This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, olive green glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Mouth has remnants of tape and wire seal. Mould seam around shoulder. Body tapers slightly inward to the base. Push-up base has pontil mark and is embossed in large letters. Base is uneven. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable

This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from an unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, Tall slim gallon style. Applied double collar lip; upper is straight, lower is flared. Lip has bumps around the top. Neck has slight taper towards shoulder, which has a shoulder seam from the mould. Body tapers inwards towards base. Push up base has a pontil mark. Base is embossed.Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable

This small green bottle has been handmade by a glassblower and is the typical shape of a carbonated soda or mineral water bottle. It was made from 1840s-1870s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe and into molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the cylindrical dip mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another ponty tool to push up and form the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be wrapped around the top of the neck and shaped to finish the lip of the bottle. The seal was usually a cork, held in place with a ball-wire fitting attached between the upper and lower parts of the neck finish. This style of handmade bottles usually had thick glass so that it could be heat-sterilised, then re-filled. The bottles would often have horizontal bubbles in the applied finish, caused by twisting the glass, and vertical bubbles and diagonal lines in the body from it being blown, and a pontil mark in the base where the ponty tool had been attached. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle; green glass, soda or mineral water style, handmade. Double ring collar blob finish on neck; upper is wide and rounded, lower is a thin ring. Diagonal lines in glass on neck, low shoulder mould seam, rippled texture around body. Push-up base with pontil mark, rectangular impression in heel. Uneven base. Sediment on inside surfaces.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, dip mould, mouth blown, pontil mark, 19th century bottle, collectable, soda bottle, mineral water bottle, green glass, blob finish, push-up base

This olive green bottle was handmade by a glassblower and is the typical shape of a ‘gallon’ type liquor bottle, which has the capacity of one-sixth of an imperial gallon, about 750ml. It was made around the mid-to-late 1800s. The bottle was recovered from an unnamed shipwreck in the coastal water of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing into a long metal pipe or reed with a blob of molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another tool to finish the base. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be added to the top to form the mouth and lip of the bottle. The seal was usually a cork, often held in place with tape. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal water in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle, dark olive green glass, tall thin Gallon type. Lip is double; rounded upper, flared lower. Neck is slightly bulbous. Body has shoulder seam, then tapers inwards to base. Concave base with small pontil mark. No inscriptions. Handmade in mould. Body has sediment inside, top to bottom. Glass is worn down one side. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, mouth blown, pontil mark, blown bottle, liquor bottle, 19th century bottle, collectable, olive glass, green glass, mould, 1800s bottle, bulbous neck

Book: 'Rules for Conductors' - booklet by the Electrical Supply Company of Victoria Limited. 12 double sided pages in hard cover. Stamped on cover and inside cover 'The Electric Supply Coy. Of Victoria Ltd.' Handwritten on inside of back cover 'Lose Property: Money or other property left in the card must be handed in to the office immediately on arrival at Grenville St.' (typewritten, stapled).person, individual, basil miller

"The Mikado" is a two act comic opera with the music by A. Sullivan and the libretto by W. S. Gilbert. It is a satire of late 19th century British society set in a fantasy Japan. It opened in March 1885.Bendigo Community Theatre & Arts program for 'The Mikado' production Green coloured program, title of The Mikado in red ink on front cover Red ink details of The Story, Characters & Cast names on inside page. No photos of cast members A4 size program folded in half (2 double sided pages), Program made from light cardboard. No dates mentioned souvenir programme, bendigo community theatre

Off white wedding invitation. Embossed oval sonsisting of dots, circles, narrow ovals and scrolls. In the centre is a double silver circle with dots between the lines and inside are two silver hearts. On the left is a sign pointing left with 'Marr' printed on it and on the right is another sign pointing right with 'iage' printed on it. Silver printing inside. Card and insert held together with white cord.person, greeting cards, malone collection, malone collection, wedding invitation

Document. Greeting Cards. Light greenish card with scene of a shepherd and his sheep in the snow and rocks in the foreground. The scene is bordered by a gold and white border which is double at the bottom. 'With All Good Wishes' is printed in gold on the left. On the right some green holly with red berries extends from the scene down to the printing. The border is about 1.5 cm in from the edges.person, greeting cards, malone collection, malone collection, greeting cards

