Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin has the letter "J" as its head.costume female head ware accessories, hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin is adorned with a flat metal circular head. There are two circles of narrow patterns around the outer edge. The centre is decorated with three shiny black faceted shapes producing a spoke like appearancecostume female head ware accessories, hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin is adorned with a black shiny plastic "tear drop" shape head on a long shaft This is identical to KVHS 0366costume female head ware accessories, hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorshis hat pin is adorned with a black shiny plastic "tear drop" shape head on a long shaft This is identical to KVHS 0365costume female head ware accessories, hat pin

This stone Grinder or pounder was used as part of an indigenous grinding food preparation method, by the original inhabitants of the Kiewa Valley and its region. In conjunction with its grinding stone was used not only to grind seeds and but also to dig up eatable roots and leaves and served with the regions Bogong moth. This method of food preparation has survived in its basic form for centuries and is still used by master chiefs in modern eateries. This item has been registered with Aboriginal Affairs in Wangaratta, Victoria. Dhudhuroa elder Alan Murray has examined this tool, in Feb 2015, and said it was also used for sharpening axe heads as well as pounding food items. This item has a very significant historical and social aspect to it. Firstly it demonstrates the division of labour within a indigenous tribe. It was an era when the female had a definitive role within the family and the broader social indigenous tribal group of, gathering and preparing non animal(hunted) food. Hunted food was the domain of the initiated males of the tribe.Secondly it demonstrates the ability to fashion implements from raw materials(rock) into effective tools for the purpose of preparing a meal for human consumption. This was in an era where inter family and intra family participation in an indigenous tribal social protective environment was at a very high level. The Kiewa Valley/Mount Bogong region was an area where annual "get together" indigenous tribes for feasting, bartering and settling of disputes highlighting the importance of a regional gathering. Grooved stone, carved to a cylindrical shape with a relative pointed end tip one side (grinding or pounding end) and a rough other end (holding end} Made from Rhyolite stoneThere is a worn grove in the top side due to this tool being used for axe sharpening. indigenous, aboriginal, stone grinding, meal preparation, natural environment, pounding stone

This book was written in 2007 by Margaret McOrist to mark the 150th anniversary of the arrival in the Warrnambool area of John Logan. It is a sequel to a 1991 book, ‘Clotted Cream and Mangels’ which told the story of John Logan and his wife Mary Gardner. They lived at Hopkins Point, Warrnambool and the book, ‘Beyond the Point’ tells the story of the Logan descendants. When the farm land was sub-divided and sold the nearby beach was named ‘Logans Beach’. This book is of considerable interest as it tells the story of the descendants of important early settlers, John Logan and Mary Gardner. The area where they first settled is now of major interest as Logans Beach (named for the Logan family) is the well-known whale watching area. Southern Right Whales return to this beach each year and the females calve and remain up to three months at this beach, making it an important ‘whale nursery’. This is a soft cover book with black plastic ring binding and clear plastic sheets covering the front and back paper covers. The front cover has a reproduction of an 1891 map of Warrnambool and district with the title of the book and other information superimposed on the map. The back cover is black. The book has 101 pages and contains information on the Logan families who lived at Tooram in Allansford and their descendants. There are many black and white and colour photographs, diagrams, maps and family trees. Front Cover: ‘Beyond the Point, 150 years since the arrival of Irish ancestor, John Logan, Hopkins Point, Warrnambool, Victoria, 1857-2007, by Margaret McOrist’. john logan and mary gardner, hopkins point, logans beach, tooram, history of warrnambool

Back row (l to r): Ellen Jagoe, Selma Snell, Jean Coutts, Flo Miles. Front row (l to r): Jane Ford-Lloyd, Elva Carr, Chief Commissioner Duncan, Anne Palmer, Jessie ArnottGraduation photograph from 1950 showing the full complement of uniform of Victorian women police. Chief Commissioner Duncan is seated in the centre of the front row.police women, uniform, duncan, chief commissioner, carr, elva, graduation

Dark blue tunic with silver buttons and first constable rank. Metal Victoria Police insignia on each shoulder. 1947-1979.'Victoria Police' (on badges) 'June M. Long 23/10/1968' (on inside label)police women, uniform, long, june, m. 11868, police woman, policewomen, policewoman

Myrtle McDonald, in company with Robert Roberts, was accused of passing forged five pound notes in Carlton, August 1916. Prison record for Myrtle McDonald, prisoner registered number 730, giving details of the prisoner, her crimes and the dates and places of her trials.myrtle mcdonald, female prisoner, english speaking prisoner, forgery

