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National Wool Museum
Photograph - Slide, Stuart Ascough, Carding Machine, Thibeau Schlumberger, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing exterior of carding machinery.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box -
National Wool Museum
Photograph - Slide, Stuart Ascough, Gill Box Machines, 1990s
This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing factory interior with gill box machinery.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box -
Wodonga & District Historical Society Inc
Medal - Antique Aeroplane Association Wodonga Air Show Medallion, 1980
This medallion was produced to commemorate the Antique Aeroplane Association of Australia's fourth annual air show which was held at Wodonga on June 14 and 15, 1980. It took place at Joe Drage's Air World Museum in Wodonga, Victoria. The event included a fly-in by members of the Antique Aeroplane Association which attracted 105 vintage planes from all parts of Australia. The show incorporated the Amy Johnson memorial rally to recognise the 50th anniversary of Amy Johnson's flight from England to Australia in 1930. Radio 2AY, the sponsor of the annual air show began broadcasting in 1930. This medallion and 2 other linked medallions were owned by Mr. Clive Cossor. He spent a lot of time at Drage's Historical Aircraft Museum and also helped transport gliders. He was also at the Albury racecourse as a teenager to assist in moving the Uiver when it was forced to land in a storm during the MacRobertson Trophy Air Race from London to Melbourne in October 1934.This medallion is significant as it records an important event recognising aviation in Australia and recognises Amy Johnson, the first woman to fly solo from England to Australia.A medallion produced to commemorate the Antique Aeroplane Association of Australia's fourth annual air show held at Wodonga on June 14 and 15, 1980 On the front around the medallion: "ON THE AIR FOR 50 YEARS/ANTIQUE AIRCRAFT ASSOCIATION 1980" . In the centre "SPONSORS/ 3AY/ALBURY-WODONGA/50th/ANNIVERSARY AMY JOHNSON/FLIGHT TO AUSTRALIA/41/WODONGA 1980" On reverse: a depiction of Amy Johnson with wings inscribed "JOHNNIE 1930"aviation history, antique aeroplane association of australia, joe drage airworld, airshow wodonga, amy johnson -
Vision Australia
Equipment - Object, Stainsby-Wayne, Stainsby Braille writer in case, 1933-1980
The Stainsby Braillewriter was utilised by Braille tutors and volunteers as well the blind and visually impaired. Stored in a brown cardboard lockable case and this complete kit consists of a metal Braille writing machine; a long slim rectangular device with carriage and six silver keys and a bell, a metal board to attach Braille writer, a metal hinged Braille paper clamp and an instructional booklet. Henry Stainsby (1859-1925), Supt. of the Birmingham Royal Institution for the Blind, (later General Secretary of the British & Foreign Blind Association) along with Birmingham manufacturer Albert Wayne, introduced their portable brailler writer around 1903. An "improved" version, featuring aluminum parts and a paper clamp allowing accurate interpointing or interlining, was announced in "Outlook for the Blind" as early as 1927 and available generally by 1933 in the RNIB catalog. By 1978, RNIB sold the Improved Stainsby in a number of formats, including a large version available with interlining and inter-pointing board, and a small version with a folding board. Both large and small models came in ordinary and reverse keyed versions. Silver Brailler, rectangular with six silver keys and a bell, with paper board and clip, in cardboard suitcaseM8839 M88 (Brailler) M 8839 (Board) On the outside of the suitcase an address label reads "Braille Library, 31-51 Commercial Road, South Yarra". braille equipment, assistive devices -
Flagstaff Hill Maritime Museum and Village
Functional object - Kerosene Searchlight, Circa 1935
The Tilley lamp derives from John Tilley’s invention of the hydro-pneumatic blowpipe in 1813 in England. W. H. Tilley were manufacturing pressure lamps at their works in Stoke Newington in 1818, and Shoreditch, in the 1830s. The company moved to Brent Street in Hendon in 1915 during World War I, and started to work with paraffin (kerosene) as a fuel for the lamps. During World War I Tilley lamps were used by the British armed forces, and became so popular that Tilley became used as a generic name for a kerosene lamp in many parts of the world, in much the same way as Hoover is used for vacuum cleaners. During the 1920s the company had diversified into domestic lamps, and had expanded rapidly after orders from railway companies. After World War II fears about the poisonous effect of paraffin fumes, and widely available electricity, reduced demand for domestic use. The company moved from Hendon to Ireland in the early 1960s, finally settling in Belfast. The company moved back to England