Roy Leslie Thurlow No 2493 enlisted in 5th reinforcements 60th Batt on 11.5.1916 age 22 years 5 months. Embarked for England 25.9.1916, embark for France 30.12.1916, promoted T/Cpl 4.10.1917, KIA 25.10.1917. Refer 649P, 1889.3.Memorial card plus pages, light fawn colour re R. Thurlow. Front has the "Rising Sun " Badge symbol, under is "Australian Imperial Force” Page 2 has the details of the soldiers name, rank, number & place of burial. Page 3 is a photo of the grave. Page 4 is who the card was received by."Thurlow .R.L, 2493, Temp Cpl, 60th Battalion, Aeroplane Military Cemetery plot 2 Row C Ypres."documents - memorials, military history - records

The dwelling is said to be the store at the Stoney Creek diggings, with some members of the Langley family. From left Alice Maria Langley, Lucy, ?, ?, Charles Langley (old man) & three friends.Photo shows three women and three men standing and sitting outside a slab hut. The roof of the hut appears to be constructed of bark, held in place by saplings. One of the men is sitting against the side of the hut and is holding a dog. Another man is crouched over a gold pan while an onlooker appears happy with the contents of the pan."Store at Stoney Creek diggings ?1902. Alice Maria Langley, Lucy ? ? Charles Langley (old man) & three friends." written on back in blue pen.people, langley, mining, gold mining

This belt was worn with the jacket issued to members of the Warrnambool Fire Brigade in the mid 20th century. The jacket was part of the uniform that served both as a dress uniform and a work uniform. The Warrnambool Fire Brigade was formed in 1863 following unsuccessful attempts to establish a permanent fire service in the town. It was prompted by a fire at the Flying Buck Hotel in Liebig Street. The Warrnambool Fire Brigade, now located on the Mortlake Road, has been successful in Victorian Fire Brigade competitions and demonstrations, particularly in the 19th century. The owner of the belt and uniform was John (Jack) Sizeland, a member of the Warrnambool Fire Brigade for over 37 years. This belt is of interest as it was part of a Warrnambool Fire Brigade uniform during the second half of the 20th century. It also has individual local provenance as it belonged to Jack Sizeland, a member of the Warrnambool Fire Brigade who retired in 1977 after 37 years of service. This is a brown leather belt with a gold metal buckle and nine punched holes on the buckle, two of them hand-punched. It has a leather attachment to keep the belt end in place. It has the name of the owner, John Sizeland, written in biro on the inside of the belt. This belt is meant to be worn with the Warrnambool Fire Brigade jacket with the brass buttons. ‘J. Sizeland, W’bool’warrnambool fire brigade, jack sizeland, history of warrnambool

A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.ALL THE BEST FROM/ MARYSVILLE 1997 PRINTED PAPER MAILING NOVELTY TO OPEN RAISE FLAP From VALENTINE'S "MAIL NOVELTY" POST CARD COPYRIGHT Printed in Great Britain Tomarysville, victoria, postcard, souvenir, valentine publishing co, crossways cabaret (image 1), taggerty river (image 2), acheron way (image 3), blacks spur road (image 4), nicholl's lookout (image 5), main street marysville (image 6), sugarloaf bay eildon (image 7), steavenson falls (image 8), cumberland falls (image 9)

This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber-coloured glass and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a two-piece dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free-blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from the fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best-known, shipwrecks in Victoria’s history.Bottle, black glass wine bottle with contents. Glass has ripples, crease lines and side seams. The mouth has a seal in place. The applied lip is wide. The base has been pushed-up base and has a pontil mark. Handmade with a ridge in the body around the base of the shoulder. The bottle has a white sticker.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle, black glass, black bottle

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in AustraliaBlack and white photograph of a man dressed in a three-piece suit and hat and a woman in a dark dress and hat sitting on the beach. In the background are many other people similarly dressed as well as a few in bathing suits of the 1930's. In the far background are the buildings on the Esplanade. The place is St Kilda Beach and the people are William and Sarah Wright.Written in pencil on the back - Mum & Dad, taken on St Kilda beach, New Years Day 1930, 01/01/1930frank wright, william wright, sarah wright, ballarat, cornet, conductor, smeaton, saint kilda, st kilda, st kilda beach, beach

Invitation from the Ringwood Historical Research Group on 25th October 1974. From the Ellie Pullin MBE and members of the RHRG to Mrs G Horman. To hear Hugh Anderson, author of the "Place of Many Eagles" at the Civic Centre, Maroondah Highway, Ringwood. All material is from Gwen Horman’s three albums that she owned.

