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Plutarch Project
16mm Portable Optical & Magnetic Sound Projector, circa 1950's
... German ...One of the three projectors used in every trip was this 16mm Portable Projector, which was used taken to about 60 towns and cities around Australia, as Mr Yiannoudes states. This projector is in working condition serviced by Mr Yiannoudes himself regularly. It is an optical and magnetic sound projector, a rare one of its type.Primary historic significance as well as rarity significanceFrom January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. One of the three projectors used in every trip was this 16mm Portable Projector, which was used taken to about 60 towns and cities around Australia, as Mr Yiannoudes states. This projector is in working condition serviced by Mr Yiannoudes himself regularly. It is an optical and magnetic sound projector, a rare one of its type. Apart from this projector these items were taken on each trip. -a- 3 projectors in total -b- 2 tripod stands -c- 1 20 feet x 10 feet screen -d- 6 projector lamps and 2 exider lamps for sound -e- 2 extra lamps per film to be shown -f- 1 film rewinder (see rewinder in same collection)Siemensprojector, film, magnetic, sound, optical, language, greek, siemens, german, γιαννούδης, προβολέας, yiannoudes, plutarch -
RSL Victoria - Anzac House Reference Library and Memorabilia Collection
Letters of Edward John Howells, Edward John Howells et al, 1915 to 1923
Personal letters (approx. 150) of Edward Howells sent to his wife during WW1 from Turkey, Egypt, France and England. Letters (in German) received from Lydia Imberger in Jaffa. Official correspondence from HQ. Picture postcards (approx. 130) of the above locations. Collection includes notebooks and some personal photographs. WW1 collection of personal and official letters, postcards, and notebooks, belonging to Captain Edward John Howells (23rd Battalion, B Company/1st Field Squadron). photographs, ww1, letters, edward john howells, 23 battalion, lydia imberger -
Flagstaff Hill Maritime Museum and Village
Artwork, other - Card, 1890s
Quote is from the Bible John 6:20, these cards were often sent as gifts or used in bible studies at Sunday schools around the 1890s to teach religion. They were produced by various companies at this time and known as "Heidelberg cards" from the Heidelberger Druckmaschinen company in Germany that produces catalogues, calendars, posters, and labels to this day.Item is significant as it shows an early example of religious teaching aid from the late Victorian era and gives a snapshot into social life of the time.Card with Bible quotation 'It Is I' Be Not Afraid' with a picture of a roseflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, card, bible verse -
Flagstaff Hill Maritime Museum and Village
Domestic object - Dish, Late 19th or early 20th Century
Enamel cookware became very popular because people wanted a way of coating iron to stop metallic tastes or rust getting into food: something acid-resistant and easy to clean without laborious scouring, something more durable than the tin linings used inside copper. Enamelware dates back to 1760 in Germany.This object is significant as an example of an item in common use in the 19th and early 20th centuries.Oblong shaped enamel dish. The white enamel has been discoloured on the inside and much rust has occurred. The remains of a blue enamel line around rim.Two large rust holes in base, and a small rust hole near rim. None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, enamel, kitchenware, baking -
Flagstaff Hill Maritime Museum and Village
Domestic object - Dish
Enamel cookware became very popular because people wanted a way of coating iron to stop metallic tastes or rust getting into food: something acid-resistant and easy to clean without laborious scouring, something more durable than the tin linings used inside copper. Enamelware dates back to 1760 in Germany.This object is significant as an example of an item in common use in the 19th and early 20th centuries.Oblong grey enamel dish. White speckles.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, enamel, kitchenware, baking -
Flagstaff Hill Maritime Museum and Village
Domestic object - Bowl, Early 20th Century
Enamel cookware became very popular because people wanted a way of coating iron to stop metallic tastes or rust getting into food: something acid-resistant and easy to clean without laborious scouring, something more durable than the tin linings used inside copper. Enamelware dates back to 1760 in GermanyThis object is significant as an example of an item in common use in the 19th and early 20th centuries.Large light blue enamel bowl.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, enamel, kitchenware, washing -
Tatura Irrigation & Wartime Camps Museum
Document, Schiller Friedrich Von 1759 - 1805, Theatre program. Deutiches Theater Tatura, 1991 photocopy (original 1942)