in 2000.A significant item demonstrating the early use of kerosene under pressure as a lighting medium. These types of lamps were made by a company whose products became synonymous with oil lamps generally. Lamps that were used commercially, domestically and by the armed forces of many countries during the first and second world wars.Tilley Searchlight Projector, or search lamp, made in Hendon, England 1935. Metal kerosene pressure search lamp, glass front, fixed mirror at back, wooden carry handles. Mounted on fuel tank with pressure pump. Lamp has 8 airflow holes in the bottom and a covered outlet on the top. Glass is in 3 pieces, fitting together to make flat circle there is a maker’s plate on the pressure tank. “TILLEY / SEARCHLIGHT PROJECTOR / MADE AT / HENDON, ENGLAND”, “256” handwritten in red on one wooden handle, “9” or “6” hand painted in white on top on lightflagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, tilley kerosene pressure searchlight, lighting, john tilley, pressure lamps -
Department of Energy, Environment and Climate Action
Washington Winch - identification Plate
The Washington Winch sits deep in the forest east of Swifts Creek and is the last one of its particular type left in Australia. It was made by the Washington Iron Works company in Seattle. This unique winch was one of two machines imported in 1920 to operate in the Karri forests of WA. Both machines were later purchased by the Forests Commission after the 1939 bushfires for salvage logging at Toorongo to drive elaborate "high lead" cable systems. This particular machine was later sold to Jack Ezard from Swifts Creek in 1959 where it operated on its current site until about 1961. The fate of the second machine is unknown. It was possibly cannibalised for parts. The Ezards were innovative sawmillers who introduced high lead logging into Victoria. They had owned and operated sawmills in the Warburton area from 1907, before shifting to Erica in Gippsland in 1932. Bulldozers and powerful logging trucks eventually made steam and the Washington Winch redundant. The winch is listed on the State Heritage Register. Only one of its kindBrass identification plate recovered from the Washington Winch near Swifts Creek 21 cm in diameter11 x 14 refers to the double drums The serial number is assumed to be 3832forest harvesting -
Warrnambool and District Historical Society Inc.
Toilet set, China toilet set, Early 20th century
A bathroom set would have been a common item in most households in the 19th century and up the mid 20th century. Not many of the bathroom sets, however, would have been as fine and as attractive as this one as this one would have belonged to a family with some wealth. Bathroom sets went out of common use once houses were sewered or had septic tanks and toilets and bathrooms were constructed inside the main house building. This set is of interest as an example of a common household item in houses 100 years ago or more. It will be useful for display.This is a five-piece china bathroom/ toilet set. The five pieces that comprise the set have a white background with a floral pattern in sage green monochrome with roses, carnations, sweet pea and dianthus. In the pattern are also tendrils and foliage. The jug is an elongated oval shape with a decorated handle. The interior of the lip is chipped. The circular bowl has an indented ridge at the top with interior and exterior decoration. The bowl is partly discoloured and there is some crazing. The toothbrush holder has a vase-like shape with an indented rim with fluting on the top. The chamber pot is circular with a decorated handle and one crack. The soap holder is circular and has three parts – the circular decorated base, the inset piece with a fluted edge and one large and six small holes for draining, and the decorated lid which is also fluted around the edge. The markings at the base of each item have a crown symbol as well as the lettering. Staffordshire England Camelia’ social history, bathroom set, china bathroom set -
Bendigo Historical Society Inc.
Document - H. A. & S. R. WILKINSON COLLECTION: CONTRACT OF SALE
Contract of sale of land dated 7th August, 1963 between Sandhurst and Northern District Trustees on behalf of the estate of W. H. Beecroft - Deceased (vendor) and Mr. A. L. Scinetti & Mr. J. Carriddi (purchaser). Solicitor for vendor: E. M. Monotti LL. B., View Street, Bendigo. Solicitor for purchaser: Manobo, Taylor & Taylor, Hargreaves Street, Bendigo. Property: 9 Short Street, Bendigo being parts of allotment 22A and 23 section 97C having a frontage of 65 feet 4 inches to Short Street and a depth of 82 feet 6 inches, being the land now comprised in certificate of title volume 2933 folio 421 and volume 4900 folio 928, together with all floor coverings, blinds, curtains and electric light fittings and shades. Price: 1,910 pounds.organization, business, h.a. & s.r wilkinson real estate -
Bendigo Historical Society Inc.
