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Glen Eira Historical Society
Letter - Glen Huntly State School No.3703 Grange Road
Two documents regarding the celebrations at Glenhuntly Primary School. Two newsletters dated 01/03/1984 with timeline of events happening on the school’s 70th birthday. Correspondence from Glenhuntly Primary School council, asking the Caulfield Historical Society to assist them in arranging historical memorabilia and publicizing the planned events; noted with date of 19/09/1988.glen huntly, glen huntly primary, school, glen huntly state school, glenhuntly primary school, glenhuntly state school, grange road, jarrett mrs., jenkin mr., jones mr., mcallister peter, rubinstein m., caulfield historical society, sams r., primary schools -
Lara RSL Sub Branch
Photograph, Johanass Vander Host- Award of the Centenary Medal
The Medal will enable the community to thank those who have made Australia’s first hundred years as a federal nation such a great success and who have laid solid foundations for Australia’s future. The award of the medal to them will be a fitting acknowledgement from the nation of their long contribution to Australia .Hans was awarded the Medal for his contribution to fund raising for R.S.L. Welfare.The Centenary Medal is an award created by the Australian Government in 2001. It was established to commemorate the Centenary of Federation of Australia and to honour people who have made a contribution to Australian society or government. It was also awarded to centenarians: Australian citizens born on or before 31 December 1901 who lived to celebrate the centenary of federation on 1 January 2001.Rectangular shaped glass covered photo frame showing presentation photo.Presentation of the Centenary of Federation Medal to Hans Van Der Horst.medals,centenary of federation medal,awards,lara r.s.l. -
Greensborough Historical Society
Newsletter, Greenhills and North Greensborough Progress Association, Community News: official journal of the Greenhills and Nth. Greensborough Progress Association. 28th March,1974. Edition No. 2/74, 28/03/1974
This edition includes a report on the Progress Association President's report 1974, The annual Diamond Creek Town Fair, From the Council Chamber, School and Kinder news, Where are the streams of Yesteryear? Supplement to March 1974 "Community News" Nillumbik Historical Society, Reshape them in your own image? Books-on-wheels. Includes booklet "Community Service Directory".Newsletter, 20 p., illus.greenhills and north greensborough progress association, greenhills -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, Digger Three by Leigh Conkie, 18/03/2014
Digger Three. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, The grandfather that never was by Leigh Conkie, 18/03/2014
The grandfather that never was. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, Puppy the mascot by Leigh Conkie, 18/03/2014
Puppy the mascot. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, Rogue wave by Leigh Conkie, 18/03/2014
Rogue wave. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.3 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, The Fallen by Leigh Conkie, 18/03/2014
The Fallen. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.A Colour digital photograph.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, The Mates by Leigh Conkie, 18/03/2014
The Mates. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.3 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, The Pilot by Leigh Conkie, 18/03/2014
The Pilot. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, The Sea Captain by Leigh Conkie, 18/03/2014
The Sea Captain. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph, Vandyke Studios, Unidentified female, 1897c
Studio portrait of unidentified female, taken circa 1897. From the Partington collection. The Vanduck Studio was opposite the General Post Office in Bourke Street and was known to be operating in 1897. This photo was found in 1998 by Wyn Partington in a lost album under the house. Many of the names of Partington people in the photo album were lost to all viewing them in 2000.Sepia studio portrait.partington family -
Orbost & District Historical Society
book, The School Paper, August 1902
"Having a monthly circulation of 211,670 copies, the Victoria "School Paper" is claimed by the Education department to form the staple provision for leading matter in the elementary schools." -( December 29, 1920, The Argus). In Victoria the Education Department's School papers were compulsory reading for children until the 1930s when the Victorian readers became compulsory and the School Papers supplemented them. This item is an example of a school text book used in the very early 20th century. School textbooks reflect the development of education in Australia.From them we can understand what was taught and how children learned in Australian schools in earlier times.A collection /compilation of The School Paper magazines. It has a hard cloth cover with string binding. The front cover is brown and the spine has blue and white stripes. Pasted on the inside cover is a photo of a school group.education reader the-school-paper-1902 -
Tatura Irrigation & Wartime Camps Museum
Suitcase
Made by POW at Camp 13, Murchison who was a crew member of the "Ramses". Suitcase made for owners possessions Many of the Internees & POW's who arrived in Australia with all their belongings in a canvas hold-all, made wooden suitcases for their possessions. Some were hoping for repatriation, others used them when moved from camp to camp. then lastly on their release.Handmade wooden suitcase with metal handle and clips- canvas straps attached to inside of case (Lid)suitcase, wooden, hahn j, asboth s, camp 13, tatura, camp 13 wooden suitcase, personal, effects, travel, goods -
Robin Boyd Foundation
Document - Script, Robin Boyd, The Flying Dogtor. Episode 6 Rain, 1963
The flames closed in on the house and Granny and the children were terrified. But meanwhile, high in the sky above them, exercising his powers in scientific rainmaking, was The Flying Dogtor. The sky was filled with rain and it put out the fire. Crafty Carson Carpetbag and Old Man Redback, with the help of Elvis Evil Eagle, got a hold of the rainmaking powder and schemed to start a flood.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 5 pagesthe flying dogtor, robin boyd, crawford productions, manuscript -
Robin Boyd Foundation
Document - Script, Robin Boyd, The Flying Dogtor. Episode 37 The First Clue, 1963
The bush children found a bushranger's secret map containing mystery clues in the form of a rhyme. They solved the first clue, but while they were working on the next, Crafty Carson Carpetbag and Old Man Redback were lying in wait to pounce on them. They did not realise the danger they were in. And they were a long way from the protection of their faithful friend, The Flying Dogtor.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesPage 2: minor handwritten edit, bottom of pagethe flying dogtor, robin boyd, crawford productions, manuscript -
Melbourne Legacy
Film, Trooping of the Colour
Film of the Trooping the Colour, in London. Including King George VI, Queen Mary, Queen Elizabeth, Princess Elizabeth and Princess Margaret on the Buckingham Palace balcony. The year is not known though it was pre 1952 when King George VI passed away. The reason for having the film is not known. There are records of Legacy showing films to junior legatees and this could be one of them.Legacy was founded by returned servicemen with a dedication to the royal family. A celluloid film on a black metal spool.Spool, Kodak A/asia, not for camera use.london, royal family -
Moorabbin Air Museum
Document (Item) - Personal Notes of Kevin Kerle
This collection appears to be personal notes relating to Kevin Kerle's planespotting and interest in aviation in the 1960s. This includes information about individual RAAF, FAA and civilian aircraft that are involved in crashes or incidents, change their paint scheme or registration, are transferred between squadrons, are purchased, etc. Unfortunately, there is almost no organised system to them and most aircraft are identified only by registration or serial number -
Kew Historical Society Inc
Album, Louisa G Thomas, Victorian Era Sketchbook, 1862
Louisa Thomas married Henry Gipps (1837-91)in 1863. They had six sons and two daughters. While Louisa and Henry Gipps were to die in Sussex, two of their sons, Frederick George De Visme Gipps (1867-1953) and Richard Brook Woodthorpe Gipps (c.1872-1946) migrated to Queensland, possibly bringing with them their mother’s sketchbook.The collection of artworks that are included in the sketchbook are often of outstanding aesthetic and artistic significance. In the variety of subject matter and the geographical places represented, it is historically significant as a document recording the postings of Colonel Henry Gipps, 9th Norfolk Regiment, and his wife Louisa to locations in the Mediterranean and West Asia. The large bound sketchbook has a marbled cover with blue binding. The name Louisa Goulburn Thomas and the date 1862 are faintly inscribed in pencil on the front page. However the book contains pen and ink and pencil drawings, watercolours, and photographs, which both predate and postdate 1862. The approximately 75 works are loose-leafed items and [currently] do not form a chronological, geographical or thematic sequence. Creators identified on some drawings and watercolours include Mary Julia Wilder Thomas, JFV Wright, ELG (Edward Louis de Bondell Gipps?), L Nicholson, Bertha Isadore Thomas, and HG (Henry Gipps?). Many of the works are signed and dated, and include rural landscapes and seascapes, archaeological sites, animal studies, and portraits. While most of the works were created in the British Isles, others are scenes of Venice, the Ionian Islands, Cape Town, Hong Kong and Japan. [A number of the ‘oriental’ paintings on silk were probably purchased from local artists.] The art works in the book are at various stages of completion and represent a diverse range of artistic skills. What may be the earliest work in the sketchbook is a drawing of three uniformed soldiers. An annotation on the reverse records that the drawing is of a Group of Soldiers after [Philipp Jakob] de Southerbourg 1830. The birth of Louisa Thomas' oldest son, William Henry Houston Meyrick Gipps (1864-1903) in Corfu perhaps explains why a number of scenes and items in the album are of the Ionian Islands. Louisa is probably the creator of a number of still life and botanical studies in the album. These range from floral studies to a bird’s nest. The painting of objects was to remain a socially ‘approved’ specialty of amateur and professional women artists into the 20th century. The complete contents of the album will be uploaded to accompany this record. Some items may be published separately on Victorian Collections, but will acknowledge their origins in the sketchbook."Louisa Goulburn Thomas / 1862"victorian sketchbooks, manuscripts - kew historical society, 9th norfolk regiment, rosemary (gipps) vaughan smith, vaughan-smith collection -
Vision Australia
Photograph - Image, Vision Australia Heritage team visit the Black and White Committee
In 2017 members of the Vision Australia Heritage group visited the Black and White Committee to assist them in preparing papers for collection by the State Library of New South Wales. This photo was taken in the B&W offices in Double Bay. L-R: Deborah Mould (VA), Pam Scharrer, Michaelene Graves, Susan Diver, Anne Mountstephens, Gael Vincent (VA)Digital image of six women black and white committee, vision australia -
Melbourne Legacy
Badge, Legacy Torch Bearer Badge
A Legacy badge that was issued by some Clubs to widows, using the term Torch Bearer. Possibly from Legacy Club of Sydney. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt.Enamel badge in the shape of the Legacy torch, it is made of gold coloured metal with white, red and blue enamel, and the words Torch Bearer in gold. Fastening is a safety pin style clasp.Imprinted on reverse 'AJ Parkes' who were the manufacturer.badges, widows -
Disability Sport & Recreation Victoria
Exercise book, Exercise book containing inventory list and details of photos and items in DSR 1960s Archives Box
This exercise book contains a handwritten inventory list of details of photos and items in Disability Sport and Recreation Victoria's 1960s Archives Box. Only a small amount of the pages contain the inventory, with the rest being blank ruled lines. Where photos or items from this box are not labeled, it can be difficult to match them with the inventory list contained in this exercise book.Exercise book containing inventory list and details of photos and items in DSR 1960s Archives Box. Only a small amount of the pages contain the inventory, with the rest being blank ruled lines.The exercise book contains an inventory list and details of photos and items in DSR 1960s Archives Boxdisability sports & recreation, disabled sports, paravics sports club -
Melbourne Legacy
Badge, Melbourne Legacy Widow Badge
An example of a Melbourne Legacy Widow's Badge. These were worn by widows to identify themselves at events. Although the date is unknown it is an earlier example of the badge than the lapel pin at 01701. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.A record of the badge given to widows when they join Legacy.Gold brooch of the Legacy torch with red enamel containing the words Melbourne Legacy Widow mounted on a gold bar with a brooch pin.Imprinted with 'Stokes Melb' on reverse.widows, membership -
Melbourne Legacy
Badge, War Orphans Appeal Badge
An example of a War Orphans Appeal button badge. These badges were a precursor to the Legacy Badge appeals that occur annually. The age of this badge is not known, possibly from the 1940s. The symbol of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.An example of an early Legacy badge that was sold in the 1940s to raise money for war orphans.Round metal button badge with white background and the Legacy torch and wreath in a stapled in cardboard and plastic cover.Printed in red text 'War orphans appeal. Lest We Forget. 1/-'legacy appeal, fundraising -
Melbourne Legacy
Photograph - Widows outing, Daytrip, 1992
Legacy widows had many events and activities organised for them to enjoy. This is a day trip to Castlemaine in 19 February 1992. Some of the widows' names were Jean, May, Gwen, Hazel, Julie, Maud at Castlemaine 19/2/1992 Newsletters of the time show the number and variety of activities that Legacy provided for the widows. Example attached is from January 1993.A record of activities for widows to attend and enjoy together.Colour photo x 2 of widows trip to Castlemaine in 1992.Handwritten on 01935.1 'Jean, - May, Gwen, Hazel, Julie, Maud at Castlemaine 19/2/1992' in blue pen. Handwritten on 01935.2 'Castlemaine' in blue pen.widows, daytrip, activities, widows outing -
Melbourne Legacy
Badge, Torch Society Badge
An example of a badges issued by Legacy exclusively for the Torch Society members. The Torch Society are people that have made substantial donations to Melbourne Legacy and/or have left a bequest to Legacy in their Will. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. Example of a rare badge given in thanks to a small number of benefactors. Torch shaped Legacy badge, it is made of gold coloured metal with red enamel flame and around the word Legacy. Badge has a post and a separate butterfly clutch.torch society, bequest, benefactors -
Melbourne Tram Museum
Document, Commonwealth Engineering - Comeng, New "Z class" trams for Melbourne, 1975
Provides a detail description of the Z class tram for Melbourne, its components and who made them. Includes information on the role taken by Comeng Victoria, Comeng NSW, MMTB, ASEA. Gives a detail description of the body, traction equipment, auxiliary equipment, conductor controls, ventilation, destination equipment, safety features and a detailed data sheet including performance.Yields information about the manufacture of the Z class trams and the specifications.Document - 13 foolscap pages, titled New "Z class" trams for Melbourne giving engineering details of the then new Z class trams for Melbourne.trams, tramways, new trams, comeng, z class, commonwealth engineering, mmtb, asea, design of new trams, specifications -
University of Melbourne, Burnley Campus Archives
Album - Glass slides, W. H. Cooper, Glass Lantern Slides Full Collection, 1900s-1950s
Sandra Pullman visited the Melbourne City Council Exhibition, 'Melbourne Parks and Gardens Through the Magic Lantern' in November 2012. Lex Nieboer, former Burnley student graduating in 1975, found a large number of glass lantern slides in a store room and took them home as he was concerned they would be thrown out. His family has a long tradition of being involved in photography, so he understood the value of the slides. He donated the ones that were of Melbourne City Parks and Gardens to the Council and they used them in their exhibition. Sandra contacted Lex and arranged with Jane Wilson (Archivist) to visit Lex on 12 April, 2013 at Wilson Botanic Park, Berwick where he works. After Lex showed them the slides, he, very generously, donated approximately 300 slides back to the Burnley Archives. There was already a collection of almost 100 glass slides in the Archives. They were in a wooden box containing glass lantern slides with label on outside, "Slides of Horticultural Objects and Views." Inside lid is handwritten, "Mr Bailey Botanic Gardens Adelaide." (John Frederick Bailey, Director Adelaide Botanic Gardens 1917-1932.) and, "Mr Isaac 9 pla? 2 ficifolia." (Probably Mr Isaacs Mayor of Adelaide 1917.) Also, "Purchased from Estate of Reeves Late Malvern Gardens, AWJ." (F.L. Reeves, Malvern Council's Park Curator in the 1920's died in 1933. AWJ, A.W. Jessep, Principal Burnley Horticultural College 1926-1941.) These were numbers 61-85 "History of the Rose." Geoff Olive, former Staff member, remembered taking a number of glass slides to a photographic processor to have 35mm slides made from them. 60 of these are also in this collection. Also see B10.0057 for Melbourne City Council collection and, 11.0039, 12.0033 for photograph prints of lantern slides lost to the collection.Collection of approximately 400 glass lantern slides used for teaching at Burnley Horticultural College during the first half of the twentieth century. Some were made specifically for Burnley. Some images would not upload. The images include: overseas views of gardens, historical sites and geographical features (some hand coloured from Japan); a series of hand coloured images of roses with notes for teaching the history of the rose; school gardens of the early 1900's; fruit and vegetables; miscellaneous horticulltural; Australian native plants; cells; 'Living Races'; plants, trees and grasses; parasites, organisms and fungal diseases; miscellaneous horticultural scenes; parks; cattle; agricultural data.sandra pullman, lex nieboer, melbourne city council exhibition through the magic lantern, john frederick bailey, mr isaacs, f l reeves, a w jessep, history of the rose, plants, trees, diseases -
Wooragee Landcare Group
Photograph, 5 September 2004
This photograph was taken at Samaria Farm on Sunday the 5th of September when Wooragee Landcare Group took a bus trip to the Tatong area (near Benalla) to look at land use on small farms. The day trip was organised to observe land use on small farms as well as a social event for the Group. Samaria Farm at the time was a nine-hectare property located in northeast Victoria, near Mount Samaria, 130 km Northeast of Melbourne. The photograph features several pigs believed to be the breed called Large Black. The Large Black Pig breed is a traditional, heritage breed that was first imported to Australia from the UK in the early 1900's. It is believed to have originated from the Old English Hog of the 16th and 17th Centuries. The first reference to them in the Australian Pure Bred Pig Herd Book was in 1912. They are a black pig with lop ears and were prized for their superior milking and mothering abilities and soon became popular with early Dairy Farmers who fed them whey from separated milk as part of their butter making process. They proved economical to keep and, being excellent grazing pigs, were also used to pick up windfall fruit in orchards. Their black colouring also enabled them to withstand the hot Australian summers and avoid sunburn which combined with their hardiness and docile temperament made them highly suitable for free-range pork production, however Large Black pigs tend to get very fat and were not suitable for intensive farming so were often crossed with other breeds for pork production. They are now quite rare as a pure breed having been on the edge of extinction for some time. They were rescued in the early 1990s by a rare breeds farmer in the Yarra Ranges. These days they are also the focus of a small conversation effort with six registered breeders currently in Australia. For biosecurity reasons there are no imports of live pigs or pig semen permitted into Australia. This photograph shows a group of people attending one of the events that Wooragee Landcare Group has organized within the educational framework of promoting best land management practices for all types of land uses and ensuring sustainability, in addition to encouraging community interaction via social events. The Large Black pig breed is significant because of their role in early Victorian farming. They are now quite rare as a pure breed having been on the edge of extinction for some time. These days they are the focus of a small conversation effort with six registered breeders currently in Australia. For biosecurity reasons there are no imports of live pigs or pig semen permitted into Australia. Wooragee Landcare Group is important to local community landcare and environmental management practices.Colour rectangular photograph printed on paperObverse: WAN NA EONA2N2. ANN+ 3 4240/ (No. 17) 370samaria farm, wooragee landcare, wooragee landcare group, tatong, benalla, black pigs, large black, traditional breed, heritage breed, pigs, lop ears, free range pork production, early victorian farming -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, Barry Sutton, 25.03.1974
The photograph shows a group of Royal District Nursing Service (RDNS) Sisters receiving a lecture on 'Physical Handicap' given by Sr. Rowley in the Education Department at RDNS Headquarters 452 St. Kilda Road, Melbourne. Sr. Rowley is the Principal Nurse Educator at RDNS.Education was an integral part of Melbourne District Nursing Society (MDNS), from its inception in 1885, later, in 1966, called Royal District Nursing Service, (RDNS). From 1885, only Trained nurses (Nurses), through the Hospital training system, were employed by the Society, and on visits to patients they taught the necessity of hygiene and cleanliness, as well as the need for a good diet, to bring about good health. Doctor’s lectures were later given at the MDNS home to instruct patients and their families on prevention of disease. Education to patients continued throughout the years regarding health care and the use of equipment in the home. In 1961, Education programs commenced at MDNS with Trained nurses (Sisters) receiving In-service education. Sr. Pat (Paddy) Rowley was a leader in In-service Education and established the RDNS Department of Community Nursing Education in 1962. Staff could also apply for scholarships to further their education outside of RDNS. Many of their senior Sisters received Postgraduate diplomas from the College of Nursing in Community Health Nursing, Education, and Administration, and several travelled overseas visiting nursing organizations viewing their public health and District nursing systems. At RDNS many programs were run, including: a Post Basic Course, Cardiac Rehabilitation Nursing, Haematology/Oncology Nursing, Palliative Care program, Diabetic Stabilization Program, Leg Ulcer Management Program, Wound Care Specialist Program, HIV/AIDS Nursing Care, Cystic Fibrosis Home Support, Veterans Home Care Program, Breast Cancer Support Program, Continence Management Program, Stomal Therapy Program, In-Home Lactation Support Program and the Homeless Persons Program. RDNS Sisters attended several hospitals to observe and learn special care needed to some patients, e.g. to the Austin Hospital to learn the care required for paraplegic and quadriplegic patients at home, and to Mount Royal Hospital to observe the care of patients in the Rehabilitation ward. A Community Nursing Education Program was extended to student nurses from hospitals and to other nursing organizations. These Education programs kept the RDNS Sisters abreast of new techniques, such as changes in technology for e.g. new testing methods in detecting glucose levels in Diabetic patients. Sr. Nan Deakin obtained a Post Basic Certificate in Psychiatric Nursing and included this area in her Education lectures. Sr. Daphne Geldard specialized in the area of Alzheimer’s disease and Dementia. These Sisters visited patients in District areas with the regular RDNS Sister when required. Every member of staff, both professional and non professional staff, received regular education in the Education Department. In 1980, a Home Health Aide pilot study, funded by the Federal Government, the Brotherhood of St. Laurence and RDNS, with the program written and taught by Sr. Rowley, was evaluated as successful, and Home Health Aides were employed and worked in RDNS Centres under the supervision of the RDNS Sisters. This black and white photograph shows the back view of four rows of Royal District Nursing Service (RDNS) Sisters sitting at small tables and looking toward Sister Pat (Paddy) Rowley who is facing them. She is in the rear centre of the photograph. The 16 Sisters, some partly hidden, are wearing a variety of summer day clothes. Spectacle cases, pens, sheets of paper, and some books are on the tables in front of them. Sister Rowley who wears glasses; has short straight dark hair, is wearing a white short sleeve blouse under a dark V neck tunic style dress. She is looking at the group and her right hand is pointing to writing on a large blackboard standing to her right. To the left of the blackboard, a draped Human Torso Model sits on a table. A long dark curtain hangs behind part of the blackboard. Running along the left of the photograph is a wooden door with glass panels at the top, some light colour wall with a dark picture rail, and a set of double glass doors with long grey curtains either side. To the right of Sr. Rowley part of a large white board is seen hanging above and below the dark picture rail on the wall.Barry Sutton LY 69rdns, royal district nursing service, rdns education, sister pat (paddy) rowley