Theatre program. Deutiches Theater Tatura. Wilhelm Tell left hand page above Wahrend Der Pause Erwartet Sie Vor Kaffee and Kuchen im theater foyer. The test is likewise in German. Camp 3 theatre group. One of the progammes and/or plays presented by the Camp 3 theatre group to Tatura Museum.Theatre program in clear plastic front cover with blue margin left hand side and back.Camp 3 Theatre program "Wilhelm Tell" Palastine Temple Society Interneesdeutiches theatre, william tell, internment camps, internment camp theatre groups, theatrical plays -
Flagstaff Hill Maritime Museum and Village
Leisure object - Stereoscope, H C White, Late 19th century
The development of stereoscopic photography views or stereographs was immensely popular in the United States and Europe from about the mid-1850s through the early years of the 20th century. First described in 1832 by English physicist Sir Charles Wheatstone, stereoscopy was improved by Sir David Brewster in 1849. The production of the stereograph entailed making two images of the same subject, usually with a camera with two lenses placed 6 cm apart to simulate the position of the human eyes, and then mounting the positive prints side by side laterally on a stiff backing. Brewster devised a stereoscope through which the finished stereograph could be viewed; the stereoscope had two eyepieces through which the laterally mounted images, placed in a holder in front of the lenses, were viewed. The two images were brought together by the effort of the human brain to create an illusion of three-dimensionality. Stereographs were made of a wide range of subjects, the most popular being views of landscapes and monuments and composing narrative scenes of a humorous or slightly suggestive nature. Stereoscopes were manufactured for various price ranges and tastes, from the simple hand-held device introduced by Oliver Wendell Holmes who promoted stereography through articles to elaborate floor models containing large numbers of images that could be flipped into place. The stereograph became especially popular after Queen Victoria expressed interest in it when it was exhibited at the 1851 Crystal Palace Exposition. Like television today, stereography during the second half of the 19th century was both an educational and a recreational device with a considerable impact on public knowledge and taste. The Fine-art Photographers' Publishing Co. published many stereoscopic pictures from many different photographers from around the world under license. They also not only sold these images of various scenes and of famous people of the time but also were retail sellers of the viewers with the subject item having been made in the USA probably by H C White who held the patent for the subject items design from 1895 to 1902.An item that was very popular from the mid 19th century through to the beginning of the Edwardian period. Used for entertainment and also educational purposes and significant as it gives us a snapshot into the Victorian era and its social and domestic societal norms. Stereoscope viewer with adjustable view-finder that has a padded nose rest. The slide holder can move along the channel to suit the viewer. Made in London by the Fine-art Photographers' Publishing Co. Printed on metal plate "THE FINE-ART PHOTOGRAPHERS' PUBLISHING CO. 48 Rydevale Rd, LONDON, S.W." Embossed on viewing cup "U.S.A. PATENT OCT.15.1895" "CANADA / FRANCE / GERMANY / D'R''G'M' NO. 53803" "JUNE 3.1902 / FEBY 1.1896 / B.S.G.D.B. / GREAT BRITAIN / AUSTRIA / BELGIUM"warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, flagstaff-hill-maritime-village, stereoscope, stereographs, stereoscope viewers, home entertainment -
Anglesea and District Historical Society
Portrait, James Foley, Col. John Purdue O.B.E
Oil portrait of Col. John Purdue O.B.E. in full army uniform with 5 campaign medals on left breast painted on canvas stretched over hardboard in ornate gilt wooden frame.Plaque affixed to bottom of frame reads: COL. JOHN PURDUE O.B.E. 24-5-1890/25-3-1980. / FIRED THE FIRST SHOT IN W.W. I FROM FORT NEPEAN ACROSS BOW OF / GERMAN STEAMER "PFALZ' MERCHANT RAIDER ON AUG 5 - 1914 AT 12.50 PM.purdue, j foley, ww1, "pfalz" -
Wangaratta RSL Sub Branch
Framed caricature, Nancy Wake, Unknown
Caricature image of war hero and Australia's most decorated servicewoman Nancy Wake Australian born Nancy Wake AC, GM, was the most decorated servicewoman of the Second World War. She was nicknamed the 'White Mouse' for her ability to consistently evade and outmanoeuvre the Gestapo as a secret agent for British forces.Brown timber frame containing caricature of female in uniform wearing a beretMedals and Decorations: France: U.S.A War Hero - Australia's most decorated woman Great Britain - George Medal/1939-45 Star Legion de Honneur Freedom Medal France & Germany Star Croix de Guerre Defence Medal/Victory Medal Medal de Resistancenancy wake, ww2, white mouse, australian servicewoman -