Document - CERTIFICATE OF ADMITTANCE TO FREE MASONRY
Vellum Certificate of Admittance to the Free Masonry of the United Grand Lodge for Carl Mueller, dated 30 March 1871. At the top of the certificate is crest with a lion wearing a crown on the left and a unicorn with a chain on the right of a circle divided into quarters, two of the quarters have three lions in them, the third has one lion standing on one leg, and the fourth has a human like figure with wings. Above the circle is a crown with a lion standing on it and an elephant on each side. Around the edge of the circle is ' Honi Soi -- Mal Y - - E (parts are obscured by the animals legs and a helmet between the circle and the crown. Underneath is printed ' Dieu Et Mon Droit'. Under the main headings are three columns spaced across the page with, on the left, the details of the admittance and on the right are the details in Latin. In the left margin is the Mason Seal. Between the columns are various tools? boxes and two spheres. Certificate No. 1730.organization, club / society, freemasonry - lodge, certificate of admittance to free masonry, carl mueller, zenith lodge no 1133 sandhurst, brothers warrington london -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. STORES AT THE DIGGINGS, c1850s
Diggers & Mining. Stores at the diggings. (Continued) . . . At Ballarat in more lawless days, when Mr Armstrong had it entirely his own way, he used to collect a bundle of faggots, pile them up in the middle of the forfeited tent, and set the whole concern in a blaze - burning them out, furniture, merchandise, and clothing; and yet, even to this, unauthorised as it was, they never offered serious resistance. On the present occasion the culprit seemed to fear that Mr. Armstrong was going to do the, and humbly begged and exemption for his ''traps'', which was graciously granted. In the course of the day this man was fined 100pound (it being a second offence), which he paid before the night; such are the profits of illicit trade . . . These seizures are pretty frequent; Mr. Armstrong tells me he had as many as nine bonfires blazing together at night in various parts. Markings: 34 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Bendigo Historical Society Inc.
Photograph - Aerial shots of parts of Bendigo 1934, 1934
AERIAL SHOTS OF PARTS OF BENDIGO 1934 Catalogue No.10584 This document contains scans of a unique set of aerial photographs that were taken over the City of Bendigo on Friday 12th January 1934, at about midday. The photographs were commissioned by Bendigo Mines Limited during their exploration and mining program designed to revitalize the Bendigo Goldfield. The photographs were given to the Victorian Mines Department sometime in the 1950s. The photographs were taken at a relatively low level of about 4000 feet. This gives a very detailed picture of Bendigo as it was in the 1930s. The photos cover the City Centre and are mainly of the goldfields on the south side of the city; the extent of which covers approximately the four corners of Myers Flat, Maiden Gully, Mandurang and One Tree Hill. Streets, roads and places of interest have been identified as best as possible in December 2023. There are 44 maps, and each references the adjoining maps.Typed Notes with CD The CD is one of two and contains a set of 46 images: The folder named "High_Resolution_800dpi" contains the original digital files that were produced by scanning the photographic prints (About A3 size) at 800 dpi using a high quality, large pformat, roll scanner. These files may be too large for some computers. A second CD contains a direstory called "Low_Resolution_300dep" The images in the folder names "Low_Reolution_300dpr" have a lower resolution (300 dpi) and have been rotated 90 degrees clockwise so that the Northern margin of each image is a the top of the screen. Clive Willman Senior Geologist Geological Survey of Victoriahistory, bendigo, bendigo mines, bendigo maps, bendigo aerial photos -
Moorabbin Air Museum
Archive (Item) - Box WP1 Prowse Collection See details under Description, Box WP1 Prowse Collection
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Tennis Australia
Racquet, Circa 1935
A Wright & Ditson 'Contender' model tennis racquet, endorsed by George Lott. String whipping around shoulders and around base of throat. Parts of throat and shoulders painted burgundy. Racquet model name and endorser name printed across throat on obverse. Endorser image printed on shaft on obverse. On reverse, manufacturer name and image of endorser are printed across throat, and signature of endorser adhered as decal on shaft. On left side of shaft are manufacturer's name and country of manufacture. Octagonal, fine-grooved handle, with leather end wrap. Owner name: 'WOODS' inscribed on shaft on obverse and reverse, and adhered using decals on left side of shaft. Two further decals adhered onto left side of shaft including one red with white cross, and one white with black spot. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Nylon, Paint, Stringtennis -
Thompson's Foundry Band Inc. (Castlemaine)
Document - Sheet Music for Brass Band, Harms Inc. et al, The Blue Room, 1926
