Black and white photo of two men outside a building with two piles of scale and a Scalebuoy Unit. One man standing beside the door is wearing a suit and the other man, sitting on a box, is wearing overalls and he is holding a six buoy unit. One pile of scale is pale and the other is black. Written in the photo is Shrensbury Dairy Co (N.J). Beside the black pile of scale is: Scale removed July 12-1933 and beside the pale heap is: Scale removed May 10-1933. At the bottom is: Electronic Buoys Installed Feb. 26-1933. Photo is pasted on an album page. On the back is another sepia photo of a very large scalebuoy unit which is resting on the ground. Behind it a large tank resting on two large concrete blocks.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, shrensbury dairy co (n.j)

Object. A 5 cm long ribbon, woven in a heavy weave, with a .75 cm red vertical stripe on each side, and a 1.5 cm vertical light blue stripe in the centre. Three .75 cm bands of brass metal - a shaped strip at top and bottom of the fabric, with a rectangular shaped clasp in the centre. These three clasps have decorative engraved patterns. The lower clasp- called a suspender, has a circular hook at the bottom, from which is suspended a circular brass fitting, holding a metal link, which is attached to a four sided shape, with letters in a circular shape - HTWSSTKS, Lodge symbols are on each side of this perspex shaped hanging. A 6 cm long pin attached to a loop on the top bar would fasten the badge to a suit jacket lapel, or other regalia.organisation, masonic lodge, brass and ribbon lapel badge

Now 100 years old, this quilt belonged to the donor’s grandfather John William Huffstutter. John was Born in 1898 in a log cabin in the Ozark mountains of Missouri, USA. Tragically, John’s mother died when he was four years old. John said that he could always remember her voice calling his name as he hid under the porch in one of the many thunderstorms that frequent the area with his dog. John was raised by his grandmother and was treated as the youngest to her other children, growing up with his aunties and uncles rather than brothers and sisters. John began to study engineering at the State University of Iowa before serving in the US Army Engineer Corps in The Great War. He enlisted when he became eligible and served briefly before the Great War ended. He then returned to his engineering studies in Iowa, and shortly after finishing his studies got his first job with Westinghouse in Pittsburgh at age 23. It was when John was leaving for this job that he was given the quilts as a reminder of home from his grandmother Sarah Jane "Sallie" Tindall Coble, and her daughter (John's Aunt) Ottie Maude Coble Bittick. Widowed at age 78, John took to sleeping in his screen porch under one of these quilts. John remembered one winter in Missouri waking in his log cabin to find snow covering him and his quilt. When he died at age 94, the quilt he used was completely worn out and discarded. This remaining quilt was shipped to Australia, where Carol’s (the donor) immediate family had emigrated in 1970. Opening the box that contained the quilt released a wave of comforting smells, emotions, and a flood of childhood memories. Carol distinctly remembers sleeping under these quilts for afternoon naps at her grandparents' house. The quilt is 74 x 80 inches (1880 x 2030mm), matching the size of a modern-day king bed. It is made of various four-inch (100mm) squares. These squares are made of old men woollen suits in dark colours of browns and greys. The quilt is layered with a wool backing fabric and a batting lawyer of unknown material, possibly cotton or wool. The quilt is tied together with red wool yarn and the backing fabric is folded over the edge to be used as a binding. Embroidered across the front of the quilt in purple wool yarn is "John Huffstutter", "13 Oct 1921". A small, printed cloth label "HUFFSTUTTER" is pinned on the reverse of the quilt. The quilt is well-worn but in good condition considering its age. The care instructions passed down by word of mouth with the quilt were to "never wash, only air".Front embroidered. Purple handstitching: "John Huffstutter / 13 Oct 1921" Reverse. Printed cloth label: "HUFFSTUTTER"ozark, missouri, usa, textile history, quilt heritage

Series of Black & White Photos Total of 4 of Hill Family & Friends Life Post War Australia. The Government Launch off to Pt. Nepean, Victoria Australia. Zita Rita & Doreen sitting on the beach all dressed in white,one white hat and one darker colour hat, Doreen in white dress standing in garden setting, gable roof line above the fence in background, at 'The Ranche' November 1922. Two boys one standing on the rear of the horse and the other in the saddle, both are wearing grey suits, one standing has light coloured hat, girl is holding the nose of the horse, and she is wearing a white dress with a circular pattern and large dark hat, double gable roofing background trellis fence, Durvol.Hilda Hill Personal Collectionaustralia, history, post war life