Flagstaff Hill Maritime Museum and Village
Planisphere, Early 20th Century
The word Planisphere (Latin planisphaerium) was originally used in the second century by Claudius Ptolemy to describe the representation of a spherical Earth by a map drawn in the plane. This usage continued into the Renaissance: for example Gerardus Mercator described his 1569 world map as a Planisphere. The word describes the representation of the star-filled celestial sphere on the plane. The first star chart to have the name "Planisphere" was made in 1624 by Jacob Bartsch. Bartsch was the son-in-law of Johannes Kepler, discoverer of Kepler's laws of planetary motion. A significant item of celestial mapping used by marine navigators This particular item was made and used in the first quarter to half of the 20th centuryPlanisphere of northern hemisphere, with canvas bag. Planisphere consists of a circular star chart attached at its centre to an opaque circular overlay that has a clear elliptical window or hole so that only a portion of the sky map will be visible in the window or hole area at any given time. The chart and overlay are mounted so that they are free to rotate about a common pivot point at their centres. The star chart contains the brightest stars, constellations and (possibly) deep-sky objects visible from a particular latitude on Earth. The night sky that one sees from the Earth depends on whether the observer is in the northern or southern hemispheres and the latitude. A Planisphere window is designed for a particular latitude and will be accurate enough for a certain band either side of that. Planisphere makers will usually offer them in a number of versions for different latitudes. Planispheres only show the stars visible from the observer's latitude; stars below the horizon are not included. A complete twenty-four-hour time cycle is marked on the rim of the overlay. A full twelve months of calendar dates are marked on the rim of the starchart. The window is marked to show the direction of the eastern and western horizons. The disc and overlay are adjusted so that the observer's local time of day on the overlay corresponds to that day's date on the star chart disc. The portion of the star chart visible in the window then represents (with a distortion because it is a flat surface representing a spherical volume) the distribution of stars in the sky at that moment for the Planispheres designed location. Users hold the Planisphere above their head with the eastern and western horizons correctly aligned to match the chart to actual star positions. "Made in Germany for GEORGE PHILIP & SONS Ltd. Geographical and Educational Depot, 32 Fleet Street, London" Canvas bag has "Capt. H (Howard) Tyler from Captain H. F. Woolf" "Tyler 22 ? St East Brighton" also "13 Halls St Flinders"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, planisphere, star map, marine navigation, maps, george philip & sons -
Greensborough Historical Society
Photograph - Digital image, Familie Bosch Australien [Bosch/Bush], 1910c
Johannes Bosch and family migrated from Southern Germany to Greensborough district. They farmed along the Plenty River having purchased land from Flintoff. Johannes Bosch came to Australia in 1884 aged 17. He married Henrietta Duck, had 3 children and divorced in 1903. Around 1902 he anglicized the family name to Bush.Digital copy of black and white photograph.johannes bosch, bosch family, bush family -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Surgical scraper used by Dr Michael Kloss, Jetter and Scheerer
The '3' on this instrument indicated it was size 3. Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal scraper. Instrument consists of a large, six sided handle section, a short, thin shaft and a small, oval shaped scoop at the end of the shaft. The handle at the proximal end is in the shape of an elongated teardrop, hollowed out at centre. The number '3' is engraved on the shaft of the instrument. The shaft is also engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.'3'obstetrics -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Surgical scraper used by Dr Michael Kloss, Jetter and Scheerer
The '3' on this instrument indicated it was size 3. Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal scraper. Instrument consists of a large, six sided handle section, a short, thin shaft and a small, round scoop at the end of the shaft. The handle at the proximal end is in the shape of an elongated teardrop, hollowed out at centre. The number '3' is engraved on the shaft of the instrument. The shaft is also engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.'3'obstetrics -
Wangaratta RSL Sub Branch
Photograph, 25 Squadron