The Blue Room is a Showtune written by Richard Rodgers (1902-1979) for the musical "The Girl Friend" with lyrics by Lorenz Hart. The New York American reviewer at the time of the release of the musical in 1926 wrote "There was a ditty called 'The Blue Room' which should be sung to exhaustion". The piece has become a well known jazz standard and has been released by many artists over the past century. Its simple melody makes it easy to adapt to introduce instrumental improvisation over the backing band.The Blue Room is a Showtune written by Richard Rodgers (1902-1979) for the musical "The Girl Friend" with lyrics by Lorenz Hart. The New York American reviewer at the time of the release of the musical in 1926 wrote "There was a ditty called 'The Blue Room' which should be sung to exhaustion". The piece has become a well known jazz standard and has been released by many artists over the past century. Its simple melody makes it easy to adapt to introduce instrumental improvisation over the backing band. 17 Parts for Brass Band: Soprano Cornet Solo Cornet Repiano 2nd Cornet 3rd Cornet Solo Horn Eb 1st Horn Eb 2nd Horn Eb Euphonium 1st baritone 2nd Baritone 1st Trombone 2nd Trombone Bass Trombone Eb Bass Bb Bass DrumsThe Blue Room is a Showtune written by Richard Rodgers (1902-1979) for the musical "The Girl Friend" with lyrics by Lorenz Hart. The New York American reviewer at the time of the release of the musical in 1926 wrote "There was a ditty called 'The Blue Room' which should be sung to exhaustion". The piece has become a well known jazz standard and has been released by many artists over the past century. Its simple melody makes it easy to adapt to introduce instrumental improvisation over the backing band.the blue room, richard rodgers, lorenz hart, showtune, 1926, the girl friend, musical, chappell & co, harms inc., robert h mcanally -
Melbourne Tram Museum
Document - Personal Papers, H. S McComb, "Index to Melbourne and Metropolitan Tramways Act 1958 No. 6311 as amended by MMTB, 1959 onwards
Book - 6 sections sewn into heavy grey card covers with full end papers with a blue coloured cloth tape edge strip with ruled pages and an A to Z index on the right hand side - printed by "Feint", with the title "Index to Melbourne and Metropolitan Tramways Act 1958 No. 6311 as amended by MMTB (Amendment) Act 1959, No. 6555. Compiled by H. S. McComb LS" Provides a full list or index of every word, except for words like, a, an, and, as etc in the MMTB 1958 Act and the 1959 amending Act. and the section it is used in. Some changes or corrections made in blue ink.. Inside the front cover is a type alphabetical list of the major headings or principal parts of the Act and the Schedules - 6 pages. Also within the book (which has resulted in some damage) are many half quarto sheets with hand written notes.trams, tramways, tramways, acts of parliament, mmtb, lists, index -
Melbourne Tram Museum
Manual, The Met, "MetRail Passenger Fares and Conditions", "Summary of "A" Circulars issued in reference to the Metropolitan Transit Authority tickets introduced after 13-11-83", 1983 - 1985
Manual - approx. 115 A4 pages with card board manilla covers white comb bound with a yellow plastic front cover. Titled "MetRail Passenger Fares and Conditions". At about the 1/.3 point has another card cover titled "Summary of "A" Circulars issued in reference to the Metropolitan Transit Authority tickets introduced after 13-11-83. Issued late 1983, prepared by Ian Yarde of the MetRail Projects Officer for use at Stations by Booking and Ticket Checking staff. Has a note on the second page about the introduction of the new fare system for Neighbourhood tickets, rail, tram and private buses - signed by L. A. Strouse Managing Director, dated 13/11/1983. Has an index to the type of tickets. The second parts includes an index, gives changes up to early 1985, including the Bundoora tram extension.In the top right hand corner in red ink "VR - 20" and in blue ink "Group 74". Numerous notes and minor changes noted throughout the book.trams, tramways, metcard, tickets, manual, the met, metro trains, neighbourhood tickets, bundoora -
Melbourne Tram Museum
Functional object - Ticket punch, Set of 3, 2000
Set of three brass cast, chrome plated, machined, device or ticket punches used to cancel or punch paper tickets when purchased. Placed a shaped hole in the ticket. Spring loaded, consists of two main parts with a pin & spring from coiled wire. Some of the chrome plating has been worn off. There are no manufacturer markings on the punches. See https://onlineriver.com/transit-punches/ accessed 6-11-2017 for details of the new equivalent punches. .1 - number P54 - punches a shaped cornered hole - would have been used at Preston Depot. .2 - number K127, punches a four cornered rounded hole - would have been used at Kew Depot. .3 - number E178, punches a U shaped hole with a sharp peak on the right hand side, would have been used at the Essendon Depottrams, tramways, ticket punch, tickets, fares, conductors, preston depot, kew depot, essendon depot -
Melbourne Tram Museum
Functional object - Ticket punch, Set of 3, c1960
Set of three brass cast, chrome plated, machined, device or ticket punches used to cancel or punch paper tickets when purchased. Placed a shaped hole in the ticket. Spring loaded, consists of two main parts with a pin & spring from coiled flat metal spring sheet. Some of the chrome plating has been worn off. There are no manufacturer markings on the punches. See https://onlineriver.com/transit-punches/ accessed 6-11-2017 for details of the new equivalent punches. .1 - number E1359 - punches a heart shaped hole - would have been used at Essend Depot. .2 - number 1086 - punches a large crossed hole. .3 - number E1413 - punches a rounded hole with a waistline appearance - would have been used at Essend Depot. Item .2 advised by G. Young 11/11/17 associated with an Almex machine.trams, tramways, ticket punch, tickets, fares, conductors, essendon depot -
Melbourne Tram Museum
Legal record, Christie & Gardiner, Consulting Engineer', "Contract between Footscray Tramway Trust and The Australian General Electric, 31/07/1919 12:00:00 AM
