Frederick Mitchell was born c1874 at Staffordshire Flat, Redcastle, near Heathcote. His father was an engineer from Cornwall, and had a quartz crushing battery at Staffordshire Flat from 1870 to at least the 1890s. Around 1886 Frederick Mitchell was an 18 year old "Engineer and Instrument Maker". He was awarded an 'Honorary Mention' at the Australian Juvenile Exhibition 1890-1. It was donated to the Ballarat School of Mines Museum in 1892. In the early 1960s the model was transferred to the Heat Engines Laboratory. All Heat Engines laboratory was moved from the Ballarat School of Mines to the Mt Helen Campus on October 1869. The model was accommodated in the thermodynamics laboratory. It was shown working during open days. The Ballarat School of Mines Calendar for 1893, page 66 refers to this item. There is correspondence between Frederick Mitchell's grandson, F.W. Mitchell; E.J. Barker, Director of the Ballarat College of Advanced Education; and Graham Beanland, Ballarat School of Mines.A working model of a vertical oscillating twin cylinder steam engine with fly wheel, mounted on a wood base board and covered in glass. Usually stored under a wood-framed glass cover. steam, model, engine, frederick mitchell, flywheel, ballarat school of mines museum

This style of bonnet was commonly worn outdoors by women in South West Victoria in the late 1800s - early 1900sThe bonnet is significant as a typical of women's outdoor headwear in Australia in the late 19th and early 20th century.Ladies outdoor bonnet, white cotton with narrow mauve stripes and small flowers. Bonnet is trimmed with frills and straps to tie under the chin. Dated late 19th to early 20th century.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ladies bonnet, outdoor bonnet, hat, bonnet, headwear, ladies clothing, late 19th century bonnet, early 20th century bonnet, women's fashion, australian fashion, australian millinery

Cupboard, wood, one hinged door with knob and hinged lid. Round opening under lid. One shelf. Small plaque attached. Cabinet work by C F Rojo & Sons."Cabinet work by C F Rojo & Sons"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Photo ( copy ) view of View Street ( ? ) showing buildings, with verandahs. Names unclear on buildings. Motor vehicles on street, horse on RH side under tree. Photo taken in 1920's ( ? )place, bendigo, view street buildings. 1859, bendigo, view street

Mayoral Debutante Ball 1960's, colour group photograph of Debutantes seated with Mayoress Mrs Tom Flood, under glass in a white timber frame with gold moulding. Deframed 2022Martin Washingtonphotograph, portrait, female group

Hand tinted photograph of Debutante Ball in 1950's showing group of Debutantes and partners with Mayoress Mrs Tom Flood, under glass with blond wood timber frame. Deframed 2022Reg Brockphotograph, portrait, group

Abbott collection, certificate certifying that Harold Athelstane Abbott was admitted as a Licentiate of the Commonwealth Institute of Accountants, in a thin black wooden frame, under glass, brown paper backing with framers label.document, certificate, abbott

Early Days on Bendigo. Recollections of life on Bendigo by F. McKenzie Clarke. Excerpt from the Bendigo Advertiser under the title ,The First Discovery of Gold at Bendigo. Copy 5123b at Specimen Cottage.F McKenzie Clarkhistory, mining.

Two paper bags advertising Rechters Bendigo's largest tobacconist, 104-106 Mitchell Street, Bendigo, phone 439803. Under a picture of an hamburgers the words: soups, coffee, american malts.business, retail, rechters

EIG School - Ralph Birrell Collection. People at the gathering taking cover under an umberella. Construction of the Latrobe Uni c1965-69. Markings in red 11 66M8. In yellow Made in Australia.Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection gathering of people

Black and white image: shows two men, in suits, standing in tunnel, presumably under either the Anne Caudle Centre or the hospital site. Tunnel has concrete walls, arched ceiling.bendigo, buildings, hospital, bendigo, hospital, anne caudle, tunnel

EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1970. Bendigo Institute of Technology, Engineering School, Applied Science. Construction of round lecture theatre well under way.Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1970. bendigo institute of technology, engineering school, applied science. construction of round lecture theatre

Black and white photo in light wood timber frame showing a group of persons (14+), Military and civilian, gathered under rear of Caribou. Luggage on tarmac. Flying Kangaroo insignia on aircraft.caribou, transport, photograph

Object. Token. To commemorate their Majesties Coronation of King George V and Queen Mary, 22 June 1911, Victoria. Peace and Prosperity under Coat of Arms. Images of both on back of Token.numismatics, tokens, king george v & queen mary

Slide. Tambour Major Gold Mine. .Manager and workers pose in front of the poppet head. Mine cage at rear of men under poppet head. A diving suit is worn by one man.No. 34 printed on bottom of slidemine, gold, tambour major., bendigo mines-jack hattam collection.

Slide. Bendigo Views. Sportsground with a football match in progress. Cars lining the fence on the far side of the ground. A number of people under a veranda. Some large trees and shrubs around the ground.slide, bendigo, bendigo views, bendigo views

Photograph - black and white. The new SEC Victoria building under construction. Steel girders and framework being erected. 'Old Market' building can be seen through the girders at the left of photograph.organization, public utility, electricity company, s.e.c.victoria building. 1939. bendigo.

These goggles and helmets were issued to flying recruits for learning to fly biplanes.Leather helmet with suede lining, under chin strap, earphone inlets with snap locked flaps. Metal framed goggles with leather surrounds, adjustable rubber strap and split glass lenses.Made in England Patent. R51067 scratched into metal.

When the German Government imposed ID cards on the Dutch population they employed the collaborator and expert designer Jacob Lentz who claimed they were impossible to forge. The Jewish ones showed a black J on both front and back. However, a Jewish woman living in the Netherlands, Alice Cohn, did learn how to replicate them and thus saved numerous Jewish lives.These items are significant insofar as all Dutch citizens over the age of 15 were obliged to carry ID on their persons at all times.Proof of Identity cards issued by the Dutch Government under orders of the German occupying forces. Inside each folder are the owner's full name; DOB; address; occupation; fingerprints and Date of Issue.a) Photograph and signature of male - J.W.W. v. Alphen. Stamp: Gemeente (Municipality) Rotterdam. Inside cover: R29 No.487892. DOB: Sept.20 1890. b) Photograph and signature of female - H. v. Alphen. Stamp: Gemeente (Municipality) 's-Gravenhage. Inside cover: G41 No.003830. DOB: 12 July, 1920.

In a gold frame, with camouflage print background. Four coloured photographs of Navy personnel in camouflage uniform in groups at the Museum. Two cloth badges in the centre and a gold medallion under bottom photograph. Two plaques: Technical Training Facility "Strive for Success" presented to National Vietnam Veterans Museum, Phillip island from HMAS Cerberus 2018photograph, hmas cerberus

Account of his internment made in 1961 for Dr. Jung. Translated and printed by Axel von Gruenewaldt for the Murchison Historical Society in 2009. Copy bought and donated to Tatura & District Historical Society by Lyn Harrison.15 descriptive pages booklet, pale yellow cover with a sketch of Hans Wolter von Gruenewaldt. in a red frame under the title, in black ink. In a clear plastic cover with yellow spine."uhenfels", "arandora star", "dunera", murchison pow camp 13, books, autobiography, dr jung, axel von gruenewaldt, murchison historical society

Possession of POW at war campGrey metal oval shaped badge with fastening pin on back. Features in centre is an army tank, under which is a square with "50" in it. At the top of the badge is the German Eagle with the German swastika attached. tatura, numismatics, badges

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Leckhampton House, The George Thomson Building under construction, Corpus Christi College, Cambridge University, Cambridge, England, 1964. (Architects: Philip Dowson of Arup Associates.)Made in Australia / 26 / AUG 64M / Encircled 51 (Handwritten)slide, robin boyd

This is a colour photograph of a gum leaf painting that is one of many done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by A.W. Eustace. A man is panning for gold in a stream with a house and hills in the background. Under glass in a decorative gilt and cream coloured plastic frame.Hand writing on tape at back of frame: COPY OIL ON GUM LEAF 10" x 5" A W EUSTACE owned by Betty & Alf Brownlie 2260alfred eustace, gum leaf painting, chiltern, gold panning, gold