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Villa Alba Museum
Photograph - Waste water pipes, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of numerous pipes, all installed during the period when the house was owned by the Royal Women's Hospital as a home for nurses (1950-1974). The pipes extended from a bathroom installed at the end of the first floor hall, running along the box gutter to the rear of the building. [The pipes were removed in subsequent restorations].villa alba museum, conservation photographs, victorian architecture, drain pipes, waste water -
National Wool Museum
Hat, 1980
Made by Mrs Sayer in 1980 at Deniliqiun TAFE "Garment Assembly" course which was 2 years long. A popular course which was common in those days, Mrs Sayer was always crafty but not good at the other subjects. She wore this hat with the full ensemble also containing a dress and wool coat from 1980 - 2014.Small brim women's sunhat. Sandy brown in colour. Floral ribbon tied around the hat just on top of the brim which is secured with a green pin on right side of hat. On the front there is a small gold ANZAC badge that reads "Lest We Forget". On the left hand side there is a brown brooch with feathers attached, and the back of the hat features another brooch, which is round in shape and features 6 jewels with one large jewel in the middle. The inside of the hat is lined with orange fabric.clothing, women, fashion, hat -
Circa Vintage Archive
1930s cotton feedsack dress, Blue cotton daisy print feedsack dress 1930s, 1930s
Simple day dress constructed from feedsack cotton fabric: Short, puffed sleeves, small opening with slight V neck and pointed collar. Centre front fold with red plastic buttons - the originals were missing but these are period correct replacements that match the red plastic buckle. Two front pockets on the bodice shaped like flower pots. No openings, pops over your head. Self-covered belt has a different material underneath: a smaller blue and white floral print. None -
Ringwood RSL Sub-Branch
Photo Album, Capt. A. Greig, C. WW1
Captures a soldeirs experiences in Egypt including rare photos of the everyday life and experiences of a soldier.Possibly a rare collection of a WW1 soldiers experiences captured in photographsBound album with cardboard front and back covered in aqua fabric. Greek scroll decoration on bottom, KODAK gold lettering, frontleft. 11 pages plus one cut in half. Each pages contain four photo pockets with black and white photos. Each photo has handwritten description on bottom of pocket. Photos depict Mena Camp, Egypt.1914 /1915, warships in Mudrus harbour, hospital ship and photos of soldiers with local people. Photos missing.Each photo inscribed below image with information about location. Top Right inside cover Donated by R.F. Ormaton, Box Hill. Photos belong to Capt. A. Greig Dec. 1988. Also written top left ‘J. Crowley / 105 Ocean Street/ Rosebud/ (059) 861246world war 1, ww1 -
Tatura Irrigation & Wartime Camps Museum
Clothing - Fireman's Dress Jacket
Uniform worn by A. Perry, who was a Fireman in Tatura from 1959 to 1967 ( 8 years )Navy blue Pure wool, double breasted, 7 brass buttons, ( 2 on lapels ), brass hook each side at waistline for belt. Red patch at top of each arm embroidered with Tatura Urban Fire Brigade. White label inside with David Lock P/L Melbourne., NAME A. Perry, 8 739. Shoulders lined with navy cotton fabric. Buttons are brass with Country Fire Authority Victoria , Shield and Helmet embossed on them. One button is missing -
Ambulance Victoria Museum
Chart, medical, human body, muscles and organs
Rectangular medical chart showing the human body, muscles and organs.The chart is made from coated and printed paper on a fabric (?cotton) backing and is attached with metal tacks to timber batons at each end . A strip of red cotton tape is attached to the mid-part of the upper baton and has been used to secure the chart when it is rolled up. Metal ring eyelets are screwed into either end of the upper baton and were probably used to assist when hanging the chart.The artists name 'J.Teck' is included on the lower edge on the front of the chart. The logo of the St John's Ambulance Association and the words 'ST JOHN'S GATE, LONDON E.C. 1' are printed on the lower edge of the chart (left hand side on the front of the chart). The words 'FULL BODY INC LIMBS' is written in black texter pen on the upper baton. The words 'ORGANS, MUSCLES' have been written on the top margin of the chart on the reverse side.medical chart, human body, j.teck -
Ballarat Tramway Museum
Uniform - Cap
Demonstrates uniform cap manufacture for possibility a SEC Inspector.A used - SEC? Inspectors/Conductors cap - black cloth exterior, with a blue band on the edge red cotton interior lining, brown leather internal hat band, black plastic peak on the outside, green fabric on the inside. Note no holes in the side of the cap for the SEC cap band, but there are two holes in the top peak for a number or a badge. May not be an SEC cap, but the black decorative binding is the same as in the SEC Inspectors cap. There is the remnants of a manufacturers stamp on the inside red lining. tramways, trams, ballarat, uniforms, cap, inspectors -
Kew Historical Society Inc
Clothing - White Muslin & Lace Lingerie Dress, 1910s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This lingerie dress, donated by Jane McIntyre is part of the wider McIntyre Collection. While lingerie dresses were produced for and worn by women between 1900 and 1920, the main period in which they were worn was between 1900 and 1910. This elaborately detailed example is believed to date from 1912-1918.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s.Three-quarter-length, white cotton voile lingerie dress. The dress feature extensive embroidery on the bodice and skirt, probably constructed from pre-embroidered fabric, rather than hand embroidered. In addition to the embroiderd panels, there is extensive use of white lace insertions. The dress has short sleeves to teh elbow and lace cuffs. The dress is date after the Edwardian Period due to the absence of tucks and frills. Its high-waisted design is simple and yet elaborately ornamented with embroidery.women's clothing, white muslin dresses, tea dresses, australian fashion 1910-1920, lingerie dresses, annie mcintyre, mcintyre collection, fashion design, fashion -- 1910s -
Kew Historical Society Inc
Clothing - Blue Silk Jacket & Skirt, 1868-1872
Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', are the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. Blue silk, floor length day dress comprised of a tightly fitted, long, waisted jacket joined by hooks and eyes at centre front. The bodice features large ornamental buttons from neck to waist, covered in a figured silk fabric of the same colour as the dress. The gown has extensive pin tucking on the sleeves, on the flounce of the skirt, and on the long train. The line of the outfit is emphasised by the flattened front, which is typical of the period. Its cut and lack of adornment emphasises the tailored effect.australian fashion, fashion & design, costumes, dresses, women's clothing, fashion - 1860s, fashion - 1870s -
Brighton Historical Society
Clothing - Dress, Day dress, 1878-1882
The donation records indicate that this dress was worn by Georgiana Elizabeth Moore (1899-1974), who lived for most of her life in Brighton at 38 and later 40 Cochrane Street. Since the dress is of an earlier date, It is likely that it belonged to Georgiana's mother, Elizabeth Moore (1860-1950). Georgiana was born to Richard and Elizabeth Moore in Brighton in 1899. She was named after Richard's first wife, Georgiana Leake Moore (nee Paul), who had died in 1893 aged only 38. Georgiana is recorded as having been "tall with red hair". The family moved to Diamond Creek for several years, but returned to Brighton after Richard's death in 1922. Georgiana and her mother settled in Cochrane Street, where they lived for the rest of their lives. We know very little about Georgiana herself. Newspaper records indicate that she was a talented musician, graduating from the University of Melbourne with a diploma in music in 1927. BHS holds a small collection of items belonging to the Moore family. This dress was donated by Georgiana's niece, Jeannette Fraser, along with two nightgowns: a c. 1880 night dress believed to have been worn by Elizabeth and a c. 1910 night dress believed to have been worn by Georgiana's sister Amelia Henrietta Fraser (née Moore) while boarding at Merton Hall (this nightdress does also show a laundry mark of G.E. Moore and so may have been worn by both women). Georgiana herself donated a number of items to the Society in 1972, including a 1920s black and white geometric loom-beaded handbag.A good example of a princess line dress of this period in good condition and with provenance.A one-piece princess line dress, circa 1878-1882 of deep royal blue silk featuring Chinese-inspired self pattern. The neckline features a standing collar and is secured through the centre front from neck to floor with self covered buttons. At the front knee the fabric has been gathered and drawn to the back into a tiered fish-tail swag and trimmed with a matching blue knotted fringe. The swagging is created by interior tapes. The dress is backed with cream cotton.georgiana elizabeth moore, elizabeth moore, amelia henrietta fraser, brighton -
Brighton Historical Society
Bodice, circa 1900
This bodice, which originally had a matching skirt, belonged to Phoebe Richardson (nee Brinsmead, 1885-1956), who married Charles William Richardson in 1911. The family lived in Geelong. Brinsmead Lane, off the Bellarine Highway in Leopold, is named after Phoebe's family, being the original location of the family home. The bodice was likely made by a seamstress as the family were quite fashion-conscious. Phoebe's daughter Edna Baker (nee Richardson, b. 1914) wore this bodice as a dress-up as a child. She donated it BHS in the 1980s and provided additional information on it when visiting the Society in 2004.Khaki green silk bodice, boned around waist. Ecru cotton lace overlay on sleeves and high neck. More lace over shoulders, gathered and tapered down front of bodice. Stripes of velvet ribbon around yoke. Four more stripes of velvet ribbon around upper sleeve, and three around each cuff. Velvet bows and metal buckle at waist. Tape at waist with hooks to attach to skirt. Lined with brown fabric. 20 mother-of-pearl buttons down front.phoebe richardson, phoebe brinsmead, edna baker, 1900s -
Bendigo Historical Society Inc.
Clothing - BANDSPERSON UNIFORM; CAP/HAT
Clothing. Dark navy blue and red peaked hat or cap, with peaked shade over the face, featuring two heavy gold leaves 12 cm long, and curved from the sides of the shade, to meet in the centre. These may be woven or moulded gold work.A 1 cm wide black patent ribbon is held across the lower crown of the cap, with 2 x 2 cm diameter brass buttons - one at each end. Narrow braid (probably once gold braid) edges the 5.5 cm deep crown of the cap, which is dark navy in colour. A flat dark navy top of the crown is lined, and shaped on the underside with red woollen fabric. This is shaped to be wider and higher at the centre front. Two eyelets on either side of this section, ventilate the crown of the cap. A brass metal ''music stand'' topped by a crown and an oak leaf and acorn wreath at the sides is attached to centre front. A 5 cm wide leather band lines the crown, which is also lined with red cotton fabric, and a diamond shaped plastic ''hair-oil protection'' at the top of the crown.Inside crown, on a plastic protector, is a small white sticker, showing the number 7, this is probably an indication of size.costume, male uniform, civilian, cap -
Bendigo Historical Society Inc.
Clothing - HELEN MUSK COLLECTION: PINK SILK BODICE
Long sleeved pink silk bodice lined with pink and mauve cotton fabric. Front of bodice made of pieces with a centre seam. Centre panel insert of cream coloured embroidered net narrowing from 28 cms across high neckline to 18 cms at waist. Five black velvet bows are attached vertically at centre front from below the throat, 6 cms apart. Velvet bows hand stitched to centre front. Front panel has rounded shape dipping below the waist. On either side of front insert are two wide vertical tucks Stand up collar of embroidered net (6 cms) has two pieces of wire inserted at LHS of back opening and in front of LH shoulder. Matching wire pieces on RHS are missing. Wire pieces are hand stitched in place. The bodice has a back opening fastened with six buttons and button holes plus a hook and eye at the top below the collar. One button is missing. Buttons are white with wheel spoke pattern. Strip of hemmed silk fabric is tied to the top buttonhole. Cotton lining consists of four pieces across the back and two pieces across the front with centre seam and two darts on either side. Full gathered set in sleeves from the shoulder are gathered into a tightly fitted 20 cm lower sleeve just below the elbow. The upper sleeve has a fitted lining of mauve cotton fabric shaped to the elbow and then forming the fitted sleeve along the lower arm. The fitted lower sleeves are covered with cream coloured embroidered net and have a 10 cm opening on outer edge fastened with three buttons and button holes. Hand and machine stitched.costume, female daywear, silk bodice -
Flagstaff Hill Maritime Museum and Village
Furniture - Theatre Chairs, 1930's
These theatre chairs had been used in the Mozart Hall in Warrnambool for many years but are now no longer required. They were about to be offered for anyone to take but just by chance Flagstaff Hill’s Manager heard about them from a friend in Melbourne. Our Manager thought it important to keep the chairs in Warrnambool as they were significant to our local history and could be incorporated in our Museum. He made arrangements to collect and install them in Flagstaff Hill’s Theatrette. Originally these theatre chairs belonged to Warrnambool Town Hall. When The Warrnambool Baths (or Swimming Pool) in Gillies Street closed, due to the Health Act of 1958, the changing rooms were taken over by the Mozart Group. The building was modified and set up for musical concerts with the name Mozart Hall. The seats were re-covered by Miss Eva Gaspar, Director of the Warrnambool Music Society, with assistance from group members. The material was order by W.C. James (Treasurer) in 1964, at a cost of 26 pound and 10 shillings (£26-10), and supplied by Jacka-Wortley Fabrics Pty Ltd, Upholstery and Furnishing Supplies, 157-163 Pelham Street, Carlton, Melbourne, Victoria. The supplier’s telephone was “JACKAFAB” (5222 2322). The fabric was delivered to J. Hulin of 116 Belmore Rd, Warrnambool. The manufacturer of the chairs, Riddell & Preece Pty Ltd of Melbourne, also supplied theatre chairs for other public buildings including (1) the Ozone Theatre in Enfield, South Australia, in 1929, (2) the Gallery of the Horsham Town Hall in Victoria (at 26/6 each, that is 26 shillings and sixpence, approximate conversion in 2014 to $100.00au), (3) in 1927 in the Gallery of the Kyenton Mechanics’ Institute (4) in 1926, Horsham Theatre. (In May 2018 a transfer of three banks of chairs was made from Flagstaff Hill to the Australian Centre for the Moving Image in Melbourne.) The chairs are of local historical and social significance. Theatre chairs. The sixteen sets (groups or banks) of complete chairs, four seats per chair, give a total of 64 seats. Each chair has timber framed seats, with arm rests, upholstered in red vinyl. The seats are set into decorative gilt iron frames which incorporate five legs, all set into two timber floor rails. The seats are hinged to fold upwards and rest against the backrests. On ironwork "PTY. LTD"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, theatre chairs, theatre seats 1939, warrnambool town hall seats, mozart hall warrnambool, theatre furniture, mechanics’ institute chairs, j hulin warrnambool, mozart hall choral group, eva gaspar, warrnambool music society, w.c. james, jacka-wortley fabrics pty ltd -
Warrnambool RSL Sub Branch
Royal Australian Navy Jacket
Double-Breasted lined jacket with 'wing' lapels. Left and Right pockets with cover flaps. Colour; Dark Navy. Petty Officer Badge (slightly faded) near shoulder of left sleeve.All Buttons Metal. Buttons Reverse; Stokes and Sons Melb. 6 Buttons on front; 23mm diameter. 2 Buttons on each sleeve cuff; 15mm diameter. All buttons show Crown and Anchor with 'Australia' beneath. Inside; 1 pocket on right side. 2 pockets on left side (i pocket small 'coin' or 'pocket watch' size). Inside neck; original fabric tag covered by 'Band-Aid ' sticker with the words 'G' or 'E' Cole per 13 Heeds'. -
Eltham District Historical Society Inc
Slide - Photograph, Eltham Courthouse, 730 Main Road, Eltham, c.May 1988
Built in 1860, the Eltham Courthouse is the oldest public building remaining in Eltham. In its early days the building was used as the meeting place and office of the Eltham District Road Board and as an overflow classroom for the local school. The Eltham Courthouse ceased operational duties in 1984 and is now used by various community groups including Eltham District Historical Society. It was listed on the Victorian Heritage Register (Number H0784) in 1982. The building is of architectural significance because it retains intact early features. These include use of handmade bricks, simple decoration, roof trusses, timber ceiling boards, original windows, doors and associated hardware and a collection of court furniture. Additions to the court house have been done in a manner which did not interfere with the fabric of the original building. It is a fundamental asset in the Eltham Justice Precinct and is being fully restored in 2021 thanks to Nillumbik Shire Council.35mm colour positive transparency (1 of 23) Mount - Kodak EktachromeProcess Date MAY 88Meltham, eltham courthouse, main road -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, J R Alexander & Sons Ltd, c. 1936
This bottle labelled No Rub liquid wax proclaims the wonders of No-Rub, no-slip, and shines as it dries. The bottle still contains some of the liquid floor wax, made by J R Alexander & Sons Limited. The company was registered as a limited company from 1924 to 1975. However, the firm's advertisement and referrals from satisfied Melbourne customers, printed in The Argus, Melbourne, on Mach 19th, 1954, states that it made the first shoe polish, Supreme, in Australia as long ago as 1900. The firm made a range of household cleaning products such as floor wax, shoe polish and fabric starch. The J R Alexander & Sons Ltd. No-Rub liquid wax was advertised in various states of Australia from around 1936 until the 1950s. Later advertisements show sketches of the wax containers, which were round bottles or metal cans. The bottle in our collection is likely to be made around the 1960s.Bottle; brown glass with metal cap and yellow, orange and black label on the front. Flat rectangular-shaped bottle with a short neck and rounded shoulders The bottle has a black metal screw top lid and contents inside. There are inscriptions on the label. The bottle contains No Rub Floor Wax. Made by J R Alexander and Sons, of Adelaide, Melbourne, Sydney and BrisbanePrinted on the label: "SHAKE WELL" "No-Rub" TRADE MARK REGD." "THE NON-SLIP / Liquid / FLOOR WAX / Saves Labour / Saves Time" "Shines as it dries" "NETT CONTENTS 15 FLUID OZS"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, glass technology, bottle, glass bottle, brown glass, cleaning product, floor cleaner, floor polish, domestic cleaner, no-rub, floor wax, non-slip, flat bottle, bottle contents, liquid wax, j r alexander & sons, household cleaning, cleaning products, zippy starch, zippy window cleaner, liquid floor wax, no rub floor wax, supreme shoe polish, rectangular bottle -
Federation University Art Collection
Artwork, 'Cassandra After the Fact' by Andrew Potter, 2009
This work pays homage to Solomon J. Solomon’s Ajax and Cassandra. Andrew Potter’s painting tells of the subsequent event. Cassandra is undoubtedly a Trojan War casualty, symbolizing the personal pain of widows and rape victims. The flow of the fabric is the allegory of bloodshed, while the empty jar suggests displacement of refugees. Cassandra’s body, as mother earth, is a metaphor for the peaceful landscape that is desecrated by acts of war. The artist uses these iconic figures to exemplify and demonstrate why peace is always better than war. This work was awarded second prize in the 2009 Lucato Peace Prize. During that year Andrew Potter was undertaking the first year of a Bachelor of Visual Arts (Fine Arts) at the University of Ballarat’s Arts Academy. This item was runner up in the Lucato Peace Prize, and is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painted canvas depicting a naked woman lying on the round beside a glass jar.art, artwork, andrew potter, potter, lucato peace prize, mythology, available -
Vision Australia
Decorative object - Object, Presentation envelope from Takeo Iwahashi Award, 1988
Takeo Iwahashi was the founder of the Nippon Lighhouse for the Blind in Japan. He made an enormous contribution to the lives and progress of blind people around the world, and was a great friend of Helen Keller. The annual Takeo Iwahashi Award was founded in his memory and is awarded to a "worker for the blind whose contribution to work for the blind in the fields of education, training, rehabilitation, placement, prevention and cure of blindness, administration of services for the welfare of the blind or any other program related to the welfare of the blind has been outstanding." Hugh Jeffrey won this award in 1988. This intricate and delicate presentation envelope is made from a heavy guage paper/fabric blend. It features a small addition of origami on the front, as well as Japanese calligraphy and a gold and silver knotted ribbon holding it closed. Originally the envelope unfolded to a large size with a red liner, and contained the Award certificate and cheque for the prize money.Handmade paper envelope with red edging and gold and silver ribbonshugh jeffrey, awards -
Bendigo Military Museum
Uniform - BADGES, C.1939 - 45
Badges belonged to Thomas Henry ISER V24933 and VX102660 2nd AIF. Refer Cat No 383.2 for his service history..1,.2) Badge, "AUSTRALIA" shoulder, blackend brass with brass split pin. .3,.4) Crown shaped metal badge signifying rank of major with brass back plate holding maroon velvet, plush fabric, dark bronze with split pins. .5,.6 & 7) Badge, rank "pip" officer with brass split pins. central circle with three acorns surrounded by circle bearing motto, a third circle has a chain and this whole section is squared off with stylised leaves or feathers making a pointed edge"TRIA JUNGTA IN UNO" motto surrounding acorns in reliefnumismatics-badges-military, army uniform -
Frankston RSL Sub Branch
Cap, Forage
A standard issue RAAF blue Other Ranks' woollen forage cap with oxidised brass RAAF badge on left hand side. The two buttons at the front are made of black plastic. The cap is lined with black cotton fabric. The crown opening has been sewn up with large black running stitches in heavy black thread. A rectangular shaped white cotton maker's label that bears various markings indicating size, year of manufacture, etc. is sewn inside the left hand side of the cap. A label attached inside the cap has the following: "V 330, 1944, MADE IN AUSTRALIA, SIZE 7" and the D^D marking with the letters "A F". The cap is also marked with the name "FRASER" and the service number "RAAF A36508"raaf, air force, australia, world war 2, ww2, airmen, aircrew, kings crown badge, -
Warrnambool RSL Sub Branch
Skirt, 1940s
This skirt belonged to Joan Elizabeth Peck who served with the Royal Australian Air Force in the Second World War. Joan was born on 27 July 1919 in Acton England and enlisted in Echuca on the 6 January 1943. At the time of her discharge from the RAAF in 1945, Joan was serving as an Aircraftwoman with the 2 Air Observers School in Mount Gambier. Throughout the war, the Mt Gambier base operated under the Empire Air Training Scheme.This skirt was donated by the owner, Joan Peck, and has significant provenance. The inscriptions throughout facilitate significant research ability, though records are not publicly accessible and digitised at this time. Joan Peck’s uniform is also significant as an item of social history, revealing the role of local women in the home front war effort. Light khaki coloured skirt in cotton fabric. A-line skirt constructed of four panels with two darts on the back and two pockets on the front (as per photograph in Supplementary File). Side fastening on the left side with a series of four steel hook and eye fasteners. Two fasteners on the back waistband which are tightened by pulling through two steel rings. Peach-cream coloured bias binding on interior of hem. Label attached to the interior waistband of the skirt back, to the left and right of which is a handwritten inscription.Waistband label reads: “V298/MADE IN/AUSTRALIA/1942/SIZE PECK” Inscription handwritten on waistband interior: “105135.” To the right of the interior label: “J. E. PECK”skirt, uniform, second world war, royal australian air force, world war ii, women -
Flagstaff Hill Maritime Museum and Village
Badge - Epaulette, Harvey's Naval Outfitters, 1920s
The pair of epaulettes once belonged to W.R. Angus, who possibly wore them when he worked his passage to and from the UK in the 1920s. The button on each has an unidentified emblem. They are part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus (1901-1970), surgeon and oculist. The ties, which look like shoe laces, would secure the epaulettes to the uniform's shoulders. The epaulettes were made by Harvey's Naval Outfitters of 15-16-17 London Street, London, E.C.3, in the East Central area of London. Another of the firm's addresses is Leadenhall Street, London, named the 'centre of commerce'. East India Company and Pacific & Oriental Steam Navigation Company (P&O) once had their headquarters there. The postcode 'EC3' dates back to 1917 when the postcode system was established in the United Kingdom. William Roy Angus (1901-1970) qualified as a doctor in 1923. He decided he further his studies overseas in the UK in 1927, sailing on the ship SS Banffshire (built in 1912, destroyed in 1937). He studied at London University College Hospital and Edinburgh Royal Infirmary and in 1928 he was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh, Scotland. He worked his passage back to Australia as a Ship’s Surgeon on the Australian Commonwealth Line T.S.S. Largs Bay, purchased by the White Star Line in 1928. Dr W R Angus was a Surgeon Captain for the Australian Defence Forces, Army Medical Corps, stationed in Ballarat, Victoria, and in Bonegilla, N.S.W. He completed his service just before the end of the war due to suffering from a heart attack. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Forces. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Dr Angus and his wife were very involved in the local community, including the new Flagstaff Hill's planning stages and the gardens' layout. Dr Angus passed away in March 1970.This pair of epaulettes is connected to the badges in the W.R. Angus Collection. Dr W R Angus (1901-1970), surgeon and oculist, collected a range of badges and military objects including those he personally used during his time as Surgeon Captain in the Australian Defence Forces in World War II. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Epaulette (pair of two), dark blue with red and gold horizontal stripes, with a gold-coloured button and woven white web ties. A tall rectangular shape with a point at the top. Made from a card base, covered by dark blue fabric and a hand-stitched lining of cream-coloured leather, stamped with the maker's details. The button has an inscripton and image. Made by Harvey's Outfitters in London. The button has images and text. The epaulettes belonged to Dr W R Angus and are now part of the W. R. Angus Collection.“HARVEYS’ / NAVAL OUTFITTERS / 15-16-17, London St / LONDON E.C.3. / TELEPHONE / ROYAL 3248” Button; Inscription and image [indecipherable] Button is embossed with images (anchor, serpent, flag) and text "B. 'G. "flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, flagstaff hill maritime museum and village, dr w r angus, w.r. angus collection, badge, insignia, badge collection, epaulettes, naval epaulettes, naval insignia, shoulder boards, ss banffshire, t.s.s. largs bay, uniform, harvey's naval outfitters, london street london -
Bendigo Historical Society Inc.
Document - HANRO COLLECTION: HANRO PHOTO PROOFS
Hanro Photo Proofs:- Brown envelope with red print. Print on top left hand is *The Bendigo Advertiser Photographic Service. A Division of The Bendigo Advertiser Newspapers. Diagonally across the page is a red strip with *Your Photographs* At the bottom left is *If not delivered within 14days, return 'The Bendigo Advertiser,' Bendigo. On the front, hand written in blue ink is 'Proofs (Hanro)* Inside in a small wax paper pouch is 5 x photos 5.2x7.8cm of Hanro's factory floor showing the equipment and manufacture of fabric. Box 116AThe Bendigo Advertiser Photographic Service.hanro, clothing, photo proofs, the bendigo advertiser. hanro. -
Bendigo Historical Society Inc.
Clothing - MERLE HOULDEN COLLECTION: BABY'S WHITE COTTON NIGHTGOWN, 1885
Fine white cotton, round neck with three embroidered cotton panels inserted in bodice. Gown front is one piece of fabric from shoulder to hem, with a panel sewn across the front (12cm X 3 cm) giving the appearance of a bodice and skirt. This panel extends into long ties which tie at the back. Long sleeves are edged with lace and braid. This braid also edges the bodice panels, and fine lace edges the neckline. Narrow pleats between the lace bodice panels, give fullness to the bodice.Written in ink on inside of bodice panel - A. Geuer. (Merle's Grandmother)costume, children's, baby's white cotton nightgown -
Bendigo Historical Society Inc.
Clothing - FAY BRYANT COLLECTION: NIGHTGOWN, 1960s
Soft pink, woven lace net sleeveless ladies’ nightgown. Scoop neckline with a pink ribbon bow at centre front neckline. 2cm wide lace edging around neckline, arm holes and hemline. Centre back overlocked seam. Neckline is slightly gathered as is the top of the arm holes, giving a slightly puffed effect. The shoulder, gathered panel is trimmed with the 2cm lace edging. Knee length. Fully lined with pink nylon fabric. Purchased from Fosseys. New label still attached.EMCO LADDERPROOF LINGERIE Made in Australia. Washing Instructions. All included on attached swing tag.costume, female underwear, nightgown -
Bendigo Historical Society Inc.
Clothing - WOMEN'S LONG SLEEVED BLOUSE
Clothing. Women's long sleeved smock style blouse of cream coloured cotton fabric with geometric pattern of squares. High round neckline with 1.5 cm stand up collar. Yokes front and back with scalloped edge. Lower sections gathered into yoke with series of knife pleats. Three box pleats on the back continue from the yoke to the hem. Full length front opening fastened with six press-studs. Long sleeves gathered at shoulders and gathered into casing above the wrist, forming a frill decorated with pintucks.costume, female, women's long sleeved smock style blouse -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: CREAM TULLE AND BRUSSELLS LACE BOLERO
Clothing. The lower section of this garment has been removed, making an accurate assessment impossible. A beautiful panel of lace from the neckline, dipping to a Vshape at the centre back, has a swirled and leaf design. This design extends over the shoulders and bustline, with a peaked finish below the bust. Bows and spots decorate the below elbow sleeves, and are finished at the lower edge with a panel of lace 8 cm deep at the seam, extending to 15 cms deep at the outer side. Brussells lace is a bobbin lace added to the background fabric. forming the design.costume, female, cream tulle and brussells lace bolero -
Bendigo Historical Society Inc.
Clothing - LADIES STRIPED''SHIRT MAKER'' LONG SLEEVED DRESS, 1950's
Clothing. A ''shirt-maker'' styled ladies long-sleeved dress, with 4 mm, red/navy striped fabric. The ''straight-through'' dress has a tie-belt, 2cm wide if desired. Long 3/4 set-in sleeves are gathered into a ''turn-back'' cuff 6.5 cms wide, and fastened by two x 1.5 cm covered buttons,and two false stitched button holes. Five covered buttons and machine-stitched burtton holes in the front, from below the revere collar to below the waist.costume, female, ladies shirtmaker dress -
Bendigo Historical Society Inc.
Clothing - MCGOWAN COLLECTION: CHILD'S JACKET, Late 19th Century
Clothing, cream coloured silk child's jacket. Part of a two piece suit. (see 11401.8 pants).Front opening with 4 X 1.6 cm and 1 X 14 cm white buttons from throat to waist. Chelsea collar at the front with sailor collar at the back. Long sleeves with 6 cm cuffs. Jacket has casing at lower hem with a drawstring of cotton tape. Single pocket on left breast. Jacket is fully lined with white cotton fabric. Old box 524.costume, children's, jacket