Set of documents sewn within a green folder titled "Contract between The Chairman and Members of the Footscray Tramway Trust and The Australian General Electric Co. Queen St Melbourne for the supply, delivery and Erection of Rotary Converters, Transformers and Switchgear for the Footscray Tramway Trust" containing: 1 - "Footscray Tramways Trust - General Conditions, Specifications and Forms for Tendering - Tender for the Supply Delivery and Erection of Rotary Converters, Transformers and Switchgear", Schedule of Prices, Tender Form, Schedule of documents, contract dated 31/7/1919, includes the seal of the FTT and copies of some 10 letters clarifying matters between the time of the tender and documentation. Documents have been signed and sealed. See page 5 bottom right hand corner for the FTT Seal. Documents prepared by Christie & Gardiner, Consulting Engineers, 97 Queen St Melbourne. Parts of the document have scanned to pdf.Has in pencil in the top right hand corner "49"trams, tramways, ftt, footscray, rotary converters, electrical engineering, electrical equipment, tenders, contracts -
Parks Victoria - Point Hicks Lightstation
Megaphone
Used to communicate with ships from Point Hicks Lightstation. In Greek mythology, "Stentor" was a herald on the Greek side during the Trojan War. His name has given rise to the adjective "stentorian", meaning loud-voiced, for which he was famous. Homer said his "voice was as powerful as fifty voices of other men." He died after his defeat by Hermes in a shouting contest. See the Iliad, V. The large funnel-shaped device is nearly 750mm (30 inches) in length and is made of re coated cardboard that is riveted together. It has a metal mouth-piece at the narrow end and a metal edge at the wide end, and a metal handle. The maker’s information inside indicates that it is a ‘Stentor Megaphone’ patented on 4 April 1899 by a company in Boston. Stentor brand megaphones were manufactured by Merriman Brothers, a firm established in Boston in 1898 specializing in hardware for yachts. Merriman Bros. Manufacturers. 139 Border St. East Boston, Mass. Their equipment, which included pulley blocks, winches and fittings, was well-known worldwide before the company closed in about 1995. However, their ‘main business was not blocks and winches’…‘it was Merriman megaphones, including the familiar cheerleader megaphones’. They came in different sizes, one of which was employed by the United States Navy because of its scientifically proven horn angle of 22 degrees’. Their patent for the device, dated April 4, 1899, specified details such as the ‘rivets, metal mouthpiece, and adjacent parts’,and an undated pamphlet promoting the Stentor Megaphone emphasizes its ‘highly finished’ appearance ‘with nickel mouthpiece, rim and other fittings’. It also pronounces ‘the carrying power of a Megaphone is astonishing. Even under adverse conditions, it magnifies the power of the voice many times. For listening to distant sounds, it is also of great assistance’. Various sizes were designed for particular uses, and the pamphlet advises that the 30 inch no.2 model, which cost US $2.50, ‘makes it easy to talk half-a-mile and shout a mile’. An advertisement also stresses that it has ‘no iron parts’, making it ideal for marine situations.The Penobscot Marine Museum, Searsport, Maine, United States, has the same or similar model of megaphone in its collection, and the Flagstaff Hill Maritime Village Museum, Warrnambool, Victoria, has a galvanised metal ‘Acme Stentor’ megaphone. The Point Hicks Stentor Megaphone has first level contributory significance for its provenance and historic value, and also as a relatively rare item of equipment once used worldwide in marine situations, such as lightstations, as demonstrated by this example in a Victorian lightstation.One large funnel shaped megaphone made of coated cardboard riveted together. Has a metal handle and metal rims at each end. Dark reddish brown colour."No 2 / THE / STENTOR MEGAPHONE / PATENTED APRIL 4TH 1899 / .../ MAKERS / .OSTON. MASS" -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Document - Guarantee, c1900
Mrs Martha Closter ( Kloster), of Oakleigh purchased the Melber Sewing Machine in 1909 and gave it to her daughter Mary when she and Alonzo Box married in 1918 and settled in Moorabbin Shire. This document was donated by a descendant of the Box family in 1985.William and Elizabeth Box purchased 'Box Cottage' in 1865 from a pioneer settler who had bought part of the land noted in Dendy's Special Survey 1841 Brighton. They raised their family there and established a market garden to supply produce to the population of Melbourne. Their nephew Alonzo married Mary Kloster/ Closter in 1918 and she brought with her this 'Melber' sewing machine that she used to provide clothing for the family The original, hand written, Guarantee for the Melber Sewing Machine purchased by Mrs Martha Closter of Oakleigh in July 15th 1909 at Powell & Candy, Importers of Chapel Street, Prahran, Melbourne. MEMORANDUM / From / Powell & Candy/ IMPORTERS / ‘ July 19th 1909 ‘ ( hand written) / To M / The Melbourne Sewing Machine / Exchange, / 154 CHAPEL STREET, PRAHRAN / Guarantee ( hand written) / “ We hereby guarantee the Melber Rotary Hook / Drop Head Sewing Machine Sold by us to / Mrs Closter of Oakleigh, to be free from defects / in regard to material & workmanship & will / make good any defects not caused “be” / accident, rough usage or neglect at any time / within Five (5) years of date of purchase . viz. / July 15th 1909. / All parts to be submitted to us at our place / of business for inspection before any claim / is allowed. / Powell & Candy / per ……..” ( all hand written ) victoria, melbourne, clothing, brighton, moorabbin, pioneers, sewing, box elizabeth, box alonzo, closter mary, oakleigh, kentucky, early settlers, america, craftwork, sewing machines, melber company, u s a, prahran, kloster martha -