RAILWAYS COLLECTION -6 x Unbound Photocopied double sided pages giving information on the construction of the Bendigo Railway Line including Black and white photos of Railway Bridges and Viaducts - which show the Saltwater River bridge , Jacksons Creek Viaduct, Riddell Creek Bridge, Campbell's Creek Road bridge, Forest creek viaduct and Malmsbury Viaduct the photos are grainy in appearance.photograph, landscape

White label with dark blue printing and double line border. Label is for J. J. Cocking, Pharmaceutical & Homoeopathic Chemist, Bendigo. Direction for use are also printed. Stuck to the back is a circular Bendigo Show 1917 Oct 9, 10, 11. Has a dark blue jagged border and three horses heads behind the printing. Two flowers under Bendigo.business, printers, cambridge press, cambridge press collection, j j cocking, bendigo show

Bendigo Advertiser "The way we were" from Wednesday, May 26, 2004. Spinning yarns: workers at the winding and doubling rooms of Bradford Cotton Mills in 1956. Back row: Pat Bau, Gertie Rotering Beryl Prologue. Centre row: Dawn Drummond, Joyce O'Brein, Margaret Aherne. Front row: Sylvia Tebb, Doretta Phillips, Brenda Barter.newspaper, bendigo advertiser, the way we were

Photograph of stone building with a tower at the rear. A sign on the front reads ' Sandhurst Fire Brigade, Engine house No. 1 '. Large double doors are standing open, there is a group of horse drawn vehicles, some loaded with fire brigade equipment i.e.. Hoses. There are fourteen men, most in uniform, in various positions around the appliances, some are carrying what appear to be large bladed axes.Batchelderbuildings, organisation, sandhurst fire brigade, sandhurst fire brigade, engine house no. 1

The weatherboard house is one of the six weatherboard cottages which were built on the east side of O'Shanassy Street in the early 1900s. It has been listed in the Heritage Study in 1998. Scheduled as having some significance and recommended for further investigation.A coloured photograph of a weatherboard Victorian cottage with an overhanging verandah across the double fronted building. The weatherboard walls are painted biscuit and the window and door frames are tan. A wooden tile trim painted in biscuit, tan and dark green. There are two stepped chimneys protruding from the white painted corrugated iron roof. The overgrown garden has low growing trees and shrubs.george evans collection

See also union ticket for Will Plier- Reg No. 28205 folded cards of employment references dated between 1900-1908. Two of the cards are handwritten on a lined notepad page, the remaining three are typed double-sided cards with specific details handwritten in the appropriate spaces. A stapled bundle of 12 shearing tickets/permits, from 1904/5 - 1911/2. All articles are in the name of M.J. Withers (Matt Withers)

Skirt belonged to Grace Begg(born 15-9-1857). Worn by her at Mt Carmel sheep station, near Heathcote, Victoria. Station managed by her father John Begg. Grace married Russell Scott Thomas on 2 August 1890 at Heathcote and later lived in Albert Park. She was grandmother of Russell Alexander of Creek Road Mitcham (Russell Alexander Menswear Mitcham). His wife Coral wore the frock on occasions.c 1890 Black grograin material skirt, two double inverted pleats in front, two flat covered buttons and four acorn shaped buttons (covered) joined with rouleaux to the shape of frogs. Lined with silk and black velvet edging around the lower edge. Open at back with a placket closed with hooks and eyes. Two pleats each side of centre back seam.costume, female

Black and white photo of Clarke's Grocer Shop in Mitcham Road, Mitcham. Double fronted shop. Second shop in Rangeview Shopping Centre. Owned by J.B. Clarke and run by he, his wife and his son , Fraser, for a long time. He was still advertising in 'Local Advertiser', Page 1, 1963. 'Late AIF' on window indicates after World War One.clarke, j.b.

