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Churchill Island Heritage Farm
Photograph - Set of card mounted photographs, c.2005
Ian Crosbie was a signwriter and keen photographer. He was a member of the Phillip Island Camera Club and organised many photographic exhibitions. He often donated to cancer research, and his interest in photography waned with the advent of the digital cameras. These photographs were taken and printed by Ian Crosbie and show picturesque views around the Phillip Island areaSix photographs of Clydesdale teams resting; 2 three-team working horses All photographs mounted on a single large piece of card.CHURCHILL ISLAND/WORKING HORSE FESTIVAL/MARCH 2005churchill island, working horse festival, ian crosbie, clydesdale -
Churchill Island Heritage Farm
Photograph - Set of card mounted photographs, c.2005
Ian Crosbie was a signwriter and keen photographer. He was a member of the Phillip Island Camera Club and organised many photographic exhibitions. He often donated to cancer research, and his interest in photography waned with the advent of the digital cameras. These photographs were taken and printed by Ian Crosbie and show picturesque views around the Phillip Island areaVariety of working horse festival photos: horse head, old cars, highland cow, pathway, horse drawn machine and hay roll, camel ride. All photographs mounted on a single large piece of card.0-17A 0-12A 0-20A 0-21A 0-22A 0-24A 0-23Achurchill island, working horse festival, ian crosbie, clydesdale -
Churchill Island Heritage Farm
Photograph - Set of card mounted photographs, c.2005
Ian Crosbie was a signwriter and keen photographer. He was a member of the Phillip Island Camera Club and organised many photographic exhibitions. He often donated to cancer research, and his interest in photography waned with the advent of the digital cameras. These photographs were taken and printed by Ian Crosbie and show picturesque views around the Phillip Island areaVariety of working horse festival photos: three of working horse teams, two of blacksmiths, three of camels. All photographs mounted on a single large piece of card.1-1A 1-2A 1-3A 1-20A 1-21A 1-23A 1-22A 1-24A PENTAX 210 CAMERA/CANOPOWER 100ASA FILMchurchill island, working horse festival, ian crosbie, clydesdale -
Churchill Island Heritage Farm
Photograph - Set of card mounted photographs, c.2005
Ian Crosbie was a signwriter and keen photographer. He was a member of the Phillip Island Camera Club and organised many photographic exhibitions. He often donated to cancer research, and his interest in photography waned with the advent of the digital cameras. These photographs were taken and printed by Ian Crosbie and show picturesque views around the Phillip Island areaVariety of working horse photographs: 1xtwo horse team resting; 2x two horse teams working; 1x three horse team; 2x four horse teams. All photographs mounted on a single large piece of card.2-8A 2-9A 2-12A 2-11A 2-10A 2-13A PENTAX Z10 CAMERA/CANOPOWER 100 ASA FILMchurchill island, working horse festival, ian crosbie, clydesdale -
Churchill Island Heritage Farm
Photograph - Set of card mounted photographs, c.2005
Ian Crosbie was a signwriter and keen photographer. He was a member of the Phillip Island Camera Club and organised many photographic exhibitions. He often donated to cancer research, and his interest in photography waned with the advent of the digital cameras. These photographs were taken and printed by Ian Crosbie and show picturesque views around the Phillip Island areaWorking horse teams: 2x four horse teams; 4x six horse teams; All photographs mounted on a single large piece of card.2-14A 2-15A 2-15A 2-17A 2-18A 2-19A PENTAX Z10 CAMERA/CANOPOWER 100 ASA FILMchurchill island, working horse festival, ian crosbie, clydesdale -
Churchill Island Heritage Farm
Photograph - Set of card mounted photographs, c.2005
Ian Crosbie was a signwriter and keen photographer. He was a member of the Phillip Island Camera Club and organised many photographic exhibitions. He often donated to cancer research, and his interest in photography waned with the advent of the digital cameras. These photographs were taken and printed by Ian Crosbie and show picturesque views around the Phillip Island areaWorking horse teams: 2x six horse; 2x three horse; 1x two horse; All photographs mounted on a single large piece of card.2-20A 2-21A 2-22A 2-23A 2-24A PENTAX Z10 CAMERA/CANOPOWER 100 ASA FILMchurchill island, working horse festival, ian crosbie, clydesdale -
Churchill Island Heritage Farm
Photograph - Set of card mounted photographs, c.2005
Ian Crosbie was a signwriter and keen photographer. He was a member of the Phillip Island Camera Club and organised many photographic exhibitions. He often donated to cancer research, and his interest in photography waned with the advent of the digital cameras. These photographs were taken and printed by Ian Crosbie and show picturesque views around the Phillip Island areaWorking horse festival various: Long view of paddock with two horse team; four horse team; three horse team; old tray truck with canvas canopy; two horse team; jinker; sheep and sheep dog; All photographs mounted on a single large piece of card.3-15A 3-17A 3-18A 3-19A 3-16A 3-20A 3-21A PENTAX Z10 CAMERA/CANOPOWER 100 ASA FILMchurchill island, working horse festival, ian crosbie, clydesdale -
Churchill Island Heritage Farm
Photograph - Set of card mounted photographs, c.2005
Ian Crosbie was a signwriter and keen photographer. He was a member of the Phillip Island Camera Club and organised many photographic exhibitions. He often donated to cancer research, and his interest in photography waned with the advent of the digital cameras. These photographs were taken and printed by Ian Crosbie and show picturesque views around the Phillip Island areaWorking horse festival various: Sheep with sheep dog; clown and children; singer; highland cattle;shearer;shorthorn cattle. All photographs mounted on a single large piece of card.3-22A 3-23A 3-24A 3-25A 4-7A 3 - PENTAX 210 CAMERA/CANOPOWER 100 ASA FILM 4 - PENTAX 210 CAMERA/KONICA 100 VK SUPER FILMchurchill island, working horse festival, ian crosbie, clydesdale -
Churchill Island Heritage Farm
Photograph - Set of card mounted photographs, c.2005
Ian Crosbie was a signwriter and keen photographer. He was a member of the Phillip Island Camera Club and organised many photographic exhibitions. He often donated to cancer research, and his interest in photography waned with the advent of the digital cameras. These photographs were taken and printed by Ian Crosbie and show picturesque views around the Phillip Island areaWorking horse festival various: 2x six horse team; cypress trees; six horse team; horse grazing; camel rides. All photographs mounted on a single large piece of card.4-5A 4-6A 4-10A 4-13A 4-11A 4-9A PENTAX 210 CAMERA/KONICA 100 VK SUPER FILMchurchill island, working horse festival, ian crosbie, clydesdale -
Churchill Island Heritage Farm
Photograph - Set of card mounted photographs, c.2005
Ian Crosbie was a signwriter and keen photographer. He was a member of the Phillip Island Camera Club and organised many photographic exhibitions. He often donated to cancer research, and his interest in photography waned with the advent of the digital cameras. These photographs were taken and printed by Ian Crosbie and show picturesque views around the Phillip Island areaWorking horse festival various: 3x four horse teams; 3x six horse teams. All photographs mounted on a single large piece of card.4-12A 4-16A 4-18A 4-14A 4-15A 4-17A PENTAX 210 CAMERA/KONICA 100 VX SUPER FILMchurchill island, working horse festival, ian crosbie, clydesdale -
Bialik College
Exhibition Panel, 70th Anniversary: Early Leadership, 2012
Panel from the exhibition held to celebrate the College's 70th anniversary in 2012. Photograph one: Israel Saks, Yehuda Honig, David Abzac, Anya Ginsburg, Rachel Laube. Photograph two: Anya Ginsburg, Israel Saks, Yosef Ginsburg, Rachel Laube and Yehuda Honig. Please contact [email protected] to request access to this record.carlton, bialik council, history, 2000s -
Federation University Art Collection
Painting - Artwork, Lainey Beavis, 'The Enchanted Forest' by Lainey Beavis, 2015
Lainey BEAVIS (1994- ) Born Portland Lainey Beavis completed a Bachelor of Visual Arts (Fine Arts) at the Federation University Arts Academy in 2015. She won the 2015 Art Acquisition Award. The work 'The Enchanted Forest' has been exhibited in the 2015 Federation University End of Year (EYE) Exhibition, and at Brunswick Street Gallery.Framed digital print featuring imagery of Portland's Enchanted Forest. Artist's statement: The photograph captures a dreamlike landscape where one can lose themselves within. It portrays a figure with significant connection to the landscape that it transcends into a sense of euphoria. The image emphasises the beauty of the landscape and the figures passion for it. The figure in the landscape is Rayhna Puche.lower left side '1/5' lower centre 'The Enchanted Forest' lower right side 'L. Beavislainey beavis, artwork, artist, alumni, figure, portland, enchanted forest, photography, rayhna puche, art acquisition award -
Federation University Art Collection
Artwork - Lithograph, 'Seated Nude' by Brian Dunlop, 1985
Brian DUNLOP (1938-11.12.2009) Born Sydney Brian Dunlop was a still life and figurative painter who won the Sulman Prize in 1980. He was a finalist in the 2004 Archibald Prize. Dunlop painted portraits of public figures, including Queen Elizabeth II in 1984 for the 150th anniversary of the founding of Victoria, and held many exhibitions in Sydney and Melbourne. Framed limited edition of a lithograph of a nude. Donated through the Australian Gifts Programme by Katherine Littlewood.brian dunlop, available, nude, life drawing, printmaking, artist, artwork, cultural gifts -
Hymettus Cottage & Garden Ballarat
Photograph - landscape design plan, Planting Plan for 8 Cardigan St Ballarat, 1985
Michael Looker of the Royal Botanical Gardens Melbourne drew up the planting plans for restoring Ballarat's historic gardens at Hymettus in 1985 for Heritage Victoria. This was done as it was the only known intact Victorian era working-mans exhibition garden in Australia with surviving layout and original documentation and photographs. Restoration of the garden was aided by an Australian Bicentenary grant.historic gardens, ballarat, hymettus, royal botanical gardens, melbourne, lumley, looker, heritage victoria, exhibition garden. -
University of Melbourne, Burnley Campus Archives
Certificate, Government Champion Certificate, 1917
Certificate awarded to Messrs. Roger & Andrew at the Burnley Competitions Winter Test 1917 for First Prize Greatest number of eggs laid by one bird - Light Breeds, Section B, 103 eggs. Issued by direction of the Hon. The Minister of Agriculture, signed J.C. Hatton for Director of Agriculture, A. Harts - Chief Poultry Expert, Macaulay - Curator of Exhibitions.Illustration of a certificate on a postcard certificate, mr roger, mr andrew, first prize, eggs, j.c. hatton, a. harts, egg laying competition, macaulay, curator, director of agriculture, chief poultry expert -
Warrnambool and District Historical Society Inc.
Book, A Souvenir of Warrnambool
A collection of 20 photographs which shows different aspects of Warrnambool. In 1896 Joseph Jordan was given exclusive rights to produce a souvenir booklet for the 1896-97 Warrnambool Industrial and Arts Exhibition. The Jordan studio sold many publications such as albums, which featured local scenes, as well as postcards, and greeting cards for different occasions and portraits The Jordan studio was a significant photographic studio in Warrnambool. They produced a large volume of work which is a useful record of scenes of the Western District and Warrnambool. This Souvenir booklet was a memento of an important event in Warrnambool. The advertisements also provide a record of people in business at that time.Pale green light card cover with dark blue text and illustrations which consist of title in the middle of cover with floral border along bottom with drawing of bird inset in floral picture at the top. The contents consist of 18 illustrations and a number of advertisements. One loose page with same text as book and advertisement for R. F. Kennedy chemistPublished by J Jordan Warrnambool.j jordan, jordan photographers, warrnambool, jordan photographs, warrnambool souvenir -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: News in arts and cultural heritage; Vol. 2, No. 4, Aug-Sep 1997, 1997
Vol. 2, No. 4, Aug-Sep 1997 CONTENTS A PAINTER'S PROGRESS ARRESTED William Dobell's battle for artistic survival 3 WALK WITH THE HEIDELBERG SCHOOL A chance to revisit the sites of Australia's best-loved paintings 4 A DREAM REVISITED Once more Eltham has a real bookshop 8 THE ART OF RECYCLING Painter Baz Blakeney creates his own materials from the scrap heap 10 POETRY Sandy Jeffs 12 MOTHER AND CHILD The concept of arts therapy 13 IMAGES OF THE '50s A Czech migrant's view of Melbourne 16 SHORT STORY Helen Lucas 18 BOOK REVIEWS The life of Clem and Nine Christensen 21 Music theatre of Melbourne 23 THE CHINA QUESTION Exhibition of modern Chinese art 24 THEATRE REVIEWS 26 Music 27 CD REVIEW 28 SHORT STORY 29 EXHIBITIONS 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, heidelberg artists' trail, heidelberg school artists' trail, 1950s, william dobell, eltham bookshop, meera govil, baz blakeney, junk art, found objects, sandy jeffs, art therapy, michelle lonsdale, eltham community health centre, kath armour, raddie sindelka, helen lucas, sandon mcleod, clem christesen, nina christesen, judith armstrong, llobex picture framing, john jenkins, rainer linz, harriet dance, chinese art, bulleen art & garden centre, studio framing eltham, eltham little theartre, great darebin music expo, judy jacques, lucinda mcknight, les kossatz, barry dickens, diamond valley singers, eltham community orchestras, helen o'grady children's drama academy, alan marshall short story award -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: News in arts and cultural heritage; Vol. 3, No. 5, Nov-Dec 1998, 1998
Vol. 3, No. 5, Nov-Dec 1998 CONTENTS RECIPES AND RULES Peter Wegner talks about life and painting 3 A MUSICAL JOURNEY Helen Lucas travels bush tracks to interview two talented musicians 6 THEATRE WITH CAROLYN PICKETT 7 EXHIBITION Peter Glass at Eltham Library 9 PROJECT Banyule arts take part in schools program 10 SHORT STORY Flying the Ditch by Kristina Ekman 12 RESTAURANTS Sigmund Jorgensen dines at Mercer's 14 ELTHAM FESTIVAL Local artists open their studios 16 CD REVIEWS 19, 25 BOOK REVIEWS 20 EXHIBITION - STROLLING AT HEIDE 25 CD REVIEWS A glance at some late arrivals 29 WINING, DINING, ENTERTAINING 30 COMMUNITY SERVICES 31 THEATRE Some new developments 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, mia bulleen, dymocks booksellers, ceramics, peter wegner, fleur de feliss florist, adams of north riding, monty deli & catering services, victorian artists supplies, elham wiregrass gallery, helen lucas, cate bailey, kate adam, carolyn pickett, peter glass, aphids events inc., artists in schools program, kristina ekman, sigmund jorgensen, mercer's restaurant, stephen mercer, artists open studios program, peter accadia, dave bradley, jules christian burns, john fitzgerald, damian fitzgerald, jill forrest, ona henderson, syd tunn, denise keele bedford, annie kiel-taggart, jenni mitchell, grace mitchell, mervyn hannan, mary lou pittard, chris pittard, alan martin, elizabeth vercoe, nel ten wolde, montsalvat, yarra valley country club, pool & spa care centre, la piazza restaurant bar & cafe, frank jones, inga clendinnen, gwen ford, rose zwi, michelle lonsdale, christopher heathcote, roger palmer, jane messer, sandy jeffs, rodney waterman, doug de vries, recherche speciality picture framing, llobex image wizards, museum of modern art at heide, callam morton, maz delaney, shauna mcmullen, carlton courthouse theartre, ariel valent, kate adam, david brown, cate bailey, tony o'rourke, andy baylor, bulleen art & garden centre, dynamic vegies, volumes -
Glenelg Shire Council Cultural Collection
Document - Letter, Patience Whitmore, 1853
From an ABC article about and exhibition containing the letter from Patience Whitmore: The hardships and tragedies often faced by new arrivals are also detailed in this exhibition, especially in a letter written by Patience Whitmore who arrived in 1853... Widowed before she left Britain, she made the trip to Australia with her second husband and children, although two of those children and her second husband died on the way out. She married for a third time after arriving, and that husband also passed away fairly early on, with Patience following not long after. The remaining children were sent off to an orphanage. Even though that sounds like a terrible life, apparently, compared with the life she might've had back in Britain, Patience considered herself to be very lucky, which gives you some insight into what life in Britain must've been like at the time.Letter written by Patience Whitmore in 1853.emigration, 1853, patience whitmore, letter -
National Wool Museum
Quilt
This quilt came to the Running Stitch Group from a visitor at the 'SIO Great Exhibition of Victoria' held at the Museum of Victoria in 1985. This exhibition of historical ephemera about our state included many of the quilts collected by the group. After seeing the value of these utilitarian quilts, many visitors decided to donate their family quilts to the Running Stitch Group. Meg McNab was one such person who identified her step-grandmother as the maker and said the quilt was used in her fathers' family. It eventually came back into her family through her own mother who came to stay in later years. For the journey, the quilt had been used as packing material. Owing to its size, this quilt may have been made for a child. The stained pattern on the back has occurred as a result of rust marks from a wire wove mattress base.This is the front of the quilt. The rod pocket has been applied to the verso. This is the back of the quilt. the rod pocket has been applied to this side.quilting history, running stitch group, running stitch collection, mcnab, meg, quilting - history -
Ballarat Heritage Services
Painting - Artwork - Painting, [Unknown] by Arthur Lindsay, c1979
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsays of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.AbstractFramed abstract painting by Arthur Boydarthur lindsay, painting, abstract -
Ballarat Heritage Services
Painting - Artwork - Painting, Capriccio #11 by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Framed abstract painting by Arthur Boydarthur lindsay, painting, abstract -
Ballarat Heritage Services
Painting - Artwork - Painting, Capriccio #29 by Arthur Lindsay, 1979
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.AbstractFramed abstract painting by Arthur Boydarthur lindsay, painting, abstract -
Ballarat Heritage Services
Painting - Artwork - Painting, [Coastal Scene] by Arthur Lindsay, 1948
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Framed watercolour of a Coastal Scene by Arthur Lindsay.arthur lindsay, watercolour, painting, townscape -
Ballarat Heritage Services
Painting - Artwork - Painting, Arthur Lindsay, SchG 20 by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.abstractUnframed abstract painting by Arthur Boydarthur lindsay, painting, abstract -
Ballarat Heritage Services
Painting - Artwork - Painting, [Balancing Rocks] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Unframed lansdcape by Arthur Boydarthur lindsay, painting, rocks, landscape -
Ballarat Heritage Services
Painting - Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Unframed landscape by Arthur Boydarthur lindsay, painting, landscape -
Ballarat Heritage Services
Painting - Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Watercolour landscapearthur lindsay, watercolour, landscape, artist -
Ballarat Heritage Services
Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Watercolour landscapearthur lindsay, watercolour, landscape -
Ballarat Heritage Services
Artwork - Painting, Arthur Lindsay, [Landscape] by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Watercolour landscapearthur lindsay, watercolour, landscape