Ringwood and District Historical Society
Photograph, Sue Bennett of North Ringwood, Victoria's "Girl of the Year". c1960's
Black mand white photograph (2 images)Typed on back of photograph P121(b), "Sue Bennett, Victoria's "Girl of the Year" pictured boarding an Alitalia aircraft at Sydney Airport on the first stage of her trip around the world. Sue, 19, of Warrandyte Road, North Ringwood, will visit twenty countries in the course of the next few weeks and will be interviewed on radio and television in Europe and the United States. She will spend ten days in Rome and will also visit Naples, Venice, and Milan, and other parts of Europe before going to London and the United States." Stamp also on back of photograph reads, "John A. Mulligan, Photographer, 108 Albion St. City". No inscription on the back of P121(a) but stamp states photographer as, "Stuart Goldsworthy, ... Melbourne". -
The Beechworth Burke Museum
Animal specimen - Common Pheasant, Trustees of the Australian Museum, 1860-1880
The Common pheasant is a gregorious, colorful bird renowned for the striking plumage of the male. It is native to Asia and parts of Europe but has been widely introduced elsewhere as a game bird, including Australia. In their natural habitat, Common pheasants live in grassland near the water with small copses of trees, but can also be found in can be found in woodland, farmland, scrub, and wetlands. Common pheasants are diurnal and spend most of their time on the ground. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Common Pheasant is colourful and has striking plumage. It has a small white crest, greenish/blue neck and a pinkish/brown chest. The rest of its feathers are brown, black, white with hints of light grey, where a variety of speckled patterns are apparent on its belly, legs and back feathers. This specimen stands upon a wooden perch attached to platform, facing forward and leaning slightly to the right.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, common pheasant, phasianidae -
The Beechworth Burke Museum
Geological specimen - Malachite, Unknown
Malachite is a copper carbonate hydroxide mineral. It has a chemical composition of Cu2(CO3)(OH)2. It often forms within limestone where a subsurface chemical environment favourable for the formation of carbonate minerals can occur. It is a substance that can be found in many different parts of the world including: Australia, USA, Russia and the Democratic Republic of Congo. Malachite has historically been used to produce copper, with mining of the mineral dating back over a period of four thousand years. Due to its beautiful green colourations, it is also commonly used for aesthetic purposes such as in the production of sculptures and jewellery. This particular specimen was collected from the town of Burra, South Australia as part of a geological survey undertaken during the nineteenth century. The locality (located on Ngadjuri Country) has a long history of mining, particularly in copper mining, as the area is rich in copper deposits. The first significant discovery of this was made in Burra (Burra Burra Mine) in 1845 and, at the time, the mine was the largest and richest of its kind in the world, producing nearly five percent of the total world copper output. This specimen is significant as it is considered to be a rare gemstone, as many of the original deposits for the stones are significantly depleted, leaving behind very few sources. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A solid palm-sized copper carbonate hydroxide mineral with patterns of green colourations Existing Label: MALACHITE / Locality: Burra / S. Aust. Other Label: Confirmed / as Malachite / C. Willman / 15/4/1 / + Bill Birch burke museum, beechworth, geological, geological specimen, malachite, gemstone, green gemstone, burra, burra burra mine, burra south australia, carbonate mineral, copper, copper mining, copper mining burra, carbonate hydroxide mineral, copper carbonate, malachite mining, malachite burra, monster mine -
Eltham District Historical Society Inc
Document - Series Listing, Fraser Faithfull et al, Series 52: Ari in Public Places Awards 1992 & 1994, photographs, 2000
Series consists of one folder of photographs relating to Art in Public Places awards. The folder is divided into two parts: I) Presentation and Installation - 1992 Award. Colour prints featuring Shire President Pamela Sladden opening "The Tower" at Weir St Park, Montmorency. Also pictured are Shire Arts officers Caroline Shaw and Chris Marks. Folder includes: * B& W and colour photographs taken on the night of the award presentation. * Four colour photographs of Weir St Park prior to installation of tower. * Colour photographs of two alternative sites for installation of tower. 2) Selection of 18 colour photographs taken at Selection Night for the 1994 Art in Public Places award. This event took place in the new Eltham Library. Also included arc panels of32 photographs (colour and B&W) of Alistair Knox Park and the immediate area around the new Eltham Library - photocopies of these pictures were provided to artists to give them a feel for the area. Note that selection took place after the commencement of the Nillumbik Shire Council, possibly in 1995.shire of eltham archives, series listing -
Phillip Island and District Historical Society Inc.