Cecilia Anderson was accused of shooting John Fraser at the Souther Cross Hotel in Melbourne in June 1894 and then attempting to kill herself. Fraser had been a long term resident in a boarding house run by Mrs Anderson and had borrowed money from her. He subsequently moved to Melbourne and married a widow, Mrs Leahy. Mrs Anderson followed him to Melbourne and kept demanding that he repay the money owing. She was sentenced to death which was commuted to life imprisonment, but she was released in June 1903Prison record for Cecilia Anderson, prisoner registered number 6319, giving details of the prisoner, her crimes and the dates and places of her trials.foreign prisoner, danish, female prisoner, cecilia anderson, murder

Muriel Butler stole a black coat and a fox skin fur in Melbourne in January 1918. She was arrested when getting off the train in Ballarat. She was also wanted by the police for circulating valueless cheques. She had committed previous crimes of stealing and false pretences between 1914 and 1918, sometimes under the name of Agnes James.Prison record for Muriel Butler, prisoner registered number 7400, giving details of the prisoner, her crimes and the dates and places of her trials.english speaking prisoner, female prisoner, muriel butler, agnes james, false pretences, stealing, larceny

In March 1917, fire services attended a fire in a domestic dwelling in Carlton. When the owners returned they found that some of their clothing was missing. May Hall, 19, was later charged with stealing clothing and then burning those she did not want. Prison record for May Hall, prisoner registered number 7351, giving details of the prisoner, her crimes and the dates and places of her trials.english speaking prisoner, female prisoner, may hall, burglary, stealing, arson

May Foster had many charges over a long period, mainly for passing valueless cheques. She was also know as Caroline RadfordPrison record for May Foster, prisoner registered number 6913, giving details of the prisoner, her crimes and the dates and places of her trials.female prisoner, english speaking prisoner, may foster, caroline radford, false representations, uttering

A boudoir cap was popularly worn in the nineteenth and early twentieth centuries In its original form, the boudoir cap was worn over undressed hair, It was designed to be worn in the privacy of the boudoir with negligees or nightwear.[andwas often made from lightweightfabrics such as muslin or net and trimmed with silk ribbon and lace. In the 1910s and 1920s, it was used to protect short hairstyles whilst sleeping.This item is an example of a piece of clothing no longer in fashion.Hand crocheted boudoir cap. Light blue thread crochet on top. Fine piece of fabric around centre. Blue and pink border. wire inserted into cap at sides.cap costume-female boudoir-cap handcrafts crochet sleepwear

Lady's black bonnet made of silk. Edges (sides) tilt upwards and the front is peaked. Black flowers, ribbon and feathers are displayed at the back and plastic and wire black flowers with white stamens at the front Two long pieces of ribbon fall at sides to tie under chin. Sequins at the R.H. sand. Whole hat is a wire structure.hat costume-female headwear

A hatpin is a decorative pin for holding a hat to the head, usually by the hair. In Western culture, a hatpin is almost solely a female item and is often worn in a pair. The hatpin was invented to hold wimples and veils in place, and was hand-made.Long steel hat pin with black glass round ball head.hat-pin costume-accessories hat-accessories headwear-female

Gloves were commonly worn by women until the latter half of the 20th century. these gloves are an example of These gloves are an example of a costume accessory worn by women in the early 20th century. One pair of fine black crepe lady's gloves. Two buttons at each wrist.On inside of each glove 7gloves costume-accessories costume-female

In 1896 Albert Richardsonand his bride, Lettice, came to the mill at Tabbara. Their daughter, Mrs Mary Barclay, was born at Marlo in 1897. Her Scottish great-great grandmother who was born about 1800, kept silk worms. When she was about 12, she collected and spun the silk to later make this shawl.This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers.A handmade shawl of beige silk. Edge is fringed.shawl costume-female handcraft silk

This garment was made by Edith (?) Cowell (Mrs Jim Richardson, nee Cowell) and has been donated by her daughter Esma Richardson.This item is an example of the needlework skills of women in the early 20th century.A full length white cotton night-dress with long sleeves. It has lace around the shoulders and across the chest, broderie anglais collar and cuffs. A ribbon is threaded through the lace at the neckline and cuffs. The bodice also has small pleats or pin-tucks at the front and clear buttons. Pinned to the left shoulder is a blue certificate indicating from the Bombala Exhibition Society of 1913.The certificate from the Bombala Exhibition Society indicates that Alice Cowell won first prize in the 1913 show for having made this night-dress.night-dress bombala-exhibition female-clothing

Wedding stockings, c. 1920, worn by Mrs C Reynolds. A pair of cream silk stockings. The toes and tops are reinforced with cotton thread. silk-stockings female-underwear costumes-1920s wedding-stockings