From collection of photographs and cuttings dedicated to the memory of WILKINSON JOHN HUDSON : Service Number - 400444 : Date of birth - 18 Feb 1914 : Place of birth - RUTHERGLEN VIC : Prior to enlisting in Melbourne John WILKINSON was a Pharmaceutical Chemist. Awarded the distinguished flying cross in March 1944 WILKINSON was tragically killed in action over Germany in 1944. black and white photograph of squadron of airmen25 Squadron Personnel Rear - signature of J H Wilkinsonpilot, kia, killed in action, dfc, distinguished flying cross, wwii, world war two, air force, john hudson wilkinson -
Tatura Irrigation & Wartime Camps Museum
Magazine, Wild Life, July 1947
Australian nature magazine featuring articles written by POW Adolf Wilke about bearded lizards. This is the second part of "My Prison Companions" (part 1 C7684) Adolf was a POW at Camp 13 Murchison. Original articles was translated from German by Captain Llewellyn Seal, of Army Intelligence and is about bearded lizards. Page 245.Soft covered magazine stapled at spine, has black and white illustrations throughout. Front cover features bird on tree limbs with seed in its beak. Orange splash on birds wings. Title is also in orange. Vol 9 no 7. Wilkeadolf wilke, my prison companions, camp 13 murchison, pow camps, australian nature magazine, bearded lizards, captain llewellyn seal -
Tatura Irrigation & Wartime Camps Museum
Photographs - emailed, Sketches made by Hermann Meier
Photographs of sketches of Camp 1 etc. emailed to researchers, 2004 Sketches made by Hermann Meier while in Camp 1. Sketch of Mrs. Meier. Photo of Mr. & Mrs. Meier. Photo of Herman and grandchildren. Coloured Duffner sketch of Camp . Photo of Herman's son post war. Photo of Herman's uncle's German WW1 medals.Photos emailed to researchers -
Tatura Irrigation & Wartime Camps Museum
Drawing - Drawing - Copy, Siegmund Lewinsohn
Sketch of fellow "Dunera" internee Siegmund Lewinsohn in Camp 2 by Robert Hofmann, former Austrian Court Painter. Photo emailed to Museum. Lewinshohn was born in Dautzig, Germany, Lewinsohn and was first interned at Hay NSW and then at Tatura. He enlisted in the Australian Army in the Employment Company (V503913) on 16 November 1942 at Royal Park, Victoria.Portrait of "Dunera" internee, Siegmund Lewinsohn. The Camp and its buildings, including the watch tower, can be seen in the distance. -
Harcourt Valley Heritage & Tourist Centre
Fruit Box Stencils, 1905-1910
Tin stencils were used to brand fruit cases to indicate the source and the destination of Harcourt Fruit for sale to local, interstate and overseas markets. These stencils are typical and also indicate grade/size of fruit. These stencils were used by J. B. Smith of Harcourt and N.C. Gaasch of Harcourt. Both of these growers customarily exported their fruit to England and Germany.An aid to marketing and branding Harcourt fruit, which had been sent in wooden cases for sale. Stencils, tin with delivery and sender details. Collection also includes ink block for branding the stencil information on to boxes. -
Jewish Museum of Australia
Chanukiah, 1940
Georg Chodziesner made this chanukiah in Hay Camp in 1940. It was made to celebrate the Jewish festival of Chanukah. Georg was born in 1900 in Berlin to a prominent Jewish advocate Justizrat, Ludwig and wife Elise. Fearing arrest at the outbreak of war, Georg fled Germany to the United Kingdom. His wife, Dorothea, and son, Wolfgang Benno, emigrated to Chile. Like many German Jewish men, Georg found himself on board the HMT Dunera, bound for interment at Tatura. On release, Georg joined the Australian Army 8th Employment Company in which he served for the remainder of the war. Georg sought permission for his son to join him in Australia, and the pair were reunited in Melbourne in May 1945. Dorothea had passed away from illness in 1943. After settling in Australia, Georg worked as a Patent Attorney and remained working at the same firm until his death in 1981.This Chanukiah was cut from a kerosene tin using nail scissors and mounted on a wood block base. Medium: Wood, tin and ink The Chanukiah is embossed with a Magen David, the Star of David, and the wooden base has a poker work inscription: "Hay 5701 / 1940".dunera, wwii, internment, jewish history & people -
Wangaratta RSL Sub Branch
Award - Citation