Photograph, Alan West, Ferdinand Von Mueller, 10/1994
Ferdinand Von Mueller came to Australia at the age of 22 arriving 15/12/1847 with his two sisters in Adelaide. He started work as an assistant chemist and in his spare time investigated the local vegetation. In 1852 he moved to Melbourne. From 1853 - 1896 when he died, he was the Victorian Government Botanist and Director of the Melbourne Botanic Gardens. He went on a series of expeditions to parts of Victoria including Mount Buffalo and Wilson's Promontory. He travelled all over Australia in various expiditions. In 1863 he was engaged to Euphemia Henderson for 6 months. Euphemia was a wildflower artist and painted bunches of flowers for Mueller. They allocated specimens at Phillip Island (1863) - one named Nematolepis euphemiae F Muell was named for her. Euphemia's sister was Gergianna who married John David McHaffie of Phillip Island. Euphemia lived with the McHaffies on Phillip Island. Her Wildflower art has been adapted for a range of plates and mugs produced in partnership with the Royal Botanic Gardens and Maxwell & Williams, called the Euphemia Henderson Collection.Large Black & White photograph of grave and monument of Ferdinand Von Mueller in St Kilda Cemetery.Handwritten on the bottom of the photograph: "Grave/Monument St Kilda Cemetery. Ferdinand Von Mueller. Photographer: Alan West Oct. 1994.ferdinand von mueller, baron ferdinand von mueller, miss euphemia henderson, georgianna mchaffie, john david mchaffie, alan west -
Kiewa Valley Historical Society
Transformer Lamp System, late 1950's
This transformer lamp system, which has a dial to transform 240 volts to a minimum of 32 volts was used by electrical technicians to inspect internal parts of the large generators (even in small confined spaces). The reason for the reduction of the 240 volts to the 32 volts was for the safety of the inspector. The SEC Victoria Hydro Scheme's electrical generators are powered by the hydro force of "stored" water at a higher altitude. The establishment of both the NSW and Victorian Hydro schemes was achieved from the mid 1900's to the 1960's. At this the point in time the need for additional power sources to quench both an industrial and domestic demand for electricity was purely an economic and not and environmental (carbon reduction) factor. This hydro scheme was instigated by "the Government of the day" as a bold move and was the major force of the World War II refugee and "technical" workforce inclusion of skilled and unskilled migration into the Australian environment. Although this mass "invasion" of workers with families was thought of in some circles as intrusive, the expansion of population post war years and its integration into the Australian rural sector, produced the multi- lingual multi-cultural diversity of later years.This transformer lamp is very significant to the Kiewa Valley as it was introduced as a very small part of the explosion of human resources into the valley. This influx of population transformed the region from that of a basically quiet rural region to one which evolved into both industrial and larger residential community. This evolution in the valley created a change, not only in the "physical" landscape but also the socio-economic expansion which permitted other "tourist" based industries into the valley. This is also a specific electronic item which was manufactured in Melbourne and not sourced from Europe or Asia. This demonstrates the fast evolution of Australian technology to a high standard compatible to that of the rest of the world.This heavy hand held electrical transformer (transforms 240 volts to 32 Volts) an has one leather handle on the top with three small (gauze filtered) air holes. It also has two 2 pin directional cable distribution (clipsal) in/out points 10amps / 240 volts. There is one glassed in volts/ac meter and one variable switch (180 to 150 voltage in settings of 10 volt increments.There are two vents (one on each of the smaller sides). There is also one three pin electrical lead coming out from the top.On one side is a manufacturer's plaque with "ELECTRONIC A & R EQUIPMENT MELBOURNE" and underneath "TYPE 1719, PRI V. 180 250" underneath "V.A. 1250" underneath "CYC 50" underneath "SEC V. 115" underneath "SEC A. 10 . 8". The label on topside "CAUTION SET SWITCH TO 250 v BEFORE CONNECTING TO MAINS THEN, WITH EQUIPMENT OPERATING, SET METER TO RED LINE.kiewa hydro electricity scheme, victorian state electricity commission, transformers -
Melton City Libraries