Black and white photo of seven men dressed in suits. Six of them wearing hats. Three are seated on chairs and four are standing behind them. Seated on the right is Peter Simpson, box player and beside him is Johnny, nephew of Boyce 'Jimmy' Marshall, with a fiddle. One of the other men is Jim 'Kaiser' Simpson. Information written on the back is: 'Rear left Boyce 'Jimmy' Marshall (His home, later his nephew's Johnny Fiddler - Peter Simpson, Box player his brother Jim 'Kaiser' Simpson. The house has a corrugated iron roof, possibly hessian walls, a veranda with netting strung over a pole frame, part of it hessian and part creeper. At the left is a triangular hessian covered frame and on the ground underneath are stools with a gold panning dish on the stool.photo, group, male, peter ellis collection, boyce 'jimmy' marshall, johnny fiddler, peter simpson, jim 'kaiser' simpson

Mr. John Rossiter is the Minister of Health of Victoria. The RDNS Sisters are wearing their uniforms of grey dresses, red cardigans and grey peaked hats. The RDNS badge on their hats are made of metal with a royal blue circle containing the letters "Royal District Nursing Service". The inner section is divided in three parts; the upper and lower sections are silver and the centre section has the capital letters RDNS written in royal blue across it.Black and white photograph showing seven Royal District Nursing (RDNS) Sisters, four only partially seen, walking along a footpath with Mr. John Rossiter. Mr. Rossiter, who is in the centre of the photograph and group, has balding dark hair and is wearing a white shirt, striped tie, and a dark striped suit with a white flower in the button hole on his left lapel; a corner of a white handkerchief is seen in the left pocket of his jacket. The full view of three RDNS Sisters can be seen wearing their uniforms of a grey frock and dark cardigan and grey peaked hats with a round badge in the centre. In the background are some cars on the road, lamp posts and some trees. A white fence and a brick house with a tiled pitched roof is seen in the right hand side background.Photographers stamp. Quote No. KG 48royal district nursing service, rdns, rdns uniform, mr john rossiter

Black and white photographs, of 15 men around a SW6 fitted with dash canopy lighting. In an e-mail from Mal Rowe dated 2/9/2019, he advises "If it is Essendon (and that looks right) especially noting that 454 (in the background) was allocated to Essendon at that time, so Essendon is pretty certain. The tram is most likely 927 - the only dash canopy SW6 with a number including 2 allocated to Essendon in the period. Geoff Warburton's tables say the three holes were cut in 927's dash in Nov 1951 and the it was converted to headlights in December 1951! As you say, looks like MMTB staff - in the pit in their suits! It's a long shot, but is the guy with his hand on the bumper on the opposite side to the number possibly Frank Kirby?""On rear in ink "About 1953 @ Essendon Depot"trams, tramways, dash canopy lights, essendon depot, engineers, tram 927, sw6 class, mmtb, staff

Hilda Hill Collection. Black and White Photos Total of 7 in subset, 3 containing images of Victorian Coastline in particular Pt Lonsdale and Queenscliff in 1921. Another has a family group on a property owned in Kyneton Victoria known as 'Durvol' in October 1920. Ken wearing a grey suit and sitting on a large stone in the garden stargazing, to his left is a short section of a picket fence and ornate corner post, large trees in the background. Four ladies standing on the rock as the seaside, Doreen, Nora, Lila, and Rita, all dressed in white, the second and third are carrying darker coloured coats on their arms, Queenscliff 1921.Leonie dressed in white and holding a black hat with both hands, background shows trellis and weather boards, left foreground may be heap of cut wood. Frank is sitting on steps dressed in white shirt, dark waistcoat, and dark trousers, background is brick wall and handrail attached to the steps. Four ladies in four wheel tourist coach owned by J. L. Priddle, the two at the front are both wearing white, lady to the left also is wearing a dark coat and scarf, the ladies at the rear are both wearing dark tops and the lady on the outer is wearing a white dress. The background appears to be covered on shrubbery. Four ladies sitting on the rocks at Queenscliff February 1921, Three of the ladies are dressed in white, one in a darker colour, all are wearing hats of similar design either black or white. Pone man dressed in a black suit with a white shirt and black tie, the three ladies are all wearing white blouses and darker dresses, the child at the front is dressed entirely in white, Merry??? Durvol October 1920.Hilda Hill Persdonal Collectionaustralia, history, port londsdale & queenscliff, hilda hill ? realted to frank a hill, stock and station agent and hill family real estate. family owned property out at eppalock. could this be where 'the ranch' property was located?