Citation of Distinguished Flying Cross awarded to JOHN HUDSON WILKINSON: Service Number - 400444 : Date of birth - 18 Feb 1914 : Place of birth - RUTHERGLEN Victoria - tragically killed in action over Germany on 30th August, 1944. Citation reads: - "Pilot Officer WILKINSON is an air gunner of great ability and determination. He has taken part in a large number of operational sorties, many of which have been against some of German's most heavily defended targets. On one occasion, in March 1944, when engaged in an attack on Stuttgart, a Junkers 88 attacked the aircraft five times, but Pilot Officer WILKINSON, by his accurate directions to his captain and coolly aimed return fire, drove off the enemy aircraft in a badly damaged condition. At all times his unwavering devotion to duty and constant alertness have inspired confidence in his crew." The Distinguished Flying Cross (DFC) is the third-level military decoration awarded to officers, and since 1993 to other ranks, of the United Kingdom's Royal Air Force and other services, and formerly to officers of other Commonwealth countries, for "an act or acts of valour, courage or devotion to duty whilst flying in active operations against the enemy"Original typed document on blue/grey parchment with blue letterhead containing crestGovernor General Commonwealth of Australiapilot, kia, killed in action, dfc, distinguished flying cross, wwii, world war two, air force, wilkinson -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Boy Doll, Alfons Konig, "Karl", 1940-1945
Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. The doll, named Karl by Else-Lore, was hand-carved by internee Alfons Koenig. Friedel Dehnel "Tante Fiffi" made the authentic Bavarian clothes. Friedel, wife of Walter Dehnel, arrived as a young woman from Austria, working in the Victorian snowfields as a chef and was a champion skier. She then became a dressmaker for Melbourne society and insisted that she be interned to be with her husband. She made costumes for the internment camp plays and took over her husband's duties as a cook for Camp A when he was locked up for "insubordination". She was deported with her husband back to Germany after the war and cared for her orphaned nephews and nieces in Garmisch-Partenkirchen. Body, head, arms and legs carved from wood. Blue eyes, yellow hair, pink lips and skin all hand painted. Wearing a grey crochet hat with orange feather and grey crochet jacket with two metal buttons. Jacket and hat have green trim. Grey felt shorts with leather braces and green trim. White shirt and tan color tie. White socks and brown leather sandals.doll, alfons koenig, camp 3, internee, oertel family, else oertel, friedel dehnel, else-lore hukins, dressmaker, costumes, plays, chef -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, Lakes Entrance and District Honour Board, 27/08/2017
This honor board was made by Robert Prenzel (1866–1941) who was born and trained in Prussia, and migrated to Australia arriving in Melbourne on 24th November on the steamer Habsburg. In Melbourne Prenzel first worked for the German sculptor and modeller Otto Waschatz, decorating private homes and public buildings. From 1891-1901 Prenzel worked in partnership with another German, Johann Christian Treede, after which he continued in business on his own. He also participated in the activities of Melbourne’s Deutscher Turnverein. During the first quarter of the current century he became the major exponent in the field of furniture and woodwork of the cult of nationalism, and was renowned for his carvings, many of them in the art nouveau style, of Australian animals, birds, trees and flowers. The two most common types of Australian timber in his work are mountain ash and blackwood.Colour photographs of a beautifully carved World War One Honour Board carved by Robert Prenzel.lakes entrance, robert prenzel, world war one, lakes entrance honour board -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, Kalimna Honour Board, 27/08/2017
This honor board was made by Robert Prenzel (1866–1941) who was born and trained in Prussia, and migrated to Australia arriving in Melbourne on 24th November on the steamer Habsburg. In Melbourne Prenzel first worked for the German sculptor and modeller Otto Waschatz, decorating private homes and public buildings. From 1891-1901 Prenzel worked in partnership with another German, Johann Christian Treede, after which he continued in business on his own. He also participated in the activities of Melbourne’s Deutscher Turnverein. During the first quarter of the current century he became the major exponent in the field of furniture and woodwork of the cult of nationalism, and was renowned for his carvings, many of them in the art nouveau style, of Australian animals, birds, trees and flowers. The two most common types of Australian timber in his work are mountain ash and blackwood.Colour photographs of a beautifully carved World War One Honour Board carved by Robert Prenzel.world war one, kalimna, kalimna honour board, h. clements, w.a. fish, d. mcdougall, j.a. rowe, c.c. sandford, c.d. somerville, l.j. cowlishaw, l.c. fish, t. hanson, c.a. innes, a.c. lester, j.a. lake, g.j. ward -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - VMR Mess