Photograph, Jongebloed Grocery Store, 1970
Bakery Square–Site of 19th Century Jongebloed family bakery, grocery shops and residence demolished 1970 and later hardware shop erected c 1960. Gorrfried Jongebloed was born in 1857 and came to Melton in 1887 as a Captain in the Mercantile Marine. In 1888 he married Marie Antionette, second daughter of Mr Shebler, and took over the bakery and green grocers business. Ten children were born to the family- Gerhard, Annette, Gorrfried (dec 1937), Emil, (dec 1947), Nicholas, Julius, Theckla, Augustus, Marie and Margarethe, - who settled in various parts of Victoria and are, in the bakery businesses. Mr and Mrs Jongebloed senior carried on the businesses in Melton until 1926, when one of their sons Emil, took over. Mr Jongebloed, senior, died in 1930 at the age of 73 years; and his wife living until 8th October 1946, when she died at the age of 80 years. After the sudden death of Emil, in Jan., at the age of 49 years, the business had been conducted by two sons “Pat” and Bryan. Store closed down in 1970 and was demolished in 1976/1977. In the photo left to right isBryan, sister-in-law Shirley. Her children Meryl, Daryl and Debra. Mrs Martha Myers mother of Edna was the photographer. local identities -
Parks Victoria - Point Hicks Lightstation
Fire extinguisher
The Minimax conical fire extinguishers were manufactured until 1960 and then removed from the company’s product range. The earliest model had been produced with a simple handle made of folded pressed metal that is similar if not the same as that on the Point Hicks extinguisher. Later handles were moulded and had more substance to the way they were cut and then folded to form a solid grip. The Point Hicks Minimax extinguisher is an early model that probably dates from the years when these devices were demonstrated across parts of Australia. While numerous examples of the extinguishers survive in public and private collections in northern hemisphere countries, few appear to exist in Australian museum collections. However, the auction house records confirm that some do survive in private collections. The Point Hicks extinguisher was found by lighthouse keepers in 1974 buried in the sand in a flattened but surprisingly intact condition. It was beaten back into its original shape but the body still retains various dents. In 2010, AMSA located the extinguisher at the National Trust’s Polly Woodside historic ship museum and it is now at the Point Hicks Lightstation. The Minimax conical extinguisher has first level contributory significance as a historic item of early fire-fighting equipment from the lightstation that dates from the early twentieth century.Conical shaped brass fire extinguisher painted red with small nozzle at one end and a pump section at the other end. There is a handle on one side with closely spaced rivets down one side. Brass plaque with instructions attached to the body. There ia a square hook to hang the object form a wall or similar." ...ANKS ... / QUENCH.../ FOR FIRE / DRIVE IN PLUNGER / AT BIG END / ...ON GROUND /..../..../..." -
Wodonga & District Historical Society Inc
Photograph - Sanyo Wodonga
Sanyo was one of the international companies that set up business in Wodonga in the 1970s as part of the decentralisation of industry. The Sanyo Australia Pty. Ltd. factory in Wodonga was officially opened on 25 October 1974 with 35 staff and production peaked in 1976-1977 when it employed 360 people. In the first 10 years, 350,000 televisions were assembled from Japanese parts. The official plaque was uncovered by Victorian Premier Rupert Hamer. In October 1977 there were 79 workers retrenched, followed by 30 in November and 45 in February 1978. In 1978 workers staged a sit-in which lasted over a week, to protest multiple mass retrenchments of staff. The factory stayed open for almost another decade. In 1982 the General Manager of Sanyo was quoted as saying the productivity in the Wodonga factory was 10% higher than in Japan. However by 1984 the number of staff had reduced to 112 and the factory closed in 1987. The premises were taken over by Parker Hannifin and the administration building is now the home of 3D Lanes Bowling Alley. The street in which it is located is now called Sanyo Drive.These images are significant because they document and industry which employed many people in Wodonga in the 1970s and 1980s.A set of black and white photographs of the Sanyo Australia Pty Ltd premises in Wodonga.sanyo, sanyo-guthrie wodonga, decentralised industry wodonga