Hilda Hill collection. Combination of Sepia & Black & White Photos Total of 9. Photos. Five boys all dressed in white and wearing white boaters playing instruments in a band, left foreground Tuba, two in centre playing trombones, man in background playing smaller tuba like instrument, Clem Easter Fair procession1920. Four young ladies and four young men sharing a picnic at the lake, (Weeroona?), ladies wearing white or light coloured outfits and the men and boys all dressed in darker clothing, background left building on far side of the lake, at the lake 'Hungry' January 1920. Ken at Lockwood April 25th 1920, wearing white shirt dark waistcoat and trousers, left arm on top of gate post, two stays for the gate post and dry tree limb on ground, background open paddock with trees further in the background. Babe & Hilda at the Easter Fair 1920, Both wearing broad brimmed hats, one light the other dark, dark coat and skirt combinations with white accessories. 'the Three Graces' Queen street, April 25th 1920, 1 wearing dark suit and hat with white shirt and dark tie, centre wearing grey suit hat white shirt and dark tie also holding a ball his left hand round the shoulder of the man to his left, man on right wearing dark coat grey trousers white shirt and dark tie his left hand is holding round stick. Group of seated ladies, lady to left wearing light broad brimmed hat and white blouse holding bunch of leaves, next lady also wearing light broad brimmed hat dark dress white blouse with large collars folded over the coat lapel, and glasses, next at rear of group lady in hat white dress and dark coat left hand on shoulder of person left front of herself, This lady wearing dark wide broad brimmed hat dark coat and skirt with white blouse and also holding a bunch of leaves, last lady on right wearing a floppy brimmed hat with white blouse and dark coloured outfit with light coloured lapels, One Tree Hill April 18th 1920. Family group Lockwood April 25th 1920,some of the males are wearing hats others not, most are in dark coloured suits with or without coats, all of the ladies are wearing hats of varying kinds, all appear to have white blouses on with dark skirts or dresses, photo in open paddock with trees in the background. Girlie & Frank Queen street April 25th 1920, Girlie in foreground seated on rug of which more next to her is where Frank may sit, to her wearing glasses dark dress with white blouse and white hat, Frank wearing grey suit and hat is holding an object over the head of Girlie,background left a suitcase on the ground, centre background is a slim tree, right background house with gabled roof and bull nose verandah, high picket fence, trees on footpath. Left side buildings fronting the footpath. Babe seated on the hand rail at the bottom of wooden stair case, wearing broad brimmed hat dark dress and white blouse, shadow in foreground of the photographer and assistant, left is wire fence with wooden posts and top rail, April 1920.australia, history, post war life

Taken in 1973, this photograph features 13 men in suits, most of whom are council members of the United Shire of Beechworth, as well as a secretary and engineer. The photo is taken in a formal setting, suggesting there may have been an occasion at this time (potentially surrounding or related to the August council meeting). Previously a district (1856), then a borough (1863) and separate shire (1866) at this time the Local Government Area (LGA) had been known by this name for approximately two years, after having amalgamated with the still-existing borough. Beechworth amalgamated with Rutherglen and Chiltern Yackandandah to become the Indigo Shire Council in 1994. Little has been found about the men in the photograph, however this was at also around the time that women were becoming more widely accepted into positions on Victorian council (such as Valerie Mason, who was elected the first President of the United Shire of Beechworth council 6 years after this photograph.) The photograph has been taken in front of the Beechworth Shire Hall. The Hall was designed by architects J.J. Coe and Thomas Dalziel and is dated to 1859. Originally the building was used as the Shire Offices but also doubled as a fire station and a courthouse, with still surviving cells underneath. The Town Hall is now home to the Visitor Information Centre, is the starting point for historical Precinct walking tours and is available for hire for events or community meetings.The Beechworth Town Hall is one of five distinctive granite buildings on Ford Street that comprise the Justice Precinct, and is listed on the Victorian Heritage register. This photograph captures the ongoing importance and use of the Beechworth Town Hall and its ties to Council operations in the 1970s.Black and white rectangular photograph print matt photographic paperReverse - written in pencil upper right corner: 1997.2602; stamped in black ink across centre margin: Beechworth shire council Aug.1973/ Crs.H.H.Warner, H.C.Lucas, L.W. Powell, L. Leentjes, R.C. Sewell, T.J. Carroll/ G.Gray (Secry), Crs.R.P. O'Connor, D. Nankervis, D. McKenzie-McHaig, J.J. Macaulay, H.R. Sinclair/ D.Pope (Engineer), Absent Cr.J.V.Diffey; written in pencil in cursive lower left margin: Absent J Diffey; written in pencil bottom right edge: BMMA02602beechworth shire council, crs.h.h.warner, h.c.lucas, l.w. powell, l. leentjes, r.c. sewell, t.j. carroll, g.gray (secry), crs.r.p. o'connor, d. nankervis, d. mckenzie-mchaig, j.j. macaulay, h.r. sinclair, d.pope (engineer), cr.j.v.diffey, beechworth town hall