This brass cow bell was recovered from the wreck of the sailing ship ‘Loch Ard’ at Mutton Bird Island, near Port Campbell, Victoria, from late 1960s to early 1970s. Cow bells were listed as part of the cargo on board the Loch Ard. This bell is now part of the John Chance collection. Flagstaff Hill Maritime Village’s divers also recovered similar bells from the Loch Ard wreck in 1973. One of them was found in a sandy hole in the centre of the wreck site. All of the recovered cow bells are without their hangers. A bell of this size could have been used by horse or cattle teams. Cow bells were a common Colonial item. They were hung around the necks of grazing domestic cows and goats, bullock and horse teams, even camel teams so that they could be found again. Sheep and cattle drovers used them as a warning for night time disturbances such as wild animals. The maker of the cow bell, James Barwell, was a bell founder established in Birmingham, England, from 1784. In 1842 he acquired Fiddian’s firm of ‘Steam and Water’, keeping its name and stamping it on some of his products. According to his advertisement in the Exhibitors guide for the Church Congress of 1887, he made bells and fittings for churches and schools. He also made bells for cloches and chimes, and made tuned musical handbells. He repaired and reproduced bells, and he had a team of experienced ringers to “inspect towers and report upon the tone and condition of bells and fittings.” In 1903 he became incorporated as a Limited Company, ‘engineers’ and plumbers’ brasswork, and bell founders.’ In 1914 he advertised as ‘Cock and Bell Founders’, specialising in plumbing and engineering fittings, church bells, and “every description of hanging and hand bells.” Some of Barwell’s products were stamped with his maker’s mark (his initials J. B. either side of a cross entwined with a ‘B’ in an oval of oak leaves (for Birmingham)). James Barwell bells were no longer made after 1920. James Barwell was among makers who exported bells to the Australian colony from the 1860s. Early Australian iron animal bells were also made from the 1860s by blacksmiths such as Anthony Morgan from 1861, August Menneke from 1867, and Samuel Jones from 1868. Few brass bells were produced here in those times. This bell is historically significant as typical of a cow bell used by farmers and herdsmen in Colonial Victoria. Its significance is increased by being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late 1960s to early 1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The cow bell is also significant for being part of Flagstaff Hill’s collection of artefacts from LOCH ARD, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Cow bell; heavy brass, flat top, pyramid shape, rectangular head, shoulders flare out to rectangular mouth. The head has two same-sized tooled holes for adding the hanging yoke. Inscription on top and one side. Encrustations are on the metal in places. The hanger and clapper are missing. Made by James Barwell of Birmingham.Stamped on the head "BARWELL / - - - / - - -- ING" [Perhaps BARWELL - - - BIRMING. Could size be in centre? 3 3/4 IN?] Stamped on side [motif] (undecipherable) flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, loch ard, mutton bird island, glenample, eva carmichael, tom pearce, james barwell, cow bell, horse bell, bell founder, bell smith, vintage bell, birmingham bell foundry, farmer, shepherd, drover, stock bell

A small white programme with black print. There is a black and white photograph of Benno Moiseiwitsch on the front. Under the photo are the words, : Direction J & N. Tait. Analytical Programme Price Threepence. On the inside cover is the programme of Benno Moiseiwitsch's piano recital and the date Tuesday, August 21, at 8 p.m., and place, Princess Theatre, Bendigo.program, music, piano, lydia chancellor, collection, piano, concert, recital, entertainment, event, program, programme, music

Water colour painting of Great Extended Hustlers mine by C G Robertson 1901 showing mine, poppet head, chimney stack and Boundary Hotel in foreground. Donated by Ian & Katinka Napier 53 Heron Place Tunderup WA 6208 previously owned by Katinkas Grandparents Charles & Grace Strue. Deframed 2022.C G Robertsonartwork, oil painting, gold mines, bendigo-history-gold mines

Eaglehawk & District Pioneer Register, Volume 1 - ABC. Publisher: A M O'Donohue. Place of Publication: Bendigo. 251 pages. Photographs, illustrations & map. Inscriptions: Signed by Annette O'Donohue and Bev Hanson. Limited Edition No. 607. Book also has Bookmark made for this book, listed on it is an explanation of all the abbreviations used in this book.Annette O'Donohue & Bev Hansonhistory, australian, pioneers, eaglehawk, bendigo history, eaglehawk pioneers, genealogy

Place names of Australia. Bound hard cover cloth with gloss jacket, color. Publisher A H & A W Reed Pty Ltd, Sydney. ISBN: 0 589 07115 7. 271 pages. Cost $4.95. Glued on first page (blank) article from Newsletter of the Royal Australian Historical Society - November, 1973.A W Reedaustralia, place names, place names australia

EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1965. Bendigo Institute of Technology, Engineering School, Applied Science. Four temporary buildings and tip truck in back ground, along with pipes and timber. Building equipment and workman in centre of photo. Digging of foundations have been started. Post markers in place.Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1965. bendigo institute of technology, engineering school, applied science. four temporary buildings and tip truck in back ground, along with pipes and timber. building equipment workman digging foundations post markers

Bronze Medal. Ribbon navy blue edged with silver & gold central strip. Observe (face or main design) the female figure represents Australasia placing a wreath on the head of a kneeling figure, under the Southern Cross. The Latin motto translates as "Bravery Rewarded". Reverse: the name of the awardee is inscribed inside a wreath of laurel and eucalyptus.Awarded to DJ Griffin 16-2-1983bravery awards, ash wednesday, bushfires, cockatoo victoria, dorothy joan griffin,

Object. Made of bone-possibly whale bone. The two sections have a ''wheel-like'' structure at their heart, held in place by two small metal pins. This enables the two sections to open, and ''stretch the fingers of the gloves. Tapered, and rounded at the top, the stretchers could be placed inside the fingers of the gloves, and opened and closed to stretch the glove.costume accessories, glove accessories, stretchers

An Apollo Bay oral history project converted into a written work, it covers the lives of ten older residents and their times in Apollo Bay.Not a bad place, the Bay. Old residents of Apollo Bay talk to local primary school children and members of the community. Jackie Price (ed.). Nadia Wheatley (ed.) Apollo Bay (Vic); The Killala Road Publishing Co.; 1987. 160 p.; illus, map. Hard cover. ISBN 0 9587872 0 4not a bad place, the bay; apollo bay; jackie price (ed.); nadia wheatley (ed.); interviews; social life and customs; history;

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s.Programme issued by The World Council of Churches - Kew Branch, for a United Service during Kew Home and Family Week on Sunday 26 April 1953. The programme has a photo of the Royal Family on the cover. Kew Home and Family Week took place from Monday 20 April until Sunday 26 April 1953. arthur dear collection, kew home and family week, kew recreation hall

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Faded photograph of Esme Melville and Jeanette Rayment in full costume in the Royal Botanical Gardens to promote The "Q" Theatre Guild's performances of Blossom Time during the Moomba Festival of 1959. The performances took place in the Alexandra Gardens. In the production, Melville performed the role of Countess Fritzi Frangipani, while Rayment played the role of Therese.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Esme Melville, Jeanette Rayment, Botanical Gardens, *** Blossom Time."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

This is a pattern for the stove front for the oat kiln at the mill.Rectangular piece of wood, broken at one end with two full cutouts and part of third. One, and the part of another cut-out is high arches. Frame, missing in places, running along outer rim and along cut-outs. Two rows of nails run down between arches holding braces in palce on back.

Photocopy onto a foolscap double sided, of the introduction of a new bus service along the West Gate Freeway - 20/11/1978 - titled "Introduction of new Weekday Express Bus Service - North Altona - City Bus Route No. 232". Shows a map of the service, details of connecting services, stopping places, fares and timetable.trams, tramways, buses, timetables, north altona, route 232

Private Bertie Ernest Alfred Henderson served in the 5th Pioneer Battalion, 5th Division of the AIF. He died of wounds In France on 29/5/1918 or 1/6/1918. His burial place is Crouy British Cemetery, Crouy-sur-Somme. The framed 'In Memoriam' has been in the custody of family members until presented to W&DHS in 2013 by Mrs Beris Porter. Pte BEA Henderson, 1866, 3 Pioneer Battalion(2 Reinforcement Group) was a farmer and single. His father was Mr HH Henderson of Naringal. He enlisted on 27/5/1916 then sailed on the Themistocles on 28/7/1916 and transferred to the 5 Pioneer Battalion. His name is recorded on the War Memorial, Artillery Crescent, Warrnambool as having made the supreme sacrifice.Mass produced Memorial page with a sepia original half portrait photograph of a soldier surrounded with two mounts,narrow white and dark/grey brown, and a thin gold gilt surround next to an inward angled plain, wooden frame with clear glass. Hand white painted name, rank, number, battalion, division with decorative flourishes. A. tarnished plaque is on the mid lower frame Front- White hand painted dedication: 1866/PRIVATE B.E.A. HENDERSON/5th Pioneer Batt 5Division/A.I.F. The mass produced decorative mount has battle place names and a bird's eye view of battlefields in France. In sepia 'Glory' stand atop a rock and cross with a laurel wreath in her right hand and a scroll with ANZACS falling from her left hand. A verse is written Anzacs, you've graved your name upon Immortal Scroll/Naught can compare with what the World a claims/Zenith of a fighting patriotic soul./A host of heroes, you have but echoed back with Clarion tongue/the Spartan Sires from who you fitly sprung Coo-ee! Comrades, 'Kia-Ora' you didn't ant couch will ever be./Sacred to all Eternity. An oval cut-out holds a half portrait of the soldier in uniform. Plaque on lower wooden frame FRANCE/29.5.18 Reverse- in pencil handwriting: ? o/c/... ... A. Henderson/of ...T/Yar..galin memoriam, wwi, 5th pioneer battalion, 5th division, aif, private bea henderson, warrnambool, anzac

Panther Place and Shillinglaw Cottage visible through bridgeDigital TIFF file Scan of 35mm Kodak Safety 5035 colour transparencyKodak Safety 5035 March 1981 process date of print317m, george coop collection, hurstbridge railway line, panther place, red rattler, shillinglaw cottage, tait train

An annotated map of the Shire of Eltham showing places of interestColoured map, folded four times, annotated with historical notes and descriptions of physical and natural featuresshire of eltham

Held in the carpark between the Safeway Supermarket and Commercial PlaceRoll of 35mm black and white negative film, 5 stripsIlford HP5art and craft market, carparks, commercial place, eltham market, safeway supermarket, shopping centre

Held in the carpark between the Safeway Supermarket and Commercial PlaceRoll of 35mm black and white negative film, 5 stripsIlford HP5art and craft market, carparks, commercial place, eltham market, safeway supermarket, shopping centre

Held in the carpark between the Safeway Supermarket and Commercial PlaceRoll of 35mm black and white negative film, 5 stripsIlford HP5art and craft market, carparks, commercial place, eltham market, safeway supermarket, shopping centre

Held in the carpark between the Safeway Supermarket and Commercial PlaceRoll of 35mm black and white negative film, 5 stripsIlford HP5art and craft market, carparks, commercial place, eltham market, safeway supermarket, shopping centre, mac's liquor

Held in the carpark between the Safeway Supermarket and Commercial PlaceRoll of 35mm black and white negative film, 5 stripsIlford HP5art and craft market, carparks, commercial place, eltham market, safeway supermarket, shopping centre, bakers delight

This shield has an important place in the history of women in cycling. This shield recognises the emergence of women in cycling.A mahogany coloured wooden shield with brass plated plaques containing inscriptions of winners of the senior women road aggregate during the years 2001-2006. There is an emblem of a cyclist and a banner at the top centre of the shield."Geelong West Cycling Club/2001/Kathryn Neuschafer/2002/Katherine Neuschafer/2003/Danni Hudgell/2004/Natalie Clark/2005/Brittany Foster/ 2006/Brittany Foster/ Senior Women/Road/Aggregate"geelong west cycling club; katherine neuschafer; danni hudgell; natalie clark; brittany foster; senior women road aggregate;