View Cowes, Feb. 1933 'A.J. Murray, Ciommercial Photographer, Photo Shop, Cosesplace

black and white drawing (photo of same) Beehive Fire, crowd and firefighters in Pall Mall with flames appearing from ground floor and first floor of building. Adjacent shop 9 foreground N Knight, Paterson, Drapers, trees and fence bordering opposite side of road. On back page no. 7 'Beehive Fire 25.8.1871'. Initials ORC bottom left cornerplace, arcade, beehive

sepia photograph, cream board. Worker's cottage, picket fence, 2 chimneys, man with shovel. Woman holding child dressed in white pinafore. Verandah with unusual fretwork. Wooden decoration at posts. 2 windows, one each side of central door. 2 brick chimneys. Cottage in LH background. On back in writing 'Mr and Mrs Wearne' in grey lead pencil.Wharton and Rickards, Photographers, Golden Gullybuildings, residential, miner's cottage

black and white photo: St. Andrew's Presbyterian Church, Bendigo, In centre of photo, St. Andrew's Church, conceted forecourt, in centre of photo, wooden slat fence with top rail. On bottom of photo: 'St. Andrew's Presbyterian Church, Bendigo, Vic. The Rose Series P 3199.' On back of photo: 'Post Card, The Rose Series Deluxe. A real photograph, produced in Australia'Rose Seriesbuildings, church, st. andrew's presbyterian church, st. andrew's presbyterian church, bendigo, religion

Two negatives, similar shot of poppet head, fence, large building and water pool. One broader photo of area. Sheet of negatives of South New Moon Mine. (I am not sure where the above information came from - but the first photo in this group is the New Chum Railway miine - NOT the South New Moon - P Wilkin 19/09/2013.)place, mining site, south new moon mine

Sepia photo of a girl taken from an angle. She is standing in a garden with a paling fence and some plants behind her. She is wearing a dress with 3/4 length sleeves and holding a piece of ivy. She has short hair and is wearing a long necklace. Photo is mounted on beige cardboard with a brown border with darker brown edges then the beige with a darker edge.photograph, portrait, female, foster & wilson collection, female portrait

Light green card with gold border top & bottom. Top border has white with gold flowers. Gold tri-angular frame with green & blue scene of a stream, a fence & some trees. Around the frame are some yellow fllowers and leaves. Flower extends past the fold of the card on the lower left. Printed in gold on the right is: 'All Good Wishes to You'.Raphael Tuck & Sonsperson, greeting cards, malone collection, malone collection, greeting cards

This is a photograph of one of the many stone ruins of buildings which can be seen in the Sunbury district and surrounding areas. This series of 13 photographs show various views of one of the remaining uninhabited stone cottages which were built in the early days of the district's settlement.A coloured photograph of a stone cottage with a wooden shingle roof and its weatherboard and corrugated iron out building. A valley between two sections of the building suggests it has been built in stages. Three chimneys are visible and the cottage has three 12 paned sash windows with a doorway in the centre of the front. There is a cyclone wire fence and gate across the front and the garden is overgrown.stone structures, shingle roofs, george evans collection

The mounted photograph is one of a series used for display purposes. The water tower at Sunbury Station was built in 1861 by J. Bett. it is of state significance and is an indicator of the importance of the railway to Sunbury's expansion in the Nineteenth Century. Steam trains needed sufficient steam power to climb the steep gradients over the Great Dividing Range and the water tower at Sunbury was used to replenish the trains' water supply for the remainder of the journey.A black and white photograph of the water tower at Sunbury Railway Station. The base of the tower is a brick construction with an arched doorway and two bricked in arched windows at either side of the doorway and a further two bricked in arched windows on the side. Above the base is a large square iron water storage tank with two downpipes at the side. There is a picket fence either side of the building. Mounted on board.sunbury railway station, water towers, victorian railways, bett, j., george evans collection

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 25 Hampshire Rd., Forest Hill. This property is listed as having sold for $104,000 in 1996. Since the time of sale in 1996 the house on the property has been demolished and a new house built on the site. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 25 Hampshire Rd., Forest Hill. Depicting in the foreground a horizontal timber plank fence on the left, and a curving driveway on the right leading to a connected carport. In the background is a small house. There are two hole punch holes just right of centre on the upper edge. There is a 0.5x0.5 mark on the top half of the right edge25 Hampshire Rd., Forest Hill Margaret Picken - 95 Woodards B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising units 1-8 Harrison St., Mitcham The property has be listed as having sold for $270,000 in 1999. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of Units 1-8 Harrison St., Mitcham depicting a black and white line drawing of a two story rendered house with incorporated garage on the right. Set back from a pillared wrought iron fence and landscaped front yard. There are two holepunch holes centered just under the upper edgeUnits 1-8 Harrison St., Mitcham Margaret Picken - 99 Woodards whitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 444 Mitcham Rd., Mitcham. This property is listed as having sold for $78,000 in 1985 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 444 Mitcham Rd., Mitcham depicting a black and white line drawing of a single story brickhouse, viewed from the gated driveway, which leads to a separate garage at the end of the driveway. on the left is a front lawn enclosed by the brick fence. There are two holepunch holes centred just under the upper edge.444 Mitcham Rd., Mitcham Marg. Picken '87 Woodards - boxhillwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, mitcham

Championship played at Adelaide in June 1969, Title won by Victoria. Peter Walker Born: 12/06/1942 From: Beeac Height: 183cm Weight: 76kg Natural kicking foot: Right Guernsey number: 34 First senior match: Round 3, 1960 v Fitzroy at the Brunswick Street Oval After taking time to settle at senior level, he found his rightful place on the half-back line. Once he gained confidence, he became a champion, dashing player who could mark above taller opponents and swing Geelong into attack instantly with fine disposal. His duels with Darrel Baldock of St Kilda were outstanding during the 1960s. He always played the game fairly and followed coaches’ instructions to the letter. Total Brownlow Medal votes: 32 Premiership team selection: 1963 Captain: 2 matches (1969) Club Best & Fairest: 1965 Runner-up in club B&F count: 1963 Third in club B&F count: 1967 Fifth in club B&F count: 1968, 1969 Eighth in club B&F count: 1964 (equal) GFC Hall of Fame inductee (2002) GFC Life Membership (1968) Career span: 1960-69; 1971 Total matches: Premiership 159, Interstate 9 Total goals: Premiership 1, Interstate 0 Finals matches: 15 Finals goals: 0 Last senior match: Round 11, 1971 v Richmond at Kardinia Park Died: 08/07/2010 John ‘Sam’ Newman Born: 22/12/1945 From: Geelong Grammar Height: 189cm Weight: 94kg Natural kicking foot: Right Guernsey number: 17 First senior match: Round 3, 1964 v Fitzroy at the Brunswick St Oval The champion ruckman/forward-pocket/back-pocket became a valuable centre half-forward late in his career. He was a magnificent high mark and a great handball exponent. His ability to maneuver his body into correct position at ruck contests and in marking duels was equal to that of Graham Farmer. He worked hard to overcome severe kidney and ankle injuries to play 300 matches for Geelong in a magnificent 17-season span. Total Brownlow Medal votes: 85 Captain: 41 matches (1974-75) Club Best & Fairest: 1968, 1975 Runner-up in club B&F count: 1974 Third in club B&F count: 1965, 1970, 1976 Fourth in club B&F count: 1969 Fifth in club B&F count: 1973, 1979 Seventh in club B&F count: 1967, 1977 All Australian selection: 1969 GFC Team of the 20th Century selection (back pocket) GFC Hall of Fame inductee (2002) GFC Hall of Fame Legend GFC Life Membership (1971) Career span: 1964-80 Total matches: Premiership 300, Night/Pre-Season Series 4, Interstate 8 Total goals: Premiership 110, Night/Pre-Season Series 4, Interstate 1 Finals matches: 12 Finals goals: 4 Last senior match: Second Semi Final, 1980 v Richmond at Waverley Park Information provided by Mr Col Hutchinson GFC HistorianWhite painted wooden frame with glass front. White mounting card surrounds the photograph. Black and white photograph of John 'Sam' Newman, Ivan Morris, A.R. Jack Jennings and Peter Walker standing in front of a wire fence. Above on the mounting card states "GEELONG FOOTBALL CLUB" and the supporting text below provides context for the photograph. Wire on the back for hanging.peter walker, john newman, sam newman, ivan morris, a.r. jack jennings

A booklet put together for an exhibition of Emil Wittenberg's work. A short biography and picture of Emil is inside.A single piece of white paper with print on both sides and folded to form booklet. Front cover has a black and white sketch of man in corner of a barbed wire fence. "An exhibition of work from the Dunera Voyage and internment in Hay and Tatura." "A biographical note". on front in black ink. Back page has a piece of paper stuck on it advertising the exhibition times and dates.emil wittenberg, tatura museum exhibition

Postcard showing two men and two women standing on Falls Road and two girls sitting on the grassy bank. This section of Falls Road would be below the current Tourist Road. A long fence has been built on the LHS and a house with a verandah is clearly seen. Early 1900s. The postcard appears to have been sent to Jim Woolrich from Auntie Florrie.On front of postcard: THE ROSE SERIES #152 THE ROAD TO THE FALLS, MT. DANDENONG. VIC. On back of postcard: Mr J Woolrich 58 Mountfield St Brunswick Wishing you many happy returns of the day from Auntie Florrie. falls road, olinda falls, mt dandenong, rose series

North Kew, now divided between Kew and Kew East, bordered the Yarra River. As such, it was a region subject to flooding in the Yarra Valley. Development beyond this point (ie Kellett Grove) was limited by the City of Kew's planning regulations. Prior to urban development, the area since European settlement and the first land sales in the district in the 1840s, had been used for dairy farming. Small sepia snapshot taken from the river ramp of a house at 8 Kellett Grove, in what was then known as North Kew. The point of view is from a backyard looking towards Fairfield. Beyond the fence line are two almost submerged houses. A number of people are in a motor driven boat midstream. Fairfield at this period, (ie 1934) was noted for its limited river side development. Verso: 2/12/34 / TAKEN FROM OUR RAMPyarra river -- north kew, floods -- yarra valley, floods -- north kew, floods -- 1929, floods -- 1934, natural disasters -- kew

Henry Christian (c.1809-91) was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children: Henry Beater (1886-1962), Ada Susannah May (1888-1962), Orlando Julius (1891-1917) and Lilian Adelaide ( -1956). Ada married George Herrick Washfold, and had four children: Lilian Mavis, Orlando George Barnard, William Edwin and Henry Clifford (the husband of the donor).An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention. Photographic positive on mounting board. The image depicts a woman and three young children in a buggy drawn by a donkey. The road on which they pause is surrounded by fenced and cleared farmland, stretching away to the distant hills. It is presumed that the subject of the photo is Elizabeth Christian (nee Schoberg) and three of her four children. The photographer may have been her husband, Orlando Henry Beater Christian.christian family, washfold family, kew pioneers, christian-washfold collection

Built in 1888, which was 5 years before water reticulation came to Surrey Hills. It originally relied on rainwater and a well (still in existence in 2009) was located near the back door. From 1921 this was the home of Mr Natale and Mrs Ethel May Cerini and their family. It remained in the family until it was sold in May 2015. The Cerinis had 2 daughters - Jocelyn Francesca and Lynette Lorraine . The house passed to Jocelyn after her parents' deaths. Mr Cerini named the house after a property in NSW called 'Goonoogoonoo' where he had worked. It had been named 'Montiere' at a previous time. Natale was an accountant and very active in community affairs, especially after his retirement. The house was originally on a double block. [Additional information: Ken Hall - 2/12/2009] The first owner was A Embling, followed by Mrs L A Campbell. [Ref: Alan Holt property register] A Embling was most likely Austin Henry Chinnock Embling (1867, Ballarat East - 2 OCT 1900), eldest son of Dr Dr William and Elizabeth Embling (née Austin). His wife was Sybil Mary Mildred (MS: Edlin), born in Adelaide, whom Austin Embling married in 1898. Black and white photo of a Victorian style house with 3 brick chimneys, a slated roof and a verandah on 2 sides. It has iron lacework and the roof is striped corrugated iron. It sits behind a picket fence. The spire of Surrey College can be seen behind the trees at the rear of the house. In the street is an electric light pole and an immature tree within a picket protection guard.Paper type-written tags mounted at the bottom of the photo - LHS: " Built 1888"; RHS: "215 Union Road in 1920 / Surrey College can be / seen behind the trees."houses, victorian style, goonoogoonoo, surrey college, street trees, natale cerini, kenneth tudor hall, ken hall, jocelyn cerini, jocelyn hall, ethel may swan, ethel swan, ethel cerini, jocelyn francesca cerini, natale benjamin cerini, natale benjamin john andrea cerini, ethel may cerini, lynette lorraine cerini, lynette lorraine lazarus, austin embling, austin henry chinnock embling, sybil mary embling, sybil mary edlin, sybil mary mildred, montiere, goonoo goonoo, lynette cerini

Notes from a previous collection coordinator indicate that Miss Lucy Musselwhite (Lillywhite) opened the hospital in 1914 and Matron Eliza Tank took it over in 1921 and named it Nethercourt Private Hospital. However recent research suggests that Miss Musselwhite (name confirmed) moved from Tooronga to Wilson Street some time between 1903 and 1909. She and her mother Elizabeth are listed in the 1909 electoral rolls in Wilson Street and Lucy's occupation is given as nurse. (It is of course possible that the property was a residence only at this time and later opened as a private hospital.) The name Nethercourt was used prior to Matron Eliza Tank taking over. Her daughter Irene was also a nurse at Nethercourt. Lucy Musselwhite was born in 1873 in Hampshire. She married Henry James Dore in later life and lived in Brenbeal Street, Balwyn. She died in 1955. In 1930 / 1935 Matron Tank transferred the hospital to 219-223 Union Road. Later it was known as Norwich Hall / St Jude's. Mosgiel Hospital in Mont Albert Road also opened in 1924. After this time home births became less common. Nethercourt Hospital closed in the 1960s.Small hospitals such as this one were primarily used for midwifery, preceding the development of larger centralised general hospitals. Black and white photo of Nethercourt Private Hospital at 11 Wilson Street in c 1924 taken from the street in winter. The building is Victorian in style; block-fronted with lacework detail to the verandah and has 2 chimneys. It is set behind a wooden picket fence behind which is a well-manicured hedge which appears to have been grown across the front entrance gate.nethercourt private hospital, midwifery, hospitals, matron eliza tank, miss lucy musselwhite, miss irene tank, mrs irene anderson

This was the home of the Offszanka family from 1913; they came to Surrey Hills from Richmond. Carl Theodore Offszanka (1874-1944) was a furrier. Both he and his wife Ida, nee Schade, (1882-1963) were born in Germany. They married in Victoria in 1908. Their home was called 'Westfalia' (ref: 1919 electoral roll), presumably after the region in NW Germany. They had at least 4 children: Carl Bernard - b 1909 Marie Eliese - b 1910 Erna Helena - b 1913; d 1996 - listed at Guildford Road in electoral rolls. Bernard George - b 1914; d 1987 (Surrey Hills) - listed at Guildford Road in electoral rolls. The family were associated with Our Holy Redeemer and also donated class photos of the school to the collection. Carl and Ida are buried in Box Hill Cemetery (RC 032-0034). The semi-circular bay window is not original to the house. This home has had a 2nd storey added to it in late 1990s. According to a family descendant (REF: Email 1/8/20 from grandson) Carl Theodor Offszanka purchased the home in 1913 for £616. He also purchased the adjoining vacant block of land at 42 Guildford Road and ran a large orchard on it before later selling it. This appears to have been between 1920-1930. The family continued to occupy the house until after 1980 when Erna Helena and Bernard George are listed in the electoral rolls. Our property register lists Erna Helena Offszanka as the last member there. She died on 5 May 1996. Members of the Offszanka family lived in this property from its beginnings for more than 70 years. Such longstanding tenancy is unusual.Black and white photo of a timber Edwardian home at 44 Guildford Road Surrey Hills. The home has 2 bricks chimneys, a corrugated iron roof, timber fretwork to the verandah and a semi-circular bay window. The facade of the house is partially obscured by mature garden, possibly including large camellias, with rock-edged garden beds and a central path. The front fence is not visible.edwardian style, guildford road, offszanka family, carl theodor offszanka, ida schade (miss), carl bernard offszanka, bernard george offszanka, westfalia, ida offszanka (mrs), erna helena offszanka (miss), marie eliese offszanka (miss)

Thomas Crouch Watts was born on March 7th. 1865, to Joseph and Susan Watts. Before the real estate business commenced, Thomas and his brother were in partnership as booksellers and stationers in a shop at View Point. Thomas lived in a fine house in Rowan Street, which was called 'Ottawa' Thomas started his real estate business in the early 1900s in a shop in View Street. His daughter Edna was the book keeper and typist, Stewart Watson was the salesman and Stanley Phipps (Edith Lunn's father) was the property manager and valuer. When Thomas Watts died in 1914, his daughter took over the running of the business. She married Stewart Watson in 1918. Eventually the name of the business was changed to Bishop and Earl. From a letter from Edith Lunn re T.C. Watts & Son. 'The firm of T.C. Watts & Son later became Bishop and Earl. When the firm of Bishop and Earl ceased to operate after the death of Edith Lunn's father, S.P. Bishop, Miss. June Parry, Secretary of the BHS was a member of staff. June rescued all the photos of properties listed for sale from the office and placed them into the custody of the BHS.' Black and white photograph: weatherboard house, corrugated iron roof, bullnose verandah, picket fence, cast iron lace, one chimney visible , central door, window each side of front door, wrought iron gate. 'Mr Syme, Houston Street, Bendigo' written on back of image. 'Date 16 May 1930'. 2012 photo of the house attached to the record.Frank A. Jeffreebendigo, business, t.c. watts & son, t.c. watts collection, real estate

sepia photograph of adult female holding baby, small girl at her right. Group is standing at gateway to double fronted weatherboard cottage. Youngster wearing pinafore over dark dress. Picket fence and gate, brick chimney at left of cottage. Wall Bros. printed in script, photographers, Melbourne and Bendigo printed in lower case and capitals at bottom front of card.Wall Bros., Melbourne and Bendigoperson, family, casual

John Leonard Court (1899-1976) was an insurance agent. His parents were John Leonard Court, who was killed in 1916 after being thrown from a cart, and Mary Edith Pitt. John Jnr married Amy Somerville in 1924.Black and white photograph mounted on rectangular grey board. House, brick and rough cast, corrugated iron roof, porch, adult and child on porch, two chimneys, verandah on side of house, woven wire fence. Written on back of photoboard ' J. Court, Sternberg Street, £1300 sewered' House is at 87 Sternberg Street Bendigo, 2012 photo of house site attached.Frank A. Jeffree, Bendigoplace, building, residential, previous register no. ''mp14'' part of a collection of photographs used by estate agent t.c. watts and son