Ernest Samuel Shillinglaw married Anna Lucy Barlow in 1924. They resided in Eltham in 1924. By 1925 they were farming in Dalmore, Victoria. Their first child, a son, Leslie Ernest was born in Dalmore, Vic. in 1925. By 1927 they were living at 33 Miles Street, Ivanhoe where their second child, a daughter, Melva Lucy was born in 1927. By 1936 the family was living at Myer's Creek, Healeville close to Mary Ann Shillinglaw who was resident at The Ferns, Healeville. In 1937 they moved to Badger Creek, Healesville where they remained at least till 1954. POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, postcard, 1937, healesville, leslie ernest shillinglaw, melva lucy richards (nee shillinglaw), melva lucy shillinglaw

This publication was produced in the early 1950s to provide the growing tourism trade (at this time), to the region with a more detailed overview of the facilities available to tourists of the region's attractions. This brochure is a very efficient and effective promotional publication. The increasing level of self promotion by local business and commerce sectors of the region the more sought after the region became and the greater the ability of the region to grow (non rural based economy). Some of the regions unique facilities and geological structures are well suited to those tourists who live in cities and "flat land" regional bush areas within Australia. This was a period when the average Australian domestic tourist was more able (finance and transport wise) to see more of their country within the short time they had for "holidays". In the late 1900s, however, with the increase to workers' recreational leave and better transportation (fares, ease of travel to overseas destinations) the local tourism numbers from other domestic locations have been steadily declining. From the 1970s onwards, the increased tourism demand from overseas tourists, for better facilities and easier access to these regional facilities, resulted in better transport, accommodation and communication, which has been a boon for all tourism within Australia. In the 21st century the world is becoming smaller and smaller for the international tourist, especially for those from crowded Asian cities. The greater attraction for "open" spaced locations such as this region are becoming a much sought after change of scenery. This pamphlet which targets the tourist, whether either from other Australian regions or the global tourist, is a good example of self promotion by a relatively small local population. This is especially significant because before the "tourist explosion" in the 1950s onward, these regional areas had a more introspective society with greater emphasis to locally established mores and values. The increased interactions with people from other areas and nations, combined with a greater global communication network is affecting those traditionally established mores to produce a some what unique social transformation which is constantly changing from one generation to the next. One important factor which tourism does bring is that it opens up the region to a wider range of people who look to the region for their own lifestyle changes.This pamphlet has a front cover in colour with the major activities in the region sketched depicting : sunshine, snow skiing, trout fishing, mountain climbing, golfing, swimming, alpine views, tennis, lawn bowls and picnics. The back cover is blank. The pamphlet is fastened together by two staples 30mm from top and bottom, and is folded with the cover slightly thicker than the fifteen pages. Thirteen pages have been printed on both sides. The first page has a black and white photograph of the hotel Alpine and the tall brick constructed Clock Tower. There are another five black and white photographs in the pamphlet.on front cover "Guide to BRIGHT"local tourism, regional information booklet, "time" related brochures, alpine local history

This small barrel looks well used. Unfortunately, the inscription on the barrel is indecipherable so its story is a mystery. However, the bungholes on the side are a clue that it was once used for storing liquid, likely to have been liquor. Barrels have been used over many centuries for transporting and storing a wide range of dry and liquid goods. They are made by tradesmen called coopers, who use heat and steam to bend and shape the wood to suit the work in hand. They add metal reinforcing, handles, spouts and suchlike, to complete they process. Their produce also includes buckets, casks and tubs. Ships transported bulk liquor in their cargo, stored in wooden barrels. The barrels' round shape allowed them to be easily moved by rolling them into place. The body's shape gave the barrels added strength and the iron bands helped the wooden sheaves stay in place. The tops and bottoms allowed for easy grip. The bungholes gave access to government representatives, who would sample the contents, measure the alcohol percentage, and charge the appropriate duty or tax; the process was called Ullaging and the instrument they used was a Hydrometer. Hundreds of barrels of cement were imported into Warrnambool in the late 19th century for the construction of the Warrnambool Breakwater. Barrel-shaped concrete blocks are still visible at shipwreck sites such as on the LOCH ARD wreck, which carried cement among its cargo.This small barrel is representative of 19th century containers used for transportation and storage of liquid such as liquor. It is a historic shape that is still used in modern times.Barrel; wooden barrel, cylindrical shape with metal bands or ribs for reinforcement. The side has two bungholes; one has a bung or stopper. Inscription on top (indecipherable). (indecipherable)flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, barrel, cask, small barrel, trade, coopering, cooper, casket, transport, storage, bunghole

