Draw knife, iron with wooden handles manufactured by Hales Bros Sheffield England. Trademark is a Horses Head.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oat with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Horse harness brass buckles, Buckles are in a mass of concretion, have verdigris. Recovered from the wreck of the Schomberg. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, horse harness, brass buckles

Crematorium open day, Eaglehawk, Oct. 1994 Sayer's Old horse drawn hearse, Napier funeralsEstelle Hewston

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of four people arranged on a black wagon with red wheels, hitched to a pair of black horses.catalogue number on reverse in pencilchurchill island, photograph

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white landscape photograph of people operating a baler in a paddock with a woman driving a horse gathering hayCatalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white landscape photograph of people operating a baler in a paddock with a woman driving a horse gathering hayCatalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of a horse pulling a Churchill Island Furphy cart through a paddock and talking to a man walking alongside.Catalogue number written on reverse in pencil Handwritten on pen in reverse 'C.I. Furphy cart in use. C.I. Easter Festival 30/3/2013'churchill island, photograph

Bendigo Advertiser ''The way we were'' from 1999. Horse and cart: Pall Mall during the 1870s.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Friday, October 24,2003. Horseplay: a sanitary tractor for horses.newspaper, bendigo advertiser, the way we were

Slide. Bendigo Show. People looking at the horse and gig going around the arena and cattle being paraded.slide, bendigo, bendigo show., bendigo show.

Born: Devon, Devonshire, England 1839; Arrived: Melbourne, Victoria, Australia 1868; Died: Melbourne, Victoria, Australia 1901VictorianLedger Gift, 1978Australian bush scene with two figures, a horse and a dog on a track with trees, hills, clouds and sky. Unframed.Recto: Signed and dated "J W CURTIS / 82" in black oil in l.l.c of composition; Not titledpainting, landscape, figure, horse, animal, trees, colonial, path, track

Born: 1837; Arrived Australia c. 1866; Died: Sydney, New South Wales, Australia 1906ColonialLedger Gift, 1982Rural landscape with farmhouse and outbuildings surrounded by trees, two figures by a horse and wagon. Stained wooden frame.Recto: Signed "Drawn by W.TIBBITS. artist NEIL ST. Ballarat" in blue ink in lower centre of sheet edge; Titled 'Mr J.Thompson’s. / Star Saw Mills Staffordshire Reef.' in blue ink in lower centre of sheet; Not datedwatercolour, colonial, rural, trees, buildings, wheels, horse, animal

Sepia photograph on thin card. Commercial Hotel c1900; features horse-drawn buggy; men; streetlampsT. Hunter Taturatatura, buildings

Construction work of the camp goal in camp 13Black and white photograph of the somber goal under construction at Camp 13. Carpenters "horse" left centre.camp 13, construction work in victorian camps, internment camp goal construction

WW2 internment camp 1, Tatura, Hospital staff.1943. Sisters J. Bertram and J. Wilson ready for morning ride with trooper/groom. Black and white photograph of 2 women, a solder and 2 horses, ready to go riding. Hut in background.internment camps, tatura internment camps, camp hospital staff, sister j. bertram, sister j. wilson

Middle Eastern dagger or letter opener. Australian personnel served in the middle east in both world wars. This object was likely brought home from Egypt or Palestine by a service member. Possibly a Janbiya, a dagger worn by arab men over the age of 14.WW1 Dagger with head of camel or horse's head in brown leather scabbard with metal tip and belt clip.Patterned leather and engraved metal with arabic inscription on bladedagger, arab, egypt, palestine, leather, horse, camel

Newspaper article from The Argus dated 5-11-1929 showing Major General Grimwade taking the salute at the Voluntary Artillery Camp of the 2nd Division at Broadmeadows. Black plastic frame with black mount with newspaper article depicting mounted soldiers and horse driven cannons.The Argus, Tuesday November 5 1929 Voluntary Artillery Camp at Broadmeadowsthe argus, 5-11-1929, 2nd division, voluntary artillery camp, broadmeadows

A sepia photograph of two men and three children standing near a horse drawn dray loaded with hay.written on back: Load of Hay 1920 / Diggers Resthay bales, harvesting, diggers rest, cullinan, uraina, eileen, bayview farm, horse drawn vehicles, 1920s, george evans collection

A black and white photograph of two horses harnessed up to a cultivator. A young girl and a man are standing behind it.on back: DIGGERS RESTcullinan, uraina, eileen, chris, cultivators, horses, farm and garden equipment, agricultural implements, george evans collection

Sepia mounted photograph of a jockey on a horse, standing on the race track. Believed to be A. J. Boardman on Ta....as Dream.Printed on front: Chr. Christiansen Sunbury Studios Handwritten on back: P. Collett A. F. Boardman and Ta...as Dreamchris christiansen, photographers, boardman, a. f., collett, p., a. j., jockeys, horse racing, sports, george evans collection

F. S. Frank Mounsey's Coy in Egypt.A mounted b/w photograph of soldiers attending to horse lying on the ground. Group of Lighthorsemen c 1914.world war 1, soldiers, uniforms, armed forces, clothing and dress, mounsey, frank, horses, george evans collection

Not BurnleyBlack and white photograph cut out of a small strip of prints. A stallion with part of another horse next to it.On reverse, "Stallion Werribee Research Farm Oct 1917."stallion, werribee, research farm, 1917, horse