Kurt Muller was a Sergeant Cook. He had WW11 service in the German Navy, and after migrating post war joined 8/13 VMR. Sergeants Scott, Perkins and Boogarde were ARA members of the Cadre Staff. Cambrai Day is celebrated annually by Armoured Corps regiments of the British Commonwealth. It marks the anniversary of the Battle of Cambrai in November 1917 when a force of more than 400 British Mark IV Tanks broke the defences of the German Hindenburg Line, It was the first large-scale, effective use of tanks in warfare. Cambrai turned from a battle of great success to failure, but it heralded a new type of warfare and changed the nature of the battlefield forever. The gathering at Buna Barracks Albury, Beersheba Barracks Wangaratta, Bapaume Barracks Benalla and Salamaua Barracks Cobram on 30 November 1986 was the inaugural meeting of the 8th/13th Victorian Mounted Rifles Regimental Association.Colour photograph of Sergeant Kurt Muller, Sergeants Scott, Perkins and Boogard at Buna Barracks Albury at a Cambrai Day gathering of former and serving members of 8/13 Victorian Mounted Rifles, 30 November, 1986.muller, scott, perkins, boogarde, vmr, buna barracks, mess -
Wodonga & District Historical Society Inc
Functional object - Haeusler Collection Honey Dipper c. early 1900s
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This honey dipper is one of the many objects in the Haeusler Collection that represent home life in early twentieth century Wodonga.This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. Wooden honey dipper c. early 1900shoney, bees, food, kitchen, wodonga, haeusler collection, domestic, family, household, tableware -
Wodonga & District Historical Society Inc
Photograph - Haeusler Collection Photograph Group Portrait by Seaside c. late 1800s
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The photographer and subjects of this photograph are unidentified. It belongs to a collection of Haeusler family personal belongings, and is possibly a family photograph. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A sepia toned group portrait photograph of people wearing Victorian era clothing at the seaside. photograph, photography, family photograph, portrait, photographic portrait, seaside, ocean, beach, victorian, wodonga, haeusler collection -
Wodonga & District Historical Society Inc
Functional object - Haeusler Collection 'Olympus' Microscope Eyepieces
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. Microscope company Olympus was founded by Takeshi Yamashita in Japan in 1919. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. Two Olympus Microscope Bi P7X 7X eyepieces, and two Olympus Microscope Bi P15X eyepieces. Printed in gold on black plastic on two smaller eyepieces: "OLYMPUS/TOKYO/Bi/P15X/JAPAN". Printed in gold on black plastic on two larger eyepieces: "OLYMPUS/TOKYO/Bi/P7X/JAPAN".microscope, olympus, wodonga, haeusler, haeusler collection -
The Beechworth Burke Museum
Photograph
Taken some time between 1914-18, the photograph depicts an aerial view of trenches in France. The image mostly shows rural landscape, although there is a house in the bottom right corner. A dotted line has been drawn across the photograph, marking the section of trenches that belonged to British forces during World War I. It is believed that the line marking on this record denotes a section of the Western Front. The Western Front was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The German advance was halted with the Battle of the Marne. Following the Race to the Sea, both the French-British and German armies dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. Between 1915 and 1917 there were several offensives along the Western Front. The attacks employed massive artillery bombardments and massed infantry advances. Entrenchments, machine gun emplacements, barbed wire and artillery repeatedly inflicted severe casualties during attacks and counter-attacks and no significant advances were made. Among the most notable of these offensives were the Battle of Verdun (1916), the Battle of the Somme (1916), and the Battle of Passchendaele (1917).The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular photograph printed on matte photographic paper.Obverse: A.3FE.O.146 / G2R 29 . 6 . 18 (Y p.m) / F= 10 1/4 / British Line / ------------------------------------------ / P. 250 1040 / 0. 30d. 0010 / 0. 30d. 3070 /military album, military, war, wwi, world war i, france, great britain, trenches, village, rural, western front -
Ringwood and District Historical Society
Book, Murray Houghton, Prosit Carl! - A Tribute to Carl (a.k.a. Charles) Walter, 2007
A centenary tribute to Carl (a.k.a. Charles) Walter, (1831-1907), an itinerant potographer and botanist who in his maturer years made Anderson's Creek his home. Includes photographs attributed to Walter, and anecdotes and recollections of author Murray Houghton's ancestors."... By raising his stein in appreciation, the author herein toasts Carl Walter in the accostomed traditional method of 1850s German beer drinkers with a hearty 'Prosit!', i.e., a most warm, enthusiastic and respectful greeting, roughly equivalent to our contemporary custom of saluting a treasured friend with a rousing 'cheers!' or 'good health!'."