This Edison Ediphone voice recording electronic business machine is manufactured to suit a small office and is light enough to carry between work and home for use outside normal business hours. It is a dictation machine, also called by the competitor’s brand name ‘Dictaphone’, and is used for recording spoken words that would later be transcribed and typewritten. A wax cylinder would be installed onto the machine’s drum and the Reproducer on the machine would be lowered onto the cylinder. The user would speak a message into a microphone and the reproducer would then convert the sounds to scribed marks on the cylinder. Later, the cylinder could be played and the Reproducer would enable the sound to be amplified through an attached speaker. This machine is currently without its power cord, microphone and speaker horn. Thomas A. Edison extended the technology of the telegraph to his phonograph machine, invented in the late 19th century. It could record and play back sounds of music and voice on a manually operated mechanical machine that used wax cylinders to store the sound. He envisaged the way this technology could be an asset in the office, and he was right! However, most of his phonograph machines were used for entertainment, some for playing lessons, and some for-teaching languages. In 1916 Edison introduced the Ediphone, which grew in popularity after the First World War and into the late 1920s until flat round records replaced the wax cylinders. This Edison Ediphone is significant for improving the way business administration was carried out in the early 20th century, freeing up precious time for professionals and administrative personnel. It was the forerunner of audio tapes and digital technology. The Ediphone enabled letters to be dictated when the time and place suited and reduced the time professionals needed to spend with their secretaries. Secretaries were able to type the letters as they played the recording and they could replay the message if necessary.Voice recorder; a dictation machine; desktop model Edison Ediphone. The electronic machine is in a medal case with remnants of the original grey colour. It has a rectangular base with an A4-sized footprint and a domed hood that retracts halfway into the back of the base. The corners of the base have metal reinforcing, and a short metal bar is on the front centre edge of the lid and the base. A long metal drum is mounted inside the machine. A round device called a ‘reproducer’ is mounted above the drum. There is a folding handle on the left front of the machine and an angled stand with paper guides in front of the drum. A rear cover has the maker’s name stamped on it. An electrical socket with eight pins is recessed beside the cover. Made by Edison.In white letters; “EDISON”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, edison, ediphone, dictating machine, office equipment, voice recorder, usa, dictation, communication, office machine, dictaphone, speaking phonograph, thomas edison, ediphone voicewriter, voice writer

Designed and built in the early 1920’s by Charles Robert Prosser , a Melbourne Engineer, for an enquiry by the Commonwealth Government into ways of solving the break of gauge problem. Breaks or changes in railway gauges existed at most state borders of Australia during the first half of the 20th century. Upon completion of this model, it was placed on display in the Federal Parliament then located in Parliament House, Melbourne. Patents on the Break of Gauge Bogie Application number Title Applicant(s) Inventor(s) Filing date 1921000390 Improved means of adjusting the wheels of rolling stock to suit railway tracks of different gauges Charles Robert Prosser Charles Robert Prosser 1921-02-01 1917004843 Improvements in and connected with railway or other ticket supply tubes Charles Robert Prosser Charles Robert Prosser 1917-08-09 1915016191 IMPROVEMENTS IN AND CONNECTED WITH THE ADAPTATION OF RAILWAY ROLLING STOCK TO DIFFERENT GAUGES Charles Robert Prosser Charles Robert Prosser 1915-05-01 1915015980 Improvements in and connected with the adaptation of railway rolling stock to different gauges Charles Robert Prosser Charles Robert Prosser 1915-04-09 1914012931 Improvements in and connected with the adaptation of railway rolling stock to different gauges Charles Robert Prosser Charles Robert Prosser 1914-04-20 The Sydney Morning Herald Fri 2 Sep 1921 Page 6 BREAK OF GAUGE DEVICE. http://nla.gov.au/nla.news-article28088233 Historic - Railway Invention Break of Gauge Bogie Break of Gauge Bogie made of iron and wrought iron & brassboggie, break of gauge, puffing billy