In 2023 103 Lyons Street South was sold and left uncared for after being sold in 2022. 103 Lyons Street South, Ballarat from outside 105 Lyons Street South, Ballarat Central. 103 Lyons street is a red brick house which was built c1980. When the previous house was demolished an mine shaft was discovered under the house and had to be capped. 105 Lyons Street South is a double brick Spanish Mission house with slat roof.103 lyons st south ballarat central, 105 lyons st south ballarat central, spanish mission, architecture, slate roof

In 2023 103 Lyons Street South was sold and left uncared for after being sold in 2022. 105 Lyons St South was in the middle of being painted.103 Lyons Street South, Ballarat from outside 105 Lyons Street South, Ballarat Central. 103 Lyons street is a red brick house which was built c1980. When the previous house was demolished an mine shaft was discovered under the house and had to be capped. 105 Lyons Street South is a double brick Spanish Mission house with slat roof.103 lyons st south ballarat central, 105 lyons st south ballarat central, spanish mission, architecture, slate roof

In 2023 103 Lyons Street South was sold and left uncared for after being sold in 2022. 105 Lyons St South was in the middle of being painted.103 Lyons Street South, Ballarat from outside 105 Lyons Street South, Ballarat Central. 103 Lyons street is a red brick house which was built c1980. When the previous house was demolished an mine shaft was discovered under the house and had to be capped. 105 Lyons Street South is a double brick Spanish Mission house with slat roof.103 lyons st south ballarat central, 105 lyons st south ballarat central, spanish mission, architecture, slate roof

Cypriot Bichrome Ware from Cypro-Geometric/Cypro-Archaic PeriodThe inside of the mouth painted, the neck with sets of lines and wavy bands, over frieze of spots, the shoulder with three red bands alternating with sets of lines, over painted twin loop handles, with red and black cross-hatched panels between, red band between sets of lines below, double lines to lower body, band and set lines over painted foot. cypriot

Colour photograph of Ballarat No. 27 at the Victoria St. terminus, prior to returning to the City with passengers boarding the tram. Shows end of double lane highway from Melbourne. Tram has destination Gardens via Drummond Nth and SEC roof advertisement "Everything's under control in my all electric kitchen". Photo on Agfa Paper and taken on Friday 21 August 1971.Stamps with faded green ink: "Photo by Chris Jeffrey / Number" with number "104PC/18" in blue ink and date stamp "Friday 21 August 1971" also in faded green ink.victoria st, tram 27

Yields information through letters to the Editor about the impact of tram fare rises on Ballarat Residents, noting wages at the time.Photocopy, of the Letters to the Editor Column, The Courier, 20/6/1951 titled "Fare Rises". Photocopied onto A3 size sheet of paper. J. Edmends - suggesting the trams be boycotted, looks at the inflationary impact of costs in 1951. 100 Per Cent Rise - costs or running the services, the doubling of fares for a weeks travel. Howler - general comment about the fare rises.trams, tramways, public transport, fares, sec

Yields information about how the BTPS promoted the tramway, with the Design by the printer.294.1 - Double side pamphlet advertising Tramway and BTPS, featuring tram 26 on one side and location map and details on reverse. Printed in dark red colour. 2nd copy added 6/5/06 and images added 294.2 - as above, but without ACN Number and red in colour on heavier paper. 2nd copy added 1/10/06 and images updated.trams, tramways, btps, ballarat vintage tramway, botanical gardens

Ballarat tram 12 waits at end of double track section in Lydiard St. Nth for 32, heading for Sebastopol to leave single line section, by Reid's Coffee Palace, 30-3-1959. Photo a bit over exposed. Has horse drawn cart in background and numerous parked cars. Both trams have large white triangles on the front dashes.'SEC Ballarat, Nos 32 and 12, Lydiard St. Nth, 30-3-1959, W.Jack Photo' in blue ink.tramways, trams, ballarat, lydiard st. nth, mair st, tram 32, tram 12

B/W photo, across intersection to gates on corner of Scott and Inglis Streets, double iron gates with single gates either side, then short length of picket fence. Wire fence down Scott Street to left, wire fence and hedge along Inglis to left. Big Cypress tree centre behind gate, assorted other large trees surrounding.buninyong, botanic gardens, gate, streetscape, trees