Depicts part of the procession at official opening (21/12/88) - horse drawn carriage, horse and rider. National Wool Museum in background. (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).national wool museum

Depicts people watching farmer and dog working sheep at the official opening ceremony of National Wool Museum, 21/12/1988. (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).national wool museum, photographs

Depicts a sheep shearing demonstration with young boy in foreground held at the official opening ceremony of National Wool Museum on 21/12/1988. (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).national wool museum, photographs

Depicts of the Hon. Evan Walker cutting rope at official opening ceremony of National Wool Museum on 21/12/1988, watched by Tom Crocker, Collin Atkins and others. (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).national wool museum, photographs

Depicts part of procession at official opening (21/12/88) - draught horses drawing wagon with wool bales. National Wool Museum in background. (Contact: Kevin Boyle, editor, Weekly Times, for permission for any further display).national wool museum, photographs

Enlargement from print taken for museum records and photographed by Ms Rachel Faggetter in ?1989. This print was used in VicTour advertising display/exhibition at Collins Street, Melbourne.national wool museum

Photo depicts a final year woolclassing class from the Gordon Institute in Geelong. They have prepared a display re: woolclassing for the visit of the Prince of Wales to Geelong in 1920. They are on the top floor of the Dennys Lascelles woolstore. The donor's father, Mr Cyril Cameron, can be seen in the photo at sixth from the right. Cyril Cameron (known as 'Cam') came from the family property 'Burnside' near Glenthompson in the Western District. He joined Strachan & Co. as an office boy in Aug. 1914 and then joined the 8th Battalion, 1st AIF in January 1915. He returned to Australia in early 1920 and started work at Strachan's again. He did the wool classing course (one year, evening?) at the Gordon in 1920-21. He became Head Wool Valuer at Strachan's in 1938 and retired in 1970. His office at Strachan's was on the top floor, directly overlooking what is now the entrance to the National Wool Museum (formerly Dennys Lascelles woolstore). He died in 1983. Interestingly, within the photo, can be seen a poster on the wall advertising the RSS or Diggers' Mill. The mill opened in 1922 but had been advertising for investors since the end of the war.Photograph, Gordon Technical College wool classing course, 1920. Wool classing display for the visit of the Prince of Wales at the Dennys Lascelles wool store.GEOFFREY S. WOOD, PHOTO, GEELONG Dennys Lascelles Show Floor 1920 / Visit of Prince of Waleswoolclassing royal visits, gordon technical college - woolclassing department, cameron, mr cyril, dennys lascelles wool store, woolclassing, royal visits

This quilt was purchased from an op shop in Clifton Hill, Vic. by Lois Densham, a quilter and former member of the Running Stitch group who has an interest in historic Australian quilts. The quilt has been displayed in NSW, where it was part of an exhibition of Historic Australian Quilts curated by Annette Gero and held at Old Government House, Paramatta between 5 June and 22 August 2000. Initially purchased in Clifton Hill, it originally came from a source in Highton, Geelong. It is a double bed sized quilt in the classic 'crazy' style with extensive use of herringbone and feather stitching.The pieced style of the quilt, made from squares of patchwork is similar to the style of quilts made by members of the Country Women's Association (CWA). The women sometimes made a quilt as a group activity and Lois suggested that the quilt may have been made by this group.Quilt, rectangular. Made with crazy patchwork in twelve large blocks. The blocks at each corner are fairly regular, whereas the others are full of random pieces. The patches are oversewn with hand embroidered feather stitch in different colours. In the centre there is a block with a maroon cross. Many of the pieces have central 'sprigs' of green embroidery in bullion stitch. The quilt is backed with a blue and green striped fabric.quilting patchwork, running stitch group national trust of australia (nsw), running stitch collection, densham, ms lois, geelong, quilting, patchwork, cwa

This skull has been on exhibition in various displays at the National Wool Museum from 1988 when the museum opened, and removed from display in 2024. Horned sheep skullCarved into horn: MD 1 - 68sheep, skeleton, skull, bone, horn, animal

Used in NWM Woolbrokers office display5 rubber stamps from Woolbrokers Office: 1 missing at Nov 2001.wool brokering, wool sales, elders limited

Article published in the Whitehorse Post 5 August 1998 re information panels to be installed at the Schwerkolt Cottage and Museum Complex, courtesy of funding from Whitehorse Council. These will enhance the experience of visiting the Cottage.Article published in the Whitehorse Post 5 August 1998 schwerkolt cottage & museum complex, museums, nunawading and district historical society

Flyer for Open Day, 7 April 2002 highlighting attractions, demonstrations and 'Beyond the big smoke' display.Flyer for Open Day, 7 April 2002 highlighting attractions, demonstrations and 'Beyond the big smoke' display.open day 2002, nunawading and district historical society, heritage festival 2002, schwerkolt cottage

Displayed in original toy cabinet of museum for unknown length of time. Copy of an original lithographBiography of Outhwaite, Ida Sherbourne 188 - 1960 in Supplementary FileBlack and white etched print of children and pixies playing around open fire. Print is set in brown wooden frame. Copy of an original lithograph. The etching is by Ida Rentoul Outhwaite identified by her signature in the top right hand corner covered by the mounting.|On the back of this copy of the etching (the page appears to be cut from a book) is an etching of a koala and a camp fire on which he has brewed billy tea. A sweet four verse poem describing the picture accompanies the etching.|The initials I.S.R.O. are at base of the etchingillustrations, reproductions