The wool for this jacket began on the back of two sheep many kilometres apart. The first fleece for the warp was shorn from a single Merino at Currotha in Moree, NSW. The wool was 21-22 micron and the bloodline is a cross between Bundemar, Rossmore and Eural. The second sheep that provided wool for the weft was shorn in Beaufort, Victoria. It was a single Corriedale fleece shorn at Niawanda. The distance between these two towns is approximately 1250kms; a 15-hour car ride between paddocks. The two fleeces were spun and weaved together by the donor’s mother, Marjorie Allnutt. A level of talent is required to spin Merino fleeces. It is easier to spin cross bred wool, such as Corriedale, because it is less dense and much easier to comb, card and then tease out for a spinning wheel. The donor Philip Allnutt had a suit tailored out of the completed fabric at Ravensdale J & Son, 37 Swanson Street, Melbourne. The tailor was then a member of the Master Tailors Federation of Victoria. The business closed around 1986. Adding to the jacket’s story is its relationship to the household board game “Squatter”. Marjorie Allnutt was the sister-in-law of Robert Crofton Lloyd, the inventor of the wool themed boardgame. With more than 500,000 games sold in Australia as of 2007, it is the most successful board game ever produced in the country. The original “Squatter” board game is located within the National Wool Museum’s Collection. Philip Allnutt donated the Jacket to the National Wool Museum Collection in 2021. Cream singled breasted jacket with a narrow overlap and one column of buttons for fastening. The jacket features notched lapels of a medium width and two buttons of a cream & brown marble. The jacket has three visible pockets. A jetted pocket with no flap is on the right breast. A further two jetted no flap pockets finish an inch above the hem, on either side of the opening. Internally, the jacket features a further two pockets and a white silk lining for comfort. At the cuffs, the jacket utilises another 2 buttons of the same cream & brown marble.merino, currotha, moree, nsw, niawanda, corriedale, beaufort, victoria, hand spun, hand weaved

The first British gold sovereign was minted as long ago as 1489 under the reign of Henry VII. Subsequent monarchs issued their own gold coins until the reign of James I, crowned King of England and Scotland in 1603 when the practice died out. The modern use of the sovereign and half sovereign coins as common currency in Britain began in 1817. In Australia, the Sydney Mint was established as a branch of the Royal Mint in London in 1855. Its primary role, together with the mints of Melbourne (1872-1931) and Perth (1899-1931) was to strike Sovereigns and Half Sovereigns from the gold that had been discovered in the goldfields of Victoria and New South Wales in 1851. During the First World War, the Sovereign - like most gold and silver coins - was gradually withdrawn from general circulation, although special limited issue coins have frequently been minted for special events, such as the Platinum Jubilee and recent death of Queen Elizabeth 11. Sovereign cases were small portable boxes usually in cylindrical shape and made from various metals with snapshut covers to contain the coin. The spring in the base allowed several coins to be stored in a small container. These fob holders were particularly common in the late 19th to early 20th century and were frequently used by men who could then safely carry coins in their suit pockets. This case was used by a member of the Raper family of Wodonga, Victoria. This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A small silver case with a fob attachment designed to hold sovereign and half sovereign coins. Inside the case are 2 circular spring loaded receptacles to hold the coins. The lid is lined with velvet. A clip and fob is attached to the front of the case.currency, predecimal coins

Black and white photograph attached to paper. Sandhurst Football Club. Sandhurst 'Runners Up' 1922 football team. Players in white shorts and dark jumpers. Coaches etc. in white tops. Club officials in suits, collars and ties. Inscriptions: Football inscribed - Sandhurst Runners Up 1922. Selection of names from top to bottom: '2nd row from RHS Leonard Ward. 3rd row, 4th from RHS Mr Cocking, owner of a big drapery store in the Mall. 3rd row, 1st on the row, Roy Bockhold, his son is a solicitor in Geelong. 2nd row, Leonard Ward's father was Charlie Ward who had a hairdressing shop in Bull Street. Pixie Odges is in 1st row, 3rd from RHS. Probably a nickname but this is the name remembered by mother in law of writer'. 'Leonard Ward' in indelible lead.person, group, sports team

sepia photograph of the Strathfieldsaye Shire Band, showing thireen players and one leader. Many have ribboned hat bands, watch chains, Alberts, visible on left and right outer and centre members. All are suited and wearing hats. . Two wagons visible behind picket fence in background. Five members in front row are seated. On back in pencil ' from Mrs. Lowndes, McIvor Road. Back row Morgan Mulcare 1886, Harry Weiness, Joe Lewis, Jack Gladen 1870, Maurice Lewis 1884, Jim Griffin 1873/77/78 Jack Weiness, Ben Griffen, Frank McLean, Sitting : William Somerville 1858/79/82/85 Unknown, Thomas Somerville 1882/83 , Harry Manser 1885, Michael Sullivan 1867/68 MORE INFORMATION ON SHEETS BEHIND PHOTOR. Dermer Smith, Bull Street.organization, club/society, strathfieldsaye shire band