Grace Elizabeth Jennings Carmichael (1867-1904), poet and nurse, was born on 24 February 1867 at Ballarat, Victoria, daughter of Archibald Carmichael, a miner from Perthshire, Scotland, and his wife Margaret Jennings, née Clark, from Cornwall, England. . She was educated at Melbourne and while still a child went to live on a station at Orbost, and grew up close to the bush she came to love so much. In 1888 she went to Melbourne to be trained as a nurse at the Royal Children's Hospital, Melbourne, and in 1891 published a small volume of prose sketches, Hospital Children. Having qualified she obtained a position on a station near Geelong, and subsequently married Francis Mullis. She contributed verse to the Australasian, and in 1895 Poems by Jennings Carmichael was published. She lived for a time in South Australia and then went to London, where she died in poor circumstances in 1904. Her husband, Henry Mullis, was last recorded in the workhouse in Woolrich, but then disappeared leaving the three children- Geoffrey 7 yrs, (Thomas) Clive 5 yrs & 4 year old (Archibald) Keith and one year old (Rupert) Wyatt, destitute & were sent to the Northampton workhouse, (Thomas ) Clive dying in 1906. In 1910, a group of Carmichael's admirers, discovered the whereabouts of her children, where a public fund was established to bring the children to Australia, the Victorian Government giving them free passage, arriving in Victoria in October of 1910. The children were placed in private homes and took on their mother's single name of Carmichael. In the late 1930s, plaques were unveiled in Orbost & Ballarat in honor of Grace Jennings Carmichael. The one in Orbost was part of the "Back To' celebrations. It hung in Mechanics' Institute in Orbost.This is significant to the Orbost region in that it is associated with a woman who is certainly our foremost female poet. A bronze cast memorial plaque set onto a wooden backing board. The plaque has an image of a woman, a candle and a book, and also some text (see below).Grace Jennings Carmichael, Australian poetess, 1868-1904, spent her childhood in this district, erected by Mrs G A Hunter & a few admirers.memorial-plaque grace-jennings-carmichael orbost-poet

This beautiful cap has been passed down through the McKeown family. It was donated by Marjorie McKeown (nee Ford). Womens art / handcrafts.A boudoir cap made from cream silk, sections are crochet silk thread with an insertion of silk brocade. Small pieces of bone have been inserted into the sides of the cap giving a stiffening effect over the ears of the wearer. boudoir-cap sleep-apparel female-costume

Belonged to Marjorie McKeownA brassiere made of pink / apricot coloured cotton fabric which has a broderie anglais pattern of embroidery. It has an elasticised back with metal clasps, and thin shoulder straps and two suspenders hanging from the sides. Lady Gay (manufacturer)women-corsetry womens-undergarments female-underwear

This item was worn by Marjorie McKeown (nee Ford)Until well into the 20th century, the corset was an essential element of fashionable dress. Corsets were worn by women (and much earlier by men) to enhance their figures and to hold their stockings in place. Although still sometimes used they were mainly used prior to the making of pantyhose approximately 1960.A corset made of apricot / pink cotton fabric embroidered with flowers in the same colour. It has whalebone stays, and laces through metal eyelets. This corset is similar to 822 in the collection. It is size 33 and manufactured by Jenyns.Size 33, Jenyns Patent Corsetry (manufacturer) womens-corsetry womens-undergarments female-underwear

Owned and worn by Mrs Marjorie McKeown (nee Ford) who lived in the Orbost area.A lady's corset made from apricot coloured cotton with small flowers embroidered on the fabric. It has suspender straps with clips attached to the bottom of the corset. Stays, possibly whalebone, are sewn vertically into the fabric. Size 28 Liberty Corset Factory Howard Street North Melbournewomen's-underware foundation-wear female-costume

Worn and owned by Mrs Mary McKeown (nee Ford) a resident of the Orbost area.A size 27 corset of apricot coloured cotton fabric with small lines and flowers embroidered onto the fabric. It has a small elastic triangle panel in the middle front and two large panels at the sides. It appears to have stays (possibly whalebone), along suspenders hanging from the bottom.Size 27 Liberty female-costume under-clothes foundation-garments

Hand sewn by Mrs Marjorie McKeown (nee Ford) who most likely also wore this garment. This item is an example of the fine needlework skills of women in the first half of the 20th century.A silk shirt front with silk collar and decorated with pearl buttons down the front. It has lace insertions on either side of the pearl buttons. The back of this garment is made of plain cotton and has narrow cotton laces which tie around the front. costume-female

Made and presumably worn by Mrs McKeown (nee Ford).A long plain cream or white silk sleeveless nightgown with a fine lace border around the neck line and around the bottom hem of the garment. The neckline is a "V" shape in front. Two white crocheted rosette decorations have been appliqued onto the top front. It has two cotton inserts under the arms. Two fine darts run downwards at the front. costume-female undergarment

Made and presumably worn by Mrs McKeown (nee Ford).Large white linen bloomers with a small crochet border around the leg cuffs.costume-female underwear

Made and presumably worn by Mrs McKeown (nee Ford)A full length white cotton nightgown without sleeves. It has a crocheted border in white cotton around the neckline and also making a small trim on the front upper bodice/neckline. Arm holes also have the same crochet trim. The bottom of the garment is hemmed and without any trimming.costume-female underwear