Black and white photograph, on fawn mount. Group of men in costumes representing various nationalities. At rear of photo, group of men in suits. First Commercial Traveller's Prize Packet Effort Easter 1919. Inscriptions: WH Robinson, Bendigo. Attached to back with white paper 'First Commercial Traveller's Prize Packet Easter Effort 1919. Photographed by WH Robinson outside the Shamrock Hotel. Included in the photo are: Gilbert Rule, James Steward, Charles Bulley, WJ Chapman, Alex Hamilton, H V Pulfer, Fred Wilkinson, Norm Wilkie, W Hillier, A L McMillan, Les Oliver, Arthur Powell, WH Thomas, Bob Munro, Tom Pritchard, W Grimsley, Tom Horn, Lou Gormann, Fred Wittschiche, H Quinell, Tudor Wittschiche', 'Royal Historical Society of Victoria, Bendigo Branch 1959, 139 circular stamp on rear.WH Robinson Bendigocottage, miners

W G Dahl series of nine photographs. Group photograph of mixed aged females dressed in white with suited males in foreground sitting on tarpaulin and against brick wall. Men and possibly ladies wearing labels. Possible label connection with Bendigo Miner's Association. W H Robinson, Bendigo photographer. Stamped W H Dahl, 79 Lansdowne Street, Blairgowrie, 3942, Phone 8861 on reverse not contemporary with photograph exposure. Biro ticked subject described in margin 'Second Top Row' Mum's Mother, possibly depicts W H Dahl grandmother. Front row males holding Gun Powder flask, .22 calibre single shot rifles, with muzzle loading pistol between feet of male second from left. Enlistment papers for William George Dahl. Dahl's had a hotel at Diamond Hill, Dahl's Hotel.bendigo, history, dahl family

sepia image ( copy ) image shows 13 members of cricket team, dressed in whites, except for President, mid back row, who is dressed in a three piece suit and fob watch. On top of image ' Golden Key Social Cricket Club 1934 - 5 ' On bottom : R. Bolitho, A.L. Ellis, O.V. Bowles, (President ) J.H. Dean ( Vice-Capt ) J.S. Griffiths, D.W. Collier, J. Cook, N. Jones, W.G. Griffiths ( Capt ) H. Vine, R. Cornall, T. Jenkins, V. Vlaeminck. Sign held in front row : Golden Key Social Cricket Club 1935. On back of image ' this was Golden Key Cricket Club, home base Colliers Shoes. Played social cricket Saturday afternoons, Woodstock, Castlemaine, Strathfieldsaye.' x ref 2329 picture showing Golden Key Boot Co., printed on verandah blind.colliers, golden key cricket club, sport

Photo mounted on backing card with clear protective film over image and card. Black and white image is of a man and woman photographed from the chest up, standing together. They are dressed formally, the man in a pale coloured suit with waistcoat and the woman in a pale coloured shirt with button detail. Both are wearing ties and she is wearing a dark coloured brimmed hat. The number P386E is printed in white in the lower left hand corner of the image. There is a white border varying between .2mm to .5mm around the photograph. The words Zena Dare & Brother are printed in sepia along the lower left hand edge of the backing card. The words Christmas Greetings have been written in silver on the right hand lower edge of the backing card. On reverse card is addressed to Miss Gladys Esmond McKenzie St Golden Square with a one penny stamp affixed post marked Melbourne.Rotary Photographic Plate Sunk Gem Series Rotary Photo EC. P 386Epostcard

This traditional wagga blanket was made by Mrs Eileen Pattle between 1942 and 1950. The wagga was used as everyday bedding, as Eileen and her husband had very few possessions. They boarded with a man who they called “Old Harry” in Footscray. Old Harry had recently lost his wife and looked after the young couple well. They could stay with him and use his house as their own, and all that Old Harry asked for in return was for Eileen to cook him one good meal a day. The blanket was given to Mrs Beverley (Bev) Maguire, the daughter of Eileen, when she and her husband went camping one winter. Her husband was a “mad” fisherman and on one trip on which Bev joined him, her father offered the couple his old tent, that had a wall missing, and the wagga. The wagga was much appreciated as when the couple woke in the countryside, it was freezing, and they could see snow through the missing tent wall. From then on, the tent and the wagga were theirs. The wagga saw many more camping trips until the arrival of Bev’s “lovely new lightweight and down filled sleeping bag”. The wagga was made with a “make do, waste not, want not” attitude. The wagga started as an army issued blanket. The front layer has clothing and panels of mismatched material which has been added to over time. This includes an overcoat, two knitted garments, a panel from a skirt, and a panel from Old Harry’s Trousers. It also includes a man’s sleeveless knitted vest, and a knitted pram blanket. This is all stitched together with string, and the odd button. Bev said she would love to unpick the quilt to see what else is hiding inside but has resisted the urge to do so. All these layers have made the blanket incredibly warm, and heavy. The wagga has been within Bev’s family since creation and comes into the National Wool Museum Collection after serving the family well. It was used to keep everyone warm when not camping over many a winter’s night. Beverley is now getting on in years and donated the Wagga to the National Wool Museum in 2021. Her family referred to the wagga as a “collection of rags”, indicating to her that they did not wish to inherit the blanket. The wagga started as an army issue blanket. It has been made by stitching the khaki army blanket onto a hessian rear. The front layer has clothing and panels of mismatched material. This includes an overcoat, two knitted garments, a panel from a skirt, and a panel from Old Harry’s Trousers. It also includes a man’s sleeveless knitted vest, and a knitted pram blanket. This is all stitched together with string, and the odd button. It is thought that other materials are hiding within the layers of this wagga, however, uncovering these layers would involve unpicking the quilt. The wagga is 1360 x 1880mm, sized to suit a double bed. It is a heavy blanket, originating from all its panels of mismatched reused clothing. The wagga is well worn but has lasted almost 80 years. It has holes that have been lovingly re-stitched.wagga, quilt, upcycle

Members of Currie Family stand in front of Puffing Billy. A middle aged man stands on left. He is wearing a light-coloured three-piece suit and no hat. Next is a woman in a dark coat and wide-brimmed hat. Beside her is a taller woman in a coat with three large buttons at the waist and it is closed all the way to her neck. She is wearing a mid-dark hat. On the right of the group is an older woman in a coat over a light-coloured dress. Her hat has a decoration at the front. She is wearing glasses and T-bar shoes. In front of her adults are two boys, both in shorts. The taller boy is wearing a double-breasted jacket and has a shoulderbag strap across his. The shorter boy is wearing a jumper. People are leaning out of the train and also dangling their legs out.

Black and white photo showing three adults and two children with a horse and cart. Mr Archibald William Muirhead, of 7 Colby Drive, Belgrave Heights (then called Glen Rd) stands to the left of the cart with his left hand resting on the wheel and his right hand on his hip. His left leg is crossed in front of his right leg. He is wearing a light-coloured suit. Sitting in the cart are two women and a boy and a girl. The girl is Pam Harris. They are on a dirt road with trees on either side. Behind them is a cleared area with more trees in the background. The photo was taken on Glen Road close to Monbulk Creek. On the back of the photo is printed '1627'. It probably dates to the 1940s and is part of a collection of family photos donated by Pam Harris, Shire of Sherbrooke President, 1982-1983 & 1987-1988.

Under the direction of Mr Joseph Post 50 members of the Melbourne Symphony Orchestra (MSO) performed to at crowded house at the Capital Theatre in Bendigo July 1st, 1948. The programme included the Max Bruch's Violin Concerto in G Minor, op. 26; Dvorak 'New World'' Symphony; Weber's ''Oberon'' overture, Debussy's 'L'Apres midi d'un Faune''; chorale, 'Jesu, Joy of Man's Desiring'' (Bach-Roberts,) gavotte from Suit No. 6 (Bach-Wood), Brahms'Fifth and Sixth Hungarian Dances, Percy Grainger 'Country Gardens; (Arr, Earle) 'The Mermaid'' and (Martin Shaw) 'The Song of the Music Makers'' Soloists for the event included: Miss Bertha Jorgenson a Castlemaie Local and well known talent on violin; Miss Kathleen Moore violin; Miss A Walk flute. The concert was sponsored by Bendigo Musical Advancement Society in conjunction with the Austrlisn Broadcasting Commission.bendigo, tourism, theatre performances music

A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The Official Uniform was used for both travel and official functions. This included a tailored blazer and trouser/skirt set (all water repellent) by Fletcher Jones in pure olive green faille fabric by Foster Valley, a cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, a printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy.8122.1 - A laminated A3 sketchbook page depicting a design for the Men's 1992 Barcelona Olympics Australian Official's Uniform. The main drawing shows the design for blue suit pants and blazer with six gold buttons, a yellow shirt and a red, green, yellow and cream striped tie. To the left of the main image are four smaller detail drawings of the belt buckle, gold bottons, blazer and shoes. 8122.2 - A laminated A3 sketchbook page depicting a design for the Women's 1992 Barcelona Olympics Australian Official's Uniform. The main drawing shows the design for a blue elbow length, square necked blazer with gold buttons on both the front of the jacket and sleeves paired with a blue pencil skirt and a red, green, yellow and cream shirt. To the right of the main drawing are four smaller detail drawings showing the pattern for a scarf, the striped shirt, the blazer and the shoes. 1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform